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A worm's-eye view is a description of the view of a scene from below that a worm might have if it could see. It is the opposite of a bird's-eye view. [1]
It can give the impression that an object is tall and strong while the viewer is childlike or powerless. [2]
A worm's-eye view commonly uses three-point perspective, with one vanishing point on top, one on the left, and one on the right. [3]
A computer worm is a standalone malware computer program that replicates itself in order to spread to other computers. It often uses a computer network to spread itself, relying on security failures on the target computer to access it. It will use this machine as a host to scan and infect other computers. When these new worm-invaded computers are controlled, the worm will continue to scan and infect other computers using these computers as hosts, and this behaviour will continue. Computer worms use recursive methods to copy themselves without host programs and distribute themselves based on exploiting the advantages of exponential growth, thus controlling and infecting more and more computers in a short time. Worms almost always cause at least some harm to the network, even if only by consuming bandwidth, whereas viruses almost always corrupt or modify files on a targeted computer.
A first-person narrative is a mode of storytelling in which a storyteller recounts events from that storyteller's own personal point of view, using first-person grammar such as "I", "me", "my", and "myself". It must be narrated by a first-person character, such as a protagonist, re-teller, witness, or peripheral character. Alternatively, in a visual storytelling medium, the first-person perspective is a graphical perspective rendered through a character's visual field, so the camera is "seeing" out of a character's eyes.
Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera. It has uses in photography, filmmaking and architecture.
Depth perception is the ability to perceive distance to objects in the world using the visual system and visual perception. It is a major factor in perceiving the world in three dimensions. Depth perception happens primarily due to stereopsis and accommodation of the eye.
Trompe-l'œil is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. Trompe l'œil, which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture.
Linear or point-projection perspective is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper.
Curvilinear perspective, also five-point perspective, is a graphical projection used to draw 3D objects on 2D surfaces. It was formally codified in 1968 by the artists and art historians André Barre and Albert Flocon in the book La Perspective curviligne, which was translated into English in 1987 as Curvilinear Perspective: From Visual Space to the Constructed Image and published by the University of California Press.
John Bachmann, Sr. was a Swiss-born lithographer and artist best known for his bird's-eye views, especially of New York City. He was a journeyman lithographic artist in Switzerland and Paris until 1847. His first known American print appeared in 1848, a view from an imagined point above Union Square in New York, looking south toward The Battery. In 1849 and 1850, he created and published a series of American views, including views of Boston, New York, Philadelphia, New Orleans and Havana. Both directly copied and used as a primary source by other lithographers at home and in Europe, these were the first major bird's eye views, as opposed to panoramic views in the United States .
Tilting is a cinematographic technique in which the camera stays in a fixed position but rotates up/down in a vertical plane. Tilting the camera results in a motion similar to someone raising or lowering their head to look up or down. It is distinguished from panning in which the camera is horizontally pivoted left or right. Pan and tilt can be used simultaneously. In some situations the lens itself may be tilted with respect to the fixed camera body in order to generate greater depth of focus.
A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downwards. Bird's-eye views can be an aerial photograph, but also a drawing, and are often used in the making of blueprints, floor plans and maps.
The camera angle marks the specific location at which the movie camera or video camera is placed to take a shot. A scene may be shot from several camera angles simultaneously. This will give a different experience and sometimes emotion. The different camera angles will have different effects on the viewer and how they perceive the scene that is shot. There are a few different routes that a camera operator could take to achieve this effect.
The batter's eye or batter's eye screen is a solid-colored, usually dark area beyond the center field wall of a baseball stadium, that is the visual backdrop directly in the line of sight of a baseball batter, while facing the pitcher and awaiting a pitch. This dark surface allows the batter to see the pitched ball against a sharply contrasted and uncluttered background. Its purpose is the safety and hitting success of the batter. The use of a batter's background has been standard in baseball since at least the late 19th century. The batter's eye performs the same role at a baseball venue as the sight-screen does at a cricket venue, except that a cricket sight-screen is usually white in order to contrast with the dark red cricket ball. Alternatively a black screen is used to contrast the white Limited Overs cricket ball.
Mike Hawthorne is an American comic book artist and artist, known for his work on books such as Batman, Spiderman, and Deadpool.
Pictorial maps depict a given territory with a more artistic rather than technical style. It is a type of map in contrast to road map, atlas, or topographic map. The cartography can be a sophisticated 3-D perspective landscape or a simple map graphic enlivened with illustrations of buildings, people and animals. They can feature all sorts of varied topics like historical events, legendary figures or local agricultural products and cover anything from an entire continent to a college campus. Drawn by specialized artists and illustrators, pictorial maps are a rich, centuries-old tradition and a diverse art form that ranges from cartoon maps on restaurant placemats to treasured art prints in museums.
Worm charming, worm grunting, and worm fiddling are methods of attracting earthworms from the ground. The activity is usually performed to collect bait for fishing but can also take the form of a competitive sport in areas such as the UK and East Texas. As a skill and profession worm charming is now very rare, with the art being passed through generations to ensure that it survives.
Earl Cunningham (1893–1977) was a twentieth-century American folk artist. Cunningham was a self-taught artist who painted mostly landscapes of the coasts of Maine, New York, Nova Scotia, Michigan, North and South Carolina, Georgia and Florida. He used vivid colors, flat perspective, and a few recurrent themes. He added incongruous details, "such as flamingos in Maine and Viking ships in Florida," to his work.
An architectural drawing or architect's drawing is a technical drawing of a building that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building contractor to construct it based on design intent, as a record of the design and planned development, or to make a record of a building that already exists.
Isometric video game graphics are graphics employed in video games and pixel art that use a parallel projection, but which angle the viewpoint to reveal facets of the environment that would otherwise not be visible from a top-down perspective or side view, thereby producing a three-dimensional (3D) effect. Despite the name, isometric computer graphics are not necessarily truly isometric—i.e., the x, y, and z axes are not necessarily oriented 120° to each other. Instead, a variety of angles are used, with dimetric projection and a 2:1 pixel ratio being the most common. The terms "3/4 perspective", "3/4 view", "2.5D", and "pseudo 3D" are also sometimes used, although these terms can bear slightly different meanings in other contexts.
Worm is a self-published web serial by John C. "Wildbow" McCrae and the first installment of the Parahumans series, known for subverting and playing with common tropes and themes of superhero fiction. McCrae's first novel, Worm features a bullied teenage girl, Taylor Hebert, who develops the superpower to control worms, insects, arachnids and other simple lifeforms. Using a combination of ingenuity, idealism, and brutality, she struggles to do the right thing in a dark world filled with moral ambiguity. It is one of the most popular web serials on the internet, with a readership in the hundreds of thousands. A sequel, titled Ward, was published from November 2017 to May 2020.
Gladys Nomfanekiso Mgudlandlu was a South African artist and educator. Noted as one of the first African women in South Africa to hold a solo exhibition, she was a pioneer in visual arts in her country, for which she was given the Presidential Order of Ikhamanga in Silver. She drew influences from her cultural background and the landscape around her.