West African Atlantic trading centers like Elmina, pictured here in 1575, had communities of Atlantic Creoles; some ended up in the Americas, both free and captive.
Atlantic Creole is a cultural identifier of those with origins in the transatlantic settlement of the Americas via Europe and Africa.[2][3][4]
Starting in the 15th century, Europeans, mainly the Portuguese, began to settle in regions of Africa such as Nigeria and Angola.[5] Soon an early Atlantic Creole culture began to form with cultural diffusion and admixing occurring. Some of these individuals would travel with Europeans in the exploration, colonization and settlement of the Americas in the late 15th century and early 16th century such as Juan Garrido and Juan Valiente. Later, when more European populations began to establish themselves in Africa and the trans-atlantic industrial kidnapping complex ramped up; genetic, cultural and political admixing took place. In the multicultural trading ports of 16th century West Africa, the Atlantic Creoles were frequently outcasts in both African and European cultures, but they were admired for their abilities to navigate between the two worlds, earning them reputations as expert traders and negotiators. Though their intercultural abilities allowed them to succeed in the changing West African societies, they could also be enslaved when they fell out of official favor or into debt or criminal activity while others were the children of African elites who were sent to Europe to study. These original indentured and enslaved creoles that experienced forced settlement in the Americas were joined by captive Africans that continued to admix genetically and culturally up to the 19th century which expanded and grew Atlantic Creole culture. With later migrations Atlantic creole culture can be found throughout the Americas and the world, as Jane Landers notes, the Atlantic Creoles were "merchants, enslavers, linguists, sailors, artisans, musicians, and military figures" who "interacted with a wide variety of European and Amerindian groups and helped shape a new Atlantic world system."[6][7]
US Atlantic Creoles
The historian Ira Berlin writes that Atlantic creoles were among what he called the 'Charter Generation' in the Chesapeake Colonies, up until the end of the seventeenth century. Through the first century of settlement, lines were fluid between black and white workers as the color coded Caste system didn't solidify until later; they often both worked off passage as indentured servants, and any captives were less set apart than they were later.[8] The working class lived together, and many white women and black men developed relationships. Some of these White Europeans were also captives forced to the colonies as the practice of forcing convicts to the US colonies from Britain was also going on. Many of the new generation of creoles born in the colonies were the children of European indentured servants and bonded or captive workers of primarily West African ancestry. Amerindian, and Malagasy admixture also occurred up through the 19th Century.[9][10][11][12]
According to the principle of partus sequitur ventrem, incorporated into colonial law in 1662, children born in the colony took the status of the mother; when the mothers were enslaved, the children were born into bondage, regardless of paternity, whether or not their fathers were free or enslaved. This was a change from common law tradition, which had asserted that children took the status of the father. Paul Heinegg and other twentieth-century researchers have found that 80% of the free people of color in the Upper South in colonial times were born to white mothers (thus gaining freedom) and African or Creole fathers.[13] Some male captive Creoles and Africans were freed in the early years as well, but free mothers were the predominant source of most of the free families of color.[14][15]
According to Berlin, most of the original admixed Atlantic Creoles were descended from Portuguese and Spanish fathers, primarily in the trading ports of West Africa; they had Iberian surnames such as Chavez, Rodriguez, and Francisco. In the Chesapeake Bay Colony, many of the Atlantic Creoles intermarried with their European neighbors, adopted Anglo-Saxon surnames, became property owners and farmers, and captured others in turn. The families became well-established, with numerous free descendants by the time of the American Revolution.
In 2007, Linda Heywood and John Thornton used "newly available data from the DuBois Institute and Cambridge University Press on the trade and transportation of enslaved people" in their new work on the relation of Central Africans to the Atlantic Creoles. They found strong support for Berlin's thesis that the Charter Generations of enslaved creoles, before 1660, came primarily from West Central Africa.[16]
Dasti burial, circa 1750 Many Atlantic Creoles came from the Kingdom of the Kongo and had created an African-Christian spirituality which they brought to the Americas
They also noted that in the Kingdom of Kongo (northern present-day Angola), the leaders adopted Catholicism in the late 15th century due to Portuguese influence. This led to widespread conversion of the people. They formed a type of African-Catholic spirituality unique to the region, and the people frequently adopted Portuguese names in baptism. The kingdoms were Christian for nearly 400 years and many of their people were taken as captives by the Portuguese.[17] The historians argue that numerous people from Kongo were transported to the North American colonies as captives, especially to South Carolina and Louisiana. Kongolese Catholics led the Stono Rebellion in 1739. Thornton and Heywood estimate that about one in five Creoles are descended from Kongolese ancestors.[17]
Brunelle says that the enslaved Kongolese, rather than the small admixed communities around European trading posts, were the source of most early Atlantic Creoles with Iberian surnames in North America. Many were Christian, were admixed and multi-lingual, and familiar with some aspects of European culture. The Dutch colonies in New York were also populated by numerous enslaved Atlantic Creoles from the Kingdom of Kongo.[16]
Tidewater Creoles
The first Africans in Virginia were from parts of Angola that were settled by the Portuguese since the late 15th Century. Many were multilingual and baptized. This creolization is attributed as the possible reason why some were able to gain freedom in colonial Virginia and Maryland.[18]
One such person was Anthony Johnson who sailed to Virginia in 1621 aboard the James. The Virginia Muster (census) of 1624 lists his name as "Antonio not given," recorded as "a Negro" in the "notes" column.[19] Historians have some dispute as to whether this was the Antonio later known as Anthony Johnson, as the census lists several "Antonios." This one is considered the most likely.[20]
Johnson was sold as an indentured servant to a white planter named Bennet to work on his Virginia tobacco farm. (Enslavement laws were not passed until 1661 in Virginia; prior to that date, Africans were not officially considered to be captives).[21] Such workers typically worked under a limited indenture contract for four to seven years to pay off their passage, room, board, lodging, and freedom dues. In the early colonial years, most Africans in the Thirteen Colonies were held under such contracts of limited indentured servitude. With the exception of those indentured for life, they were released after a contracted period. Those who managed to survive their period of indenture would receive land and equipment after their contracts expired or were bought out.[22]
Gullah Creoles
Historically, the Gullah region extended from the Cape Fear area on North Carolina's coast south to the vicinity of Jacksonville on Florida's coast. The Gullah people and their language are also called Geechee, which may be derived from the name of the Ogeechee River near Savannah, Georgia.[23]Gullah is a term that was originally used to designate the creole dialect of English spoken by Gullah and Geechee people. Over time, its speakers have used this term to formally refer to their creole language and distinctive ethnic identity as a people. The Georgia communities are distinguished by identifying as either "Freshwater Geechee" or "Saltwater Geechee", depending on whether they live on the mainland or the Sea Islands.[24][25][26][27]
Because of a period of relative isolation from whites while working on large plantations in rural areas, the Africans, enslaved from a variety of Central and West African ethnic groups, developed a creole culture that has preserved much of their African linguistic and cultural heritage from various peoples; in addition, they absorbed new influences from the region.[28]
Louisiana Creoles
Louisiana Creoles (French: Créoles de la Louisiane, Spanish: Criollos de Luisiana) or Gulf Coast creoles are people originating from the inhabitants of colonial Louisiana before it became a part of the U.S. during the period of both French and Spanish rule. French, Acadian, African and Amerindian cultures merged and interviewed to form a distinct Atlantic creole culture while the racialized system operated atypical as compared to the rest of the United States which made social mobility easier for Creoles of Color creating a distinct class system.
Melungeon Creoles
As the Color lines continued to evolve groups of free Creoles and White Europeans began to travel together forming small tribes or clans that didn't fit with the various White, Creole and Black African populations.
Free creoles are documented as migrating with white European-American neighbors in the first half of the 18th century to the frontiers of Virginia and North Carolina, where they received land grants like their neighbors. For instance, the Collins, Gibson, and Ridley (Riddle) families owned land adjacent to one another in Orange County, North Carolina, where they and the Bunch family were listed in 1755 as "free Molatas (mulattoes)", subject to taxation on tithes. By settling in frontier areas, free people of color found more amenable living conditions and could escape some of the racial strictures of Virginia and North Carolina Tidewaterplantation areas.[29][30]
In 1719, South Carolina decided who should be an "Indian" for tax purposes since American [Indian] slaves were taxed at a lesser rate than African slaves. The act stated: "And for preventing all doubts and scruples that may arise what ought to be rated on mustees, mulattoes, etc. all such slaves as are not entirely Indian shall be accounted as negro.[31]
Forbes said that, at the time, "mustees" and "mulattoes" were terms for persons of part-Native American ancestry. He wrote,
My judgment (to be discussed later) is that a mustee was primarily part-African and American [Indian] and that a mulatto was usually part-European and American [Indian]. The act is also significant because it asserts that part-American [Indians] with or without [emphasis added] African ancestry could be counted as Negroes, thus having an implication for all later slave censuses.[31]
Beginning about 1767, some of the ancestors of the Melungeons reached the frontier New River area, where they are listed in the 1780s on tax lists of Montgomery County, Virginia. From there they migrated south in the Appalachian Range to Wilkes County, North Carolina, where some are listed as "white" on the 1790 census. They resided in a part that became Ashe County, where they are designated as "other free" in 1800.[32]
Seminole Creoles
Seminole Creoles are descendants of the Seminole people and free or enslaved Creoles who allied with Seminole groups in Spanish Florida.
Historically, the Seminole creoles lived mostly in distinct bands near the Amerindian Seminole. Some were enslaved, particularly of Seminole leaders, but the Seminole creoles had more freedom than enslaved creoles in the South and by other Amerindian tribes.
Today, Creole Seminole descendants live primarily in rural communities around the Seminole Nation of Oklahoma. Its two Freedmen's bands, the Caesar Bruner Band and the Dosar Barkus Band,[33] are represented on the General Council of the Nation. Other centers are in Florida, Texas, the Bahamas, and northern Mexico.
Southern Atlantic Creoles
Those with Atlantic Creole heritage are most concentrated in the Southern US as they have been historically. A Southern Creole accent or dialect is still spoken by many and some historical traditions are still practiced there with cuisine being primary.[34]
Western and Northeastern Atlantic Creoles
Due to the Great migration Atlantic creole culture spread throughout the United States. A large portion of Atlantic Creole culture was able to become mainstream due to the music culture that sprung up in California and New York mainly via hip hop but also television broadcasting.[35] Some will speak in a Creole accent or dialect mixed with Western US American English, California English and Northeastern English or New York english.[36]
US Atlantic Creole culture
US Creole cuisine
US Atlantic creole cuisine originated from various US creole populations. The early cuisine originated from the merging of various cooking techniques, recipes, practices and produce from Africa with various European and Amerindian cooking cultures as well as substituting produce and meat indigenous to the Americas.[37] One root of the cuisine also stems from captives transforming less desired food or scraps into a palatable meal in creative or innovate ways.[38] There were also cases of captives or enslaved creoles working in households or free creoles homemaking or working various jobs that entailed cooking. Different Creole ethnic groups and populations contributed to distinct cuisine such as Louisiana creole food and soul food as well as other US American or regional cuisine such as Southern food.
The banjo could be considered an Atlantic creole instrument with its roots in an African instrument and European crafting.
US Creole language
Since the 1960s, when linguists began describing this language in great detail, it has gone through many name changes based on the social and political times in which it exists. Today most linguists refer to the distinctive speech of African Americans as 'Black English' or African American English (AAE). This language is a result of Atlantic creolization, with its own unique accent, grammar, vocabulary features, and dialects. We can find it spoken by some 30 million native speakers throughout the United States.
US Atlantic Creole or just US Creole, most commonly known as AAVE, was a dialect that formed in the early US. The presiding theory among linguists is that AAVE has always been a dialect of English, meaning that it originated from earlier English dialects rather than from English-based creole languages that "decreolized" back into English. In the early 2000s, Shana Poplack provided corpus-based evidence[39][40]—evidence from a body of writing—from isolated enclaves in Samaná and Nova Scotia peopled by descendants of migrations of early AAVE-speaking groups (see Samaná English) that suggests that the grammar of early AAVE was closer to that of contemporary British dialects than modern urban AAVE is to other current American dialects, suggesting that the modern language is a result of divergence from mainstream varieties, rather than the result of decreolization from a widespread American creole.[41]
Linguist John McWhorter maintains that the contribution of West African languages to AAVE is minimal. In an interview on National Public Radio's Talk of the Nation, McWhorter characterized AAVE as a "hybrid of regional dialects of Great Britain that captive people in America were exposed to because they often worked alongside the indentured servants who spoke those dialects..." According to McWhorter, virtually all linguists who have carefully studied the origins of AAVE "agree that the West African connection is quite minor."[42]
However, a creole theory, less accepted among linguists, posits that AAVE arose from one or more creole languages used by African captives of the middle passage, due to the captives speaking many different native languages and therefore needing a new way to communicate among themselves and with their captors.[43] According to this theory, these captives first developed what are called pidgins: simplified mixtures of languages.[44] Since pidgins form from close contact between speakers of different languages, the middle passage would have been exactly such a situation.[44] Creolist John Dillard quotes, for example, slave ship captain William Smith describing the sheer diversity of mutually unintelligible languages just in The Gambia.[45] By 1715, an African pidgin was reproduced in novels by Daniel Defoe, in particular, The Life of Colonel Jacque. In 1721, Cotton Mather conducted the first attempt at recording the speech of enslaved people in his interviews regarding the practice of smallpox inoculation.[46] By the time of the American Revolution, varieties among enslaved creoles were not quite mutually intelligible. Dillard quotes a recollection of "slave language" toward the latter part of the 18th century:[45] "Kay, massa, you just leave me, me sit here, great fish jump up into da canoe, here he be, massa, fine fish, massa; me den very grad; den me sit very still, until another great fish jump into de canoe; but me fall asleep, massa, and no wake 'til you come...." Not until the time of the American Civil War did the languages become familiar to a large number of people. The abolitionist papers before the war form a rich corpus of examples of plantation creole. In Army Life in a Black Regiment (1870), Thomas Wentworth Higginson detailed many features of his Black soldiers' language. Distinct cultural dialects formed including Gullah, Louisiana Creole, and Seminole Creole and regional dialects formed as well.
US Creole Music
Dozens of music genres and their subsequent subcultures originated or partly originated from US Atlantic creole culture including pop, rap, country, hip hop, EDM, rock and jazz. Many of these genres originate from early genres that were a blend of musical cultures from Africa, Europe and the Americas such as spirituals and blue grass. In the 20th century ragtime, the blues, and jazz would originate from Atlantic creole culture.[47][48]
Encompassing the earliest folk traditions to present day popular music [49] "Africans brought their own cultures and way of life to the Americas. As enslaved Africans they participated in African rituals and music-making events. They told stories, sang, danced, played African and African-derived instruments, and more broadly, celebrated life as they had done in Africa. In North America, their introduction to European culture and music came from participating in or witnessing the religious and social activities of slaveholders, which they reinterpreted to conform to their own cultural practices and musical values through processes of adaption and resistance. As freed people, Blacks and their descendants continued to create new and distinctive styles of Black music in the tradition of African music-making that defined their unique African-American identity."[50]
US Creole music speaks directly to the experience of African-American people, showing us the duality of both African and American identities, as well as their perseverance, which continues to shape their music today.
US Creole religion and spiritual practices
Louisiana Voodoo (French: Vaudou louisianais), also known as New Orleans Voodoo, is an Atlantic creole religion that originated in Louisiana, now in the southern United States. It arose through a process of syncretism between the traditional religions of West Africa, the Roman Catholic form of Christianity, and Haitian Vodou. No central authority is in control of Louisiana Voodoo, which is organized through autonomous groups.
Hoodoo is a set of spiritual practices, traditions, and beliefs which were created and concealed by Atlantic creoles in North America.[51][52] Hoodoo evolved from various traditional African religions and practices, and in the American South, incorporated various elements of American botanical knowledge.[53][54] Hoodoo is Creole tradition created during the time of enslavement in the United States, and is an esoteric system of Creole occultism.[55] Many of the practices are similar to other African Diaspora traditions as the practices come from the Bakongo people in Central Africa. During the transatlantic slave trade, about 40 percent of Africans taken to the United States were Bantu-Kongo. Hoodoo is a syncretic spiritual system that combines Christianity, Islam brought over by enslaved West African Muslims, and Spiritualism. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure man or conjure woman, root doctors, Hoodoo doctors, and swampers. Regional synonyms for Hoodoo include conjure or rootwork.[56]
Creoles historically could be found in various Christian and Islamic religions and worship houses that were typically segregated from White identified populations though some White passing creoles could be found in either.[57]
Canadian Atlantic Creoles
Atlantic creoles arrived in Canada in several waves. The first of these came as free persons serving in the French Army and Navy, though some were enslaved or indentured servants. About 1,000 captive creoles were brought to New France in the 17th and 18th centuries. After the American Revolutionary War, over 2000 indentured servants arrived to what was to become Quebec and Ontario. At the same time, approximately 3,500 free Black persons emigrated from the US and settled in what became Nova Scotia and New Brunswick. These Black Loyalists had won their freedom due to their support for Britain during the American Revolution.[58] In 1792, about 1200 of the resettled Black Loyalist emigrated to West Africa and founded a new colony where their descendants identified as the Sierra Leone Creoles.[59]
Another group of over 800 free Blacks from California migrated to Vancouver Island between 1858 and 1860. Many creoles migrated to Canada in search of work and became porters with the railroad companies in Ontario, Quebec, and the Western provinces or worked in mines in the Maritimes. Between 1909 and 1911 over 1500 migrated from Oklahoma as farmers and moved to Manitoba, Saskatchewan, and Alberta.[58]
Caribbean Atlantic Creoles
Starting in the early 16th century the Modern colonization and settlement of the Caribbean began. Modern European and African cultures began to mix with the established Amerindian cultures. Later settlers from India and China would also contribute to the growing Caribbean Creole culture.[60]
Dhalpurie roti, pumpkin tarkari, channa and aloo, and curry goat, from Trinidad and Tobago
Ingredients that are common in most islands' dishes are rice, plantains, beans, cassava, cilantro, bell peppers, chickpeas, tomatoes, sweet potatoes, coconut, and any of various meats that are locally available like beef, poultry, pork or fish. A characteristic seasoning for the region is a green herb-and-oil-based marinade called sofrito, which imparts a flavor profile which is quintessentially Caribbean in character. Ingredients may include garlic, onions, scotch bonnet peppers, celery, green onions, and herbs like cilantro, Mexican mint, chives, marjoram, rosemary, tarragon and thyme. This green seasoning is used for a variety of dishes like curries, stews and roasted meats.[61]
Several spiritual traditions also formed from Creole culture such as Santeria, Palo, or Obeah and some religions such as Rastafari.
"Dialect", "Kreyòl", "Kriol", "Kweyol" or "Patois" also refers to the creole languages in the Caribbean, including Antillean French Creole, Bajan Creole, Bahamian Creole, Belizean Creole among others.
Soul food is the ethnic cuisine of African Americans. It originated in the American South from the cuisines of enslaved Africans trafficked to the North American colonies through the Atlantic slave trade during the Antebellum period and is closely associated the cuisine of the American South. The expression "soul food" originated in the mid-1960s when "soul" was a common word used to describe African-American culture. Soul food uses cooking techniques and ingredients from West African, Central African, Western European, and Indigenous cuisine of the Americas.
African-American English is the set of English sociolects spoken by most Black people in the United States and many in Canada; most commonly, it refers to a dialect continuum ranging from African-American Vernacular English to a more standard American English. Like all widely spoken language varieties, African-American English shows variation stylistically, generationally, geographically, in rural versus urban characteristics, in vernacular versus standard registers, etc. There has been a significant body of African-American literature and oral tradition for centuries.
Gullah is a creole language spoken by the Gullah people, an African American population living in coastal regions of South Carolina and Georgia as well as extreme northeastern Florida and the extreme southeast of North Carolina.
Hoodoo is an autonomous ethnoreligion that also expands as a set of spiritual practices, traditions, and beliefs that were created by enslaved African Americans in the Southern United States from various traditional African spiritualities and elements of indigenous botanical knowledge. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure men or conjure women, and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As a autonomous spiritual system it has often been syncretized with beliefs from Islam brought over by enslaved West African Muslims, and Spiritualism. Scholars define Hoodoo as a folk religion.
African-American Vernacular English (AAVE) is the variety of English natively spoken, particularly in urban communities, by most working- and middle-class African Americans and some Black Canadians. Having its own unique grammatical, vocabulary and accent features, AAVE is employed by middle-class Black Americans as the more informal and casual end of a sociolinguistic continuum. However, in formal speaking contexts, speakers tend to switch to more standard English grammar and vocabulary, usually while retaining elements of the non-standard accent. AAVE is widespread throughout the United States, but is not the native dialect of all African Americans, nor are all of its speakers African American.
The Gullah are a subgroup of the African American ethnic group, who predominantly live in the Lowcountry region of the U.S. states of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands. Their language and culture have preserved a significant influence of Africanisms as a result of their historical geographic isolation and the community's relation to their shared history and identity.
Afro-Trinidadians and Tobagonians are people from Trinidad and Tobago who are of Sub-Saharan African descent, mostly from West Africa. Social interpretations of race in Trinidad and Tobago are often used to dictate who is of West African descent. Mulatto-Creole, Dougla, Blasian, Zambo, Maroon, Pardo, Quadroon, Octoroon or Hexadecaroon (Quintroon) were all racial terms used to measure the amount of West African ancestry someone possessed in Trinidad and Tobago and throughout North American, Latin American and Caribbean history.
Afro-Seminole Creole (ASC) is a dialect of Gullah spoken by Black Seminoles in scattered communities in Oklahoma, Texas, and Northern Mexico.
The Black Seminoles, or Afro-Seminoles, are an ethnic group of mixed Native American and African origin associated with the Seminole people in Florida and Oklahoma. They are mostly blood descendants of the Seminole people, free Africans, and escaped former slaves, who allied with Seminole groups in Spanish Florida. Many have Seminole lineage, but due to the stigma of having mixed origin, they have all been categorized as slaves or Freedmen in the past.
Africanisms refers to characteristics of African culture that can be traced through societal practices and institutions of the African diaspora. Throughout history, the dispersed descendants of Africans have retained many forms of their ancestral African culture. Also, common throughout history is the misunderstanding of these remittances and their meanings. The term usually refers to the cultural and linguistic practices of West and Central Africans who were transported to the Americas during the trans-Atlantic slave trade. Africanisms have influenced the cultures of diverse countries in North and South America and the Caribbean through language, music, dance, food, animal husbandry, medicine, and folklore.
Louisiana Creoles are a Louisiana French ethnic group descended from the inhabitants of colonial Louisiana before it became a part of the United States during the period of both French and Spanish rule. They share cultural ties such as the traditional use of the French, Spanish, and Creole languages and predominant practice of Catholicism.
Vertamae Smart-Grosvenor was an American culinary anthropologist, griot, poet, food writer, and broadcaster on public media. Born into a Gullah family in the Low Country of South Carolina, she moved with them as a child to Philadelphia during the Great Migration. Later she lived in Paris before settling in New York City. She was active in the Black Arts Movement and performed on Broadway.
McLeod Plantation is a former slave plantation located on James Island, South Carolina, near the intersection of Folly and Maybank roads at Wappoo Creek, which flows into the Ashley River. The plantation is considered an important Gullah heritage site, preserved in recognition of its cultural and historical significance to African-American and European-American cultures.
Joseph A. Opala, OR is an American historian noted for establishing the "Gullah Connection," the historical links between the indigenous people of the West African nation of Sierra Leone and the Gullah people of the Low Country region of South Carolina and Georgia in the United States.
Sierra Leonean Americans are an ethnic group of Americans of full or partial Sierra Leonean ancestry. This includes Sierra Leone Creoles whose ancestors were African American Black Loyalists freed after fighting on the side of the British during the American Revolutionary War. Some African Americans trace their roots to indigenous enslaved Sierra Leoneans exported to the United States between the 18th and early 19th century. In particular, the Gullah people of partial Sierra Leonean ancestry, fled their owners and settled in parts of South Carolina, Georgia, and the Sea Islands, where they still retain their cultural heritage. The first wave of Sierra Leoneans to the United States, after the slavery period, was after the Sierra Leone Civil War in the 1990s and early 2000s. According to the American Community Survey, there are 34,161 Sierra Leonean immigrants living in the United States.
Buckra or Backra is a term of West African origin. It is mainly used in the Caribbean and the Southeast United States. Originally, it was used by slaves to address their white owners. Later, the meaning was broadened to generally describe white people.
Afro-Saint Lucians or West African-Saint Lucians, are Saint Lucians whose ancestry lies within West and Central Africa. However, many Afro-Saint Lucians also have small amounts of other ancestry such as Arawak, European and Indian.
The ownership of enslaved people by indigenous peoples of the Americas extended throughout the colonial period up to the abolition of slavery. Indigenous people enslaved Amerindians, Africans, and—occasionally—Europeans.
Haint blue is a collection of pale shades of blue-green that are traditionally used to paint porch ceilings in the Southern United States. Hex #D1EAEB is a popular shade of haint blue.
The Gullah are African Americans who live in the Lowcountry region of the U.S. states of Georgia, Florida, South Carolina, and North Carolina, in both the coastal plain and the Sea Islands. They developed a creole language, also called Gullah, and a culture with some African influence.
↑ Linda Heywood and John Thornton, Central Africans, Atlantic Creoles and the Foundation of the Americas, 1585–1660 (Cambridge and New York: Cambridge University Press, 2007)
1 2 Jack D. Forbes, "The Use of Racial and Ethnic Terms in America: Management by Manipulation", Wíčazo Ša Review/The Red Pencil Review, Fall 1995, Vol. XI No. 2, pp. 55,58–59.
↑ William Labov, in the Foreword to Poplack & Tagliamonte (2001), says "I would like to think that this clear demonstration of the similarities among the three diaspora dialects and the White benchmark dialects, combined with their differences from creole grammars, would close at least one chapter in the history of the creole controversies."
Wolfram, Walter A. (1998). "Language ideology and dialect: understanding the Oakland Ebonics controversy". Journal of English Linguistics. 26 (2): 108–121. doi:10.1177/007542429802600203. S2CID144554543.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
