Open House | ||||
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Studio album by Jimmy Smith | ||||
Released | January 1968 | |||
Recorded | March 22, 1960 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 38:03 | |||
Label | Blue Note BST 84269 | |||
Producer | Alfred Lion | |||
Jimmy Smith chronology | ||||
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Open House is an album by American jazz organist Jimmy Smith featuring performances recorded in 1960, but not released on the Blue Note label until 1968. [1] The album didn't appear on CD until being reissued in 1992, as a twofer which also included Plain Talk , compiling all the recordings from the session.
James Oscar Smith was an American jazz musician whose albums often charted on Billboard magazine. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.
Blue Note Records is an American jazz record label that is owned by Universal Music Group and operated with Decca Records. Established in 1939 by Alfred Lion and Max Margulis, it derives its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, from 1947 the label began to switch its attention to modern jazz. Although the original company did not record many of the pioneers of bebop, significant exceptions are Thelonious Monk, Fats Navarro and Bud Powell.
Plain Talk is a studio album by American jazz organist Jimmy Smith featuring performances recorded in 1960 but not released on the Blue Note label until 1968. The album was rereleased on CD combined with Open House (1960) in 1992 compiling all the recordings from the session.
The Allmusic review by Michael Erlewine awarded the album 4 stars calling it "a fast-paced studio jam session". [2]
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Donald Orlando "Duck" Bailey was an American jazz drummer.
A drum kit — also called a drum set, trap set, or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player, with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums and idiophones – most significantly cymbals, but can also include the woodblock and cowbell. In the 2000s, some kits also include electronic instruments. Also, both hybrid and entirely electronic kits are used.
Richard Allen "Blue" Mitchell was an American jazz, rhythm and blues, soul, rock and funk trumpeter, and composer, who recorded many albums as leader and sideman for Riverside, Blue Note and Mainstream Records.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
John Lenwood "Jackie" McLean was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
Alfred Lion, was a German-born American record executive who co-founded Blue Note Records in 1939. Blue Note recorded many of the biggest names in jazz throughout the 1940s, 1950s, and 1960s.
Rudolph Van Gelder was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions and recorded musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver and Grant Green. He worked with many record companies but was most closely associated with Blue Note Records.
An audio engineer helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "...technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer ... the nuts and bolts." It's a creative hobby and profession where musical instruments and technology are used to produce sound for film, radio, television, music, and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Say It Loud! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Charles Earland, Jimmy Ponder, and Leo Morris.
Dial "S" for Sonny is the debut studio album by jazz pianist Sonny Clark recorded for the Blue Note label and performed by Clark with Art Farmer, Curtis Fuller, Hank Mobley, Wilbur Ware, and Louis Hayes.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
Straight Ahead is an album by jazz saxophonist Stanley Turrentine, his first recording for the Blue Note label since Another Story in 1969, featuring four performances by Turrentine with Jimmy Smith, George Benson, Ron Carter and Jimmy Madison, and two tracks with Les McCann, Jimmy Ponder, Peter Brown, and Gerrick King.
Smithville is the second album by American trumpeter Louis Smith recorded in 1958. It was Smith's final album released by Blue Note label.
The Opener is an album by American trombonist Curtis Fuller recorded in 1957 and released on the Blue Note label as BLP 1567.
A Sure Thing is an album by American trumpeter Blue Mitchell with orchestra recorded in 1962 and released on the Riverside label.
Good Move! is the third album by American organist Freddie Roach recorded in 1963 and released on the Blue Note label.
Easy Living is an album by American saxophonist Ike Quebec recorded in 1962, but not released on the Blue Note label until 1987. The album collects all the material recorded in January 1962, five tracks from which were released in 1981 as Congo Lament.
House Party is the fourteenth album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and 1958 and released on the Blue Note label. The album was rereleased on CD with one bonus track.
The Sounds of Jimmy Smith is an album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and released on the Blue Note label. The CD reissue added three tunes recorded at the same session as bonus tracks.
Prayer Meetin' is an album by American jazz organist Jimmy Smith featuring performances recorded in 1963 and released on the Blue Note label. The album was rereleased on CD with two bonus tracks from the same session.
Bucket! is an album by American jazz organist Jimmy Smith featuring performances recorded in 1963 but not released on the Blue Note label until 1966. The CD reissue added two tracks recorded at the same session as bonus tracks.
Softly as a Summer Breeze is an album by American jazz organist Jimmy Smith featuring performances recorded in 1958 but not released on the Blue Note label until 1965. The album was rereleased on CD with four bonus tracks recorded at a later session.
Six Views of the Blues is an album by American jazz organist Jimmy Smith featuring performances recorded in 1958 but not released on the Blue Note label until 1999. Originally the single "The Swingin' Shepherd Blues" was released in 1958 as Blue Note 45-1711.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
Jimmy Smith Trio + LD is an album by jazz organist Jimmy Smith and saxophonist Lou Donaldson recorded for the Blue Note label in 1957 and released only in Japan.
Live at the Lighthouse is a live album by jazz group The Three Sounds featuring performances recorded in 1967 at the Lighthouse Club in California and released on the Blue Note label.