Ranna | |
|---|---|
| Born | 949 AD Ranna Belagali, Bagalkot District, Karnataka |
| Died | 1020 AD (aged 71) |
| Occupation | Poet |
| Notable works | Saahasabhima Vijaya, Ranna Kanda |
| Relatives |
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Ranna, was one of the earliest and arguably one of the greatest poets of the Kannada language. His style of writing is often compared to that of Adikavi Pampa who wrote in the early 10th century. Together, Ranna, Adikavi Pampa and Sri Ponna are called "Three gems of ancient Kannada literature". [1] [2] [3]
Ranna was a 10th-century Kannada poet. [4] He was born in 949 C.E. in ancient Belagali, known now as RannaBelagali in the Bagalkot district of the modern Karnataka state in India, to a family of bangle sellers. [2]
During his early days as a writer, Ranna may have been patronized by Chavundaraya (or Chavundaraya), the famous minister of the Western Ganga Dynasty. [5] With the rise of the imperial Western Chalukya Empire, Ranna became an important poet in the court of King Tailapa II and his successor King Satyashraya who bestowed upon him the title Kavi Chakravarti (lit, "Emperor among poets"). [2]
The writings of Ranna are in Halegannada (lit, "old Kannada"). Of the five known major works accomplished by him, two are available in full and one in part. They are: Ajitha purana , Parashuramacharithe (extinct), Saahasabhima Vijaya (also known as Gadaayuddha), Rannakanda and Chakresvaracharite (extinct). [1] [2] [5] [6] [7]
Ajitha Purana (993 C.E.) is a Jain champu (a form of composition) purana written in twelve sections on the life of Ajitanatha, the second Tirthankar . Ranna wrote this purana under the patronage of a Jain lady called Attimabbe, the wife of general Nagavarma. [2] RannaKanda (990 C.E.), so called because it is written in the Kanda meter, is the earliest extant dictionary in the Kannada language. Only twelve sections of this writing are available. [2] [6] Parusharama Charite (around 980 C.E.) is a eulogy of the Ganga minister and commander Chamundaraya. The poet held his patron in such high esteem that he claims to have named his son "raya" in honor of his patron (who had the honorific Samara Parashurama). [5]
Saahasabhimavijaya or Gadayuddha (lit, "The duel of maces") is undoubtedly Ranna's magnum opus that was accomplished in an age of writings on "heroism", that describe the valor of important personalities (vira rasa and roudrarasa). Written around 1000 C.E. (though some scholars believe it was a product of a more youthful Ranna), it is one of the enduring classics of the language where the poet compares the valor of his patron Chalukya King Satyashraya to the Pandava prince Bhima of the Hindu epic Mahabharata. [7] Ranna keeps with the trend started by Adikavi Pampa who in 941 C.E. compared his patron Chalukya King Arikesari (a Rashtrakuta vassal) to the Pandava prince Arjuna in the classic Vikramarjunavijaya (also called Pampa Bharata). [7] While acknowledging that Ranna may have found some inspiration from earlier writings such as Urubhanga of Bhasa and Venisamhara or Bhattanarayana, scholars concede that Gadayuddha has an originality of its own. Modern scholars see similarities between Ranna's usage of the "adult imps" (called murulgal) that stalk the battlefield of Kurukshetra and warn Kaurava prince Duryodhana (Bhima's adversary in battle) about his impending death, and the description of witches by latter day famed English playwright, Shakespeare. Some scholars believe that Gadayuddha may have been conceived as a play before being completed as a champukavya (epic poem in kavya style and champu meter). [8]
While the theme of the narration centers around the battle of maces between Bhima and Duryodhana on the last day of the eighteen-day war, the poet uses a technique similar to flashbacks in modern cinema to enlighten the reader with important events that led to the war and those events that transpired on the battlefield. [9] Bhima is undoubtedly the hero of the day for slaying his foe and thus avenging the insult suffered by his wife Draupadi at the hands of Dushshasana (Duryodhana's brother) prior to the war. However, Ranna skillfully depicts Duryodhana as a "great soul" (mahanubhava), who despite his sins, was a brave kshatriya on the battlefield, and a true friend to Karna (another important character in the epic). [9]
Kannada literature is the corpus of written forms of the Kannada language, which is spoken mainly in the Indian state of Karnataka and written in the Kannada script.
Ādi purāṇa is a 9th-century CE Sanskrit poem composed by Jinasena, a Digambara monk. It deals with the life of Rishabhanatha, the first Tirthankara.
Vikramarjuna Vijaya, also known as Pampa Bharatha is a classic work of the 10th century Jain poet Pampa. It is a Kannada version of the great epic, the Mahabharata of Vyasa. Pampa chose Arjuna, the central figure of the Pandava Clan, as the protagonist of his epic. This work differs from Mahabharata in several aspects, one of them being Arjuna crowned as king and Subhadra as queen after the Kurukshetra war, instead of Yudhishthira and Draupadi, respectively.
Tailapa II also known as Taila II and by his title Ahavamalla, was the founder of the Western Chalukya Empire in peninsular India. Tailapa claimed descent from the earlier imperial Chalukyas of Vatapi (Badami), and initially ruled as a Rashtrakuta vassal from the Tardavadi-1000 province in the present-day Vijayapura district of Karnataka. When the Rashtrakuta power declined following an invasion by the Paramara king Siyaka, Tailapa overthrew the Rashtrakuta emperor Karka II, and established a new dynasty.
Satyashraya, also known as Sattiga or Irivabedanga, was a king of the Western Chalukya Empire. During a time of consolidation of the empire in the early 11th century, Satyashraya was involved in several battles with the Chola dynasty of Thanjavur, the Paramara dynasty and Chedi Kingdom of central India, and the Chaulukyas of Gujarat. The results of these wars were mixed, with victories and defeats. Even as a prince, during the rule of his father Tailapa II, Satyashraya had established himself as an ambitious warrior. Satyashraya patronised the great Kannada poet Ranna who compared his patron favourably to the Pandava prince Bhima for his strength and valor in his epic poem Sahasabhimavijaya. Satyashraya held such titles as Akalavarsha, Akalankacharita and Sahasabhima.
The Western Chalukya Empire ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada-speaking dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani.
Indra III was the grandson of Rashtrakuta Emperor Krishna II and son of Chedi princess Lakshmi. He ascended the imperial throne after the early demise of his father Jagattunga. He had many titles such as Nithyavarsha, Rattakandarapa, Rajamarathanda and Kirthinarayana. He patronised Kannada poet and commander Sri-Vijaya and Sanskrit poet Trivikrama. Indra III was married to princess Vijamba of the Kalachuri dynasty of central India (Chedi).
Pampa, also referred to by the honorific Ādikavi, was a Kannada-language Jain poet whose works reflected his philosophical beliefs. He was a court poet of Vemulavada Chalukya king Arikesari II, who was a feudatory of the Rashtrakuta Emperor Krishna III. Pampa is best known for his epics Vikramārjuna Vijaya or Pampa Bharata, and the Ādi purāṇa, both written in the champu style around c. 939. These works served as the model for all future champu works in Kannada.
Cāmuṇḍarāya or Chavundaraya was an Indian Jain ruler. He served in the court of the Western Ganga dynasty of Talakad. A person of many talents, in 981 he commissioned the construction of the monolithic statue of Bahubali, the Gomateshwara, at Shravanabelagola, an important place of pilgrimage for Jainism. He was a devotee of the Jain Acharya Nemichandra and Ajitasena Bhattaraka and was an influential person during the reigns of Marasimha II Satyavakya, (963–975). Rachamalla IV Satyavakya, (975–986) and Rachamalla V (Rakkasaganga), (986–999).
Ponna (c. 945) was a noted Kannada poet in the court of Rashtrakuta Emperor Krishna III. The emperor honoured Ponna with the title "emperor among poets" (Kavichakravarthi) for his domination of the Kannada literary circles of the time, and the title "imperial poet of two languages" for his command over Sanskrit as well. Ponna is often considered one among the "three gems of Kannada literature" for ushering it in full panoply. According to the scholar R. Narasimhacharya, Ponna is known to have claimed superiority over all the poets of the time. According to scholars Nilakanta Shastri and E.P. Rice, Ponna belonged to Vengi Vishaya in Kammanadu, Punganur, Andhra Pradesh, but later migrated to Manyakheta, the Rashtrakuta capital, after his conversion to Jainism.
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.
A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani, and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.
Nagavarma II was a Kannada language scholar and grammarian in the court of the Western Chalukya Empire that ruled from Basavakalyan, in modern Karnataka state, India. He was the earliest among the three most notable and authoritative grammarians of Old-Kannada language. Nagavarma II's reputation stems from his notable contributions to various genres of Kannada literature including prosody, rhetoric, poetics, grammar and vocabulary. According to the scholar R. Narasimhacharya, Nagavarma II is unique in all of ancient Kannada literature, in this aspect. His writings are available and are considered standard authorities for the study of Kannada language and its growth.
Rashtrakuta literature is the body of work created during the rule of the Rastrakutas of Manyakheta, a dynasty that ruled the southern and central parts of the Deccan, India between the 8th and 10th centuries. The period of their rule was an important time in the history of South Indian literature in general and Kannada literature in particular. This era was practically the end of classical Prakrit and Sanskrit writings when a whole wealth of topics were available to be written in Kannada. Some of Kannada's most famous poets graced the courts of the Rashtrakuta kings. Court poets and royalty created eminent works in Kannada and Sanskrit, that spanned such literary forms as prose, poetry, rhetoric, epics and grammar. Famous scholars even wrote on secular subjects such as mathematics. Rashtrakuta inscriptions were also written in expressive and poetic Kannada and Sanskrit, rather than plain documentary prose.
Western Ganga literature refers to a body of writings created during the rule of the Western Ganga Dynasty, a dynasty that ruled the region historically known as Gangavadi between the 4th and 11th centuries. The period of their rule was an important time in the history of South Indian literature in general and Kannada literature in particular, though many of the writings are deemed extinct. Some of the most famous poets of Kannada language graced the courts of the Ganga kings. Court poets and royalty created eminent works in Kannada language and Sanskrit language that spanned such literary forms as prose, poetry, Hindu epics, Jain Tirthankaras (saints) and elephant management.
Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature,. The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition. Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu, vachanasangatya, shatpadi, ragale, tripadi, and kavya.
Extinct Kannada literature is a body of literature of the Kannada language dating from the period preceding the first extant work, Kavirajamarga.
Champu or Chapu-Kavya is a genre of literary composition in Indian literature. The word 'Champu' means a combination of poetry and prose. A champu-kavya consists of a mixture of prose (Gadya-Kavya) and poetry passages (Padya-Kavya), with verses interspersed among prose sections.
Nagachandra or Abhinava Pampa was a 12th-century poet in the Kannada language.
