Semele, or Thyone in Greek mythology, was the youngest daughter of Cadmus and Harmonia, and the mother of Dionysus by Zeus in one of his many origin myths.
Semele is an opera by John Eccles, written in about 1706 with a libretto by William Congreve drawing on the Semele myth from Ovid's Metamorphoses. It forms part of the English opera tradition of Blow's Venus and Adonis, but was never staged due to changes in popular taste at the time. Indeed, the opera remained unperformed until the mid twentieth century, eclipsed by George Frideric Handel's 1744 secular oratorio of the same name, based on the same libretto.
Samson is a three-act oratorio by George Frideric Handel, considered to be one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera. The well-known arias "Let the bright Seraphim", "Total eclipse" and "Let their celestial concerts" are often performed separately in concert.
Theodora is a dramatic oratorio in three acts by George Frideric Handel, set to an English libretto by Thomas Morell. The oratorio concerns the Christian martyr Theodora and her Christian-converted Roman lover, Didymus. It had its first performance at Covent Garden Theatre on 16 March 1750. Not popular with audiences in Handel's day, Theodora is now recognised as a masterpiece. It is usually given in concert, being an oratorio, but is sometimes staged.
Oreste is an opera by George Frideric Handel in three acts. The libretto was anonymously adapted from Giangualberto Barlocci’s L’Oreste, which was in turn adapted from Euripides' Iphigeneia in Tauris.
Jephtha is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges and Jephthes, sive Votum (1554) by George Buchanan. Whilst writing Jephtha, Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio. In the autograph score, at the end of the chorus "How dark, O Lord, are thy decrees" he wrote "Reached here on 13 February 1751, unable to go on owing to weakening of the sight of my left eye."
Hercules is a Musical Drama in three acts by George Frideric Handel, composed in July and August 1744. The English language libretto was by the Reverend Thomas Broughton, based on Sophocles's Women of Trachis and the ninth book of Ovid's Metamorphoses.
Solomon, HWV 67, is an oratorio by George Frideric Handel. The anonymous libretto – currently thought to have been penned by the English Jewish poet/playwright Moses Mendes (d.1758) – is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles, with additional material from Antiquities of the Jews by ancient historian Flavius Josephus. The music was composed between 5 May and 13 June 1748, and the first performance took place on 17 March 1749, with Caterina Galli in the title role at the Covent Garden Theatre in London, where it had two further performances. Handel revived the work in 1759.
Sémélé is an opera by Marin Marais with a libretto by Antoine Houdar de la Motte first performed on 9 April 1709, by the Paris Opera at the Théâtre du Palais-Royal. The opera is in the form of a tragédie en musique with a prologue and five acts.
Belshazzar is an oratorio by George Frideric Handel. The libretto was by Charles Jennens, and Handel abridged it considerably. Jennens' libretto was based on the Biblical account of the fall of Babylon at the hands of Cyrus the Great and the subsequent freeing of the Jewish nation, as found in the Book of Daniel.
Joshua is an oratorio by George Frideric Handel. It was composed in a month, from 19 July 1747 to 19 August 1747, six months before the beginning of the oratorio season. Joshua is Handel's fourth oratorio based on a libretto by Thomas Morell. The oratorio premiered on 9 March 1748 at the Covent Garden Theatre, London. Joshua is based on the Biblical story of Joshua as the leader of the ancient Israelites. The story follows the Israelites from their passage over the Jordan River into Caanan and through the Battle of Jericho. The work also includes a love story elaborated from a few hints in the Biblical narrative between Caleb's daughter Achsah and Othniel, a young soldier.
An Occasional Oratorio is an oratorio by George Frideric Handel, based upon a libretto by Newburgh Hamilton after the poetry of John Milton and Edmund Spenser. The work was written in the midst of the Jacobite rising of 1745–1746, the attempt to overthrow Handel's patrons – the Hanoverian monarchy under George II – and replace them with a Stuart restoration under Charles Edward Stuart, "Bonnie Prince Charlie". The Occasional Oratorio is unique among Handel's works which he labelled "oratorio" in that it does not tell a story or contain elements of a drama, but was intended as a defiant and patriotic rallying piece.
Esther Young was an English operatic contralto and the wife of music publisher Charles Jones. She was part of a well-known English family of musicians that included several professional singers and organists during the 17th and 18th centuries.
Judith is an oratorio composed by Thomas Arne with words by the librettist, Isaac Bickerstaffe. It was first performed on 27 February 1761 at Drury Lane Theatre. It depicts the story of Judith, taken from the Book of Judith of the Old Testament. It was first published in 1761 and republished with edits in 1764. The piece is divided into three acts, with a total of 28 movements including nine choruses, two duets, an overture, and 16 arias.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts, listed here in tables for their musical setting and biblical sources.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. The wordbook was supplied by Charles Jennens. This article covers Part I and describes the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his virgin birth by several prophets, namely Isaiah. His birth is still rendered in words by Isaiah, followed by the annunciation to the shepherds as the only scene from a Gospel in the oratorio, and reflections on the Messiah's deeds. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
The Creation, the oratorio by Joseph Haydn, is structured in three parts. He composed it in 1796–1798 on German text as Die Schöpfung. The work is set for soloists, chorus and orchestra. Its movements are listed in tables for their form, voice, key, tempo marking, time signature and source.
Daniel Sullivan was an Irish countertenor, best known for his association with composer Georg Frideric Handel.
Polifemo is an opera in three acts by Nicola Porpora with a libretto by Paolo Rolli. The opera is based on a combination of two mythological stories involving the cyclops Polyphemus: His killing of Acis and his blinding by Ulysses.
