Solo performance

Last updated

Gerald Dickens in solo performance of A Christmas Carol GCDickens-one-man-show.jpg
Gerald Dickens in solo performance of A Christmas Carol

A solo performance, sometimes referred to as a one-man show, one-woman show, or one-person show, features a single person telling a story for an audience, typically for the purpose of entertainment. This type of performance comes in many varieties, including autobiographical creations, comedy acts, novel adaptations, vaudeville, poetry, music and dance. [1] In 1996, Rob Becker's Defending the Caveman became the longest-running one-person play in the history of Broadway theatre.

Contents

Traits of solo performance

Solo performance is used to encompass the broad term of a single person performing for an audience. Some key traits of solo performance can include the lack of the fourth wall and audience participation or involvement. Solo performance does not need to be written, performed and produced by a single person—a solo performance production may use directors, writers, designers and composers to bring the piece to life on a stage. An example of this collaboration is Eric Bogosian in the published version of his show Wake Up And Smell the Coffee, by Theatre Communications Group, New York City. [2]

History

It is assumed that individuals have told stories in front of other members of their tribe or society for thousands of years. They would have orally passed down many of today's myths and legends in this manner. [1] So it is a style of performance that has been with us for generations developing through theatrical people such as Greek Monologists, the strolling Minstrels of Medieval England and the French Troubadors.

Edgar Allan Poe both lectured and recited poetry as a platform performer between 1843 and 1849; his performances stand as a paradigm of the solo performance hybrid simply called "the lecture-recital". The reading tours of Charles Dickens in Britain and America between 1858 and 1870 created a sensation. His American tour of 1867–68 was unparalleled until the arrival of the Beatles in the early 1960s. [3]

Solo performance enjoyed an unprecedented artistic and commercial vogue in the United States during the second half of the nineteenth century (John S. Gentile Calls it the golden age of platform performance). Literary historians often associate the Victorian period with the highest development of the dramatic monologue as a poetic form. There were several discussions about the importance and distinction between the literary monologue and the performance monologue during the nineteenth century, however, this discussions confirms a continuous interchange between literature and performance, which may at times appear competitive but is more often productive. By the time the United States entered the 20th century, the number and variety of professional solo performances presented throughout the country had grown large. [4] This renaissance of solo performance also created ripples in the larger sense of American theatre; after this "boom" of the one man show had passed, the presentational style seeped into popular theatre productions such as Amadeus, Equus, and Evita among others, modeling a combination of representational theatricality and presentational, direct-address style. [5]

By the 1960s, the term performance art became popular and involved any number of performance acts or happenings, as they were known. Many performers, like Laurie Anderson, developed through these happenings and are still performing today.

Types and examples of solo performances

The backgrounds of solo performers over the decades range from vaudeville, comedy, poetry, music, the visual arts, magic, cabaret, theatre and dance. [1]

Solo performers include Rob Becker, Lily Tomlin, Andy Kaufman, Rod Maxwell, Lord Buckley, Eric Bogosian, Whoopi Goldberg, Jade Esteban Estrada, Eddie Izzard, John Leguizamo, Marga Gomez, Anna Deavere Smith, Bill Hicks, Brother Blue, Lenny Bruce [1] , and Mel Blanc.

Several performers have presented solo shows in tribute to famous personalities. The blueprint for this type of show may have been drafted by Hal Holbrook, who has performed as Mark Twain in his solo show, Mark Twain Tonight , more than 2,000 times since 1954. Examples since that time include Julie Harris in the Emily Dickinson biography, The Belle of Amherst ; Tovah Feldshuh as Golda Meir in Golda's Balcony ; Frank Gorshin as George Burns in Say Goodnight Gracie [6] by Rupert Holmes; Ed Metzger in his solo show, performing since 1978, Albert Einstein: The Practical Bohemian ; Metzger in another solo performance, Hemingway: On the Edge ; Henry Fonda as Clarence Darrow in Darrow, Ronald Rand as Harold Clurman in Let It Be Art! since 2001 in 25 countries, and Tom Dugan as Simon Wiesenthal in Wiesenthal. [7]

A few actors adapted entire novels for the stage including Patrick Stewart who played all 43 parts in his version of A Christmas Carol , which played three times on Broadway and at The Old Vic in London; actor Gerald Charles Dickens played 26 characters in his performances from the same work; and Jack Aranson starred in a solo, 13-character production of Moby Dick .

Solo performance may be personal, autobiographical creations. This ranges from the intensely confessional but comedic work of Spalding Gray, the semi-autobiographical A Bronx Tale by Chaz Palminteri, or Holly Hughes' solo piece World without End, in which she attempts to make sense of her relationship with her mother, who had died. Another example of this is In The Body of the World, written and performed by Eve Ensler in 2018.

Still other shows may rally around a central theme, such as pop culture in Pat Hazel's The Wonderbread Years, relationships in Robert Dubac's The Male Intellect, the history of the New York City transit system in Mike Daisey's Invincible Summer, or fighting the system in Patrick Combs' Man 1, Bank 0. these themes could also be centered around a certain topic such as a political or social issue. [1] Tim Miller explores the topic of gay culture and society surrounding the LGBTQ community in his production of My Queer Body. [8] Karen Finley expressed her frustration with the standards women are held to and the issues surrounding them such as rape and abortion in her solo piece titled We Keep Our Victims Ready. [9]

Sometimes, solo shows are simply traditional plays written by playwrights for a cast of one. Examples: Shirley Valentine by Willy Russell, I Am My Own Wife by Doug Wright, The Blonde, the Brunette and the Vengeful Redhead by Robert Hewett and Topless by Miles Tredinnick. A performer of shows of this type is Chris Harris, whose performances in the genre include Kemp's Jig, That's The Way To Do It!, Ally Sloper's Half Holiday , Beemaster, 'Arris Music 'All and A Night at the Pantomime. [10]

There have also been many British comedians who have moved away from performing pure stand-up comedy in recent years. The shows that appear annually at the Edinburgh Festival Fringe can involve stories of pathos and the use of technological equipment such as projectors. Examples include Howard Read, who has performed with the animated character Little Howard which was projected with the aid of computers and Dave Gorman, who has performed several shows described as "documentary comedy". [11]

Solo performance in film

The first full-length talking film which showed only a single character was Sofi, a 1968 film starring Tom Troupe. The film was based on "Diary of a Madman" by Gogol.

The 1964 Hindi movie Yaadein also featured only Sunil Dutt, but Nargis Dutt made a few appearances as a silhouette. However, it still made it to the Guinness Book of World Records for the "fewest actors in a narrative film". [12]

Secret Honor , a 1984 film about Richard Nixon with Philip Baker Hall as the disgraced President ruminating on his past.

In the 21st century the "solo performance" had a rejuvenation period with films like Locke , All Is Lost and Buried . The characteristics were different from the previous one-character films that were made – mainly by location and style. Sofi and works like Give 'em Hell, Harry! , were still studio-filmed theater pieces. The 21st-century films were mostly shot on location and were much more stylized with their cinematic expression and camera usage. Most recently films by Marcus Tell showed ongoing characteristics of one-character films. [13]

R. Parthiban wrote, produced, directed, and was the only actor in the 2019 Tamil movie Oththa Seruppu Size 7.

Productions and solo performers/writers

See also

Related Research Articles

<span class="mw-page-title-main">Monologue</span> Speech presented by a single character

In theatre, a monologue is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media, as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices.

<span class="mw-page-title-main">Spalding Gray</span> American actor and writer (1941–2004)

Spalding Gray was an American actor, novelist, playwright, screenwriter and performance artist. He is best known for the autobiographical monologues that he wrote and performed for the theater in the 1980s and 1990s, as well as for his film adaptations of these works, beginning in 1987. He wrote and starred in several, working with different directors.

<span class="mw-page-title-main">Eric Bogosian</span> Actor, playwright, monologist, novelist

Eric Bogosian is an American actor, playwright, monologuist, novelist, and historian. Descended from Armenian-American immigrants, he grew up in Watertown and Woburn, Massachusetts, and attended the University of Chicago and Oberlin College. His numerous plays include Talk Radio (1987) and subUrbia (1994), which were adapted to film by Oliver Stone and Richard Linklater, respectively, with Bogosian starring in the former.

<i>The Vagina Monologues</i> 1996 play by Eve Ensler

The Vagina Monologues is an episodic play written in 1996 by Eve Ensler which developed and premiered at HERE Arts Center, Off-Off-Broadway in New York and was followed by an Off-Broadway run in at Westside Theatre. The play explores consensual and nonconsensual sexual experiences, body image, genital mutilation, direct and indirect encounters with reproduction, vaginal care, menstrual periods, prostitution, and several other topics through the eyes of women with various ages, races, sexualities, and other differences.

<span class="mw-page-title-main">Chazz Palminteri</span> American actor (born 1952)

Calogero Lorenzo "Chazz" Palminteri is an American actor. He is best known for his film roles in A Bronx Tale (1993), based on his play of the same name, Bullets Over Broadway (1994) for which he was nominated for an Academy Award for Best Supporting Actor, and The Usual Suspects (1995), as well as his recurring role as Shorty in Modern Family (2010–2019).

<span class="mw-page-title-main">Eve Ensler</span> American playwright, performer, feminist, and activist

V, formerly Eve Ensler, is an American playwright, author, performer, feminist, and activist. V is best known for her play The Vagina Monologues. In 2006 Charles Isherwood of The New York Times called The Vagina Monologues "probably the most important piece of political theater of the last decade."

Theodore Isidore Gottlieb, mostly known as Brother Theodore, was a German-born American actor and comedian known for rambling, stream-of-consciousness monologues which he called "stand-up tragedy". He was described as "Boris Karloff, surrealist Salvador Dalí, Nijinsky and Red Skelton…simultaneously".

<span class="mw-page-title-main">Cornelia Otis Skinner</span> American actress and author

Cornelia Otis Skinner was an American writer and actress.

<span class="mw-page-title-main">Rain Pryor</span> American actress

Rain Pryor is an American actress. Her television credits include sitcoms Head of the Class and Rude Awakening. She is the daughter of comedian Richard Pryor.

<span class="mw-page-title-main">Ruth Draper</span> American actress, dramatist and noted diseuse (1884–1956)

Ruth Draper was an American actress, dramatist and noted diseuse who specialized in character-driven monologues and monodrama. Her best-known pieces include The Italian Lesson, Three Women and Mr. Clifford, Doctors and Diets, and A Church in Italy.

<span class="mw-page-title-main">Theatre of India</span> Overview of theatrical culture in the Indian subcontinent

Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of Nritya, which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music. Historically, Indian theatre has exerted influence beyond its borders, reaching ancient China and other countries in the Far East.

<span class="mw-page-title-main">Johnathan McClain</span> American actor

Johnathan McClain is an American actor, screenwriter, and audiobook narrator.

<span class="mw-page-title-main">Audition</span> Sample performance by a performer

An audition is a sample performance by an actor, singer, musician, dancer or other performer. It typically involves the performer displaying their talent through a previously memorized and rehearsed solo piece or by performing a work or piece given to the performer at the audition or shortly before. In some cases, such as with a model or acrobat, the individual may be asked to demonstrate a range of professional skills. Actors may be asked to present a monologue. Singers will perform a song in a popular music context or an aria in a Classical context. A dancer will present a routine in a specific style, such as ballet, tap dance or hip-hop, or show his or her ability to quickly learn a choreographed dance piece.

<span class="mw-page-title-main">Actor</span> Person who acts in a dramatic or comic production and works in film, television, theatre, or radio

An actor or actress is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is ὑποκριτής (hupokritḗs), literally "one who answers". The actor's interpretation of a role—the art of acting—pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art.

<span class="mw-page-title-main">John Leguizamo</span> American actor, comedian, producer, and writer (born 1960)

John Alberto Leguizamo Peláez is an American actor, comedian, and film producer. He has appeared in over 100 films, produced over 20 films and documentaries, made over 30 television appearances, and has produced various television projects. He has also written and performed for the Broadway stage receiving four Tony Award nominations for Freak in 1998, Sexaholix in 2002, and Latin History for Morons in 2018. He received a Special Tony Award in 2018.

Deborah Rachel "Deb" Filler is a New Zealand born writer/performer, character artist and producer. Born to a Jewish parents, a German mother, Ruth Filler, and Sol (Schaja) Filler, a Pole from Brzozow Galicia, who survived Plascow, Auschwitz, Buchenwald and Theresienstadt concentration camps. Her maternal grandparents fled from Germany to New Zealand in 1938. The family lived in Obernkirchen and Hildesheim. Jüdisches Leben in der Provinz contains genealogy of the Adler's family history in Obernkirchen as well as other Jews from the province of Schaumberg with a contribution by Filler.

<span class="mw-page-title-main">Joe Gulla</span> American playwright, actor, and reality television participant

Joe Gulla is an American playwright, actor and reality television participant. He is best known for the autobiographical monologues that he writes and performs for the theater. He is a regular performer at Feinstein's/54 Below and Joe's Pub at The Public Theater. An award-winning playwright, his plays have been performed Off-Broadway, nationally and internationally.

David Cale is an English-American playwright, actor, and songwriter, best known for his solo performance works.

Jo Bonney is an American theater director who has worked Off-Broadway, regionally and internationally, primarily focused on the development of new plays.

<span class="mw-page-title-main">Theatre of Indonesia</span> Indonesian theatre

Indonesian theatre is a type of art in the form of drama performances that are staged on a stage, with a distinct Indonesian nuance or background. In general, theatre is an art that emphasizes the performing arts that are displayed in front of a large crowd. In other words, theater is a form of visualisation of a drama that is staged on the stage and watched by the audience. Indonesian theatre includes the performing arts of traditional theater and modern theatre located in the territory of Indonesia. Some examples of Indonesian theater are Arja, Wayang, Wayang wong, Lenong, Ludruk, Janger, Randai and others. Theatre in Indonesia can also be referred to as regional or ethnic theatre, because it originates and develops from 1,300 ethnic cultures in Indonesia.

References

  1. 1 2 3 4 5 Bonney, Jo; Anthology (1 February 1999). "preface xiii". In Jo Bonney (ed.). Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (1st ed.). Theatre Communications Group; 1st edition. p. 450. ISBN   1-55936-155-7 . Retrieved 28 December 2008.
  2. Bonney, Jo. Extreme Exposure: an Anthology of Solo Performance Texts from the Twentieth Century. Theatre Communications Group, 2008.
  3. Gentile, John S. (1989). Cast of One. One-Person Shows from the Chautauqua Platform to the Broadway Stage . University of Illinois Press. pp.  10-21. ISBN   978-0252015847.
  4. Gentile, pages 61–64.
  5. Gentile, pages 194–195.
  6. Ibdb.com
  7. Stoudt, Charlotte (26 May 2011). "Theater review: 'Nazi Hunter – Simon Wiesenthal' at Theatre 40". Los Angeles Times .
  8. "My Queer Body (1992)" . Retrieved 2 May 2018.
  9. Neely, Kent. "Theatre Journal." Theatre Journal, vol. 42, no. 4, 1990, pp. 495–497. JSTOR, JSTOR, www.jstor.org/stable/3207728.
  10. "Chris Harris". Chrisharrisproductions.co.uk.
  11. Hudson, Ben (2012). "Dead Funny: Posthumous liveness in mediatized stand-up comedy performance". Journal of Media Practice. 13 (3): 255–267. doi:10.1386/jmpr.13.3.255_1. S2CID   191391825.
  12. "Sunil Dutt's 'Yaadein': A one-man act film is in the Guinness Book of World Records".
  13. "One actor movies". IMDb.