The Godfather | ||||
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Soundtrack album by | ||||
Released | 1972. CD: 26 March 1991 159487 | |||
Genre | Film score | |||
Length | 31:31 | |||
Label | Paramount (original) / MCA (CD) | |||
Producer | Tom Mack | |||
The Godfather chronology | ||||
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The Godfather is the soundtrack from the film of the same name, released in 1972 by Paramount Records, and in 1991 on compact disc by MCA. Unless noted, the cues were composed by Nino Rota and conducted by Carlo Savina (who was credited on the LP, but not the CD). The song "I Have but One Heart" is sung by Al Martino, who performed it in the film as character Johnny Fontane.
The score was nominated for an Academy Award; however, the Academy withdrew the nomination after determining that the "Love Theme" was a rewritten version of Nino Rota's music from the 1958 film Fortunella . [1]
Coppola hired Italian composer Nino Rota to create the underscore for the film, including the main theme, "Speak Softly, Love". [2] [3] [4] In October 1971, Coppola flew to Rome with a copy of the film to give Rota to view and create the score accordingly. [5] For the score, Rota was to relate to the situations and characters in the film. [2] [3] Scott Cain of The Atlanta Journal and Constitution reacted to Rota's work with the movie's score by saying that regardless of how the movie turned out, "it will be worthwhile just for Rota's contributions." [6] Rota synthesized new music for the film and took some parts from his 1958 Fortunella film score, in order to create an Italian feel and evoke the tragic film's themes. [7] Rota also based the piece Main Theme (The Godfather Waltz) off the opening melody of Jean Sibelius' Symphony No. 1. [8] Paramount executive Evans found the score to be too "highbrow" and did not want to use it; however, it was used after Coppola managed to get Evans to agree. [2] [3] Coppola believed that Rota's musical piece gave the film even more of an Italian feel. [3] Coppola's father, Carmine, created some additional music for the film, [9] particularly the music played by the band during the opening wedding scene. [3] [7]
There are nine instances within the film where incidental music can be heard, [7] including:
There was a soundtrack released for the film in 1972 in vinyl form by Paramount Records, on CD in 1991 by Geffen Records, and digitally by Geffen on August 18, 2005. [10] The album contains over 31 minutes of music coming from the film, with most being composed by Rota, along with a song from Coppola and one by Johnny Farrow and Marty Symes. [11] [12] [13] There were 29 recordings of Nino Rota's music on the market by April 1972, specifically the songs recorded were "The Godfather Waltz", "Speak Softly Love," and "Love Theme from The Godfather." [14] [15] [16] It was expected more recordings would be hitting the market as the year went on. [14] [15] [16]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Main Title (The Godfather Waltz)" | Nino Rota | 3:04 |
2. | "I Have But One Heart" | Johnny Farrow, Marty Symes | 3:00 |
3. | "The Pickup" | Nino Rota | 2:56 |
4. | "Connie's Wedding" | Carmine Coppola | 1:33 |
5. | "The Halls of Fear" | Nino Rota | 2:12 |
6. | "Sicilian Pastorale" | Nino Rota | 3:03 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Love Theme from The Godfather" | Nino Rota | 2:37 |
2. | "The Godfather Waltz" | Nino Rota | 3:35 |
3. | "Apollonia" | Nino Rota | 1:22 |
4. | "The New Godfather" | Nino Rota | 2:00 |
5. | "The Baptism" | Nino Rota | 1:51 |
6. | "The Godfather Finale" | Nino Rota | 3:50 |
Total length: | 31:31 |
Review scores | |
---|---|
Source | Rating |
Allmusic | [11] |
Filmtracks | [13] |
The soundtrack was well received by music critics. The United Press International's William D. Laffler wrote that the "Main Title" was a "haunting piece of music which generates nostalgic longing for things past and a foreboding underlying theme." [17] He felt that the soundtrack grows on the listener with each play and predicted it would become one of the biggest sellers in the calendar year. [17] William J. Knittle Jr. of the Daily News–Post felt Rota's titular theme was why The Godfather was "close to being the perfect American film." [18] He continued by stating Rota broke from his "usual lush string tour de force." [18] He felt the music was "meaningful and involving," while the use of cello and cornet solos demonstrated the isolation and insulation of the Corleone family. [18] He closed by saying the music showed Italian influence and had a natural progression. [18] The Journal and Courier's Bernard Drew felt Rota's musical pieces were haunting and "bridged gaps and served as a reminder of how things were." [19] Harry Haun of The Tennessean described Rota's score as "baleful," but felt it kept with the pace of the movie well. [20] Peter Barsocchini who wrote for The Times wrote that The Godfather soundtrack was able to stand on its own. [21] He elaborated on the soundtrack stating it was "extremely evocative" and that it kept with the time period the movie was set. [21] He did state that the soundtrack was "rich and interesting, without, except for one cut (the vocal by Al Martino), being at all typed." [21] He felt the "Main Title" was the best track on the album because: "It is at once chilling and plaintive and nostalgic, but it also evokes the humanity of The Godfather, gives the image of a man instead of a ruthless monster, which is a brilliant composition." [21] Barsocchini wrote that "The Halls of Fear" explored the concept of fear well in an a-melodramatic way. [21] He summed up the album by stating it was worthy of one's attention even if not interested in the film. [21] Detroit Free Press's Bob Talbert described Rota's score as "right on the money" and "[captured] the feel of the '40s and the power of Marlon Brando." [22] He generally commented that the instruments used in the movie matched the intensity of Brando and Al Pacino. [22] He also described Martino as "a thinly disguised Frank Sinatra." [22] Allmusic gave the album five out of five stars, with editor Zach Curd saying it is a "dark, looming, and elegant soundtrack." [11] An editor for Filmtracks believed that Rota was successful in relating the music to the film's core aspects. [13]
Rota's score was also nominated for Grammy Award for Best Original Score for a Motion Picture or TV Special at the 15th Grammy Awards. [23] [24] Rota was announced the winner of the category on March 3 at the Grammys' ceremony in Nashville, Tennessee. [23] [24] Rota had received a nomination for the Best Original Score at the 45th Academy Awards. [25] [26] Upon further review of Rota's love theme from The Godfather, the Academy found that Rota had used a similar score in Eduardo De Filippo's 1958 comedy Fortunella . [27] [28] [29] This led to re-balloting, where members of the music branch chose from six films: The Godfather and the five films that had been on the shortlist for best original dramatic score but did not get nominated. John Addison's score for Sleuth won this new vote, and thus replaced Rota's score on the official list of nominees. [30]
Award | Category | Nominee | Result |
---|---|---|---|
45th Academy Awards | Best Original Dramatic Score | Nino Rota | Revoked [N 1] |
26th British Academy Film Awards | Best Film Music | Nino Rota | Won |
30th Golden Globe Awards | Best Original Score | Nino Rota | Won |
15th Grammy Awards | Best Original Score Written for a Motion Picture or TV Special | Nino Rota | Won |
Source: [31]
Date | Format(s) | Label(s) | Ref(s) |
---|---|---|---|
1972 |
| [10] | |
1991 | [10] | ||
August 18, 2005 | [10] |
Francis Ford Coppola is an American film director, producer, and screenwriter. He is considered one of the leading figures of the New Hollywood film movement and is widely considered one of the greatest directors of all time. Coppola is the recipient of five Academy Awards, six Golden Globe Awards, two Palmes d'Or, and a BAFTA Award.
The Godfather Part II is a 1974 American epic crime film produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of Michael Corleone, the new Don of the Corleone family, protecting the family business in the aftermath of an attempt on his life; the other covers the journey of his father, Vito Corleone, from his Sicilian childhood to the founding of his family enterprise in New York City. The ensemble cast also features Robert Duvall, Diane Keaton, Talia Shire, Morgana King, John Cazale, Marianna Hill and Lee Strasberg.
Mario Francis Puzo was an American author and screenwriter. He wrote crime novels about the Italian-American Mafia and Sicilian Mafia, most notably The Godfather (1969), which he later co-adapted into a film trilogy directed by Francis Ford Coppola. He received the Academy Award for Best Adapted Screenplay for the first film in 1972 and for Part II in 1974. Puzo also wrote the original screenplay for the 1978 Superman film and its 1980 sequel. His final novel, The Family, was released posthumously in 2001.
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established as 35% of the music, which is raised to 80% for sequels and franchise films. Fifteen scores are shortlisted before nominations are announced.
The Godfather Part III is a 1990 American epic crime film produced and directed by Francis Ford Coppola from the screenplay co-written with Mario Puzo. The film stars Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton and Sofia Coppola. It is the third and final installment in The Godfather trilogy. A sequel to The Godfather (1972) and The Godfather Part II (1974), it concludes the fictional story of Michael Corleone, the patriarch of the Corleone family who attempts to legitimize his criminal empire. The film also includes fictionalized accounts of two real-life events: the 1978 death of Pope John Paul I and the Papal banking scandal of 1981–1982, both linked to Michael Corleone's business affairs.
Giovanni Rota Rinaldi, better known as Nino Rota, was an Italian composer, pianist, conductor and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare screen adaptations, and for the first two installments of Francis Ford Coppola's The Godfather trilogy, earning the Academy Award for Best Original Score for The Godfather Part II (1974).
Jasper Cini, known professionally as Al Martino, was an American traditional pop and jazz singer. He had his greatest success as a singer between the early 1950s and mid-1970s, being described as "one of the great Italian American pop crooners", and became known as an actor, particularly for his role as singer Johnny Fontane in The Godfather.
Carmine Valentino Coppola was an American composer, flautist, pianist, and songwriter who contributed original music to the films The Godfather, The Godfather Part II, Apocalypse Now, The Outsiders, The Black Stallion, and The Godfather Part III. He is the father of film director Francis Ford Coppola. In the course of his career, he won both the Academy Award for Best Original Score and the Golden Globe Award for Best Original Score, with BAFTA Award for Best Film Music and Grammy Award for Best Score Soundtrack for Visual Media nominations.
The Godfather is a 1972 American epic gangster film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel. The film stars an ensemble cast including Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte and Diane Keaton. It is the first installment in The Godfather trilogy, chronicling the Corleone family under patriarch Vito Corleone (Brando) from 1945 to 1955. It focuses on the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss.
The Godfather Part III is the soundtrack from the film of the same name, released in 1990 by Columbia Records.
The 45th Academy Awards were presented Tuesday, March 27, 1973, at the Dorothy Chandler Pavilion in Los Angeles, California, honoring the best films of 1972. The ceremonies were presided over by Carol Burnett, Michael Caine, Charlton Heston, and Rock Hudson.
The Godfather Part II is the Academy Award winning soundtrack from the movie of the same name, released in 1974 by ABC, and 1991 on compact disc by MCA. The original score was composed by Nino Rota and conducted by Carmine Coppola, who also provided source music for the film. Rota expands upon two of the three main themes from the first film: "The Godfather Waltz" and "Michael's Theme", while "The Love Theme" from the first film makes a brief appearance during a flashback sequence. There are several new themes, including one for Kay, and two for young Vito : "The Immigrant Theme" and "The Tarantella", introduced in "A New Carpet".
"Love Theme from The Godfather" is an instrumental theme from the 1972 film The Godfather, composed by Nino Rota. The piece was lyricized in English by Larry Kusik into "Speak Softly, Love", a popular song released in 1972. The highest-charting rendition of either version was by vocalist Andy Williams, who took "Speak Softly Love" to number 34 on Billboard magazine's Hot 100 and number seven on its Easy Listening chart.
Italia Coppola was the matriarch of the Coppola family. She appeared in three non-speaking roles in her son Francis Ford Coppola's films, One from the Heart, The Godfather Part II, and The Godfather Part III. She was known for her Italian cooking and published a cookbook called Mama Coppola's Pasta Book in 2000. Francis Ford Coppola named his 1998 Edizione Pennino zinfandel after her family's name and Italian heritage, and her nickname "Mammarella" is the name of her pasta and sauce line made by him.
The Godfather is a trilogy of American crime films directed by Francis Ford Coppola inspired by the 1969 novel of the same name by Italian American author Mario Puzo. The films follow the trials of the fictional Italian American mafia Corleone family whose patriarch, Vito Corleone, rises to be a major figure in American organized crime. His youngest son, Michael Corleone, becomes his successor. The films were distributed by Paramount Pictures and released in 1972, 1974, and 1990. The series achieved success at the box office, with the films earning between $430 and $517 million worldwide. The Godfather and The Godfather Part II are both seen by many as two of the greatest films of all time. The series is heavily awarded, winning 9 out of 28 total Academy Award nominations.
Fortunella is a 1958 Italian comedy film directed by Eduardo De Filippo, with script by Federico Fellini.
Below is a selected discography for Nino Rota (1911–1979). He was a prolific composer; there are a great many recordings of all of his music—both popular and classical; and it would be impossible to list all of them. Indeed, there are new performances and recordings of Rota's music being made to this day.
The soundtrack for the 1968 film Romeo and Juliet was composed and conducted by Nino Rota. It was originally released as an LP, containing nine entries, most notably the song "What Is a Youth", composed by Nino Rota, written by Eugene Walter and performed by Glen Weston. The music score won a Silver Ribbon award of the Italian National Syndicate of Film Journalists in 1968 and was nominated for two other awards.
Terminator Genisys: Music from the Motion Picture is the soundtrack album composed by Lorne Balfe for the 2015 film of the same name, directed by Alan Taylor, which is the fifth installment and a reboot of the Terminator franchise, taking the premise of the original film. The album was initially set to be scored by Christophe Beck, before Balfe replaced him. Hans Zimmer served as the executive producer of the film's soundtrack. The album featured 22 tracks, and was released on June 24, 2015 under the Skydance Media and Paramount Music labels.