Walk A Mile In My Shoes: The Essential 70s Masters | ||||
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Box set by | ||||
Released | October 10, 1995 | |||
Recorded | February 1970 – June 1977 | |||
Genre | Rock, pop, country, R&B | |||
Length | 6:12:11 | |||
Label | RCA Records | |||
Producer | Ernst Mikael Jorgensen Roger Semon | |||
Elvis Presley chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
MusicHound | [2] |
The Rolling Stone Album Guide | [3] |
Rough Guides | [4] |
Walk a Mile in My Shoes: The Essential '70s Masters is a five-disc box set compilation of the recorded work of Elvis Presley during the decade of the 1970s. It was released in 1995 by RCA Records, catalog number 66670-2, following similar box sets that covered his musical output in the 1950s and both his non-soundtrack and soundtrack work of the 1960s. This set's initial long-box release included a set of collectable stamps duplicating the record jackets of the LP albums on which the tracks in the box set were originally released by RCA. It also includes a booklet with an extensive session list and discography, as well as a lengthy essay by Dave Marsh, some of it excerpted from his 1982 book on Presley. The box set was certified gold by the Recording Industry Association of America on July 15, 1999.
The first two discs present the A and b sides of every single released in the United States by Presley during the decade, with the following exceptions: "Kentucky Rain" backed with "My Little Friend," and the b-side to "The Wonder of You," "Mama Liked the Roses," recorded in the 1960s; the gospel single "He Touched Me" b/w "Bosom of Abraham," and the gospel b-sides respectively to the singles "Life" and "If You Talk in Your Sleep," "Only Believe" and "Help Me," all four tracks already included on his first gospel compilation; and "Merry Christmas Baby" b/w "O Come All Ye Faithful", although the album version of the single can be found on disc four. His final two singles issued posthumously, the #22 "My Way" b/w "America the Beautiful" from November 1977, and "Unchained Melody" b/w "Softly As I Leave You" from February 1978, are also not included, although "Unchained Melody" is on the fifth disc, and versions of "My Way" and "Softly As I Leave You" are also on other discs in the set. Of the 23 American singles on these discs, 19 made the Top 40, with "The Wonder of You" and "Burning Love" also making the top ten. Included as well are four tracks issued at 45 rpm in Great Britain only: the top ten single "I Just Can't Help Believin'" b/w "How the Web Was Woven", the A-side "Green Green Grass of Home", and "Loving Arms", the British flip side to "My Boy." In the U.S., both sides of the British "I Just Can't Help Believin'" single had appeared as two LP tracks on That's the Way It Is , "Loving Arms" on Good Times , and "Green Grass" on Today .
Discs three and four compile studio tracks from various albums, with ten previously unreleased recordings or alternate takes. All but five of the 23 tracks on disc three originate from a single series of sessions, held over four days during June 1970, at RCA Studio B in Nashville, Tennessee. Facsimiles of the albums That's the Way It Is and "Elvis Country" can be assembled from tracks on this box, with the bulk of the two albums on this disc. Disc four continues highlights from 1971 through Presley's final studio session, at home in Graceland on October 30, 1976. It includes two songs by Bob Dylan, "I Shall Be Released" and "Don't Think Twice, It's All Right", and a master studio take of the Sinatra signature song, "My Way."
The fifth disc approximates a Presley stage show typical to the era, taken mostly from shows in 1970 and 1972, with 21 songs running to about an hour. Eleven of the concert tracks are previously unreleased, "Reconsider Baby" and "I'll Remember You" originating from the matinee show at Madison Square Garden issued later in 1997 on An Afternoon in the Garden . The disc does not open, as Presley shows often did, with the introduction to Strauss' tone poem Also sprach Zarathustra , played by the backing orchestra to announce the entrance of Elvis. The rock and roll instrumental support consists of the TCB Band, in addition to Presley's usual coterie of back-up vocalists, and the orchestra led by Joe Guercio. The final five songs present a "rehearsal" for the show, deriving from informal recordings made at actual rehearsals at RCA Studios in Hollywood in preparation for Elvis: That's the Way It Is and for a summer 1974 engagement in Las Vegas.
RCA Records issued two similarly configured box set companions, one for the 1950s, and another for the 1960s, the former his complete known masters from that decade, and the latter set chronicling his non-soundtrack/non-gospel recordings from the second decade of his career. Additional two-disc sets featuring his complete gospel recordings and selections from his soundtracks were also issued under this series. Unlike the first two decades collections, however, the compilers of Walk a Mile in My Shoes chose not to collect every studio recording Presley made during his final decade, choosing to focus on the singles, a sampling of "studio highlights" and an example of his live work.
Professional studio recordings made at RCA Studio B in Nashville, RCA Studio C in Hollywood, Stax Studio in Memphis, and in the Jungle Room at Graceland. Live recordings from The International Hotel in Las Vegas, Madison Square Garden in New York City, the H.I.C. Arena in Honolulu, and the Crisler Arena in Ann Arbor, Michigan. Original recordings produced by Felton Jarvis. "Are You Sincere" recorded at Elvis' home in Palm Springs, California, and produced by Presley.
After the success of his television special in 1968, the album From Elvis in Memphis and the chart-topping single "Suspicious Minds" in 1969, Presley stopped making motion pictures, which had become central to his public identity in the 1960s, and concentrated on making music. During the course of the 1970s, in addition to the aforementioned singles, 41 Presley albums appeared in the U.S. prior to his death: seven new compilations from RCA, including The Sun Sessions ; nine compilations on the budget RCA Camden label, including an altered reissue of the 1957 Christmas album; two additional compilations on the bargain-bin Pickwick label; four more reissues; six concert documents, including Having Fun with Elvis on Stage and the posthumous Elvis in Concert ; and thirteen original albums of new material, with one Christmas LP and one gospel LP among them.
As seen from the chart positions in the discography, public reaction to Presley's output during this period was mixed, in part owing to the sheer volume of released items. Unlike the fifties box, Walk a Mile in My Shoes cherry-picks the material in three sections – commercial singles, choice album cuts, and live performance. Winnowing down the selections argues for the continued vitality of Presley's work in this period. As stated by Marsh in the liner notes:
Chart positions for albums from the Billboard 200; positions for singles from the Billboard Hot 100, except where noted. Certain tracks listed as unreleased on the insert card of the jewel cases are unedited masters of issued tracks, or without later overdubs; those are indicated with an asterisk and listed with the original issue information for the released master.
Track | Song Title | Writer(s) | Time | Recorded | Release Date | Catalogue | Chart Peak |
---|---|---|---|---|---|---|---|
1. | The Wonder of You | Baker Knight | 2:34 | 1970-02-18 | 1970-04-20 | 47-9835 | #9 |
2. | I've Lost You | Alan Blaikley and Ken Howard | 3:30 | 1970-06-04 | 1970-07-14 | 47–9873 | #32 |
3. | The Next Step Is Love | Paul Evans and Paul Parnes | 3:31 | 1970-06-07 | 1970-07-14 | 47-9873b | |
4. | You Don't Have to Say You Love Me | Vicki Wickham, Simon Napier-Bell, Pino Donaggio, Vito Pallavicini | 2:30 | 1970-06-06 | 1970-10-06 | 47–9916 | #11 |
5. | Patch It Up | Eddie Rabbitt and Rory Bourke | 3:08 | 1970-06-08 | 1970-10-06 | 47-9916b | |
6. | I Really Don't Want to Know | Howard Barnes and Don Robertson | 2:54 | 1970-06-07 | 1970-12-08 | 47–9960 | #21 |
7. | There Goes My Everything | Dallas Frazier | 2:58 | 1970-06-08 | 1970-12-08 | 47-9960b | |
8. | Rags to Riches | Richard Adler and Jerry Ross | 1:54 | 1970-09-22 | 1971-02-03 | 47–9980 | #33 |
9. | Where Did They Go, Lord | Dallas Frazier and A.L. "Doodle" Owens | 2:27 | 1970-09-22 | 1971-02-03 | 47-9980b | |
10. | Life | Shirl Milete | 3:10 | 1970-06-06 | 1971-05-25 | 47–9985 | #53 |
11. | I'm Leavin' | Michael Jarrett and Sonny Charles | 3:51 | 1971-05-20 | 1971-06-22 | 47–9998 | #36 |
12. | Heart of Rome | Alan Blaikley, Ken Howard, Geoff Stephens | 2:53 | 1970-06-06 | 1971-06-22 | 47-9998b | |
13. | It's Only Love | Mark James and Steve Tyrell | 2:41 | 1971-05-20 | 1971-09-21 | 48–1017 | #51 |
14. | The Sound of Your Cry | Bernie Baum, Bill Giant, Florence Kaye | 3:17 | 1970-06-04 | 1971-09-21 | 48-1017b | |
15. | I Just Can't Help Believin' | Cynthia Weil and Barry Mann | 4:34 | 1970-08-11 | 1971-11 | 2158 | UK #6 |
16. | How the Web Was Woven | David Most and Clive Westlake | 3:25 | 1970-06-05 | 1971-11 | 2158b | |
17. | Until It's Time for You to Go | Buffy Sainte-Marie | 2:17 | 1971-05-17 | 1972-01-04 | 74–0619 | #40 |
18. | We Can Make the Morning | Jay Ramsey | 3:54 | 1971-05-20 | 1972-01-04 | 74-0619b | |
19. | An American Trilogy | Mickey Newbury | 4:30 | 1972-02-16 | 1972-04-04 | 74–0672 | #66 |
20. | The First Time Ever I Saw Your Face | Ewan MacColl | 3:42 | 1971-03-15 | 1972-04-04 | 74-0672b | |
21. | Burning Love | Dennis Linde | 2:50 | 1972-03-28 | 1972-08-01 | 74–0769 | #2 |
22. | It's a Matter of Time | Clive Westlake | 3:02 | 1972-03-29 | 1972-08-01 | 74-0769b | |
23. | Separate Ways | Red West and Richard Mainegra | 2:36 | 1972-03-27 | 1972-10-31 | 74–0815 | #20 |
Track | Song Title | Writer(s) | Time | Recorded | Release Date | Catalogue | Chart Peak |
---|---|---|---|---|---|---|---|
1. | Always on My Mind | Johnny Christopher, Mark James, Wayne Carson | 3:37 | 1972-03-29 | 1972-10-31 | 74-0815b | |
2. | Fool | Carl Sigman and James Last | 3:30 | 1972-03-28 | 1973-03-04 | 74-0910b | |
3. | Steamroller Blues | James Taylor | 3:04 | 1973-01-14 | 1973-03-04 | 74–0910 | #17 |
4. | Raised on Rock | Mark James | 2:38 | 1973-07-23 | 1973-09-22 | APBO 0088 | #41 |
5. | For Ol' Times Sake | Tony Joe White | 3:36 | 1973-07-23 | 1973-09-22 | APBO 0088b | |
6. | I've Got a Thing About You Baby | Tony Joe White | 2:20 | 1973-07-22 | 1974-01-11 | APBO 0196 | #39 |
7. | Take Good Care of Her | Arthur Kent and Edward C. Warren | 2:51 | 1973-07-21 | 1974-01-11 | APBO 0196b | |
8. | If You Talk in Your Sleep | Red West and Johnny Christopher | 2:34 | 1973-12-11 | 1974-05-10 | APBO 0280 | #17 |
9. | Promised Land | Chuck Berry | 2:55 | 1973-12-15 | 1974-09-27 | PB 10074 | #14 |
10. | It's Midnight | Billy Edd Wheeler and Jerry Chesnut | 3:21 | 1973-12-10 | 1974-09-27 | PB 10074b | |
11. | My Boy | Bill Martin, Jean-Pierre Bourtrayre, Phil Coulter, Claude Francois | 3:19 | 1973-12-13 | 1975-01-04 | PB 10191 | #20 |
12. | Loving Arms | Tom Jans | 2:50 | 1973-12-13 | 1974-10 | 2548b | |
13. | T-R-O-U-B-L-E | Jerry Chesnut and Steve Tyrell | 3:02 | 1975-03-11 | 1975-04-22 | PB 10278 | #35 |
14. | Mr. Songman | Donnie Sumner | 2:07 | 1973-12-12 | 1975-04-23 | PB 10278b | |
15. | Bringing It Back | Gregg Gordon | 3:00 | 1975-03-12 | 1975-09-30 | PB 10401 | #65 |
16. | Pieces of My Life | Troy Seals | 4:03 | 1975-03-12 | 1975-09-30 | PB 10401b | |
17. | Green Green Grass of Home | Curly Putman | 3:35 | 1975-03-10 | 1975-11 | 2635 | UK #29 |
18. | Thinking About You | Tim Baty | 3:00 | 1973-12-12 | 1975-01-04 | PB 10191b | |
19. | Hurt | Jimmie Crane and Al Jacobs | 2:06 | 1976-02-05 | 1976-03-12 | PB 10601 | #28 |
20. | For the Heart | Dennis Linde | 3:22 | 1976-02-05 | 1976-03-12 | PB 10601b | |
21. | Moody Blue | Mark James | 3:22 | 1976-02-04 | 1976-11-29 | PB 10857 | #31 |
22. | She Thinks I Still Care | Dickey Lee | 3:51 | 1976-02-02 | 1976-11-29 | PB 10857b | |
23. | Way Down | Layng Martine Jr. | 2:38 | 1976-10-29 | 1977-06-06 | PB 10998 | #18 |
24. | Pledging My Love | Don Robey and Ferdinand Washington | 2:50 | 1976-10-29 | 1977-06-06 | PB 10998b |
Track | Song Title | Writer(s) | Time | Recorded | Release Date | Catalogue | Original Issue | Chart Peak |
---|---|---|---|---|---|---|---|---|
1. | Twenty Days and Twenty Nights | Scott Weisman and Clive Westlake | 3:15 | 1970-06-04 | 1970-11-11 | LSP 4445 | That's the Way It Is | #21 |
2. | I Was Born About Ten Thousand Years Ago | Traditional | 3:28 | 1970-06-04 | 1972-02-20 | LSP 4460 | Elvis Now | #43 |
3. | The Fool | Naomi Ford and Lee Hazlewood | 2:24 | 1970-06-04 | 1971-01-02 | LSP 4671 | "Elvis Country" | #12 |
4. | A Hundred Years from Now | Lester Flatt and Earl Scruggs | 1:40 | 1970-06-04 | previously unreleased | |||
5. | Little Cabin on the Hill | Bill Monroe and Lester Flatt | 1:47 | 1970-06-04 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
6. | Cindy, Cindy | Dolores Fuller, Buddy Kaye, Fred Wise, Ben Weisman | 2:31 | 1970-06-04 | 1971-06-16 | LSP 4530 | Love Letters from Elvis | #33 |
7. | Bridge over Troubled Water | Paul Simon | 4:29 | 1970-06-05 | 1970-11-11 | LSP 4445 | That's the Way It Is | #21 |
8. | Got My Mojo Working / Keep Your Hands Off of It | Preston Foster, Elvis Presley | 4:34 | 1970-06-05 | 1971-06-16 | LSP 4530 | Love Letters from Elvis | #33 |
9. | It's Your Baby, You Rock It | Shirl Milete and Nora Fowler | 2:59 | 1970-06-05 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
10. | Stranger in the Crowd | Winfield Scott | 3:47 | 1970-06-05 | 1970-11-11 | LSP 4445 | That's the Way It Is | #21 |
11. | Mary in the Morning | Johnny Cymbal and Michael Rashkow | 4:11 | 1970-06-05 | 1970-11-11 | LSP 4445 | That's the Way It Is | #21 |
12. | It Ain't No Big Thing (But It's Growing) | Shorty Hall, Alice Joy Merritt, Neal Merritt | 2:46 | 1970-06-06 | 1971-06-16 | LSP 4530 | Love Letters from Elvis | #33 |
13. | Just Pretend | Guy Fletcher and Doug Flett | 4:02 | 1970-06-06 | 1970-11-11 | LSP 4445 | That's the Way It Is | #21 |
14. | Faded Love* | Bob Wills and Johnnie Lee Wills | 4:06 | 1970-06-07 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
15. | Tomorrow Never Comes* | Johnny Bond and Ernest Tubb | 4:04 | 1970-06-07 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
16. | Make the World Go Away | Hank Cochran | 3:35 | 1970-06-07 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
17. | Funny How Time Slips Away | Willie Nelson | 4:19 | 1970-06-07 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
18. | I Washed My Hands in Muddy Water* | Joe Babcock | 4:57 | 1970-06-07 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
19. | Snowbird | Gene MacLellan | 2:04 | 1970-09-22 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
20. | Whole Lotta Shakin' Goin' On | Dave "Curly" Williams and Sunny David | 3:02 | 1970-09-22 | 1971-01-02 | LSP 4460 | "Elvis Country" | #12 |
21. | Amazing Grace* | Traditional | 3:26 | 1971-03-15 | 1972-04-03 | LSP 4690 | He Touched Me | #79 |
22. | (That's What You Get) For Lovin' Me | Gordon Lightfoot | 2:08 | 1971-03-15 | 1973-07-16 | APL1 0283 | Elvis | #52 |
23. | Lady Madonna | John Lennon and Paul McCartney | 1:20 | 1971-05-17 | previously unreleased |
Track | Song Title | Writer(s) | Time | Recorded | Release Date | Catalogue | Original Issue | Chart Peak |
---|---|---|---|---|---|---|---|---|
1. | Merry Christmas, Baby | Lou Baxter and Johnny Moore | 5:43 | 1971-05-15 | 1971-10-20 | LSP 4579 | Wonderful World of Christmas | |
2. | I Shall Be Released | Bob Dylan | 0:48 | 1971-05-20 | previously unreleased | |||
3. | Don't Think Twice, It's All Right* | Bob Dylan | 4:00 | 1971-05-16 | 1973-07-16 | APL1 0283 | Elvis | #52 |
4. | It's Still Here* | Ivory Joe Hunter | 3:29 | 1971-05-19 | 1973-07-16 | APL1 0283 | Elvis | #52 |
5. | I'll Take You Home Again, Kathleen* | Thomas P. Westendorf | 2:28 | 1971-05-19 | 1973-07-16 | APL1 0283 | Elvis | #52 |
6. | I Will Be True | Ivory Joe Hunter | 2:34 | 1971-05-19 | 1973-07-16 | APL1 0283 | Elvis | #52 |
7. | My Way | Paul Anka, Claude Francois, Jacques Revaux | 4:32 | 1971-06-10 | previously unreleased | |||
8. | For the Good Times | Kris Kristofferson | 3:11 | 1972-03-27 | previously unreleased | |||
9. | Just a Little Bit | Ralph Bass, Buster Brown, John Thornton, Fats Washington | 2:31 | 1973-07-22 | 1973-10-01 | APL1 0388 | Raised on Rock | #50 |
10. | It's Diff'rent Now | Clive Westlake | 2:31 | 1973-07-21 | previously unreleased | |||
11. | Are You Sincere | Wayne Walker | 1:59 | 1973-09-23 | 1973-10-01 | APL1 0388 | Raised on Rock | #50 |
12. | I Got a Feelin' in My Body | Dennis Linde | 3:33 | 1973-12-10 | 1974-03-20 | CPL1 0475 | Good Times | #90 |
13. | You Asked Me To | Waylon Jennings and Billy Joe Shaver | 2:52 | 1973-12-11 | 1975-01-08 | APL1 0873 | Promised Land | #47 |
14. | Good Time Charlie's Got the Blues | Danny O'Keefe | 3:12 | 1973-12-13 | 1974-03-20 | CPL1 0475 | Good Times | #90 |
15. | Talk About the Good Times | Jerry Reed Hubbard | 2:36 | 1973-12-14 | 1974-03-20 | CPL1 0475 | Good Times | #90 |
16. | Tiger Man | Joe Hill Louis and Sam Phillips (under the pseudonym Sam Burns) | 3:05 | 1975-03-11 | previously unreleased | |||
17. | I Can Help | Billy Swan | 4:02 | 1975-03-10 | 1975-05-07 | APL1 1039 | Today | #57 |
18. | Susan When She Tried | Don Reid | 2:16 | 1975-03-11 | 1975-05-07 | APL1 1039 | Today | #57 |
19. | Shake a Hand | Joe Morris | 3:48 | 1975-03-11 | 1975-05-07 | APL1 1039 | Today | #57 |
20. | She Thinks I Still Care | Dickey Lee | 3:26 | 1976-02-02 | unreleased alternate take | |||
21. | Danny Boy | Frederic Weatherly | 3:56 | 1976-02-05 | 1976-04-20 | APL1 1506 | From Elvis Presley Boulevard | #41 |
22. | Love Coming Down | Jerry Chesnut | 3:06 | 1976-02-06 | 1976-04-20 | APL1 1506 | From Elvis Presley Boulevard | #41 |
23. | He'll Have to Go | Joe Allison and Audrey Allison | 4:30 | 1976-10-30 | 1977-07-19 | AFL1 2428 | Moody Blue | #3 |
Track | Song Title | Writer(s) | Time | Recorded | Release Date | Catalogue | Original Issue | Chart Peak |
---|---|---|---|---|---|---|---|---|
1. | See See Rider | Traditional | 2:23 | 1970-02-18 | 1970-06-23 | LSP 4362 | On Stage: February 1970 | #13 |
2. | Men with Broken Hearts | Hank Williams | 0:31 | 1970-08-11 | previously unreleased | |||
3. | Walk A Mile In My Shoes | Joe South | 2:57 | 1970-02-19 | 1970-06-23 | LSP 4362 | On Stage: February 1970 | #13 |
4. | Polk Salad Annie | Tony Joe White | 4:46 | 1970-02-18 | 1970-06-23 | LSP 4362 | On Stage: February 1970 | #13 |
5. | Let It Be Me | Gilbert Bécaud, Mann Curtis, Pierre Delanoë | 3:28 | 1970-02-17 | 1970-06-23 | LSP 4362 | On Stage: February 1970 | #13 |
6. | Proud Mary | John Fogerty | 2:30 | 1970-02-16 | 1970-06-23 | LSP 4362 | On Stage: February 1970 | #13 |
7. | Something | George Harrison | 3:40 | 1970-08-11 | previously unreleased | |||
8. | You've Lost That Lovin' Feelin' | Barry Mann, Cynthia Weil, Phil Spector | 4:23 | 1970-08-12 | 1970-11-11 | LSP 4445 | That's the Way It Is | #21 |
9. | Heartbreak Hotel | Mae Axton, Tommy Durden, Elvis Presley | 1:41 | 1970-08-11 | previously unreleased | |||
10. | I Was the One | Aaron Schroeder, Claude DeMetrius, Hal Blair, Bill Peppers | 1:19 | 1970-08-12 | previously unreleased | |||
11. | One Night | Dave Bartholomew, Pearl King, Anita Steiman | 1:47 | 1970-08-11 | previously unreleased | |||
12. | Never Been to Spain | Hoyt Axton | 3:28 | 1972-02-16 | previously unreleased | |||
13. | You Gave Me a Mountain | Marty Robbins | 3:15 | 1972-02-16 | previously unreleased | |||
14. | It's Impossible | Armando Manzanero and Sid Wayne | 2:52 | 1972-02-16 | 1973-07-16 | APL1 0283 | Elvis | #52 |
15. | A Big Hunk o' Love | Aaron Schroeder and Sidney Wyche | 2:02 | 1972-02-16 | previously unreleased | |||
16. | It's Over | Jimmie F. Rodgers | 2:20 | 1972-02-17 | previously unreleased | |||
17. | The Impossible Dream | Joe Darion and Mitch Leigh | 2:29 | 1972-02-17 | 1978-02 | AFL1 2772 | He Walks Beside Me | #113 |
18. | Reconsider Baby | Lowell Fulsom | 2:41 | 1972-06-10 | previously unreleased | |||
19. | I'll Remember You | Kui Lee | 2:35 | 1972-06-10 | previously unreleased | |||
20. | I'm So Lonesome I Could Cry | Hank Williams | 2:15 | 1973-01-14 | 1973-02-04 | VPSX 6089 | Aloha From Hawaii: Via Satellite | #1 |
21. | Suspicious Minds | Mark James | 4:29 | 1973-01-14 | 1973-02-04 | VPSX 6089 | Aloha From Hawaii: Via Satellite | #1 |
22. | Unchained Melody | Alex North and Hy Zaret | 2:27 | 1977-04-24 | 1977-07-19 | AFL1 2428 | Moody Blue | #3 |
23. | The Twelfth of Never | Jay Livingston and Paul Francis Webster | 2:39 | 1974-08-16 | unreleased rehearsal | |||
24. | Softly As I Leave You | Giorgio Calabrese, Antonio deVita and Hal Shaper | 2:14 | 1974-08-16 | unreleased rehearsal | |||
25. | Allá en el Rancho Grande | Silvano Ramos, Del Moral, Urange | 2:04 | 1970-07-15 | unreleased rehearsal | |||
26. | Froggy Went A-Courting | Traditional | 2:15 | 1970-07-29 | unreleased rehearsal | |||
27. | Stranger in My Own Home Town | Percy Mayfield | 4:37 | 1970-07-24 | unreleased rehearsal |
Elvis Country is the thirteenth studio album by American singer and musician Elvis Presley, released on RCA Records in January 1971. Recorded at RCA Studio B in Nashville, it reached number 12 on the Billboard 200. It peaked at number six in the United Kingdom, selling over one million copies worldwide. It was certified Gold on December 1, 1977, by the Recording Industry Association of America.
A Date with Elvis is a compilation album by American singer and musician Elvis Presley, issued on RCA Victor in July 1959. The album compiled a selection of previously released material from multiple sessions at Sun, an August 1956 recording session at 20th Century Fox Stage One and two from Radio Recorders in Hollywood. The album reached #32 on the Billboard Top Pop Albums chart.
Elvis' Christmas Album is the third studio album and first Christmas album by American singer and musician Elvis Presley on RCA Victor, LOC -1035, a deluxe limited edition, released October 15, 1957, and recorded at Radio Recorders in Hollywood. It has been reissued in numerous different formats since its first release. It spent four weeks at No. 1 on the Billboard Top Pop Albums chart, and was the first of two Christmas-themed albums Presley would record, the other being Elvis Sings the Wonderful World of Christmas, released in 1971. The publication Music Vendor listed Elvis' Christmas Album on their singles charts for two weeks in December 1957 – January 1958, with a peak position of No. 49.
His Hand in Mine is the fifth studio album by American singer and musician Elvis Presley, released on November 23, 1960 by RCA Victor in mono and stereo, catalog number LPM/LSP 2328. It was the first of three gospel albums that Presley would issue during his lifetime. Recording sessions took place on October 30 and 31, 1960, at RCA Studio B in Nashville, Tennessee. It peaked at #13 on the Top Pop Albums chart. It was certified Gold on April 9, 1969 and Platinum on March 27, 1992 by the Recording Industry Association of America.
Elvis' Golden Records is a compilation album by American rock and roll singer Elvis Presley, issued by RCA Victor in March 1958. It compiled his hit singles released in 1956 and 1957, and is widely believed to be the first greatest hits album in rock and roll history. It is the first of five RCA Victor Elvis' Golden/Gold Records compilations, the first four of which were issued during Presley's lifetime. The album peaked at number three on the Billboard Top Pop Albums chart and was certified 6× platinum on August 17, 1999, by the Recording Industry Association of America.
For LP Fans Only is a compilation album by American singer and musician Elvis Presley, released on February 6, 1959 by RCA Victor. It compiled previously released material from an August 1956 recording session at 20th Century Fox Stage One, a September 1956 session at Radio Recorders in Hollywood, sessions on January 10 and 11 at the RCA Victor Studios in Nashville, two more at the RCA Victor Studios in New York, and multiple sessions at Sun Studio. The album reached number 19 on the Billboard Top Pop Albums chart.
Elvis' Golden Records Volume 3 is a greatest hits album by American rock and roll singer Elvis Presley, released by RCA Victor as LPM/LSP-2765 on August 12, 1963. The album was the third volume of an eventual five volume collection, and his eighteenth altogether. It is a compilation of hit singles released in 1960, 1961, and 1962.
Elvis for Everyone! is a compilation album by American singer and musician Elvis Presley, issued by RCA Victor in mono and stereo, LPM/LSP 3450, on August 10, 1965. Recording sessions took place over a ten-year span at Sun Studio in Memphis, RCA Studio B in Nashville, Tennessee, and Radio Recorders in Hollywood, California. It peaked at number 10 on the Top Pop Albums chart.
Elvis' Gold Records Volume 4 is a greatest hits album by American rock and roll singer Elvis Presley, issued by RCA Victor in mono and stereo, LPM/LSP 3921, in January 1968, with recording sessions taking place over an eight-year span at RCA Studio B in Nashville, Tennessee, and at RCA Studios and Radio Recorders in Hollywood. It is a compilation of hit singles released between 1961 and 1967, peaking at number 33 on the Billboard 200. It was certified Gold on March 27, 1992, by the Recording Industry Association of America.
From Memphis to Vegas / From Vegas to Memphis is the 10th studio album and the second live album by American singer and musician Elvis Presley. It was released on October 14, 1969, by RCA Records. It is a double album: the first album, titled In Person at the International Hotel, Las Vegas, Nevada, contains the live recordings of Presley's hits at the International Hotel in Winchester, Nevada, while the second album, titled Back in Memphis, contains entirely new material recorded at American Sound Studio in Memphis. The album peaked at No. 12 on the Billboard 200, and was certified Gold on December 13, 1969, by the Recording Industry Association of America.
Sunrise is a two-disc compilation of Elvis Presley's studio recordings at Sun Studio from 1953 to 1955, released in 1999, RCA 67675-2. This set features all of the surviving master recordings made by Presley and his accompanists, Scotty Moore and Bill Black, occasionally augmented by other musicians, prior to his arrival on RCA Records in 1956.
The King of Rock 'n' Roll: The Complete 50's Masters is a five-disc box set compilation of the complete known studio master recordings by American singer and musician Elvis Presley during the decade of the 1950s. Issued in 1992 by RCA Records, catalog number 66050-2, it was soon followed by similar box sets covering Presley's musical output in the 1960s and 1970s. This set's initial long-box release included a set of collectible stamps duplicating the record jackets from every Presley LP on RCA Victor, every single that had a picture sleeve, and most of his EP releases. The set includes a booklet with an extensive session list and discography, and a lengthy essay by Peter Guralnick. It peaked at #159 on the album chart and was certified a gold record on August 7, 1992, by the RIAA. Further certifications were for platinum on November 20, 1992, and for double platinum on July 30, 2002.
Elvis at Sun is a compact disc compilation of Elvis Presley's studio recordings at Sun Studio from 1954 to 1955, released in June 2004, BMG Heritage 61205. This set features master recordings made by Presley and his accompanists, Scotty Moore and Bill Black, occasionally augmented by other musicians, prior to his arrival on RCA Records in early 1956.
Elvis 56 is a compilation album of studio master recordings by American singer and musician Elvis Presley made during 1956, released by RCA Records in 1996. The original sessions took place at RCA Studios in Nashville and New York, and at Radio Recorders in Hollywood.
From Nashville to Memphis: The Essential '60s Masters is a five-disc box set compilation of studio master recordings by American singer and musician Elvis Presley during the decade of the 1960s; it was released in 1993 on RCA Records, catalogue number 66160-2. In its initial long-box release, it included a set of collectable stamps duplicating the record jackets of every Presley LP on RCA Victor, and those of the singles pertinent to this box set. The set also includes a booklet with an extensive session list and discography, as well as a lengthy essay by Peter Guralnick. It was certified Gold by the RIAA on November 30, 1993, and Platinum on January 6, 2004. This set followed an exhaustive box set of Presley's 1950s output and was followed by a collection of his soundtrack work a more selective box set of his work in the 1970s.
Command Performances: The Essential 60s Masters II is a two-disc compilation of studio master recordings by American singer and musician Elvis Presley during the decade of the 1960s, released in 1995 on RCA Records, catalogue number 66601-2. It also includes a booklet with session details and an essay by Susan M. Doll.
Suspicious Minds: The Memphis 1969 Anthology is a two-disc compilation of Elvis Presley's studio recordings at American Sound Studio during the winter of 1969, released in 1999, RCA 67677-2. This set features all of the master recordings made by Presley that would eventually feature on multiple singles as well as the albums From Elvis in Memphis and the studio disk of From Memphis to Vegas/From Vegas to Memphis. Original recordings produced by Chips Moman and Felton Jarvis.
Amazing Grace: His Greatest Sacred Performances is a two-disc compilation of studio master recordings by Elvis Presley, released in 1994 on RCA Records and certified double platinum by the RIAA on July 15, 1999. The release also includes a booklet with session details and an essay by Charles Wolfe.
Fun in Acapulco is the seventh soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2756, in November 1963. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on January 22 and 23 and February 27, 1963; and at RCA Studio B in Nashville, Tennessee, on May 26 and 28, 1963. It peaked at number three on the Billboard Top Pop Albums chart.
Clambake is the sixteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3893, in October 1967. It is the soundtrack to the 1967 film of the same name starring Presley. He entered RCA Studio B in Nashville, Tennessee on February 21, 1967, for recording sessions for his twenty-fifth film. Supplemental material sessions took place on September 10 and 11, 1967. It peaked at number 40 on the Billboard 200.