World tour by Stevie Ray Vaughan and Double Trouble | |
Location | North America, Europe, Australasia |
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Associated album | Soul to Soul |
Start date | June 7, 1985 |
End date | October 2, 1986 |
Legs |
|
No. of shows |
|
Stevie Ray Vaughan and Double Trouble concert chronology |
The Soul to Soul Tour was a concert tour through North America, Europe and Australasia, undertaken by American blues rock band Stevie Ray Vaughan and Double Trouble from 1985 through 1986. At the beginning of the tour, the band had finished recording their album Soul to Soul . Their commercial and critical acclaim had been demonstrated during the Couldn't Stand the Weather Tour in 1984, when they had played before a sold-out audience at Carnegie Hall. Longing for opportunities to expand the group's lineup, Vaughan and Double Trouble hired keyboardist Reese Wynans during the Soul to Soul recording sessions in Dallas, Texas. Throughout the tour, the band's success was confirmed as their performances consistently amazed and gratified their audiences.
The first leg of the tour's itinerary took the band to the United States and then on to Europe, where they performed for nearly two weeks. They then returned to North America where during a span of eight months, they alternated visits between the US and Canada, before the fifth leg took the group to Australasia. After two additional North American legs, the band made a second trip to Europe, where the schedule of performances was interrupted after Vaughan suffered a mental breakdown, although he continued to perform two more shows with Double Trouble. The final leg in Europe incorporated stops in seven countries, before the group's return to the US in October 1986.
Although the tour elicited a variety of reactions from music critics, it was generally well-received. Among several sold-out shows, the Farm Aid concert sold over 40,000 tickets. The band's 1986 live album, Live Alive , was recorded during select shows of the tour, and many of its songs were played in 1986 through 1988. The length of the Soul to Soul Tour, then Vaughan and Double Trouble's longest, exhausted the band as the final leg unfolded. However, the extended break at the tour's conclusion enabled both Vaughan and bassist Tommy Shannon to enter treatment for drug and alcohol addictions and successfully achieve sobriety. In Vaughan's case, this lifestyle would continue through further tours in the following four years, prior to his death in a helicopter accident in August 1990.
Stevie Ray Vaughan is widely regarded as one of the most influential electric guitarists in the history of blues music, and one of the most important musicians in the revival of blues in the 1980s. Allmusic describes him as "a rocking powerhouse of a guitarist who gave blues a burst of momentum in the '80s, with influence still felt long after his tragic death." [1] Despite a mainstream career that spanned only seven years, Vaughan eventually became recognized among musicians as the future standard for success and promise in blues. [2] Biographer Craig Hopkins explains that Vaughan's talent was the result of the youth culture in the 1960s: "the popularity of playing instruments as a form of teen entertainment, the prevalence of teen dances, the success of his older brother, the practicality of playing guitar as an outlet for a shy boy and the singular, intense focus on the guitar all contributed to create one of the best electric guitar players of all time." [3]
Born and raised in Dallas, Texas, Vaughan began playing guitar at the age of seven, inspired by his older brother Jimmie Vaughan. [4] He was an apt pupil, no less quick to learn than his brother, and was playing the guitar with striking virtuosity by the time he was fourteen. [5] In 1971, he dropped out of high school and moved to Austin the following year. [6] Soon afterward, he began playing gigs on the nightclub circuit, earning a spot in Marc Benno's band, the Nightcrawlers, and later with Denny Freeman in the Cobras, with whom he continued to work through late 1977. [7] He then formed his own group, Double Trouble, before performing at the Montreux Jazz Festival in mid-July 1982 and being discovered by John Hammond, who in turn interested Epic Records with signing them to a recording contract. [8] Within a year, they achieved international fame after the release of their debut album Texas Flood , and in 1984 their second album, Couldn't Stand the Weather , along with the supporting tour, brought them to further commercial and critical success; the album quickly outpaced the sales of Texas Flood. [9]
In October 1984, Vaughan and Double Trouble headlined a sold-out performance at Carnegie Hall in New York City. [10] For the second half of the concert, he added guitarist Jimmie Vaughan, keyboardist Dr. John, drummer George Rains, and the Roomful of Blues horn section. [11] The ensemble rehearsed for less than two weeks before the performance, and according to biographers Joe Nick Patoski and Bill Crawford, the big band concept never entirely took form. [12] However, Vaughan was determined to deviate from the group's power trio format: "We won't be limited to just the trio, although that doesn't mean we'll stop doing the trio. I'm planning on doing that too. I ain't gonna stay in one place. If I do, I'm stupid." [13] As recording began for the band's third studio album, Soul to Soul , Vaughan found it increasingly difficult to be able to play rhythm guitar parts and sing at the same time, and was longing to add another dimension to the band. [14] They hired keyboardist Reese Wynans to record on the album in April 1985; he joined the band soon thereafter. [15]
For the opening leg, 21 concerts in the United States and Europe were scheduled from June through July 1985. The second leg of the tour consisted of 23 shows in North America from July to September. Two additional US legs were planned: the third leg from September–December 1985, and the fourth leg from January–March 1986. The fifth leg, which began in March, was the band's second full tour of Australasia and marked the first time they had visited certain venues. Scheduling for the sixth and seventh legs in North America from April–August allowed the band more off-days between shows than previous legs, but this amplified the exhaustion that had set in by the tour's end.
Date | City | Country | Venue | Opening Act(s) | Attendance | Revenue |
---|---|---|---|---|---|---|
United States [17] [18] | ||||||
June 7, 1985 | Chicago | United States | Petrillo Music Shell | Koko Taylor, Sugar Blue | — | — |
June 8, 1985 | Grand Rapids | Welsh Auditorium | Flash Kahan | 2,653 / 3,354 | $35,815 | |
June 9, 1985 | Cuyahoga Falls | Blossom Music Center | Ray Charles, Bobby "Blue" Bland | — | — | |
June 14, 1985 | Santa Fe | Paolo Soleri Amphitheater | Gary Eckard | |||
June 16, 1985 | Los Angeles | Hollywood Bowl | Horace Silver Quintet, Chico Freeman | |||
June 19, 1985 | Morrison | Red Rocks Amphitheatre | B.B. King, Albert King | 8,886 / 8,886 | $140,707 | |
June 21, 1985 | Del Mar | Del Mar Fairgrounds Grandstand | — | — | ||
June 25, 1985 | New York City | Avery Fisher Hall | Benny Goodman, Carrie Smith | |||
June 26, 1985 | Red Bank | Count Basie Theatre | The Shades | |||
June 28, 1985 | Hampton | Hampton Coliseum | Jeffrey Osborne, The Manhattans | |||
June 29, 1985 | Washington, D.C. | Constitution Hall | ||||
June 30, 1985 | Saratoga Springs | Saratoga Performing Arts Center | Dave Brubeck Quartet, Woody Herman | |||
Europe [17] [19] | ||||||
July 5, 1985 | Hamburg | West Germany | Fabrik | — | — | |
July 7, 1985 | Stockholm | Sweden | Skeppsholmen | |||
July 8, 1985 | Oslo | Norway | Chateau Neuf | |||
July 9, 1985 | Bergen | Oleana | ||||
July 11, 1985 | Pori | Finland | Kirjurinluoto | Mezzoforte | ||
Rantasipi Yyteri | Mombasa, New Jungle Orchestra | |||||
July 12, 1985 | Vienne | France | Theatre Antique de Vienne | Johnny Otis Show, Johnny Copeland & Arthur Blythe | ||
July 13, 1985 | The Hague | Netherlands | Nederlands Congresgebouw | B.B. King, Miles Davis Septet | ||
July 14, 1985 | Perugia | Italy | Piazza IV Novembre | Bushrock, Umbria Jazz All-Stars | ||
July 15, 1985 | Montreux | Switzerland | Montreux Casino | Duke Robillard and the Pleasure Kings, Johnny Otis Show | ||
North America [17] [20] | ||||||
July 23, 1985 | Montreal | Canada | Montreal Forum | — | — | |
July 24, 1985 | Ottawa | Ottawa Civic Centre | ||||
July 25, 1985 | ||||||
July 26, 1985 | Toronto | Varsity Arena | ||||
July 27, 1985 | ||||||
July 28, 1985 | ||||||
July 29, 1985 | ||||||
July 31, 1985 | Rochester Hills | United States | Baldwin Memorial Pavilion | James Cotton Blues Band | ||
August 9, 1985 | Baltimore | Pier Six Pavilion | 3,133 / 3,133 | $32,563 | ||
August 10, 1985 | New York City | Pier 84 | — | — | ||
August 12, 1985 | Albany | Palace Theatre | The Sharks | 2,997 / 2,997 | $37,463 | |
August 16, 1985 | Kingston | Ulster Performing Arts Center | Jump Street | — | — | |
August 17, 1985 | West Hartford | Agora Ballroom | Shaboo All-Stars | |||
August 18, 1985 | Newport | Fort Adams State Park | Wynton Marsalis Quartet, Lee Ritenour & Dave Grusin | |||
August 27, 1985 | Edmonton | Canada | Northern Alberta Jubilee Auditorium | Colin Munn | ||
August 28, 1985 | Calgary | Southern Alberta Jubilee Auditorium | ||||
August 29, 1985 | Vancouver | Commodore Ballroom | Mud Bay Blues Band | |||
August 30, 1985 | Victoria | Royal Theatre | The Wardells | |||
August 31, 1985 | Vancouver | Commodore Ballroom | Mud Bay Blues Band | |||
September 1, 1985 | Seattle | United States | Seattle Center Coliseum | Slamhound Hunters | ||
September 2, 1985 | Salem | Oregon State Penitentiary | ||||
September 6, 1985 | South Bend | Morris Civic Auditorium | Spandex | |||
September 7, 1985 | Pittsburgh | Heinz Hall for the Performing Arts | Albert King | |||
September 19, 1985 | Tucson | McKale Center | 9,914 / 10,000 | $120,555 | ||
September 21, 1985 | Passaic | Capitol Theatre | — | — | ||
United States [17] [21] | ||||||
September 24, 1985 | Dayton | United States | Hara Arena | Johnny Copeland | — | — |
September 25, 1985 | Fort Wayne | Foellinger Theatre | ||||
September 26, 1985 | Cleveland | Cleveland Music Hall | 3,000 / 3,000 | |||
September 27, 1985 | Ann Arbor | Hill Auditorium | — | |||
September 28, 1985 | Louisville | Louisville Gardens | ||||
September 29, 1985 | Columbus | Veterans Memorial Auditorium | ||||
October 1, 1985 | Toledo | Masonic Auditorium | ||||
October 2, 1985 | Kalamazoo | Miller Auditorium | ||||
October 4, 1985 | Davenport | The Col Ballroom | ||||
October 5, 1985 | Springfield | McDonald Arena | ||||
October 7, 1985 | Laramie | Arts & Sciences Auditorium | Lonnie Mack | |||
October 8, 1985 | Boulder | Colorado University Events Center | ||||
October 9, 1985 | Salt Lake City | Utah State Fairgrounds Coliseum | ||||
October 11, 1985 | Berkeley | Hearst Greek Theatre | 6,240 / 8,000 | $87,993 | ||
October 12, 1985 | Los Angeles | Greek Theatre | 6,187 / 6,187 | — | ||
October 13, 1985 | San Diego | UCSD Gymnasium | — | |||
October 15, 1985 | Santa Cruz | Santa Cruz Civic Auditorium | Mitch Woods and His Rocket 88's | |||
October 16, 1985 | Santa Barbara | Arlington Theatre | ||||
October 18, 1985 | Albuquerque | Albuquerque Civic Auditorium | Lawyers, Guns and Money | |||
October 19, 1985 | Phoenix | Arizona Veterans Memorial Coliseum | ||||
October 24, 1985 | Stillwater | Gallagher Hall | Jason & the Scorchers | |||
October 26, 1985 | Beaumont | Montagne Center | 1,334 / 7,000 | $16,008 | ||
October 30, 1985 | Memphis | Orpheum Theatre | — | — | ||
October 31, 1985 | Knoxville | Knoxville Civic Coliseum | ||||
November 2, 1985 | Miami | James L. Knight Convention Center | The Fabulous Thunderbirds | |||
November 3, 1985 | Orlando | Bob Carr Performing Arts Centre | ||||
November 4, 1985 | Jacksonville | Jacksonville Civic Auditorium | ||||
November 5, 1985 | Tampa | Curtis Hixon Hall | ||||
November 7, 1985 | Atlanta | Fox Theatre | 4,513 / 4,513 | $62,053 | ||
November 8, 1985 | Fayetteville | Cumberland County Memorial Auditorium | — | — | ||
November 9, 1985 | Norfolk | The Boathouse | ||||
November 10, 1985 | Richmond | The Mosque | Terry McNeal | 2,381 / 3,667 | $32,144 | |
November 12, 1985 | Springfield | Springfield Symphony Hall | The Fabulous Thunderbirds | — | — | |
November 13, 1985 | Providence | Providence Performing Arts Center | ||||
November 14, 1985 | New Haven | Palace Theater | ||||
November 15, 1985 | Portland | Cumberland County Civic Center | ||||
November 17, 1985 | Boston | Orpheum Theatre | 2,800 / 2,800 | |||
November 18, 1985 | Burlington | Burlington Memorial Auditorium | — | |||
November 19, 1985 | Poughkeepsie | Mid-Hudson Civic Center | ||||
November 21, 1985 | Upper Darby Township | Tower Theater | Shaboo All-Stars | |||
November 22, 1985 | Albany | JB's Theatre | ||||
November 23, 1985 | Rochester | Auditorium Theatre | The Fabulous Thunderbirds | 2,464 / 2,464 | $30,800 | |
November 24, 1985 | Syracuse | Landmark Theatre | Shaboo All-Stars | — | — | |
United States [17] [22] | ||||||
December 6, 1985 | Chicago | United States | Aragon Ballroom | Eddy Clearwater | — | — |
December 7, 1985 | Milwaukee | Oriental Theatre | R&B Cadets | 2,074 / 2,200 | $30,073 | |
December 8, 1985 | Madison | Oscar Mayer Theater | Paul Black and the Flip Kings | 2,170 / 2,170 | — | |
December 9, 1985 | West Lafayette | Loeb Playhouse | Contact Blues Band | — | ||
December 11, 1985 | Eau Claire | UW-Eau Claire Arena | J.D. and the Back Alley Madmen | 721 / 2,373 | $7,502 | |
December 12, 1985 | Des Moines | Easy Street | The Jailbreakers | — | — | |
December 13, 1985 | Minneapolis | Orpheum Theatre | ||||
December 15, 1985 | Dallas | Fair Park Coliseum | The Fabulous Thunderbirds | |||
December 16, 1985 | Austin | Palmer Auditorium | Omar & the Howlers | |||
December 31, 1985 | San Antonio | HemisFair Arena | The Fabulous Thunderbirds, Joe King Carrasco and the Crowns | |||
United States [17] [23] | ||||||
January 23, 1986 | Utica | United States | Stanley Theater | The Fabulous Thunderbirds | — | — |
January 24, 1986 | Pittsburgh | Syria Mosque | 3,774 / 3,774 | $48,119 | ||
January 25, 1986 | Charlottesville | University Hall | — | — | ||
January 27, 1986 | Athens | Georgia Coliseum | ||||
January 28, 1986 | Nashville | Grand Ole Opry House | 4,425 / 4,425 | $60,445 | ||
January 29, 1986 | Birmingham | Boutwell Auditorium | — | — | ||
January 30, 1986 | Jackson | Jackson Municipal Auditorium | ||||
February 1, 1986 | Houston | Sam Houston Coliseum | ||||
February 4, 1986 | Fort Worth | Will Rogers Auditorium | 2,964 / 2,964 | $48,906 | ||
February 5, 1986 | ||||||
February 7, 1986 | St. Louis | Kiel Opera House | — | — | ||
February 8, 1986 | Kansas City | Kansas City Memorial Hall | 3,314 / 3,314 | $40,703 | ||
February 9, 1986 | Omaha | Omaha Music Hall | 2,608 / 2,608 | $37,164 | ||
February 11, 1986 | Athens | Alumni Memorial Auditorium | — | — | ||
February 12, 1986 | Royal Oak | Royal Oak Music Theatre | 4,953 / 4,953 | $79,248 | ||
February 13, 1986 | ||||||
February 14, 1986 | ||||||
February 16, 1986 | Bloomington | Indiana University Auditorium | — | — | ||
February 18, 1986 | Champaign | Virginia Theatre | ||||
February 19, 1986 | Merrillville | Holiday Star Theatre | The Fabulous Thunderbirds, René Martinez | |||
February 20, 1986 | Royal Oak | Royal Oak Music Theatre | The Fabulous Thunderbirds | 4,953 / 4,953 | $79,248 | |
February 21, 1986 | ||||||
February 22, 1986 | Walk the West | |||||
March 2, 1986 | Honolulu | Blaisdell Arena | The Fabulous Thunderbirds | — | — | |
Australasia [17] | ||||||
March 6, 1986 | Auckland | New Zealand | Logan Campbell Centre | The Fabulous Thunderbirds, René Martinez | — | — |
March 8, 1986 | Palmerston North | Arena Manawatu | ||||
March 10, 1986 | Dunedin | Dunedin Town Hall | ||||
March 11, 1986 | Christchurch | Christchurch Town Hall | ||||
March 12, 1986 | Wellington | Wellington Town Hall | ||||
March 13, 1986 | ||||||
March 14, 1986 | Auckland | Auckland Town Hall | ||||
March 16, 1986 | Sydney | Australia | Hordern Pavilion | The Fabulous Thunderbirds, Weddings Parties Anything | ||
March 17, 1986 | ||||||
March 19, 1986 | Brisbane | Brisbane Festival Hall | The Fabulous Thunderbirds, René Martinez | |||
March 20, 1986 | ||||||
March 22, 1986 | Melbourne | Melbourne Festival Hall | The Fabulous Thunderbirds, Weddings Parties Anything | |||
March 23, 1986 | ||||||
March 24, 1986 | Adelaide | Thebarton Theatre | The Fabulous Thunderbirds, René Martinez | |||
March 25, 1986 | ||||||
March 27, 1986 | Perth | Perth Concert Hall | ||||
March 29, 1986 | ||||||
United States [17] [24] | ||||||
April 13, 1986 | Montclair | United States | Panzer Gymnasium | Shaboo All-Stars | — | — |
April 15, 1986 | Piscataway | Livingston Gymnasium | ||||
April 16, 1986 | Amherst | Fine Arts Center | ||||
April 18, 1986 | Ithaca | Bailey Hall | ||||
April 19, 1986 | Oneonta | SUNY Oneonta | ||||
April 20, 1986 | West Long Beach | Alumni Memorial Gymnasium | ||||
April 22, 1986 | Springfield | Prairie Capital Convention Center | The Fabulous Thunderbirds | 1,942 / 8,420 | $26,217 | |
April 23, 1986 | Cedar Rapids | Paramount Theatre | Lonnie Brooks | 1,913 / 1,913 | — | |
April 25, 1986 | Norman | Lloyd Noble Center | Edgar Winter | — | ||
April 26, 1986 | Tulsa | Brady Theater | ||||
April 27, 1986 | Monroe | Ewing Coliseum | The Producers | |||
May 3, 1986 | New Orleans | Fair Grounds Race Course | Will Soto, Dave Bartholomew | |||
May 25, 1986 | Liverpool | Long Branch Park | The Band, Pure Prairie League | |||
June 7, 1986 | Wichita Falls | Lucy Park | Red River Lyric Theater, Take To | |||
North America [17] [25] | ||||||
June 20, 1986 | Hoffman Estates | United States | Poplar Creek Music Theatre | The Fabulous Thunderbirds | — | — |
June 21, 1986 | Indianapolis | Indianapolis Sports Center | ||||
June 22, 1986 | Ionia | Ionia Fairgrounds | ||||
June 23, 1986 | Cincinnati | Riverbend Music Center | 7,387 / 16,289 | |||
June 24, 1986 | Cuyahoga Falls | Blossom Music Center | — | |||
June 26, 1986 | New York City | Pier 84 | ||||
June 27, 1986 | Columbia | Merriweather Post Pavilion | ||||
June 28, 1986 | Philadelphia | Mann Music Center | The Fabulous Thunderbirds, Roy Buchanan | |||
June 29, 1986 | McCreary | Canada | Beaver Dam Lake | John Anderson, Eddy Raven | ||
July 2, 1986 | Milwaukee | United States | Summerfest Grounds | The Fabulous Thunderbirds | 22,500 / 22,500 | |
July 4, 1986 | Manor | Manor Downs | Delbert McClinton, John Conlee | 40,500 / 40,500 | $810,000 | |
July 9, 1986 | Toronto | Canada | Kingswood Music Theatre | Johnnie Lovesin | — | — |
July 11, 1986 | Saint Paul | United States | Harriet Island Regional Park | The Blasters | ||
July 17, 1986 | Austin | Austin Opera House | 2,000 / 2,000 | |||
July 18, 1986 | ||||||
July 19, 1986 | Dallas | Park Central Amphitheater | René Martinez | — | ||
July 20, 1986 | Mansfield | Great Woods Center for the Performing Arts | James Cotton Blues Band, Roy Buchanan | |||
July 22, 1986 | Bonner Springs | Sandstone Center for the Performing Arts | Bonnie Raitt | |||
July 24, 1986 | Morrison | Red Rocks Amphitheatre | Bonnie Raitt, Taj Mahal | 8,897 / 8,897 | $137,513 | |
July 27, 1986 | Los Angeles | Greek Theatre | Bonnie Raitt | 6,187 / 6,187 | — | |
July 29, 1986 | Tucson | Tucson Music Hall | René Martinez | — | ||
July 31, 1986 | San Diego | SDSU Open Air Theatre | Bonnie Raitt | |||
August 2, 1986 | Sacramento | Sacramento Community Center Theater | ||||
August 3, 1986 | Concord | Concord Pavilion | 8,350 / 8,350 | $127,763 | ||
August 4, 1986 | Santa Cruz | Santa Cruz Civic Auditorium | René Martinez | 1,964 / 1,964 | — | |
August 6, 1986 | Salem | Oregon State Penitentiary | — | |||
August 7, 1986 | Eugene | Cuthbert Amphitheater | Bonnie Raitt, Robert Cray Band | |||
August 8, 1986 | Portland | Portland Civic Auditorium | Bonnie Raitt | |||
August 9, 1986 | Spokane | Spokane Opera House | ||||
August 10, 1986 | Seattle | Paramount Theatre | ||||
August 11, 1986 | Vancouver | Canada | Expo Theatre | |||
August 23, 1986 | Syracuse | United States | New York State Fair Grandstand | René Martinez | ||
August 24, 1986 | Saratoga Springs | Saratoga Performing Arts Center | ||||
August 26, 1986 | Memphis | Orpheum Theatre | Marshall Chapman | |||
August 29, 1986 | Montreal | Canada | Parc Jarry | Frank Marino & Mahogany Rush, Southside Johnny and the Asbury Jukes | 12,035 / 40,000 | $132,385 |
Europe [17] | ||||||
September 12, 1986 | Copenhagen | Denmark | Saga Cinema | René Martinez | — | — |
September 14, 1986 | Hamburg | West Germany | Große Freiheit 36 | |||
September 15, 1986 | Berlin | Metropol | ||||
September 16, 1986 | Offenbach am Main | Stadthalle | ||||
September 17, 1986 | Essen | Saalbau | ||||
September 18, 1986 | Bonn | Biskuithalle | ||||
September 19, 1986 | Kerkrade | Netherlands | Rodahal | |||
September 20, 1986 | Deinze | Belgium | Brielpoort | |||
September 21, 1986 | Utrecht | Netherlands | Muziekcentrum Vredenburg | |||
September 23, 1986 | Paris | France | Paris Olympia | |||
September 24, 1986 | ||||||
September 25, 1986 | Sindelfingen | West Germany | Stadthalle | |||
September 26, 1986 | Munich | Circus Krone Building | ||||
September 28, 1986 | Ludwigshafen | Pfalzbau | ||||
September 29, 1986 | Zürich | Switzerland | Volkshaus | |||
October 2, 1986 | London | England | Hammersmith Palais | Electric Bluebirds | ||
Doetinchem | Netherlands | Markthal | — | |||
Amsterdam | Haarlem | |||||
Helsinki | Finland | Kulturehuset | ||||
Örebro | Sweden | Park Teatern | ||||
Lund | Akademiska föreningen | |||||
Stockholm | Gröna Lund | |||||
Bergen | Norway | Olena | ||||
Stavanger | De Rode Sjohus | |||||
Oslo | Circus | |||||
London | England | Hammersmith Palais | ||||
Newcastle | Mayfair Ballroom | |||||
Manchester | Manchester Apollo | |||||
Dublin | Ireland | National Stadium | ||||
Stephen Ray Vaughan was an American musician, best known as the guitarist and frontman of the blues rock trio Stevie Ray Vaughan and Double Trouble. Although his mainstream career spanned only seven years, he is regarded as one of the most influential musicians in the history of blues music, and one of the greatest guitarists of all time. He was the younger brother of guitarist Jimmie Vaughan.
Texas Flood is the debut studio album by the American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983, by Epic Records. The album was named after a cover song featured on the album, "Texas Flood", which was first recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, Texas Flood was recorded in the space of three days at Jackson Browne's personal recording studio in Los Angeles. Vaughan wrote six of the album's ten tracks.
Soul to Soul is the third studio album by American blues rock band Stevie Ray Vaughan and Double Trouble released on September 30, 1985, by Epic Records. Recording sessions took place between March and May 1985 at the Dallas Sound Lab in Dallas, Texas. Vaughan wrote four of Soul to Soul's ten tracks; two songs were released as singles. The album went to #34 on the Billboard 200 chart and the music video for "Change It" received regular rotation on MTV. In 1999, a reissue of the album was released, which includes an audio interview segment and two studio outtakes.
Robert William Cray is an American blues guitarist and singer. He has led his own band and won five Grammy Awards.
Jimmie Lawrence Vaughan Jr. is an American blues rock guitarist and singer based in Austin, Texas. He is the older brother of the late Texas blues guitarist Stevie Ray Vaughan.
Lonnie McIntosh, known as Lonnie Mack, was an American singer-songwriter and guitarist. He was influential in the development of blues rock music and rock guitar soloing.
Double Trouble is an American blues rock band from Austin, Texas, which served as the backing band for singer-guitarist Stevie Ray Vaughan. The group was active throughout the 1980s and contributed to reviving blues music, inspiring many later blues and rock acts. Formed in Austin, Texas in 1978, the group went through several early line-up changes before settling on a power trio consisting of Vaughan, Chris Layton (drums), Tommy Shannon (bass). They became a four-piece by 1985 after adding Reese Wynans (keyboards). Whilst with Vaughan they were billed Stevie Ray Vaughan and Double Trouble. Rooted in blues and rock music, the group worked in various genres ranging from ballads to soul, often incorporating jazz and other musical elements.
Live at Carnegie Hall is the third live album by American blues rock band Stevie Ray Vaughan and Double Trouble, released by Epic Records in July 1997. The album consists of live selections from their sold-out October 4, 1984, benefit concert at Carnegie Hall for the T.J. Martell Foundation. Backed by a ten-piece big band for the second half of the event, Vaughan had celebrated his thirtieth birthday the night before, and called the concert his "best birthday ever, forever". The band's double-set performance, which included several blues and R&B standards, was highly successful, receiving mostly positive reviews from music critics.
Roomful of Blues is an American jump blues and swing revival big band based in Rhode Island. With a recording career that spans over 50 years, they have toured worldwide and recorded many albums. Roomful of Blues, according to the Chicago Sun-Times, "Swagger, sway and swing with energy and precision". Since 1967, the group’s blend of swing, rock and roll, jump blues, boogie-woogie and soul has earned it five Grammy Award nominations and many other accolades, including seven Blues Music Awards. Billboard called the band "a tour de force of horn-fried blues…Roomful is so tight and so right." The Down Beat International Critics Poll has twice selected Roomful of Blues as Best Blues Band.
This is a list and description of the guitars and other equipment played by musician Stevie Ray Vaughan. Vaughan played a number of Fender Stratocasters throughout his career, one of which, a 1963 body and a 1962 neck, became "the most famous battered Strat in rock history." He was notoriously hard on his guitars, and many of them required extensive periodic maintenance, as well as other equipment. He used a limited number of effect pedals, and favored Fender and Marshall amplification.
The Texas Flood World Tour was a concert tour in North America and Western Europe, undertaken by American blues rock band Stevie Ray Vaughan and Double Trouble in 1983 and 1984. The band had released their debut album, Texas Flood, a week before the tour began.
The Couldn't Stand the Weather Tour was a worldwide concert tour by blues rock band Stevie Ray Vaughan and Double Trouble. Produced in support of their 1984 album Couldn't Stand the Weather, the tour visited North America, Europe, Australasia and Japan from 1984 to 1985. To reflect the new musical direction that the group took with Couldn't Stand the Weather, the tour was aimed to differ from their past and surpass expectations of the band. In comparison to Vaughan and Double Trouble's modest stage setup from the previous Texas Flood Tour, the Couldn't Stand the Weather Tour involved a slightly more elaborate production. It utilized grander amplifier setups and sound systems to take advantage of the larger venues in which they performed. To avoid their renowned strictly blues material, Vaughan and Double Trouble embodied a more expanded and varied repertoire during performances. In disparity to the previous tour, each of the Couldn't Stand the Weather shows opened with mostly the same three songs before other material was played. The album and the tour were the beginnings of the group's mid-eighties musical development.
The Live Alive Tour was a concert tour through North America and Europe, undertaken by Stevie Ray Vaughan and Double Trouble from 1986 to 1988. At the start of the tour, Vaughan and bassist Tommy Shannon had both achieved sobriety. Their success with overcoming long-term drug and alcohol addiction had been attained by entering a rehabilitation facility, where they stayed for four weeks. Although Vaughan was nervous about performing while sober, he received encouragement from his bandmates. Throughout the tour during performances, Vaughan would warn his audiences about the dangers of substance abuse.
The In Step Tour was a concert tour through the United States and Canada, undertaken by American blues rock band Stevie Ray Vaughan and Double Trouble from 1989 to 1990. Launched in support of their fourth and final studio album In Step, this was the third tour to include keyboardist Reese Wynans, who joined the band in 1985. Stevie Ray Vaughan and Double Trouble achieved international fame when their debut album, Texas Flood, was released in June 1983. Throughout their subsequent concert tours, the group's success was confirmed as their performances consistently amazed and gratified their audiences. Similar to their previous tours, the In Step Tour was a minimalist production. The stage featured a simple light show that changed according to the mood of certain songs performed. Although Vaughan and Double Trouble never followed a set list, all ten songs from In Step were played at least once during the tour, and as many as seven of them were included in each of the band's performances.
Stevie Ray Vaughan was an American blues rock guitarist, singer, and songwriter, and the frontman for the band Double Trouble. He is often regarded as one of the greatest guitarists and blues musicians of all time. During his career, he released four studio albums, one live album, and several singles.
The Fire Meets the Fury Tour is a 1989 concert tour co-headlined by Stevie Ray Vaughan and Jeff Beck. Epic Records paired the two guitarists together for a 29-day concert tour starting in Minneapolis, Minnesota. This tour was the third leg of the Stevie Ray Vaughan and Double Trouble In Step Tour. In addition to being one of the highest-grossing concert tours of 1989, The Fire Meets the Fury Tour won the Pollstar magazine award for most creative tour package of the year.
Live at Montreux 1982 & 1985 is the fourth live album of American blues musician Stevie Ray Vaughan and his band Double Trouble, recorded at the Montreux Jazz Festival on July 17, 1982 and July 15, 1985, and released November 20, 2001 on Epic Records. Neither are complete concerts.
In the early morning of Monday, August 27, 1990, American musician Stevie Ray Vaughan was killed in a helicopter crash near East Troy, Wisconsin, at age 35. He was one of the most influential blues guitarists of the 1980s, described by the Rock and Roll Hall of Fame as "the second coming of the blues".
Christopher Layton, also known as "Whipper", is an American drummer who rose to fame as one of the founding members of Double Trouble, a blues rock band led by Stevie Ray Vaughan.
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