Red Room | |
---|---|
Location | 1600 Pennsylvania Avenue, NW, Washington, DC 20500 |
Built | circa 1800 |
Built for | The President's antechamber |
Restored | Coolidge-appointed committee of Colonial Revival and Federal furniture experts in 1926. Subsequent work by Maison Jansen in 1961 and Clement Conger in 1971 further refined that restoration. |
Architect | James Hoban |
Architectural style(s) | French and American Empire style |
Governing body | The White House Office of the Curator, the Committee for the Preservation of the White House, the White House Historical Association and the White House Endowment Trust |
The Red Room is one of three state parlors on the State Floor in the White House, the Washington D.C. home of the president of the United States. The room has served as a parlor and music room, and recent presidents have held small dinner parties in it. It has been traditionally decorated in shades of red. The room is approximately 28 by 22.5 feet (8.5 by 6.9 m). It has six doors, which open into the Cross Hall, Blue Room, South Portico, and State Dining Room.
Benjamin Latrobe's 1803 drawing of the White House's first floor indicates that the Red Room served as "the President's Antichamber" (sic) for the president's "Library & Cabinet" next door in the location of the present State Dining Room. During the administration of John Adams, it served as a breakfast room. [1] Jefferson kept a caged magpie in the room. During the James Madison administration, the antechamber became the "Yellow Drawing Room" and the scene of Dolley Madison's fashionable Wednesday night receptions. Dolley ordered a piano she particularly wanted, along with red velvet curtains for the room.
The White House was gutted in 1814 when the British set fire to the structure during the Burning of Washington. It was largely reconstructed during the administration of President James Monroe, and the door and window frames and doors themselves date to this era. [2] Monroe purchased furnishings for the Red Room in the Empire style, as he had for the Blue Room, to furnish the rebuilt White House.
Gilbert Stuart's portrait of George Washington originally hung in the Red Room, providing the colloquial name the "Washington Parlor." Stuart's 1804 portrait of Dolley Madison also was hung here.
The fireplace mantel was one of two originally purchased by President James Monroe in 1817. Carved of white marble in France in the Empire style, it and its partner originally were installed in the State Dining Room. In 1902, President Theodore Roosevelt selected Charles Follen McKim of the New York architectural firm McKim, Mead & White to renovate the White House. McKim fashioned all new mantels for the State Dining Room, and reused one of the 1817 mantels in the Red Room. [2] The walls were hung with burgundy silk velvet. A late nineteenth century suite of stuffed Turkish-style furniture was upholstered in the same shade.
The addition of a new attic story during the Coolidge administration placed great strain on the building's structure. By 1951 the house had become unsound and President Truman directed a major reconstruction. The building's interior was largely dismantled, with some of the architectural elements being numbered and stored. After a steel infrastructure was installed, those elements were restored in their original configuration. The Red Room was dismantled and reconstructed during this period. Installation of air conditioning in 1953 and 1954 required the ceiling height be reduced by approximately 18" and a new plaster ceiling with a somewhat generic pattern of stars was installed. Having nearly no furniture original to the house, Truman hired the New York department store B. Altman's design department to oversee the refurnishing of the house. In the Red Room, a red silk damask in the same pattern as before the reconstruction was installed on the walls.
The Louis XVI style mantel clock is French, c. 1780–85, and was a gift to the American nation in 1954 from President Vincent Auriol of France following completion of the Truman reconstruction of the house (1949–52).
Jacqueline Kennedy made extensive renovations to the White House in 1961 and 1962. When the Kennedy family first moved into the White House, the Red Room (along with other rooms on the State Floor of the White House) were arranged and decorated using existing items by Sister Parish, Mrs. Kennedy's long-time friend and interior decorator. Parish initially rearranged the Red Room, but did no refurbishment of it. [3] [a] By the middle of 1961, however, as the wider Kennedy renovation of the White House moved into high gear, Parish's Red Room decor was dismantled and she no longer played much of a role in the renovation. [3]
The Kennedy renovation was overseen by American antiques autodidact Henry Francis du Pont and French interior designer Stéphane Boudin and his company, Maison Jansen. [4] Kennedy also established an advisory Committee on Fine Arts made up of museum professionals as well as wealthy individuals interested in antiques. [5] Kennedy was an ardent admirer of French interior design, [2] and the Red Room was not only the first room to be redesigned during the Kennedy renovation but also the room refurbished almost completely in a French style. [6] But because the involvement of a French interior decorator was considered politically unpalatable to the American people, Boudin's role in redecorating the Red Room was not mentioned and the refurbishment was for many years attributed solely to Parish. [7]
Boudin, rather than du Pont, proved to have the greatest impact on the Red Room. About June 1961, Boudin proposed two alternative treatments for the walls. The more elaborate of these featured cerise (pinkish-red) silk upholstery for the walls, with a broad band of gold decorative "tape" around the inside of each panel (above the dado rail, below the cornice, and along both sides). The second proposal was nearly identical, but omitted the decorative band. In August, du Pont agreed that either of Boudin's suggestions would be appropriate. [8] The second proposal was approved by Kennedy Parish assisted by attempting to find a manufacturer who could not only duplicate the colors Boudin wanted but also the various medallion patterns he proposed. The New York textile manufacturer Bergamo was approached, but problems with design, manufacture, and cost forced Parish to utilize the Scalamandré firm instead. [9] The wall covering was put in place in late 1961. [7] [b]
Du Pont suggested the room be made over using Duncan Phyfe furniture, while Gerald Shea [c] of the Committee on Fine Arts felt that American Empire style furniture would be better. [11] Other advisors wanted furniture in the "French antique" style of Charles-Honoré Lannuier. [12] Since no single individual was in charge of the renovation effort, at first confusion reigned. The issue was largely decided after a potential patron turned down a request to donate a suite of American Empire furniture, and Kennedy convinced du Pont that a mix of French Empire and American Empire was appropriate. [13]
The room's refurnishing was made around a small circular guéridon probably designed and manufactured by Lannuier. A family in New York, which had owned it since American colonial times, donated the piece. [14] As of 1998, furniture historians James Abbott and Elaine Rice say, it "is still considered the best example of American neoclassical furniture in the mansion." [15] Sofas which once belonged to Dolley Madison and Nelly Custis (granddaughter of Martha Washington) were donated and placed in the room, as was a sofa table which featured a sphinx as a base (also attributed to Lannuier). [15] Two card tables with intricate wood inlays and sphinx-like legs; three French Empire armchairs with gilt-bronze frames; and a French Empire desk were also purchased and installed. [16] Four gondola side chairs, a pair of early Rococo Revival side chairs, and a French Empire armchair already owned by the White House were removed from storage and placed in the room. [16] A carpet woven in Aubusson, France, was selected by Kennedy for the floor of the Red Room. Too expensive to purchase outright, Boudin and his Maison Jansen associate Paul Manno approached financier André Meyer, who agreed to purchase and donate the carpet to the White House in exchange for a meeting with Mrs. Kennedy. [3]
To light the room, a gilded wood French chandelier (made about 1820), three French bouillotte table lamps, and a pair of French torchères were purchased and added to the Red Room. [3]
Boudin oversaw the installation of art in the Red Room as well. Boudin preferred a French design aesthetic, [17] which emphasized covering as much wall space as possible with paintings. This scheme was implemented early in 1961, but in early 1962 (after the walls were recovered in silk) Boudin altered this scheme. He now created two rows of paintings, one at eye-level and one above the top of the door frames. This mimicked the look of an art gallery, and was used in many French country manor-houses. [7]
Boudin and du Pont also competed to design window treatments for the Red Room. Boudin suggested straight panels of cerise silk, suspended from a gilded wood rod and rings. Du Pont proposed a lighter treatment of white cotton voile or muslin, drawn back from the windows with tassels. Mrs. Kennedy was concerned that du Pont's drapes would require constant pressing in order to look good, and that souvenir-hunters might snip at the tassels and fringe. Boudin's scheme won out. [18]
Most furniture currently found in the Red Room was acquired during the Kennedy and Nixon administrations.
In 1971 the room was redecorated by First Lady Pat Nixon with advice from a new White House curator Clement Conger who collaborated with architect and designer Edward Vason Jones. Conger replaced a generic plaster molding and ceiling medallion installed during the Truman reconstruction with historically accurate molding profiles and a new ceiling medallion.
Conger used the workshop of Franco Scalamandré for textiles, keeping the motif of medallions and scrolls, but changed the red color used by the Kennedys to a warmer more scarlet shade of red. On the south wall of the room between two windows a large gilded bracket was installed to hold a bust of President Martin Van Buren carved by Hiram Powers. A portrait of Van Buren's daughter-in-law, Angelica Singleton Van Buren, painted in 1842 by Henry Inman hangs above the mantel. The portrait includes a representation of the marble bust.
Drapery panels of yellow-gold silk satin with elaborate swags and jabots of red with gold medallions with handmade fringe recall a description of drapery used here during Dolley Madison's day. The curtains were designed by Edward Vason Jones, and are based on historical patterns held by the Society for the Preservation of New England Antiquities (now called Historic New England) and the Metropolitan Museum of Art. Conger returned use of the decorative tape along the ceiling moulding but not above the dado.
The 2000 refurbishment of the Red Room led by First Lady Hillary Clinton with advice from the Committee for the Preservation of the White House, and White House curator Betty Monkman retained the general form of Clement Conger's 1971 design. The color for walls and upholstery was changed to a deeper carmine red that historians considered more typical of nineteenth-century American manufactured textiles. The wide decorative tape, like those used in the Kennedy administration was installed above the dado.
The most significant recent addition to the Red Room is a tall rectilinear secretary desk attributed to Charles-Honoré Lannuier. It was a gift of the White House Historical Association during the Clinton administration, on the occasion of the 200th anniversary of the completion of the house.
In 2019, First Lady Melania Trump had the wall fabric of the Red Room refreshed after sunlight streaming into the room had left parts of the walls faded. [19]
The Madisons, Lincolns, Grants, and Kennedys all used the Red Room as a music room. A guitar, piano and music stands were kept in the room. Today a music stand beside the fireplace recalls that earlier use of the room.
In 1833, during the presidency of Andrew Jackson, the Red Room was host to the second Catholic ceremony in the history of the White House. [20] William Matthews presided over the baptism of Andrew Jackson Pageot, the son of Joseph Pageot and Mary Anne Lewis, a ward of Jackson. [21] [22]
President Ulysses S. Grant, fearing disruption of the transition of power to Rutherford B. Hayes (because of the latter's contested Election of 1876) had the new president-elect secretly sworn into office in the Red Room the evening before the inauguration. The Grants used the Red Room as a family living room.
Eleanor Roosevelt used the Red Room for meeting with women members of the press.
Following the State Funeral for President John F. Kennedy, Mrs. Kennedy received foreign heads of state in the Red Room.
The Reagans frequently used this room for official photographs with visiting heads of state. The room was Nancy Reagan's favorite. Her husbands portrait is positioned outside the room looking in as if he is watching over it.
The Clintons favored the room for small dinner parties.
In 2012, President Barack Obama and First Lady Michelle Obama had lunch with the Bush family in the Red Room ahead of the unveiling of the presidential portrait of George W. Bush. [23]
During the presidency of Donald Trump, First Lady Melania Trump and Queen Rania of Jordan had lunch together in the Red Room in April 2017. [24] President Trump met with French President Emmanuel Macron in the Red Room during an official state visit in 2018. [25]
The Bidens used the Red Room for their 2021 Lunar New Year message, red being an auspicious color in Chinese and East Asian culture.
The Blue Room is one of three state parlors on the first floor in the White House, the residence of the president of the United States. It is distinctive for its oval shape. The room is used for receptions and receiving lines and is occasionally set for small dinners. President Grover Cleveland married Frances Folsom in the room on June 2, 1886, the only wedding of a President and First Lady in the White House. The room is traditionally decorated in shades of blue. With the Yellow Oval Room above it and the Diplomatic Reception Room below it, the Blue Room is one of three oval rooms in James Hoban's original design for the White House.
The East Room is an event and reception room in the Executive Residence, which is a building of the White House complex, the home of the president of the United States. The East Room is the largest room in the Executive Residence; it is used for dances, receptions, press conferences, ceremonies, concerts, and banquets. The East Room was one of the last rooms to be finished and decorated, and it has undergone substantial redecoration over the past two centuries. Since 1964, the Committee for the Preservation of the White House has, by executive order, advised the president of the United States and first lady on the decor, preservation, and conservation of the East Room and other public rooms at the White House.
The Green Room is one of three state parlors on the first floor of the White House, the home of the president of the United States. It is used for small receptions and teas. During a state dinner, guests are served cocktails in the three state parlors before the president, first lady, and a visiting head of state descend the Grand Staircase for dinner. The room is traditionally decorated in shades of green. The room is approximately 28 by 22.5 feet. It has six doors, which open into the Cross Hall, East Room, South Portico, and Blue Room.
The State Dining Room is the larger of two dining rooms on the State Floor of the Executive Residence of the White House, the home of the president of the United States in Washington, D.C. It is used for receptions, luncheons, larger formal dinners, and state dinners for visiting heads of state on state visits. The room seats 140 and measures approximately 48 by 36 feet.
The Vermeil Room is located on the ground floor of the White House, the official residence of the president of the United States. The room houses a collection of silver-gilt or vermeil tableware, a 1956 bequest to the White House by Margaret Thompson Biddle. Portraits of American First Ladies hang in the room.
The China Room is one of the rooms on the Ground Floor of the White House, the home of the president of the United States. The White House's collection of state china is displayed there. The collection ranges from George Washington's Chinese export china to Barack Obama's blue and white themed collection. Almost all administrations are represented with a collection; however, a few are not - most recently, the Trump administration did not have a collection created and instead mainly used the china designed by Hillary Clinton during her time as First Lady. The room is primarily used by the first lady for teas, meetings, and smaller receptions.
The Diplomatic Reception Room is one of three oval rooms in the Executive Residence of the White House, the official home of the president of the United States. It is located on the ground floor and is used as an entrance from the South Lawn and a reception room for foreign ambassadors to present their credentials, a ceremony formerly conducted in the Blue Room. The room is the point of entry to the White House for a visiting head of state following the State Arrival Ceremony on the South Lawn. The room has four doors, which lead to the Map Room, the Center Hall, the China Room, and a vestibule that leads to the South Lawn.
The Map Room is a room on the ground floor of the White House, the official home of the president of the United States.
The Cross Hall is a broad hallway on the first floor in the White House, the official residence of the president of the United States. It runs east to west connecting the State Dining Room with the East Room. The room is used for receiving lines following a State Arrival Ceremony on the South Lawn, or a procession of the President and a visiting head of state and their spouses.
The Yellow Oval Room is an oval room located on the south side of the second floor in the White House, the official residence of the president of the United States. First used as a drawing room in the John Adams administration, it has been used as a library, office, and family parlor. It was designated the Yellow Oval Room during the restoration overseen by First Lady Jacqueline Kennedy. Today the Yellow Oval Room is used for small receptions and for greeting heads of state immediately before a State Dinner.
Charles-Honoré Lannuier, French cabinetmaker (1779–1819), lived and worked in New York City. In Lannuier's time, the style of his furniture was described as "French Antique." Today, his work is classified primarily as Federal furniture, Neoclassical, or American Empire.
Stéphane Boudin was a French interior designer and a president of Maison Jansen, the influential Paris-based interior decorating firm.
The President's Dining Room is a dining room located in the northwest corner of the second floor of the White House. It is located directly above the Family Dining Room on the State Floor and looks out upon the North Lawn. The Dining Room is adjacent to the Family Kitchen, a small kitchen designed for use by the First Family, and served by a dumbwaiter connected to the main kitchen on the ground floor.
The Treaty Room is located on the second floor of the White House, the official residence of the president of the United States. The room is a part of the first family's private apartments and is used as a study by the president.
The Cabinet Room is the meeting room for the officials and advisors to the president of the United States who constitute the Cabinet of the United States. The room is located in the West Wing of the White House, near the Oval Office, and looks out upon the White House Rose Garden.
The Roosevelt Room is a meeting room in the West Wing of the White House, the home and main workplace of the president of the United States. Located in the center of the wing, near the Oval Office, it is named after two related U.S. presidents, Theodore Roosevelt and Franklin D. Roosevelt, who contributed to the wing's design.
The Entrance Hall is the primary and formal entrance to the White House, the official residence of the president of the United States. The room is rectilinear in shape and measures approximately 31 by 44 feet. Located on the State Floor, the room is entered from outdoors through the North Portico, which faces the North Lawn and Pennsylvania Avenue. The south side of the room opens to the Cross Hall through a screen of paired Roman Doric columns. The east wall opens to the Grand Staircase.
The Grand Staircase is the chief stairway connecting the State Floor and the Second Floor of the White House, the official home of the president of the United States. The stairway is primarily used for a ceremony called the Presidential Entrance March. The present Grand Staircase, the fourth staircase occupying the same general space, was completed in 1952 as a part of the Truman White House reconstruction. The Grand Staircase is entered on the State Floor from the Entrance Hall.
Franco Scalamandré was a Italian-born American co-founder of Scalamandré Inc., a US manufacturer of traditional textiles, decorative textile trims, wall covering, and carpeting.
The Queens' Sitting Room is a small sitting room located in the northeast corner of the second floor of the White House. It was used as part of the president's offices until 1902 when the West Wing was built. The room became a sitting room for guests in the Queens' Bedroom in 1902. As a part of the Kennedy White House restoration the room was redecorated by Stéphane Boudin of the firm Maison Jansen. The walls are covered with a heavy cotton Toile de Jouy fabric. Black lacquered furniture of the early and mid-19th century provides contrast with the white painted wainscot and trim of the room.