Blackface is the practice of performers using burnt cork or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theatre to works such as William Shakespeare's Othello.
Charlie Chan is a fictional Honolulu police detective created by author Earl Derr Biggers for a series of mystery novels. Biggers loosely based Chan on Hawaiian detective Chang Apana. The benevolent and heroic Chan was conceived as an alternative to Yellow Peril stereotypes and villains like Fu Manchu. Many stories feature Chan traveling the world beyond Hawaii as he investigates mysteries and solves crimes.
The Sheik is a 1921 American silent romantic drama film produced by Famous Players–Lasky, directed by George Melford, starring Rudolph Valentino and Agnes Ayres, and featuring Adolphe Menjou. It was based on the bestselling 1919 romance novel of the same name by Edith Maude Hull and was adapted for the screen by Monte M. Katterjohn. The film was a box-office hit and helped propel Valentino to stardom.
The Mysterious Dr. Fu Manchu is a 1929 American pre-Code drama film directed by Rowland V. Lee and starring Warner Oland as Dr. Fu Manchu. It was the first Fu Manchu film of the talkie era. Since this was during the transition period to sound, a silent version was also released in the United States, although only the sound version exists today. The film's copyright was renewed.
Ethnic stereotypes in comics have evolved over time, reflecting the changing political climate.
Stereotypes of East Asians in the United States are ethnic stereotypes found in American society about first-generation immigrants and their American-born descendants and citizenry with East Asian ancestry or whose family members who recently emigrated to the United States from East Asia, as well as members of the Chinese diaspora whose family members emigrated from Southeast Asian countries. Stereotypes of East Asians, analogous to other ethnic and racial stereotypes, are often erroneously misunderstood and negatively portrayed in American mainstream media, cinema, music, television, literature, video games, internet, as well as in other forms of creative expression in American culture and society. Many of these commonly generalized stereotypes are largely correlative to those that are also found in other Anglosphere countries, such as in Australia, Canada, New Zealand, and the United Kingdom, as entertainment and mass media are often closely interlinked between them.
Stereotypes of African Americans are misleading beliefs about the culture of people with partial or total ancestry from any black racial groups of Africa whose ancestors resided in the United States since before 1865, largely connected to the racism and the discrimination to which African Americans are subjected. These beliefs date back to the slavery of black people during the colonial era and they have evolved within American society.
Stereotypes of Indigenous peoples of Canada and the United States of America include many ethnic stereotypes found worldwide which include historical misrepresentations and the oversimplification of hundreds of Indigenous cultures. Negative stereotypes are associated with prejudice and discrimination that continue to affect the lives of Indigenous peoples.
Portrayals of East Asians in American film and theatre has been a subject of controversy. These portrayals have frequently reflected an ethnocentric perception of East Asians rather than realistic and authentic depictions of East Asian cultures, colors, customs, and behaviors.
There are stereotypes of various groups of people which live within the United States and contribute to its culture. Worldwide, a disproportionately high number of people know about these stereotypes, due to the transmission of American culture and values via the exportation of American-made films and television shows.
Reel Injun is a 2009 Canadian documentary film directed by Cree filmmaker Neil Diamond, Catherine Bainbridge, and Jeremiah Hayes that explores the portrayal of Native Americans in film. Reel Injun is illustrated with excerpts from classic and contemporary portrayals of Native people in Hollywood movies and interviews with filmmakers, actors and film historians, while director Diamond travels across the United States to visit iconic locations in motion picture as well as American Indian history.
The portrayal of Native Americans in television and films concerns indigenous roles in cinema, particularly their depiction in Hollywood productions. Especially in the Western genre, Native American stock characters can reflect contemporary and historical perceptions of Native Americans and the Wild West.
Imaging Blackness is the complex concept of expressing, recognizing, or assigning specific sets of ideas or values used in the depiction of Black people. This depiction can be shown through various forms of media: film, television, literature. More specifically in film, the portrayal of Black people as been imaged and captured throughout history.
The presence of African Americans in major motion picture roles has stirred controversy and been limited dating back decades due to lingering racism following slavery and segregation. "Through most of the 20th century, images of African-Americans in advertising were mainly limited to servants like the pancake-mammy Aunt Jemima and Rastus, the chef on the Cream of Wheat box." While African American representation in the film industry has improved over the years, it has not been a linear process; "Race in American cinema has rarely been a matter of simple step-by-step progress. It has more often proceeded in fits and starts, with backlashes coming on the heels of breakthroughs, and periods of intense argument followed by uncomfortable silence."
Examples of yellowface mainly include the portrayal of East Asians in American film and theater, though this can also encompass other Western media. It used to be the norm in Hollywood that East Asian characters were played by white actors, often using makeup to approximate East Asian facial characteristics, a practice known as yellowface.
"What Made the Red Man Red?" is a song from the 1953 Disney animated film Peter Pan with music by Sammy Fain and lyrics by Sammy Cahn, in which "the natives tell their story through stereotypical dance while singing". Some modern audiences consider it “racist and offensive” due to its exaggerated stereotypes. Although a similar depiction was displayed within J. M. Barrie's original play, later adaptations have reimagined the Natives, while the Disney version—and this song in particular—were said to have "doubled-down on racial stereotypes".
Whitewashing is a casting practice in the film industry in which white actors are cast in non-white roles. As defined by Merriam-Webster, to whitewash is "to alter...in a way that favors, features, or caters to white people: such as...casting a white performer in a role based on a nonwhite person or fictional character." According to the BBC, films in which white actors have played other races include all genres. African-American roles and roles of Asian descent have been whitewashed, as well as characters from the ancient world in the genre of classical and mythological films.
Inequality in Hollywood refers to the various forms of discrimination and social inequality in the American media industry. There are many branches of the media industry, such as news, television, film, music, agencies, studios, to name some of the major players. In each one of these branches, there are many instances of inequality since Hollywood formed as the entertainment hub of America in the early 1900s.
Depictions of race in horror films has been the subject of commentary. Critics have discussed the representation of race in horror films in relation to the presence of racist ideas, stereotypes and tropes within them. The horror genre has conversely also been used to explore social issues including race, particularly following popularization of social thrillers in the 2010s.
Brownface is a social phenomenon in which a white or light-skinned person attempts to portray themselves as a "brown" person of color, but less overtly and with a lighter complexion than traditional blackface. This may include mimicry of North African, West Asian, South Asian, Southeast Asian, Melanesian, Micronesian, Polynesian, Hispanic/Latino, Native American or other Indigenous groups, including olive-skinned Caucasians such as Southern Italians, Sicilians, Greeks, Arabs, Persians and/or ethnic identity by using makeup, hair-dye, and/or by wearing traditional ethnic clothing. It is typically defined as a racist phenomenon, similar to blackface.
