"Ain't Gonna Let Nobody Turn Me 'Round" is a freedom song based on the spiritual "Don't You Let Nobody Turn You Round" and became an American civil rights era anthem. [1] [2] [3] It was sung during demonstrations for civil rights in the United States including during the Memphis sanitation worker strike in 1967. The song's lyrics are adaptable to situations and locations. [2]
Sweet Honey in the Rock recorded a rendition of the song. The song is performed by Jurnee Smollett in the 1999 television film Selma, Lord, Selma . Imani Uzuri performed the song and it is presented as part of a lesson on freedom songs. [4] The Roots recorded the song for the soundtrack of the 2009 documentary film, Soundtrack for a Revolution .
Richard A. Couto wrote the book Ain't Gonna Let Nobody Turn Me Round; The Pursuit of Racial Justice in the Rural South.
Joan Baez released a live version of this song on her album, From Every Stage (1976).
The March on Washington for Jobs and Freedom, also known as simply the March on Washington or The Great March on Washington, was held in Washington, D.C., on August 28, 1963. The purpose of the march was to advocate for the civil and economic rights of African Americans. At the march, final speaker Dr. Martin Luther King Jr., standing in front of the Lincoln Memorial, delivered his historic "I Have a Dream" speech in which he called for an end to racism and Racial Segregation.
"Eve of Destruction" is a protest song written by P. F. Sloan in mid-1965. Several artists have recorded it, but the most popular recording was by Barry McGuire.
"This Land Is Your Land" is a song by American folk singer Woody Guthrie. It is one of the United States' most famous folk songs. Its lyrics were written in 1940 in critical response to Irving Berlin's "God Bless America". Its melody is based on a Carter Family tune called "When the World's on Fire". When Guthrie was tired of hearing Kate Smith sing "God Bless America" on the radio in the late 1930s, he sarcastically called his song "God Blessed America for Me" before renaming it "This Land Is Your Land".
Diane Judith Nash is an American civil rights activist, and a leader and strategist of the student wing of the Civil Rights Movement.
"Hey Joe" is an American song from the 1960s that has become a rock standard and has been performed in many musical styles by hundreds of different artists. The lyrics tell of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife. In 1962, Billy Roberts registered "Hey Joe" for copyright in the United States.
"A Change Is Gonna Come" is a song by American singer-songwriter Sam Cooke. It initially appeared on Cooke's album Ain't That Good News, released mid-February 1964 by RCA Victor; a slightly edited version of the recording was released as a single on December 22, 1964. Produced by Hugo & Luigi and arranged and conducted by René Hall, the song was the B-side to "Shake".
Nobody's Angel was an American girl group of the late 1990s and early 2000s. The group consisted of four members Alitzah Navarro, Stacey Harper, Amy Sue Hardy, and Sarah Smith, and later, Jennie Kwan and Tai-Amber Hoo as replacements when Harper and Hardy left the group. The band was put together after they became friends and discovered they had something in common: a shared taste for music, dancing, and acting.
"Ain't We Got Fun" is a popular foxtrot published in 1921 with music by Richard A. Whiting, lyrics by Raymond B. Egan and Gus Kahn.
"Yakety Yak" is a song written, produced, and arranged by Jerry Leiber and Mike Stoller for the Coasters and released on Atco Records in 1958, spending seven weeks as #1 on the R&B charts and a week as number one on the Top 100 pop list. This song was one of a string of singles released by the Coasters between 1957 and 1959 that dominated the charts, making them one of the biggest performing acts of the rock and roll era.
"Ain't Nobody's Business" is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the Original Memphis Five.
Freedom songs were songs which were sung by participants in the civil rights movement. They are also called "civil rights anthems" or, in the case of songs which are more hymn-like, they are called "civil rights hymns."
"This Little Light of Mine" is an African-American song from the 1920s. It was often reported to be written for children in the 1920s by Harry Dixon Loes, but he never claimed credit for the original version of the song, and researchers at the Moody Bible Institute, where Loes worked, said they have found no evidence that he wrote it. It was later adapted by Zilphia Horton, amongst many other activists, in connection with the civil rights movement.
"Mississippi Goddam" is a song written and performed by American singer and pianist Nina Simone, who later announced the anthem to be her "first civil rights song". The song was released on her album Nina Simone in Concert in 1964, which was based on recordings of three concerts she gave at Carnegie Hall earlier that year. The album was her first release for the Dutch label Philips Records and is indicative of the more political turn her recorded music took during this period.
The Freedom Singers originated as a quartet formed in 1962 at Albany State College in Albany, Georgia. After folk singer Pete Seeger witnessed the power of their congregational-style of singing, which fused black Baptist a cappella church singing with popular music at the time, as well as protest songs and chants. Churches were considered to be safe spaces, acting as a shelter from the racism of the outside world. As a result, churches paved the way for the creation of the freedom song. After witnessing the influence of freedom songs, Seeger suggested The Freedom Singers as a touring group to the SNCC executive secretary James Forman as a way to fuel future campaigns. Intrinsically connected, their performances drew aid and support to the Student Nonviolent Coordinating Committee (SNCC) during the emerging civil rights movement. As a result, communal song became essential to empowering and educating audiences about civil rights issues and a powerful social weapon of influence in the fight against Jim Crow segregation. Rutha Mae Harris, a former freedom singer, speculated that without the music force of broad communal singing, the civil rights movement may not have resonated beyond of the struggles of the Jim Crow South. Their most notable song “We Shall Not Be Moved” translated from the original Freedom Singers to the second generation of Freedom Singers, and finally to the Freedom Voices, made up of field secretaries from SNCC. "We Shall Not Be Moved" is considered by many to be the "face" of the Civil Rights movement. Rutha Mae Harris, a former freedom singer, speculated that without the music force of broad communal singing, the civil rights movement may not have resonated beyond of the struggles of the Jim Crow South. Since the Freedom Singers were so successful, a second group was created called the Freedom Voices.
Matthew Jones was an African-American folk singer/songwriter known for being a field secretary of the Student Nonviolent Coordinating Committee and part of their The Freedom Singers in the 1960s.
Soundtrack for a Revolution is a 2009 documentary film written and directed by Bill Guttentag and Dan Sturman. This documentary traces the story of the Civil Rights Movement and the gains achieved by young African-American activists with an emphasis on their use of the power of music. Soundtrack for a Revolution had its international premiere at the Cannes Film Festival and its North American premiere at the Tribeca Film Festival. Soundtrack for a Revolution was selected by the Academy of Motion Picture Arts and Sciences as part of the Oscar shortlist for the Documentary Feature category of the 82nd Academy Awards. Guttentag and Sturman were nominated for Best Documentary Screenplay from the Writers Guild of America. The film has screened at numerous festivals including Cannes, Tribeca, IDFA and Sheffield Doc/Fest.
Willie Chambers is a singer, guitarist, and former member of The Chambers Brothers, a rock band in the 1960s with hits "In The Midnight Hour", "I Can't Turn You Loose", and "Time Has Come Today". He continues to be a regular attraction at various venues in Los Angeles and further afield.
The history of the 1954 to 1968 American civil rights movement has been depicted and documented in film, song, theater, television, and the visual arts. These presentations add to and maintain cultural awareness and understanding of the goals, tactics, and accomplishments of the people who organized and participated in this nonviolent movement.
Freedom Highway is a 1965 album by The Staple Singers. The title song was written for the 1965 Selma to Montgomery march for voting rights and reflects not only on the actions of the activists but what suffering they had endured to get there, even referencing the murder of Emmett Till at Tallahatchie River. The lyrics begin “March up freedom's highway / March, each and every day.” and continue “Made up my mind / And I won't turn around." Mavis Staples reprised the song in 2008 on Live: Hope at the Hideout, which was released on November 4, 2008, the same day that Barack Obama won the presidential election.