 | |
| Author | Bruce Nesmith and Andria Hayday |
|---|---|
| Genre | Role-playing game |
| Publisher | TSR |
Publication date | 1990 |
| Media type | Boxed set |
Ravenloft: Realm of Terror is a boxed set accessory published in 1990 for the Ravenloft campaign setting for the Advanced Dungeons & Dragons fantasy role-playing game.
Ravenloft: Realm of Terror is a supplement of rules for including Gothic horror in Dungeons & Dragons. [1] The supplement describes each of the 34 domains, or "countries", of Ravenloft, now expanded from the 1st Edition which only featured the castle of the vampire Strahd von Zarovich in Barovia. [2] The domains, described in varying degrees of detail, are each "ruled by an incredibly evil individual". [2] The module outlines the six reward levels a player can receive from pursuing evil deeds from a hit point boost to rule of a small land. [2] The product comprises the following aspects:
Fear and horror checks (a la Call of Cthulhu), the altered effects of spells and magic items, new monsters, exciting information about gypsies and fortune-telling in RPGs, and information about the individual domains and their rulers. [2]
Ravenloft: Realm of Terror was written by Bruce Nesmith and Andria Hayday, with a cover by Clyde Caldwell, and was published by TSR in 1990 as a boxed set with a 144-page book, four large color maps, 24 cardstock sheets, and a transparent map overlay. [1]
The supplement was previewed in Dragon #160 and Dragon #162. Published in June 1990, Ravenloft: Realm of Terror was the first boxed set for the Ravenloft campaign setting and the fifth major world for Dungeons & Dragons. [3] It was created by Bruce Nesmith with Andria Hayday. [3] The supplement contained Dungeons & Dragons first fear and horror check rules; "this sort of 'psychological saving throw' originated with Call of Cthulhu 's sanity checks and soon become de rigeur[ sic ] for the horror genre". [3] It also contained variant monster rules, new rules for curses and fortune-telling, and outlined consequences for characters slipping into the evil alignment. [3] The supplement introduced the Demiplane of Dread, outlined the different domains within it including Barovia and Mordent, and added the quirk that the demiplane acts as a changeable living realm. [3] Similar to Spelljammer , the supplement also contained "a way to crossover all the existing TSR settings. Gates from the Forgotten Realms, Greyhawk, Krynn, and the Oriental Adventures realm of Kara-Tur are all detailed in this book, while some of the domain lords are also crossovers from those settings". [3]
Shannon Appelcline, author of Designers & Dragons, highlighted that Ravenloft: Realm of Terror focused on Gothic horror unlike other RPG horror competitors which focused on cosmic horror or modern horror. Appelcline wrote that "a year after the release of Ravenloft, White Wolf's Vampire: The Masquerade (1991) appeared. [...] Its popularity caused TSR management to request that Ravenloft move 'toward a darker, more psychologically sinister outlook'. The Ravenloft designers refused and the success of that decision would soon become obvious. The Ravenloft line ran for a decade and a half through three major editions". [3]
Stewart Wieck reviewed the product in a 1990 issue of White Wolf. He rated the game overall at a 4 out of 5 points, just missing a perfect score—primarily due to an excessive number of domains. He stated a positive as the "advice that the authors give on running a true gothic horror campaign or adventure". [2]
In 1991, it won the Origins Award for Best Graphic Presentation of a Roleplaying Game, Adventure, or Supplement of 1990. [4]
Lawrence Schick, in his 1991 book Heroic Worlds, describes the set's fold-up castles as "scary". [1]
In 2013, Alex Lucard, for Diehard GameFAN, wrote that he felt Ravenloft: Realm of Terror was "far more accessible than Domains of Dread, which was the hardcover re-launch of the campaign setting post the Grand Conjunction. Domains of Dread requires you to know what happened in the Dark Domain before the Grand Conjunction [...]. Realm of Terror is simply easier for gamers of all levels to appreciate, more accessible by far and, well, it features better art in my opinion. [...] Realm of Terror gave you everything you needed to delve into the Ravenloft campaign setting. You had a 144 page softcover book which gave you in-depth information about the Dark Domain, all of its locations and various Darklords, and it was simply a wonderfully fresh take on 2e D&D. [...] Words cannot express how much I would love to see this thing be made electronically". [5]
Ravenloft is a campaign setting for the Dungeons & Dragons roleplaying game. It is an alternate time-space existence known as a pocket dimension or demiplane, called the Demiplane of Dread, which consists of a collection of land pieces called "domains", brought together by a mysterious force known only as the Dark Powers. Each domain is tailored to and mystically ruled by a being called a Darklord who is forever trapped and surrounded by magical mists surrounding the domain. Strahd von Zarovich, a vampire in the original AD&DRavenloft I6 module released in 1983, became the first Darklord, both ruler and prisoner of his own personal domain of Barovia. The story of how Count von Zarovich became Darklord of Barovia was detailed in the 1993 novel I, Strahd: The Memoirs of a Vampire. As originally established in the Ravenloft: Realm of Terror boxed set known as "the Black Box" released in 1990, the Ravenloft campaign setting was located in the Ethereal Plane. As a physical manifestation of that plane, lands, monsters and even people were created out of the mysterious mists, and the realm acted as a prison where one could enter or be transported, but means of escape were few. Other Ravenloft Domains and Darklords were eventually added in various AD&D 2nd edition products establishing a core continent attached around Barovia which could be traveled to by others if their respective lords allowed entering or leaving their borders; while some Domains remained isolated in the mists and were referred to as Islands.
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Ravenloft is an adventure module for the Dungeons & Dragons (D&D) fantasy role-playing game. The American game publishing company TSR, Inc. released it as a standalone adventure booklet in 1983 for use with the first edition Advanced Dungeons & Dragons game. It was written by Tracy and Laura Hickman, and includes art by Clyde Caldwell with maps by David Sutherland III. The plot of Ravenloft focuses on the villain Strahd von Zarovich, a vampire who pines for his lost love. Various story elements, including Strahd's motivation and the locations of magical weapons, are randomly determined by drawing cards. The player characters attempt to defeat Strahd and, if successful, the adventure ends.
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Count Strahd von Zarovich is a fictional character originally appearing as the feature villain in the highly popular Advanced Dungeons and Dragons adventure module I6: Ravenloft. Later, this character and his world would be explored in follow-up modules, novels, and the Ravenloft campaign setting. Within this setting, Strahd is the first and best-known of Ravenloft's darklords. He is a powerful ancient vampire. He is also a master necromancer, a skilled warrior, and the unquestioned ruler of the domain of Barovia.
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Vampire of the Mists is the first novel in the Ravenloft books gothic horror series. Written by Christie Golden, it is set both in Waterdeep, a city in the Forgotten Realms world of Dungeons & Dragons, and more prominently, the Demiplane of Dread, location of the Ravenloft campaign setting.
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Bruce Nesmith is a game designer who has worked primarily on role-playing games. He was Creative Director at TSR, working on a variety of games including Dungeons & Dragons, and is a senior game designer at Bethesda Game Studios, where he has worked on AAA titles such as Fallout 3, Fallout 4 and Elder Scrolls IV: Oblivion, and was lead designer on Elder Scrolls V: Skyrim.
Andria Hayday is a game designer who has worked primarily on role-playing games.