Sacred Concert by Duke Ellington is one of the following realisations:
Ellington called these concerts "the most important thing I have ever done". He said many times that he was not trying to compose a Mass. The critic Gary Giddins has characterized these concerts as Ellington bringing the Cotton Club revue to the church. [1]
Concert of Sacred Music | ||||
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Live album by | ||||
Released | 1966 | |||
Recorded | December 26, 1965 | |||
Genre | Jazz | |||
Label | RCA | |||
Duke Ellington chronology | ||||
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Grace Cathedral in San Francisco planned a "Festival of Grace", with a variety of cultural works and speakers, to occur during the first year the cathedral was open, and Ellington's concert was to be a part of it. [2] (The "festival" also included a performance by Vince Guaraldi. [3] )
The concert premiered on September 16, 1965, and was recorded by KQED, a local public television station. [2] The performance was released on CD as A Concert of Sacred Music Live from Grace Cathedral and on DVD as Love You Madly/A Concert of Sacred Music at Grace Cathedral. The official album on RCA, A Concert of Sacred Music, was recorded at two concerts at Fifth Avenue Presbyterian Church in New York on December 26, 1965. Additional material from these concerts, not found on the original album, can be found on the 24-CD box set The Duke Ellington Centennial Edition: The Complete RCA Victor Recordings (1927-1973). The concert mixed existing and new material, with "New World A-Comin'" and "Come Sunday" from Black Brown and Beige and "Heritage (My Mother, My Father)" from the show My People. A new piece, the song "In the Beginning God", was awarded a Grammy Award in 1967. [4] It was performed again at Grace Cathedral on its 25th and 50th anniversaries, in 1990 and 2015. [2]
The Allmusic review by Richard S. Ginell awarded the album five stars and stated "the concert taps into Ellington's roots in showbiz and African-American culture as well as his evidently deep religious faith, throwing it all together in the spirit of universality and sealing everything with the stamps of his musical signatures". [5]
Ebony magazine called the piece "historic", situating it as part of a larger movement in the mid-'60s that brought together jazz and religion. [3]
Review scores | |
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Source | Rating |
Allmusic | [5] |
The Penguin Guide to Jazz Recordings | [6] |
The album was recorded at the Fifth Avenue Presbyterian Church on December 26, 1965.
Second Sacred Concert | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | January 22 & February 19, 1968 | |||
Genre | Jazz | |||
Label | Prestige | |||
Duke Ellington chronology | ||||
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Ellington's Second Sacred Concert premiered at the Cathedral of St. John the Divine in New York on January 19, 1968, but no recording of this performance has surfaced. The Second Sacred Concert was then recorded on January 22 and February 19, 1968, at Fine Studio in New York and originally issued as a double LP on Prestige Records and reissued on one CD minus the tracks "Don't Get Down On Your Knees To Pray Until You Have Forgiven Everyone" and "Father Forgive". [8] All the tracks can be found in the 24-CD box set The Duke Ellington Centennial Edition: The Complete RCA Victor Recordings (1927-1973).
This concert is the first time Swedish singer Alice Babs recorded with the Ellington Orchestra. In the concert she sang "Heaven" and the wordless vocal "T.G.T.T. (Too Good to Title)". Cootie Williams has a "growl" trumpet feature on "The Shepherd (Who Watches Over the Night Flock)". This piece is dedicated to Rev. John Garcia Gensel, Lutheran pastor to the jazz community. The climactic ending is "Praise God and Dance", which comes from Psalm 150.
At the invitation of the Harvard Episcopal Chaplaincy, Ellington gave the concert again at Emmanuel Episcopal Church, Boston on April 20, 1969.
The Allmusic review by Richard S. Ginell awarded the album 4 stars and stated "the material is fresh, not a patchwork of old and new like the first concert — and in an attempt to be as ecumenical as possible, Ellington reaches for novel techniques and sounds beyond his usual big band spectrum". [9]
Review scores | |
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Source | Rating |
Allmusic | [9] |
The Penguin Guide to Jazz Recordings | [6] : 438 |
Third Sacred Concert | ||||
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Live album by | ||||
Released | 1975 | |||
Recorded | 24 October 1973 | |||
Genre | Jazz | |||
Label | RCA | |||
Duke Ellington chronology | ||||
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The Third Sacred Concert was built around the skills of Alice Babs, Harry Carney, and Ellington himself on the piano. It was premiered at Westminster Abbey in London, United Kingdom on October 24, 1973, and released on LP in 1975 but has only been issued on CD as part of the 24-disc The Duke Ellington Centennial Edition: The Complete RCA Victor Recordings (1927-1973) collection. [10]
At this point in his life, Ellington knew he was dying. Author Janna Tull Steed has written that of all the concerts that Ellington is addressing God facing his mortality. [11] Alice Babs sings "Is God a Three Letter Word for Love?" and "My Love". Tenor saxophonist Harold Ashby is featured on "The Brotherhood", which is a tribute to The United Nations.
The Allmusic review by Richard S. Ginell awarded the album 3 stars and stated "the weakest of the sacred concerts. It lacks the showbiz kick and exuberance of the first concert and even more eclectic impulses of the second, now burdened with a subdued solemnity and the sense that the ailing Ellington knew his time was drawing to a close (he would be dead exactly six months later)". [12]
Review scores | |
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Source | Rating |
Allmusic | [12] |
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
The Stockholm Concert, 1966 is a 1966 live album by the American jazz singer Ella Fitzgerald, accompanied in part by the Duke Ellington Orchestra. The recording remained unreleased until 1984.
The Great Paris Concert is a 1973 live double album by jazz pianist Duke Ellington preserving pieces of a series of performances given in Paris during February 1963, a decade prior the release. For the 1989 CD reissue, 10 additional recordings from the same series of Paris concerts were added to the release. These 10 performances had previously been released on the 1967 LP Duke Ellington's Greatest Hits: Recorded "Live" In Concert.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
Togo Brava Suite is an album by the American pianist, composer, and bandleader Duke Ellington. It was recorded in England and released by United Artists Records in 1971. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1972. The album was later reissued on CD by Blue Note in 1994, and studio recordings of the complete "Togo Brava Suite" were released in 2001 by Storyville.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
Ellington '66 is an album by American pianist, composer, and bandleader Duke Ellington that was recorded and released on the Reprise label in 1965. The album won a Grammy Award for Best Instrumental Jazz Performance – Large Group or Soloist with Large Group.
Concert in the Virgin Islands is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1965. The album features studio recordings that Ellington with the Boston Pops Orchestra conducted by Arthur Fiedler composed after he and his orchestra played concerts on St. Croix and St. Thomas in the Virgin Islands in April, 1965. This album includes the four-part Virgin Islands Suite, as well as numbers played at the concerts on the islands.
Duke Ellington Plays Mary Poppins is an album by American pianist, composer and bandleader Duke Ellington recorded in 1964 and released on the Reprise label in 1965. The album features recordings of tunes from the 1964 musical film Mary Poppins arranged by Ellington and Billy Strayhorn.
The Symphonic Ellington is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963. The album features recordings of Ellington's orchestra with the Paris Symphony Orchestra, the Stockholm Symphony Orchestra, the Hamburg Symphony Orchestra, and the La Scala Symphony Orchestra.
Afro-Bossa is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963.
70th Birthday Concert is a live album by American pianist, composer and bandleader Duke Ellington recorded in England recorded at the Free Trade Hall in Manchester, England and originally released on the Solid State label in 1970. The album was later reissued on CD on the Blue Note label in 1995.
Yale Concert is an album by Duke Ellington, recorded at Woolsey Hall, Yale University in New Haven, Connecticut in 1968 and released on the Fantasy label in 1973.
The Jaywalker is a studio album by American pianist, composer and bandleader Duke Ellington featuring tracks recorded in 1966 and 1967 and released on the Storyville label in 2004.
In the Uncommon Market is a live album by American pianist, composer and bandleader Duke Ellington recorded in Europe in 1963 and 1966 and released on the Pablo label in 1986.
Duke Ellington at the Alhambra is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at the Alhambra Theater, Paris and released on the Pablo label in 2002.
Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York is the eighth volume of The Private Collection - whereas is Volume 5 in the edition of the collection by the English KAZ Jazz Masters label - a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Studio Sessions New York, 1968 is the ninth volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Studio Sessions New York & Chicago, 1965, 1966 & 1971 is the tenth volume of The Private Collection—a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
"Isfahan" is a jazz piece credited to Billy Strayhorn and Duke Ellington and released on Ellington's 1967 album The Far East Suite; Isfahan is a city in Iran. It features long-time Ellington soloist Johnny Hodges on alto saxophone. It was originally called Elf when Strayhorn composed it, months before the 1963 Ellington orchestra world tour during which the group traveled to Iran.