Recursive science fiction is a subgenre of science fiction, which itself takes the form of an exploration of science fiction within the narrative of the story.
Science fiction is a genre of speculative fiction that has been called the "literature of ideas". It typically deals with imaginative and futuristic concepts such as advanced science and technology, time travel, parallel universes, fictional worlds, space exploration, and extraterrestrial life. Science fiction often explores the potential consequences of scientific innovations.
A narrative is a report of connected events, real or imaginary, presented in a sequence of written or spoken words, or still or moving images, or both. The word derives from the Latin verb narrare, "to tell", which is derived from the adjective gnarus, "knowing" or "skilled".
In the book Resnick at Large, authors Mike Resnick and Robert J. Sawyer describe recursive science fiction as, "science fiction about science fiction". [1] In the work, The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders, Gary Westfahl comments, "Recursive fantasy fiction – that is, a fantasy about writing fantasy – is scarce;" [2] one potential example of recursive fantasy, however, would be Patrick Rothfuss' The Kingkiller Chronicle.
Gary Wesley Westfahl is a scholarly author and reviewer of science fiction. He has written reviews for the Los Angeles Times, The Internet Review of Science Fiction and Locus Online. He worked at the University of California, Riverside until 2011 and is now an Adjunct Professor at the University of La Verne.
Patrick James Rothfuss is an American writer of epic fantasy. He is best known for his series The Kingkiller Chronicle, which won him several awards, including the 2007 Quill Award for his debut novel, The Name of the Wind. Its sequel, The Wise Man's Fear, topped The New York Times Best Seller list.
The Kingkiller Chronicle is a fantasy series by Patrick Rothfuss, which recounts the story of Kvothe, an adventurer and musician. The story is narrated from the third person, but mostly consists of Kvothe narrating his life to a scribe in the first person. The first two books, The Name of the Wind and The Wise Man's Fear, were released in 2007 and 2011, respectively and a third novel titled The Doors of Stone is still to be released. Collectively, the book series has sold over 10 million copies.
Mike Resnick and Robert J. Sawyer cite Typewriter in the Sky by L. Ron Hubbard as an example of recursive science fiction. [1] Barry N. Malzberg's novel Herovit's World, about a hack science-fiction writer's struggle with the protagonist of his novels, is another. Gary Westfahl writes, "Luigi Pirandello's play Six Characters in Search of an Author (1921) offered a non-genre model." [2] Westfahl noted that Hubbard's book was "an early genre example, perhaps inspired by Pirandello". [2]
Typewriter in the Sky is a science fantasy novel by American writer L. Ron Hubbard. The protagonist Mike de Wolf finds himself inside the story of his friend Horace Hackett's book. He must survive conflict on the high seas in the Caribbean during the 17th century, before eventually returning to his native New York City. Each time a significant event occurs to the protagonist in the story he hears the sounds of a typewriter in the sky. At the story's conclusion, de Wolf wonders if he is still a character in someone else's story. The work was first published in a two-part serial format in 1940 in Unknown Fantasy Fiction. It was twice published as a combined book with Hubbard's work Fear. In 1995 Bridge Publications re-released the work along with an audio edition.
Lafayette Ronald Hubbard was an American author of science fiction and fantasy stories, and the founder of the Church of Scientology. In 1950, Hubbard authored Dianetics: The Modern Science of Mental Health and established a series of organizations to promote Dianetics. In 1952, Hubbard lost the rights to Dianetics in bankruptcy proceedings, and he subsequently founded Scientology. Thereafter Hubbard oversaw the growth of the Church of Scientology into a worldwide organization. Hubbard was cited by Smithsonian magazine as one of the 100 most significant Americans of all time.
Barry Nathaniel Malzberg is an American writer and editor, most often of science fiction and fantasy.
Films under the subgenre include Time After Time (1979) and The Time Machine (2002). In Time After Time, H. G. Wells, who wrote The Time Machine , is fictionally portrayed as an inventor of an actual time machine. In the 2002 film The Time Machine, the story by the real-life Wells serves as inspiration for the film's protagonist to invent a time machine. [3]
Time After Time is a 1979 American Metrocolor science fiction film directed by screenwriter Nicholas Meyer and starring Malcolm McDowell, David Warner, and Mary Steenburgen. Filmed in Panavision, it was the directing debut of Meyer, whose screenplay is based on the premise from Karl Alexander's novel Time After Time and a story by Alexander and Steve Hayes. The film presents a story in which British author H. G. Wells uses his time machine to pursue Jack the Ripper into the 20th century.
The Time Machine is a 2002 American science fiction film loosely adapted from the 1895 novel of the same name by H. G. Wells and the screenplay of the 1960 film of the same name by David Duncan. Arnold Leibovit served as executive producer and Simon Wells, the great-grandson of the original author, served as director. The film stars Guy Pearce, Orlando Jones, Samantha Mumba, Mark Addy, and Jeremy Irons, and includes a cameo by Alan Young, who also appeared in the 1960 film adaptation. The film is set in New York City instead of London, and contains new story elements not present in the original novel or the 1960 film adaptation, including a romantic backstory, a new scenario about how civilization was destroyed, and several new characters such as an artificially intelligent hologram and a Morlock leader. It was nominated for the Academy Award for Best Makeup at the 75th Academy Awards, but lost to Frida.
Herbert George Wells was an English writer. He was prolific in many genres, writing dozens of novels, short stories, and works of social commentary, satire, biography, and autobiography, and even including two books on recreational war games. He is now best remembered for his science fiction novels and is often called a "father of science fiction", along with Jules Verne and Hugo Gernsback.
This is a list of science fiction films organized chronologically. These films have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics. This includes silent film–era releases, serial films, and feature-length films. All of the films include core elements of science fiction, but can cross into other genres such as drama, mystery, action, horror, fantasy, and comedy.
Comic fantasy is a subgenre of fantasy that is primarily humorous in intent and tone. Usually set in imaginary worlds, comic fantasy often includes puns on and parodies of other works of fantasy.
Feminist science fiction is a subgenre of science fiction focused on theories that include feminist themes including but not limited to gender inequality, sexuality, race, economics, and reproduction. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Sword and sorcery (S&S) is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. An element of romance is often present, as is an element of magic and the supernatural. Unlike works of high fantasy, the tales, though dramatic, focus mainly on personal battles rather than world-endangering matters. Sword and sorcery commonly overlaps with heroic fantasy.
Comic science fiction or comedy science fiction is a subgenre of soft science fiction or science fantasy that exploits the science-fiction (SF) genre's conventions for comedic effect. Comic science fiction often mocks or satirizes standard SF conventions - such as alien invasion of Earth, interstellar travel, or futuristic technology. It can also satirize and criticize present-day society.
Dark fantasy is a subgenre of fantasy literary, artistic, and cinematic works that incorporate darker and frightening themes of fantasy. It also often combines fantasy with elements of horror or has a gloomy, dark atmosphere, or a sense of horror and dread.
An extraterrestrial or alien is any extraterrestrial lifeform; a lifeform that did not originate on Earth. The word extraterrestrial means "outside Earth". The first published use of extraterrestrial as a noun occurred in 1956, during the Golden Age of Science Fiction.
The timestream or time stream is a metaphorical conception of time as a stream, a flowing body of water. In Brave New Words: The Oxford Dictionary of Science Fiction, the term is more narrowly defined as: "the series of all events from past to future, especially when conceived of as one of many such series". Timestream is the normal passage or flow of time and its historical developments, within a given dimension of reality. The concept of the time stream, and the ability to travel within and around it, are the fundamentals of a genre of science fiction.
Paranormal romance is a subgenre of both romantic fiction and speculative fiction. Paranormal romance focuses on romantic love and includes elements beyond the range of scientific explanation, blending together themes from the speculative fiction genres of fantasy, science fiction, and horror. Paranormal romance may range from traditional category romances, such as those published by Harlequin Mills & Boon, with a paranormal setting to stories where the main emphasis is on a science fiction or fantasy-based plot with a romantic subplot included. Common hallmarks are romantic relationships between humans and vampires, shapeshifters, ghosts, and other entities of a fantastic or otherworldly nature.
Space Western is a subgenre of science fiction which uses the themes and tropes of Westerns within science fiction stories. Subtle influences may include exploration of new, lawless frontiers, while more overt influences may feature literal cowboys in outer space who use ray guns and ride robotic horses. Although initially popular, a strong backlash against perceived hack writing caused the genre to become a more-subtle influence until the 1980s, when it regained popularity. A further critical reappraisal occurred in the 2000s with Firefly.
The term insectoid denotes any creature or object that shares a similar body or traits with common earth insects and arachnids. The term is a combination of "insect" and "-oid".
Richard Neil Barron was a science fiction bibliographer and scholar. His training was as a librarian. He is perhaps best known for his book Anatomy of Wonder: A Critical Guide to Science Fiction. He won the Pilgrim Award for Lifetime Achievement in the field of science fiction scholarship in 1982. He died on September 5, 2010 in Las Vegas, Nevada.
Fiona Kelleghan is an American academic and critic specializing in science fiction and fantasy. She was a metadata librarian and a cataloguer at the University of Miami's Otto G. Richter Library. She left the University in 2011.
Lou Anders is the author of the Thrones & Bones series of middle grade fantasy novels. Anders is a Hugo Award-winning American editor, a Chesley Award-winning art director, an author and a journalist.
Feminist literature is fiction, nonfiction, drama or poetry which supports the feminist goals of defining, establishing and defending equal civil, political, economic and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regards status, privilege and power – and generally portrays the consequences to women, men, families, communities and societies as undesirable.
Ole Doc Methuselah is a collection of science fiction short stories by American writer L. Ron Hubbard, published in 1970.
Space opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology. The term has no relation to music, but is instead a play on the terms "soap opera" and "horse opera", the latter of which was coined during the 1930s to indicate clichéd and formulaic Western movies. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television and video games.
The following outline is provided as an overview of and topical guide to fantasy:
The year 1907 was marked, in science fiction, by the following events.
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