Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya. The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.
In Jainism, a Tirthankara is a saviour and spiritual teacher of the dharma. The word tirthankara signifies the founder of a tirtha, which is a fordable passage across the sea of interminable births and deaths, the saṃsāra. According to Jains, a Tirthankara is an individual who has conquered the saṃsāra, the cycle of death and rebirth, on their own, and made a path for others to follow. After understanding the true nature of the self or soul, the Tīrthaṅkara attains Kevala Jnana (omniscience). Tirthankara provides a bridge for others to follow the new teacher from saṃsāra to moksha (liberation).
Ādi purāṇa is a 9th century Sanskrit poem composed by Jinasena, a Digambara monk. It deals with the life of Rishabhanatha, the first Tirthankara.
Ranna was one of the earliest and arguably one of the greatest poets of the Kannada language. His style of writing is often compared to that of Adikavi Pampa who wrote in the early 10th century. Together, Ranna, Adikavi Pampa and Sri Ponna are called "three gems of ancient Kannada literature".
Rishabhanatha, also Ṛṣabhadeva, Rishabhadeva, Ṛṣabha or Ikshvaku is the first Tīrthaṅkara of Jainism and establisher of Ikshvaku dynasty. He was the first of twenty-four teachers in the present half-cycle of time in Jain cosmology, and called a "ford maker" because his teachings helped one across the sea of interminable rebirths and deaths. The legends depict him as having lived millions of years ago. He was the spiritual successor of Sampratti Bhagwan, the last Tirthankar of previous time cycle. He is also known as Ādinātha which translates into "First (Adi) Lord (nātha)", as well as Adishvara, Yugadideva, Prathamarajeshwara, Ikshvaku and Nabheya. Along with Mahavira, Parshvanath, Neminath, and Shantinath; Rishabhanath is one of the five Tirthankaras that attract the most devotional worship among the Jains.
Pampa, called by the honorific Ādikavi was a Kannada-language Jain poet whose works reflected his philosophical beliefs. A court poet of Vemulavada Chalukya king Arikesari II, was a feudatory of the Rashtrakuta dynasty king Krishna III, Pampa is best known for his epics Vikramārjuna Vijaya or Pampa Bharata, and the Ādi purāṇa, both written in the champu style around c.939. These works served as the model for all future champu works in Kannada.
Chavundraya or Chamundaraya was an Indian military commander, architect, poet and minister. He served in the court of the Western Ganga dynasty of Talakad. A person of many talents, in 982 he commissioned the construction of the monolithic statue of Bahubali, the Gomateshwara, at Shravanabelagola, an important place of pilgrimage for Jainism. He was a devotee of the Jain Acharya Nemichandra and Ajitasena Bhattaraka and was an influential person during the reigns of Marasimha II Satyavakya, (963–975). Rachamalla IV Satyavakya, (975–986) and Rachamalla V (Rakkasaganga), (986–999).
Ponna (c. 945) was a noted Kannada poet in the court of Rashtrakuta Dynasty king Krishna III (r.939–968 CE). The emperor honoured Ponna with the title "emperor among poets" (Kavichakravarthi) for his domination of the Kannada literary circles of the time, and the title "imperial poet of two languages" for his command over Sanskrit as well. Ponna is often considered one among the "three gems of Kannada literature" for ushering it in full panoply. According to the scholar R. Narasimhacharya, Ponna is known to have claimed superiority over all the poets of the time. According to scholars Nilakanta Shastri and E.P. Rice, Ponna belonged to Vengi Vishaya in Kammanadu, Andhra Pradesh, but later migrated to Manyakheta, the Rashtrakuta capital, after his conversion to the Jainism.
Janna was one of the well-known Kannada poets of the early 13th century who also served in the capacity of a minister and a builder of temples. He graced the court of Hoysala empire King Veera Ballala II and earned the title Kavichakravarthi. His noteworthy writings include Yashodhara Charitre (c.1209) which deals with Jain tenets, Ananthnatha Purana (c.1230) which deals with the teachings of the 14th Jain tirthankara, Anantanatha and a short piece called Anubhava Mukura. Although all his works are known for the grace and style, Yashodhara Charite is his magnum opus and one of the classics of Kannada literature.
Neminatha, also known as Nemi and Arishtanemi, is the twenty-second tirthankara (ford-maker) in Jainism. Along with Mahavira, Parshvanatha and Rishabhanatha, Neminatha is one of the twenty four tirthankaras who attract the most devotional worship among the Jains.
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.
A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya Dynasty after its royal capital at Kalyani, and sometimes called the Later Chalukya Dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.
Harivaṃśapurāṇa was composed by Acharya Jinasena in 783 AD. It is divided into 66 cantos and contains 12,000 slokas. The book aims to narrate the life of Neminatha, the twenty-second Tirthankara in Jainism. According to the Jain sources, Krishna is the first cousin of Tirthankara Neminatha. Therefore, Krishna's adventures too occupy a significant portion of the book. Harivamsa Purana suggests that Draupadi was married to only Arjuna as opposed to Hindu traditional accounts which suggests that she was married to all five Pandavas.
Western Ganga literature refers to a body of writings created during the rule of the Western Ganga Dynasty, a dynasty that ruled the region historically known as Gangavadi between the 4th and 11th centuries. The period of their rule was an important time in the history of South Indian literature in general and Kannada literature in particular, though many of the writings are deemed extinct. Some of the most famous poets of Kannada language graced the courts of the Ganga kings. Court poets and royalty created eminent works in Kannada language and Sanskrit language that spanned such literary forms as prose, poetry, Hindu epics, Jain Tirthankaras (saints) and elephant management.
Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature,. The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition. Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu, vachanasangatya, shatpadi, ragale, tripadi, and kavya.
Jainism in North Karnataka flourished under the Chalukyas, Kadamba, Rashtrakutas, and Vijayanagara empire. Imbued with religious feeling, patronage was extended towards the building of Jain temple and it garnered high repute among the people, particularly the ruling classes and the mercantile community; effectively getting treated as the state religion.
According to the Jain cosmology, the śalākapuruṣa "illustrious or worthy persons" are 63 illustrious beings who appear during each half-time cycle. They are also known as the triṣaṣṭiśalākāpuruṣa. The Jain universal or legendary history is a compilation of the deeds of these illustrious persons. Their life stories are said to be most inspiring.
Ajitanath was the second tirthankara of the present age, avasarpini according to Jainism. He was born to King Jitashatru and Queen Vijaya at Ayodhya in the Ikshvaku dynasty. He was a liberated soul which has destroyed all of its karma.
Bharata was the first chakravartin of avasarpini. He was the eldest son of Rishabhanatha, the first tirthankara. He had two sons from his chief-queen Subhadra named Arkakirti and Marichi. He is said to have conquered all the six parts of the world and to have engaged in a fight with Bahubali, his brother, to conquer the last remaining city.
Sagara was a prominent king of the Suryavansha dynasty in Vidarbha Kingdom from the royal lineage of Sivi. He is mentioned in Bhagavata Purana.
