Sant'Anna dei Palafrenieri

Last updated

Church of Saint Anne in the Vatican
Sant'Anna de' Parafrenieri
Sant'Anna dei Palafrenieri - esterno.jpg
Religion
Affiliation Catholic Church
Ecclesiastical or organizational status Parish church
LeadershipP. Bruno Silvestrini [1]
Year consecrated 1583
Location
Location Vatican City
Vatican City location map.svg
Red pog.svg
Location on a map of Vatican City
Geographic coordinates 41°54′15″N012°27′27″E / 41.90417°N 12.45750°E / 41.90417; 12.45750
Architecture
Architect(s) Borromini, Giacomo Barozzi da Vignola [2]
Type Church
Style Baroque
Groundbreaking1565
Completed1775
Specifications
Direction of façadeS
Length28 metres (92 ft)
Width12 metres (39 ft)
Height (max)20 metres (66 ft)
Website
www.santanna.va

The Church of Saint Anne in the Vatican (Italian : Sant'Anna in Vaticano), known as Sant'Anna de' Palafrenieri (English: Saint Anne of the Grooms), is a Catholic parish church dedicated to Saint Anne in Vatican City. The church is the parish church of the State of Vatican City and is placed under the jurisdiction of the Vicariate of the Vatican City and is located beside the Porta Sant'Anna (Saint Anne's Gate), an international border crossing between Vatican City State and Italy. [3] [4]

Contents

Commissioned by the Venerabile Arciconfraternita di Sant'Anna de Palafrenieri, Giacomo Barozzi da Vignola introduced the oval plan to church design, for the first time in the churches of Sant'Andrea in Via Flaminia and Saint Anne in Vatican, pioneering a plan which was to become influential to Baroque architecture. [5]

History

On 20 November 1565, Pope Pius IV authorized the Archconfraternity of the Pontifical Grooms to build a church dedicated to Saint Anne close to the Apostolic Palace. [6] The construction began that same year on a design attributed to Renaissance architect Giacomo Barozzi da Vignola. [2] [7] It was one of the first churches in Rome with an elliptical plan. According to David Watkin, Vignola introduced the oval plan to church design for the first time in the churches of Sant'Andrea in Via Flaminia and Saint Anne in the Vatican, pioneering a plan which was to become influential to Baroque architecture. [5]

After a smooth start, the construction of the church slowed because the Archconfraternity was in financial trouble. After Vignola's death in 1573, the church was finished by his son Giacinto Barozzi, according to a payment made by the Archconfraternity. [6] When it was consecrated in 1583 it had a temporary roof. The facade attributed to Borromini and later attached to the oval church[ when? ] prefigured the facade of the church of Sant'Agnese in Agone in attempting to reconcile a front with five bats to two towers. [8] The facade was completed between 1700 and 1721 by Alessandro Specchi while the dome was finally built in 1763 and completed in 1775. [6]

Engraving of 1615, which shows the gabled roof, with the bell tower Sant'Anna dei Palafrenieri 1615.jpg
Engraving of 1615, which shows the gabled roof, with the bell tower

The Archconfraternity briefly exhibited in St. Anne a painting of the saint it commissioned in 1603 from Caravaggio. Destined for the altar of the papal Grooms in the Basilica of Saint Peter, it was painted in 1605–1606, Madonna and Child with St. Anne . It was later sold to Cardinal Scipione Borghese and now hangs in the museum of the Galleria Borghese.[ citation needed ]

The church belonged to the Archconfraternity until the Lateran Treaties of 1929, which constituted the Vatican City. Pope Pius XI erected the church into a parish, with the Apostolic Constitution "Ex Lateranensi pacto" of 30 May 1929. The pastoral care of the new parish was entrusted to the Augustinian Order. [9]

In return, Pope Pius XI granted the Archconfraternity the church of Santa Caterina della Rota. [10]

Interior

The interior, built to Vignola's design, is elliptical with eight side chapels. The main entrance is located at one end of the major axis of the ellipse. The minor axis ends with two chapels.

Four doors surmounted by a pediment and framed by travertine columns with Corinthian capitals are distributed between the main altar and the side chapels. Four large arches rise at the ends of the two main axes, framing the areas of entry, the altar and the two chapels. The sacred area of the main altar is a square enclosed by four arches as a clear counterpoint to the oval part of the church.

The dome itself rests on a plinth with a cornice with three strips, pierced at the base by eight windows. At the top of the dome stands the lantern, the only source of natural light onto the main altar. It is decorated with the dove of the Holy Spirit, from which golden rays radiate in circle.

Until the mid-18th century, the inner walls of the church were white and the columns showed the natural color of the travertine stone, typical of Renaissance churches. Influenced by the rise of the Baroque in Rome, the Archconfraternity started redecorating the church with more lavish decorations and plenty of gilt and stucco. The façade was re-decorated in the Baroque style by Alessandro Specchi who added the upper facade to Vignola's church. The dome was designed by Francesco Navole.[ citation needed ] They commissioned in 1746 the sculptor Giovan Battista de' Rossi (Il Rosso) to redecorate the church with angels holding garlands in stucco above the doors. [11] Four windows were walled and replaced with four frescoes depicting scenes from the life of Saint Anne. Giovan Battista de' Rossi also made in stucco shells with festoons decorating the frescoes. The decorator Annibale Rotati (c. 1673–1750) colored the walls in blue, cream and light gray. [11] The doorjambs were decorated with marble stucco marbled by Giacomo de Rocchi. The gold and silver stucco was made by Pietro Ricci. Despite the Baroque decoration, the initial plan of the church is still visible.

See also

Notes

  1. "Official website of the vicariate of Rome". Archived from the original on 4 March 2012. Retrieved 31 December 2010.
  2. 1 2 Lewine 1965
  3. St Peter's Basilica also has parochial rights within Vatican City.
  4. Diocesi di Roma. "Vicariato della Città del Vaticano" (in Italian). Archived from the original on 16 January 2011. Retrieved 16 November 2010.
  5. 1 2 Watkin, David (2005). A History of Western Architecture. New York: Lawrence King Publications. p. 242. ISBN   978-1-85669-459-9.
  6. 1 2 3 "Venerabile Arciconfraternita di Sant'Anna de' Parafrenieri" . Retrieved 28 July 2017.
  7. Comitato Nationale per il Vignola. "Catalogo Opere" . Retrieved 18 December 2010.
  8. "Borromini". Encyclopædia Britannica Online . Retrieved 30 November 2010.
  9. Pope John Paul II (2004). "Address to the parishioners of the Pontifical parish of St Anne". Holy See. Retrieved 18 December 2010.{{cite journal}}: Cite journal requires |journal= (help)
  10. "Official website of the Vicariate of Rome – Santa Caterina della Rota". Archived from the original on 3 November 2011. Retrieved 31 December 2010.
  11. 1 2 Pontificia Parrocchia Sant'Anna in Vaticano. "Interno della chiesa" (in Italian). Retrieved 31 December 2010.

Related Research Articles

<span class="mw-page-title-main">Giacomo Barozzi da Vignola</span> Italian architect (1507–1573)

GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.

<span class="mw-page-title-main">Church of the Gesù</span> Church in Rome, Italy

The Church of the Gesù is the mother church of the Society of Jesus (Jesuits), a Catholic religious order. Officially named Chiesa del Santissimo Nome di Gesù all'Argentina, its façade is "the first truly baroque façade", introducing the baroque style into architecture. The church served as a model for innumerable Jesuit churches all over the world, especially in the Americas. Its paintings in the nave, crossing, and side chapels became models for Jesuit churches throughout Italy and Europe, as well as those of other orders. The Church of the Gesù is located in the Piazza del Gesù in Rome.

<span class="mw-page-title-main">Domenico Fontana</span> Italian architect born in todays Ticino (1543–1607)

Domenico Fontana was an Italian architect of the late Renaissance, born in today's Ticino. He worked primarily in Italy, at Rome and Naples.

<span class="mw-page-title-main">San Petronio, Bologna</span> Minor basilica

The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.

<i>Madonna and Child with St. Anne (Dei Palafrenieri)</i> Painting by Caravaggio

The Madonna and Child with St. Anne or Madonna and the Serpent, is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms in the Basilica of Saint Peter and taking its theme from Genesis 3:15. The painting was briefly exhibited in the parish church for the Vatican, Sant'Anna dei Palafrenieri, before its removal, due to its unorthodox portrayal of the Virgin Mary. There are a lot of reasons why the piece may have been removed, such as the nudity of the child Jesus and the Virgin Mary revealing too much of her breast. The reputation of the model that Caravaggio used to portray the Virgin Mary could be another reason as to why this altarpiece was withdrawn. The altarpiece was sold to Cardinal Scipione Borghese and now hangs in his palazzo.

<span class="mw-page-title-main">Sant'Andrea in Via Flaminia</span>

Sant'Andrea in Via Flaminia is a Roman Catholic church dedicated to St Andrew the Apostle in Rome, Italy. The edifice is also known as Sant'Andrea del Vignola, after its architect Giacomo Barozzi da Vignola.

<span class="mw-page-title-main">San Giovanni dei Fiorentini</span> Church in Rome, Italy

The Basilica of San Giovanni dei Fiorentini is a minor basilica and a titular church in the Ponte rione of Rome, Italy.

<span class="mw-page-title-main">Sant'Apollinare, Rome</span> Roman Catholic basilica in Italy

The Basilica di Sant'Apollinare alle Terme Neroniane-Alessandrine is a titular church in Rome, Italy, dedicated to St Apollinare, the first bishop of Ravenna.

<span class="mw-page-title-main">Diocese of Rome</span> Diocese of the Catholic Church in Rome, Italy

The Diocese of Rome, also called the Vicariate of Rome, is a Latin diocese of the Catholic Church under the direct jurisdiction of the Pope, who is Bishop of Rome and hence the supreme pontiff and head of the worldwide Catholic Church. As the Holy See, the papacy is a sovereign entity with diplomatic relations, and civil jurisdiction over the Vatican City State located geographically within Rome. The Diocese of Rome is the metropolitan diocese of the province of Rome, an ecclesiastical province in Italy. The first bishop of Rome was Saint Peter in the first century. The incumbent since 13 March 2013 is Pope Francis.

This is an index of Vatican City–related topics.

<span class="mw-page-title-main">San Girolamo della Carità</span> Church in Rome, Italy

San Girolamo della Carità is a church in Rome, Italy, located near the Palazzo Farnese and Campo de' Fiori.

<span class="mw-page-title-main">Santi Claudio e Andrea dei Borgognoni</span> Church in Rome, Italy

The Church of SS. Claudius and Andrew of the Burgundians is a Roman Catholic church dedicated to Saint Claudius of Besançon and the apostle Saint Andrew. It is one of the national churches in Rome dedicated to France. Built from 1728 to 1730, the church was designed by French architect Antoine Dérizet.

<span class="mw-page-title-main">Santissima Trinità dei Pellegrini, Rome</span> Church in Rome, Italy

The Chiesa della Santissima Trinità dei Pellegrini is a Roman Catholic church located on Via dei Pettinari #36 In the rione of Regola of central Rome, Italy. It stands a block away from the Palazzo Spada on Via Capo di Ferro, while a few blocks away on the Via dei Pettinari stands the Ponte Sisto.

<span class="mw-page-title-main">Santi Martino e Sebastiano degli Svizzeri</span> Church in Rome, Italy

The Church of Saints Martin and Sebastian of the Swiss is a Roman Catholic oratory in Vatican City. The church was built by Pope Pius V in 1568 to serve as a private chapel for the Pontifical Swiss Guards, whose barracks are located next to Porta San Pellegrino, close to the Apostolic Palace. It is considered the national church of Switzerland in Rome.

<span class="mw-page-title-main">Santa Maria delle Grazie alle Fornaci fuori Porta Cavalleggeri</span> Church in Rome, Italy

Santa Maria delle Grazie alle Fornaci fuori Porta Cavalleggeri is a Baroque style, Roman Catholic parish and titular church located at Piazza di Santa Maria alle Fornaci, south of Vatican City and north of the San Pietro train station in the Aurelio quarter. It was made a cardinalate deaconry by Pope John Paul II on 25 May 1985, and assigned it to Cardinal Duraisamy Simon Lourdusamy, then Prefect of the Congregation for the Oriental Churches. The church became vacant on 2 June 2014 after the death of Cardinal Lourdusamy. On November 11, 2016 it was announced that Mario Zenari will succeed him.

<span class="mw-page-title-main">Sediari</span>

The Sediari pontifici were chair-bearers of the pope on the sedia gestatoria. Originally servants of the papal household, they later became a lay confraternity. The origins of the chair-bearers lie in medieval times, earlier even than the Swiss Guards.

<span class="mw-page-title-main">San Giacomo Scossacavalli</span> Church in Rome, destroyed in 1937

San Giacomo Scossacavalli was a church in Rome important for historical and artistic reasons. The church, facing the Piazza Scossacavalli, was built during the early Middle Ages and since the early 16th century hosted a confraternity which commissioned Renaissance architect Antonio da Sangallo the Younger to build a new shrine. This was richly decorated with frescoes, painted by mannerist artist Giovanni Battista Ricci and his students. The church was demolished in 1937, when Via della Conciliazione was built and the piazza and central part of the Borgo rione were demolished. Many decorative elements still exist, since they were preserved from demolition.

<span class="mw-page-title-main">Hans-Peter Fischer</span> German Catholic priest

Hans-Peter Fischer is a German Catholic priest. He is Prelate Auditor of the Apostolic Tribunal of the Roman Rota since 2017. From 2010 to 2022 he served as rector of the Archconfraternity of Our Lady of Sorrows of the Germans and the Flemish in the Vatican and as rector of the Pontifical Teutonic College of Santa Maria in Campo Santo.

The Sanctuary of the Madonna del Ruscello, also known as Santa Maria del Ruscello or the Santuario di Maria Santissima del Ruscello dei Donatori di Sangue is a Baroque-style, Roman Catholic church located on Piazza A. Xerry De Caro #13 in the town of Vallerano, province of Viterbo, region of Lazio, Italy.

References

Further reading