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Kannada literature is the corpus of written forms of the Kannada language, spoken mainly in the Indian state of Karnataka and written in the Kannada script.
Narayanappa, known by his pen name Kumara Vyasa, was an influential and classical Vaishnava poet of early 15th century in the Kannada language. His pen name is a tribute to his magnum opus, a rendering of the Mahabharata in Kannada. Kumara Vyasa literally means "Little Vyasa" or "Son of Vyasa". He was the contemporary and archrival of the famous Veerashaiva poet laureate Chamarasa who wrote the seminal work Prabhulingaleele covering the lives of Allama Prabhu and other Shiva Sharanas, circa 1435. Both poets worked in the court of Deva Raya II.
Deva Raya II was an emperor of the Vijayanagara Empire. The greatest of the Sangama dynasty rulers, he was an able administrator, warrior, and scholar. He authored well-known works in the Kannada language and in the Sanskrit language. He was patron to some of the most noted Kannada poets of the medieval period, including Chamarasa and Kumara Vyasa, the Sanskrit poet Gunda Dimdima, and the noted Telugu language poet Srinatha, whom the king honored with the title Kavisarvabhauma. He supported development in secular literature as well as the noted South Indian mathematician Parameshvara, from the Kerala school of astronomy and mathematics lived in his empire.
Ponna (c. 945) was a noted Kannada poet in the court of Rashtrakuta Emperor Krishna III. The emperor honoured Ponna with the title "emperor among poets" (Kavichakravarthi) for his domination of the Kannada literary circles of the time, and the title "imperial poet of two languages" for his command over Sanskrit as well. Ponna is often considered one among the "three gems of Kannada literature" for ushering it in full panoply. According to the scholar R. Narasimhacharya, Ponna is known to have claimed superiority over all the poets of the time. According to scholars Nilakanta Shastri and E.P. Rice, Ponna belonged to Vengi Vishaya in Kammanadu, Punganur, Andhra Pradesh, but later migrated to Manyakheta, the Rashtrakuta capital, after his conversion to Jainism.
Allamaprabhu was a 12th-century mystic-saint and Vachana poet of the Kannada language, propagating the unitary consciousness of Self and Shiva. Allamaprabhu is one of the celebrated poets and the patron saint of the Lingayata movement that reshaped medieval Karnataka society and popular Kannada literature. He is included among the "Trinity of Lingayathism", along with Basavanna, the founder of the movement, and Akka Mahadevi, the most prominent woman poet.
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.
A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani, and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.
Rudrabhatta was an influential 12th-century Kannada poet in the court of the Hoysala Empire King Veera Ballala II(r.1173–1220 CE). According to Kannada language expert Narasimhacharya, the poet was also patronized by a minister of the King. The literary critic Mukherjee feels that after a century of literary revolution caused by the Veerashaiva poets, a benevolent atmosphere created by the king may have encouraged this Vaishnava writer and poet.
Vachana sahitya is a form of rhythmic writing in Kannada that evolved in the 11th century and flourished in the 12th century, as a part of the Sharana movement. The word "vachanas" literally means "(that which is) said". These are readily intelligible prose texts. These writings are notable for their simplicity and directness, often addressing social issues and personal devotion. They were composed in Kannada by saints of the Lingayat faith, most notably Basavanna, Akka Mahadevi, and Allama Prabhu. Vachanas critique rituals and caste discrimination, advocating a form of worship centered on Shiva, envisioned as a universal god.
Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature,. The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition. Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu, vachanasangatya, shatpadi, ragale, tripadi, and kavya.
Mysore literature in Kannada is a body of literature composed in the Kannada language in the historical Kingdom of Mysore in Southern India and written in the Kannada script. The writings date from the Kingdom of Mysore, which existed from around 1600 CE until the establishment of modern India in 1947. Many of the works of this literature written on religious themes are labeled Veerashaiva or Vaishnava in acknowledgment of the two faiths that gave form to the literature and fostered it until the advent of the modern era. Despite a gradual decline in the popularity of Jainism, authors devoted to the faith produced some works of merit. Secular themes dealing with a wide range of subjects were also written on. Kannada literature flourished for a short while in the court of the neighbouring kingdom of the Nayakas of Keladi whose territory was annexed by Mysore in 1763.
Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.
Raghavanka was a noted Kannada writer and a poet in the Hoysala court who flourished in the late 12th to early 13th century. Raghavanka is credited for popularizing the use of the native shatpadi metre in Kannada literature. Harishchandra Kavya, in shatpadi metre, is known to have been written with an interpretation unlike any other on the life of King Harishchandra is well known and is considered one of the important classics of Kannada language. He was a nephew and protégé of the noted Early 12-century Kannada poet Harihara. Although the shatpadi metre tradition existed in Kannada literature prior to Raghavanka, Raghavanka inspired the usage of the flexible metre for generations of poets, both Shaiva and Vaishnava to come.
Harihara was a noted Kannada poet and writer in the 12th century. A native of Halebidu in modern Hassan district, he came from a family of accountants (Karnikas) and initially served in that capacity in the court of Hoysala King Narasimha I. Later, he moved to Hampi and authored many landmark classics. Among his important writings, the Girijakalyana written in champu metre is considered one of the enduring classics of Kannada language.
Andayya was a notable 13th-century Kannada writer during the rule of the Hoysala empire. Andayya was a Jain by faith and came from a family of accountants. His most important extant work is the Kabbigara Kava which also goes by the names Sobagina Suggi, Madana Vijaya or Kavana Gella and was written in the 1217–1235 CE period.
Lakshmisa was a noted Kannada language writer who lived during the mid-16th or late 17th century. His most important writing, Jaimini Bharata is a version of the Hindu epic Mahabharata. The writing focuses on the events following the battle of Indraprastha between the Pandavas and Kauravas, using the Ashvamedha conducted by Yudhishthira as the topic of the epic narrative. The writing is in the shatpadi metre and was inspired by the Sanskrit original written by sage Jaimini.
The Prabhu Linga Leelai Venpaas in Tamil written by Siva Prakasar also called as 'Siva anuputhi selvar, 'Karpanai Kalangiyam', 'Thurai mangalam Sivaprakasar'. He compiled more than thirty original works and few more translation works from Kannada and Sanskrit.
Nagachandra or Abhinava Pampa was a 12th-century poet in the Kannada language.
References
- K.A. Nilakanta Sastry, History of South India, From Prehistoric times to fall of Vijayanagar, 1955, OUP, New Delhi (Reprinted 2002) ISBN 0-19-560686-8
- Datta, Amaresh (1987) [1987]. Encyclopedia of Indian literature - vol 1. Sahitya Akademi. ISBN 81-260-1803-8.
- Narasimhacharya, R (1988) [1988]. History of Kannada Literature. New Delhi, Madras: Asian Educational Services. ISBN 81-206-0303-6.
- Lal, Mohan (1992) [1992]. Encyclopaedia of Indian literature – vol 5. Sahitya Akademi. ISBN 81-260-1221-8.
- Rice, E.P. (1982) [1921]. A History of Kanarese Literature. New Delhi: Asian Educational Services. ISBN 81-206-0063-0.
- Dalal, Roshan (2011). Hinduism: An Alphabetical Guide. India: Penguin Books. ISBN 978-0-14-341421-6.
