 Official logo mark for Spirit of Atlanta | |
| Location | Atlanta, Georgia, US |
|---|---|
| Division | World Class |
| Founded | 1976 |
| Director | Chris Moore |
Spirit of Atlanta Drum and Bugle Corps is a World Class competitive drum and bugle corps, based in Atlanta, Georgia. Spirit of Atlanta is a member corps of Drum Corps International (DCI). [1]
Spirit of Atlanta was founded by corps director Freddy Martin, then Director of Bands at South Cobb High School. Initially, a program with no particular musical style was worked up, and Spirit of Atlanta was introduced to the drum corps public at contests in at least nine states in the South and Midwest. At the 1977 DCI World Championships in Denver, Spirit finished twenty-third of forty-five corps. [2] [3]
After finishing twenty-third, two new caption heads were hired: brass head Jim Ott and percussion head Tom Float. With these two hires,(along With Dave Bandy writing the drill, Russell Stanton teaching marching technique and cleaning, Patty Williams teaching flags and Margaret Ott teaching rifles) the core instructional group was in place. Adopting a style that has been referred to as "Southern Jazz", Spirit stunned the drum corps world in 1978, vaulting into eighth place at DCI Prelims in Denver; then at Finals, the corps rose even higher, finishing in sixth place and losing the High Brass title to the Phantom Regiment by half of a tenth of a point. Both the brass and percussion were among the best in the drum corps activity, and Spirit moved up into a fourth-place finish at DCI in Birmingham, Alabama, in 1979, featuring the song that would become the corps' trademark tune, "Georgia on my Mind."
Tragedy struck Spirit while the corps was on tour in 1980. When one of their vans was in a traffic accident on Interstate 55 near Grenada, Mississippi, brass arranger and caption head Jim Ott was killed. Spirit's members and staff were devastated, but the corps recovered to honor Ott's memory by repeating their fourth-place finish at DCI Finals in Birmingham, AL. [2] [3]
Prior to the 1981 season, the corps lost its corporate sponsorship from WXIA. Financial adjustments were made and the corps continued on. Following the loss of Jim Ott in the 1980 season new staff members were needed to fill the vacancies. For the summer of 1981, the drill designer was Steve Moore; horn caption heads included Gary Markham and Joel Schultz. Visual Designers were Freddy Martin and John Armstrong. The guard instructors brought in the varied talents of Julie Gilbert of the Crossmen, Cindy Anderson of the Guardsmen, and Robert S. Robinson of Jacksonville State University and Chapter V Winter Guard. Tom Float remained percussion caption head and Mike Back, who was a percussion instructor in 1980 returned to the staff. Spirit of Atlanta repeated the musical program of the 1980 season in 1981, with the exception of the concert number, hoping for higher levels of competitive success. This was not to be the case, as the corps finished in ninth place in 1981. The percussion was the highest scoring caption for the year, but Tom Float departed at the end of the 1981 season. At the end of 1982, the corps finished 12th place with the guard ranked 11th in their caption at DCI finals.
In 1983, the corps rallied to a seventh-place finish behind the new visual staff of Sal Salas, Scott Chandler and Tam Easterwood along with longtime marching instructor Brad Carraway.
The 1985 corps saw Tam Easterwood and Scott Chandler's colorguard win the guard trophy, a feat they would repeat in 1987.
In 1986, the tenth competitive season of the corps, the "throwback" show of Southern blues, jazz and gospel earned them a sixth-place finish and an all-time high score for Spirit of Atlanta of 94.1 at the DCI Championships.
In 1988, a decision was made to turn away from jazz and blues to the classical idiom. Although the corps' competitive placement improved from tenth to ninth place and scored in the 92's just weeks prior to finals, the classical show based on Stravinsky's "Petrushka" was panned by drum corps fans used to the high-powered brass and exciting shows for which Spirit had become known.
In 1989, Spirit dropped from finals for the first time since 1978.
In 1990, Spirit of Atlanta regained Finalist status, From 1991 to 1993, the corps maintained semi-finalist status. After the 1993 season, Bill Duquette took over from Freddy Martin due to significant organizational and financial challenges, and the corps went inactive in 1994.
The corps returned to the field in 1995, and began rebuilding. In the following seasons, the corps reached 23rd place in 1996, 17th place in 1997, 14th place in 1998, and 16th place in 1999. In 1997, the corps changed uniforms to a navy blue top with cream pants.
In 2000, while the corps was rehearsing at JSU just prior to the start of tour, the corps director, Bill Duquette, attempted to fold the drum corps. Due to a very strong response by corps parents, alumni, staff and other members of the drum corps community, Spirit of Atlanta finished in 15th place at DCI Finals in College Park, Maryland. Following the 2000 season, Spirit of Atlanta re-organized in preparation for the summer of 2001. It officially relocated to Jacksonville, Alabama, and officially became known as "Spirit, from Jacksonville State University". This relationship with the university provided a foundation of stability the corps had not experienced for more than a decade. In 2001, the corps finished in 13th place while wearing baby blue uniforms again. In 2002, Spirit regained finalist status for the first time since 1990 finishing 10th overall. Spirit from JSU would make DCI Finals again in 2003 and '05-07. Going into the 2008 season the association with Jacksonville State University was essentially dissolved, resulting in a simplification of the corps' name to "Spirit Drum and Bugle Corps from Jacksonville, AL". The corps continued to operate out of Jacksonville, AL for the 2009 season.
In 2010, the corps surprised the drum corps community by announcing its return to Atlanta. After the 2010 season, it was announced by the corps' Board of Directors that for the 2011 season, the corps would once again be known as "Spirit of Atlanta Drum and Bugle Corps." Spirit of Atlanta surged back into finals again in 2011, jumping from 16th place the preceding season to 12th at DCI Finals.
Spirit of Atlanta did not participate in the 2020 season due to the COVID-19 pandemic. They returned in 2021 alongside many other corps in a non-competitive "DCI celebration tour". On January 9, 2022, the corps was placed on a 24-month probation for misconduct. [4] On January 16, 2022, the corps released a joint statement with DCI stating they would not be fielding a corps in 2022 in order to reorganize and would return the following year. During the 2022 season, Spirit of Atlanta's board of directors worked alongside industry experts in youth safety, risk mitigation and management, and with other youth activity leaders to create a safety program called SpiritSAFE. This multipurpose awareness and training program looks to go beyond current programs such as SafeSport by giving in-depth education and training to adults and student performers, providing specific reporting policies, and new human resources and risk management policies.
On July 27, 2022, Spirit of Atlanta confirmed their plans to return for the 2023 season in World Class Drum Corps International competition. [5]
The following individuals have served as Corps Director:
| Years | Name |
|---|---|
| 1976–1993 | Freddie Martin |
| 1994–1999 | Bill Duquette |
| 2000 | Steven Brewster |
| 2001–2007 | Ken Bodiford |
| 2008–2010 | Joel Vincent |
| 2011–2013 | Todd Snead |
| 2014–2015 | JW Koester |
| 2016–present | Chris Moore |
Source: [6]
| Pale green background indicates DCI World Class Semifinalist [a] |
| Pale blue background indicates DCI World Class Finalist [a] |
| Year | Repertoire | World Championships | |
|---|---|---|---|
| Score | Placement | ||
| 1977 | Carnival Overture by Antonín Dvořák / Music by John Miles / Woman In the Moon by Kenny Ascher & Paul Williams / Love the Feeling by Chuck Mangione | 76.350 | 23rd Place Open Class |
| 1978 | Walk Him Up the Stairs (from Purlie) by Gary Geld & Peter Udell / (Your Love Keeps Lifting Me) Higher and Higher by Gary Jackson, Raynard Miner & Carl Smith / Geodesic Dances by Wendy Carlos / "Let It Be Me" by Gilbert Bécaud, Mann Curtis & Pierre Delanoë | 86.500 | 6th Place Open Class Finalist |
| 1979 | Georgia on My Mind by Hoagy Carmichael & Stuart Gorrell / Nutville by Horace Silver / Geodesic Dances by Wendy Carlos / Sweet Georgia Brown by Ben Bernie, Maceo Pinkard & Kenneth Casey / "Let It Be Me" by Gilbert Bécaud, Mann Curtis & Pierre Delanoë | 89.900 | 4th Place Open Class Finalist |
| 1980 | Georgia on My Mind by Hoagy Carmichael & Stuart Gorrell / Ol' Man River (from Show Boat) by Jerome Kern & Oscar Hammerstein II / The Devil Went Down to Georgia by Vassar Clements, Tom Crain, Charlie Daniels, "Taz" DiGregorio, Fred Edwards, Charles Hayward & James W. Marshall / Sweet Georgia Brown by Ben Bernie, Maceo Pinkard & Kenneth Casey / "Let It Be Me" by Gilbert Bécaud, Mann Curtis & Pierre Delanoë | 89.800 | 4th Place Open Class Finalist |
| 1981 | Georgia on My Mind by Hoagy Carmichael & Stuart Gorrell / Ol' Man River (from Show Boat) by Jerome Kern & Oscar Hammerstein II / The Devil Went Down to Georgia by Vassar Clements, Tom Crain, Charlie Daniels, "Taz" DiGregorio, Fred Edwards, Charles Hayward & James W. Marshall / You Are the Sunshine of My Life by Stevie Wonder / "Let It Be Me" by Gilbert Bécaud, Mann Curtis & Pierre Delanoë | 83.850 | 9th Place Open Class Finalist |
| 1982 | You are My Sunshine by Jimmie Davis & Charles Mitchell / Oh Happy Day (from Li'l Abner) by Gene De Paul & Johnny Mercer / You Are the Sunshine of My Life by Stevie Wonder / Blue Rondo à la Turk by Dave Brubeck / We Are the Reason by David Meece | 81.650 | 12th Place Open Class Finalist |
| 1983 | Los Hermanos De Bop by Mark Taylor / Blues in the Night by Harold Arlen & Johnny Mercer / No One Together by Kerry Livgren / We Are the Reason by David Meece | 83.600 | 7th Place Open Class Finalist |
| 1984 | Porgy and Bess Overture There's a Boat Dat's Leavin' Soon for New York & It Ain't Necessarily So (from Porgy and Bess) by George Gershwin / Blues in the Night by Harold Arlen & Johnny Mercer / No One Together by Kerry Livgren / I Loves You Porgy & Bess, You Is My Woman Now (from Porgy and Bess) by George Gershwin | 93.100 | 6th Place Open Class Finalist |
| 1985 | Piano Concerto in F by George Gershwin | 91.000 | 7th Place Open Class Finalist |
| 1986 | Dixie by Daniel Decatur Emmett / That Cat is High by J. Mayo Williams / Sweet Georgia Brown by Ben Bernie, Maceo Pinkard & Kenneth Casey / High on a Hill by Kerry Livgren / Precious Lord, Take My Hand by George Nelson Allen & Thomas A. Dorsey / Maybe God Is Tryin' To Tell You Somethin' (from The Color Purple) by Andraé Crouch & Quincy Jones | 94.100 | 6th Place Open Class Finalist |
| 1987 | Are You From Dixie by George L. Cobb & Jack Yellen / Southern Medley by Daniel Decatur Emmett / Old Folks at Home by Stephen Foster / When the Saints Go Marching In by Virgil Oliver Stamps & Luther G. Presley / Basin Street Blues by Spencer Williams / Amazing Grace by William Walker & John Newton | 87.600 | 10th Place Open Class Finalist |
| 1988 | Petrouchka Petrouchka by Igor Stravinsky | 89.300 | 9th Place Open Class Finalist |
| 1989 | Interstellar Suite by Amin Bhatia | 82.200 | 14th Place Open Class Semifinalist |
| 1990 | Selections from Gone with the Wind by Max Steiner / Motherless Child Blues by Robert "Barbecue Bob" Hicks / African Drum Solo (from The Color Purple) by Quincy Jones / Precious Lord, Take My Hand by George Nelson Allen & Thomas A. Dorsey / Maybe God Is Tryin' to Tell You Somethin' (from The Color Purple) by Andraé Crouch & Quincy Jones | 83.400 | 11th Place Open Class Finalist |
| 1991 | Call to Arms (from Glory) by James Horner / Variations on Dixie by Morton Gould / Antietam & Glory (from Glory) by James Horner / American Salute by Morton Gould / Closing Credits (from Glory) by James Horner | 82.500 | 15th Place Open Class Semifinalist |
| 1992 | Songs of the New South Ol' Man River & Can't Help Lovin' Dat Man (from Show Boat) by Jerome Kern & Oscar Hammerstein II / Miss Otis Regrets by Cole Porter / For the Beauty of the Earth by Folliott Sandford Pierpoint | 78.800 | 16th Place Division I Semifinalist |
| 1993 | A Soulful Celebration Why do the Nations so Furiously Rage? by George Frederick Handel / David and Goliath (Traditional) / Do Not Pass Me By by William H. Doane & Frances J. Crosby / So Much 2 Say by Cedric Dent and Mervyn Warren / Let the Words (Traditional) / Better Watch Your Behavior by Gary Hines | 77.900 | 17th Place Division I Semifinalist |
| 1994 | Corps inactive | ||
| 1995 | All On a Southern Afternoon Ghost Train & XMas in Hooverville (from Fried Green Tomatoes) by Thomas Newman / Didn't it Rain? (Traditional) / Georgia on My Mind by Hoagy Carmichael & Stuart Gorrell | 72.100 | 20th Place Division I |
| 1996 | By George... It's Gershwin Rhapsody in Blue by George Gershwin | 68.000 | 23rd Place Division I |
| 1997 | Southern Jazz: Spirit Style Georgia on My Mind by Hoagy Carmichael & Stuart Gorrell / Ol' Man River (from Show Boat) by Jerome Kern & Oscar Hammerstein II / Amazing Grace by William Walker & John Newton / Walk Him Up the Stairs (from Purlie) by Gary Geld & Peter Udell / "Let It Be Me" by Gilbert Bécaud, Mann Curtis & Pierre Delanoë | 76.500 | 17th Place Division I Semifinalist |
| 1998 | My Friend (from The Life) by Cy Coleman & Ira Gasman / Swanee River by Stephen Collins Foster / Precious Lord, Take My Hand by George Nelson Allen & Thomas A. Dorsey / Sweet Georgia Brown by Ben Bernie, Maceo Pinkard & Kenneth Casey / Maybe God Is Tryin' to Tell You Somethin' (from The Color Purple) by Andraé Crouch & Quincy Jones | 83.100 | 14th Place Division I Semifinalist |
| 1999 | Jump, Jive, Jazz and Wail Since I Don't Have You by Jackie Taylor, James Beaumont, Janet Vogel, Joseph Rock, Joe Verscharen, Lennie Martin & Wally Lester / Nutville by Horace Silver / Hollywood Nocturne by Brian Setzer / Jump, Jive an' Wail by Louie Prima | 76.900 | 16th Place Division I Semifinalist |
| 2000 | Southern Harmonies... Music For the New South Jubilee & Movement 5 (from Spiritual) by Morton Gould / Wonderous Love (from Southern Harmony) by Donald Grantham / The Glory and The Grandeur by Russell Peck | 80.650 | 15th Place Division I Semifinalist |
| 2001 | Ghost Train The Ride, At the Station & The Motive Revolution (The Ghost Train Triptych) by Eric Whitacre | 84.050 | 13th Place Division I Semifinalist |
| 2002 | Darkness Into Light Symphonia Resurrectus (from Easter Symphony) by David Holsinger | 85.450 | 10th Place Division I Finalist |
| 2003 | TIME Time After Time by Sammy Cahn & Jule Styne / Time in a Bottle by Jim Croce / Auld Lang Syne by Robert Burns / Somewhere in Time by John Barry / Whirr, Whirr, Whirr by Ralph Hultgren / October by Eric Whitacre / "Let It Be Me" by Gilbert Bécaud, Mann Curtis & Pierre Delanoë / Nutville by Horace Silver / No Jive by Bob Mintzer / Appalachian Morning by Paul Halley | 84.400 | 12th Place Division I Finalist |
| 2004 | The Architecture of Life Mindscape by Richard Saucedo / Dreamscape: Sonoran Desert Holiday by Ron Nelson / Soundscape (Original) / Urbanscape: On the Town by Leonard Bernstein / Urbanscape: Bizarro by Michael Daugherty | 86.300 | 13th Place Division I Semifinalist |
| 2005 | The Spirit of Broadway Give My Regards to Broadway (from Yankee Doodle Dandy) by George M. Cohan / New York, New York (from On the Town) by Leonard Bernstein / On Broadway by Barry Mann, Cynthia Weil, Jerry Leiber & Mike Stoller / They're Playing Our Song by Marvin Hamlisch & Carole Bayer Sager / Entre Act & Not While I'm Around (from Sweeney Todd) by Stephen Sondheim / Pie Jesu (from Requiem) by Andrew Lloyd Webber / Luck Be a Lady (from Guys and Dolls) by Frank Loesser / No One Mourns the Wicked & Defying Gravity (from Wicked) by Stephen Schwartz | 86.075 | 12th Place Division I Finalist |
| 2006 | Old, New, Borrowed, and Blue Old Man River (from Show Boat) by Jerome Kern & Oscar Hammerstein II / That Old Black Magic by Harold Arlen & Johnny Mercer / The Notebook by Aaron Zigman / Waltz of the Mushroom Hunters by Greg Hopkins / Blues in the Night by Harold Arlen & Johnny Mercer / Blue Shades by Frank Ticheli | 84.825 | 12th Place Division I Finalist |
| 2007 | Genesis Fluttering Maple Leaves by Jun Nagao / Hide and Seek by Imogen Heap / New Century Dawn by David Gillingham | 84.500 | 12th Place Division I Finalist |
| 2008 | Per-if-4-ry Equus by Eric Whitacre / Corynorhinus & Myotis (from Batman Begins) by James Newton Howard & Hans Zimmer / The Sacrifice & The Heart Asks Pleasure First (from The Piano) by Michael Nyman | 83.175 | 15th Place World Class Semifinalist |
| 2009 | Live... In Concert! Song for America, Carry On Wayward Son & Dust In The Wind by Kerry Livgren / Journey from Mariabronn by Kerry Livgren & Steve Walsh | 80.450 | 17th Place World Class Semifinalist |
| 2010 | Forging an Icon Piano Concerto No. 1 by Keith Emerson / Symphony No. 5 in B-Flat Major by Sergei Prokofiev / Prelude (from Psycho) by Bernard Herrmann / Brooklyn Bridge by Michael Daugherty / Serenada Schizophrana by Danny Elfman | 81.450 | 16th Place World Class Semifinalist |
| 2011 | ATL Confidential: A Tribute to Film Noir Death at the Olympic (from The Black Dahlia) by Mark Isham / Love Theme (from Chinatown) by Jerry Goldsmith / Harlem Nocturne by Earle Hagen and Dick Rogers / Prelude (from On Dangerous Ground) by Bernard Herrmann | 85.350 | 12th Place World Class Finalist |
| 2012 | Sin City Music from Bullitt by Lalo Schifrin / Luck Be A Lady (from Guys and Dolls) by Frank Loesser / Harvest Concerto for Trombone by John Mackey / Poker Face by Stefani Germanotta (Lady Gaga) & Nadir Khayat / Music from Mr. & Mrs. Smith by John Powell | 84.400 | 11th Place World Class Finalist |
| 2013 | Speakeasy Concerto in F by George Gershwin / Crazy World by Henry Mancini / Overture (from Chicago) by John Kander / Solace by Scott Joplin / Songs for Simon by John Psathas / Sweet Georgia Brown by Ben Bernie, Maceo Pinkard & Kenneth Casey / Symphony No. 1 by Paul Creston | 86.400 | 11th Place World Class Finalist |
| 2014 | Magnolia Down to the River to Pray (Traditional) / Promised Land (from Porgy and Bess) by George Gershwin / Willow Weep for Me by Ann Ronell / Jubal Step (from All Rise) by Wynton Marsalis / I Need Thee Every Hour by Annie S. Hawks & Robert Lowry | 81.550 | 17th Place World Class Semifinalist |
| 2015 | Out of the Ashes Tara's Theme (from Gone with the Wind) by Max Steiner / Southern Harmony by Donald Grantham / Full Pull & Cage Match (from Music from the Redneck Songbook II) by Scott McAllister / Wild Nights (from Harmonium) by John Adams / Original Music by William Pitts, Ben Pyles & Greg Tsalikis | 78.125 | 18th Place World Class Semifinalist |
| 2016 | Georgia Rusty Air in Carolina by Mason Bates / Georgia by Thomas Calloway (Cee Lo Green) & Brian Burton (Danger Mouse) / Can't Help Falling in Love by Hugo Peretti, Luigi Creatore & George David Weiss / Sweet Georgia Brown by Ben Bernie, Maceo Pinkard & Kenneth Casey / Georgia on My Mind by Hoagy Carmichael & Stuart Gorrell | 76.675 | 21st Place World Class Semifinalist |
| 2017 | Crossroads: We Are Here Where Am I Going? by Gino Vannelli / Wine–Dark Sea (Mvt. I – Hubris) by John Mackey / Eric’s Song by Vienna Teng / Liquid Dance by A.R. Rahman / Shofukan (We Like It Here) by Michael League (Snarky Puppy) | 80.075 | 18th Place World Class Semifinalist |
| 2018 | Knock LIT by Timothy Henson, Scott LePage, Clay Gober & Clay Aeschliman (Polyphia) & Nick Sampson / Freak Flag by Casanova Harry, Eddie Francis & O.G. Spezzano (Here Come the Mummies) / Hurt by Trent Reznor / Rattletrap by Bill Evans / Break on Through (To the Other Side) by Jim Morrison, Ray Manzarek, John Densmore & Robby Krieger (The Doors) | 85.588 | 13th Place World Class Semifinalist |
| 2019 | Neon Underground Intro by Matt Filosa, John Cypert, & Chris Moore / Krump by Scott McAllister / You and Me by Howard Lawrence, Guy Lawrence (Disclosure), James Napier & Eliza Caird (Eliza Doolittle) / Attraction by Emmanuel Séjourné / Color Wheel by Joey Izzo, Adam Rafowitz, Adam Bentley, Joe Calderone & Richie Martinez (Arch Echo) | 85.587 | 13th Place World Class Semifinalist |
| 2020 | Season canceled due to the COVID-19 pandemic | ||
| 2021 | Bottle Tree Proverb by Steve Reich / Lilac Wine by Jeff Buckley / Mother Earth by David Maslanka / Djinn by John Psathas / Selections from WALL-E / Remember Me by Thomas Bergersen | No scored competitions | |
| 2022 | Corps inactive | ||
| 2023 | Up Down and All Around Route 12 by Thomas Newman / What Goes Up by Alan Parsons / Metroliner by Eric Andrew Hirsch / Stuff We Did by Randy Newman / My Human Heart by Coldplay & Jacob Collier / Promise by Thomas Bergersen | 83.625 | 15th Place World Class Semifinalist |
| 2024 | Creatures Reborn (from Hereditary) by Colin Stetson / Smoke on the Water by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord & Ian Paice / Frolic (from Rabbit and Rogue) by Danny Elfman / Feste Romane by Ottorino Respighi / A Close Friend (from Fantastic Beasts and Where to Find Them) by James Newton Howard / Night Creature by Duke Ellington / What Could Have Been (from Arcane: League of Legends) by Alexander Miller & Alexander Seaver | 83.675 | 16th Place World Class Semifinalist |
| 2025 | Rocket Leonardo Dreams of His Flying Machine by Eric Whitacre / Rocket by Def Leppard / Hyperjump (from WALL-E ) by Thomas Newman / I Am the Antichrist to You by Kishi Bashi / Whatcha Want by Lawrence / Intoxicated by Martin Solveig / Rocket Man by Elton John / Also sprach Zarathustra by Richard Strauss | 86.800 | 13th Place World Class Semifinalist |
At the annual World Championship Finals, Drum Corps International presents awards to the corps with the high average scores from prelims, semifinals, and finals in five captions. Prior to 2000 and the adoption of the current scoring format, Spirit of Atlanta won these captions:
High Color Guard Award
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