Born Again (Black Sabbath album)

Last updated

Born Again
Studio album by
Released7 August 1983
RecordedMay 1983
Studio The Manor Studio, Shipton on Cherwell, Oxfordshire, England
Genre Heavy metal
Label Vertigo
Warner Bros. (US/Canada)
Producer Black Sabbath, Robin Black
Black Sabbath chronology
Mob Rules
Born Again
Seventh Star

Born Again is the eleventh studio album by English heavy metal band Black Sabbath. Released in August of 1983, it is the first and only album the group recorded with lead vocalist Ian Gillan, best known for his work with Deep Purple. It was also the last Black Sabbath album for nine years to feature original bassist Geezer Butler and the last to feature original drummer Bill Ward, though Ward did record a studio track with the band fifteen years later on their 1998 live album Reunion . The album has received mixed reviews from critics, [1] but was a commercial success upon its 1983 release, reaching No. 4 in the UK charts. [2] The album also hit the top 40 in the United States. [3]

Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style which drew heavily from the genres of blues, rhythm and blues, and from country music. Rock music also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical styles. Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass, drums, and one or more singers. Usually, rock is song-based music usually with a 4/4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political.

Black Sabbath British heavy metal band

Black Sabbath were an English rock band, formed in Birmingham in 1968, by guitarist and main songwriter Tony Iommi, drummer Bill Ward, bassist and main lyricist Geezer Butler and singer Ozzy Osbourne. Black Sabbath are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970), and Master of Reality (1971). The band had multiple line-up changes, with Iommi being the only constant member throughout its history.

Ian Gillan English rock singer and songwriter

Ian Gillan is an English singer and songwriter. He is the lead singer and lyricist for the rock band Deep Purple.



Following the departure of vocalist Ronnie James Dio and drummer Vinny Appice in 1982, Sabbath's future was in doubt. The band switched management to Don Arden (Sharon Osbourne's father) and he suggested Ian Gillan as the new vocalist. [4] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "We'd never rehearsed."

Ronnie James Dio American singer-songwriter and composer

Ronald James Padavona known professionally as Ronnie James Dio or simply Dio, was an American heavy metal singer-songwriter and composer. He fronted or founded numerous groups throughout his career, including Elf, Rainbow, Black Sabbath, Dio, and Heaven & Hell.

Vinny Appice American musician

Vincent Samson Appice is an American rock drummer best known for his work with the bands Dio, Black Sabbath, and Heaven & Hell. Of Italian descent, he is the younger brother of drummer Carmine Appice.

Don Arden English producer

Don Arden was an English music manager, agent, and businessman. He managed the careers of rock acts such as Jerry Lee Lewis, Little Richard, Air Supply, Small Faces, The Move, Black Sabbath and Electric Light Orchestra.

The band had considered vocalists such as Robert Plant and David Coverdale before settling on Gillan. [5] They even received an audition tape from a then-unknown Michael Bolton. [4] Iommi told Hit Parader magazine in late 1983 that Gillan was the best candidate, saying "His shriek is legendary." Gillan was at first reluctant, but his manager convinced him to meet with Iommi and Butler at The Bear pub in Oxford. After a night of heavy drinking, [4] Gillan officially committed to the project in February 1983. [6]

Robert Plant British singer-songwriter and producer

Robert Anthony Plant is an English singer, songwriter, and musician, best known as the lead singer and lyricist of the rock band Led Zeppelin.

David Coverdale English singer

David Coverdale is an English rock singer best known for his work with Whitesnake, a hard rock band he founded in 1978. Before Whitesnake, Coverdale was the lead singer of Deep Purple from 1973 to 1976, after which he established his solo career. A collaboration with Jimmy Page resulted in a 1993 album that was a commercial success. In 2016, Coverdale was inducted into the Rock and Roll Hall of Fame as a member of Deep Purple, giving one of the band's induction speeches. Coverdale is known in particular for his powerful blues-tinged voice.

Michael Bolton American singer-songwriter

Michael Bolotin, known professionally as Michael Bolton, is an American singer and songwriter. Bolton originally performed in the hard rock and heavy metal genres from the mid-1970s to the mid-1980s, both on his early solo albums and those he recorded as the frontman of the band Blackjack. He became better known for his series of pop rock ballads, recorded after a stylistic change in the late 1980s.

The project was originally intended to be a new supergroup, and the members of the group had no intention of billing themselves as Black Sabbath. [4] At some point after recording had been completed, Arden insisted that they use the recognizable Sabbath name, and the members were overruled. [4] "We thought we were doing a kind of Gillan-Iommi-Butler-Ward album…" recalled bassist Geezer Butler. "That is the way we approached the album. When we had finished the album, we took it to the record company and they said, 'Well, here's the contract: it is going to go out as a Black Sabbath album." [7]

Supergroup (music) Band whose members were successful in prior acts

A supergroup is a musical performing group whose members have successful solo careers, are members of other groups, or are well known in other musical professions. The term is usually used in the context of rock and pop music, but it has occasionally been applied to other musical genres. For example, The Three Tenors—composed of opera superstars José Carreras, Plácido Domingo, and Luciano Pavarotti—have been called a supergroup.

Geezer Butler English musician, bassist and lyricist of Black Sabbath

Terence Michael Joseph "Geezer" Butler is an English musician and songwriter. Butler is best known as the bassist and primary lyricist of the heavy metal band Black Sabbath. He has also recorded and performed with Heaven & Hell, GZR, and Ozzy Osbourne. He currently serves as bassist of Deadland Ritual.

Born Again featured the return of founding member Bill Ward on drums, who was newly sober after leaving the band in 1980 to deal with his alcoholism. [8] Ward began drinking again near the end of the sessions and returned to Los Angeles for treatment once the album was completed, and has remained sober ever since. [4] Ward has said that he enjoyed making the album, which remains his final studio album with the band. [9]

William Thomas Ward is an English musician and visual artist, best known as the original drummer of the British heavy metal band Black Sabbath. He also performed lead vocals on two Black Sabbath songs: "It's Alright" from the album Technical Ecstasy and "Swinging the Chain" from the album Never Say Die!.

Los Angeles City in California

Los Angeles, officially the City of Los Angeles is often called by its initials L.A.. It is the most populous city in California; the second most populous city in the United States, after New York City; and the third most populous city in North America, after Mexico City and New York City. With an estimated population of nearly four million people, Los Angeles is the cultural, financial, and commercial center of Southern California. The city is known for its Mediterranean-like climate, ethnic diversity, Hollywood, the entertainment industry, and its sprawling metropolis.


Sabbath began recording in May 1983 at Richard Branson's Manor Studio, in the Oxfordshire countryside. [10] Producer Robin Black had worked with the band in the mid-1970s, as engineer on Sabotage .

Richard Branson British business magnate, investor and philanthropist

Sir Richard Charles Nicholas Branson is a British business magnate, investor, author and philanthropist. He founded the Virgin Group in the 1970s, which controls more than 400 companies in various fields.

The Manor Studio recording studio

The Manor Studio was a recording studio in the manor house at the village of Shipton-on-Cherwell in Oxfordshire, England, north of the city of Oxford.

Audio engineer engineer who operates recording, mixing, sound reproduction equipment

An audio engineer helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "...technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer ... the nuts and bolts." It's a creative hobby and profession where musical instruments and technology are used to produce sound for film, radio, television, music, and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events.

In his autobiography, Iommi recounts Gillan informing him that, during sessions, he planned to live outside the house in a marquee tent: "I thought he was joking, but when I arrived at the Manor I saw this marquee outside and I thought, fucking hell, he's serious. Ian had put up this big, huge tent. It had a cooking area and a bedroom and whatever else." Gillan brought an immediacy to the songwriting that was uncommon for Sabbath: "Ian's lyrics were about sexual things or true facts, even about stuff that happened at The Manor there and then," Iommi recalls in his memoir. "They were good, but quite a departure from Geezer's and Ronnie's lyrics." For example, Gillan returned from a local pub one evening, took a car belonging to drummer Ward, and commenced racing around a go-cart track on the Manor Studio property. He crashed the car, which burst into flames after he escaped uninjured. He wrote the album's opening "Trashed" about the experience. [4]

"Disturbing the Priest" was written after a rehearsal space – set up by Iommi in a small building near a local church – received noise complaints from the resident priests. [4] "We wanted this effect on 'Disturbing the Priest'," recalled the guitarist, "and Bill got this big bucket of water and he got this anvil. It was really heavy, and he'd got it hanging on a piece of rope and lower it in to get this effect: hit it and lower it in, and then lift it out again. It was a great effect, but it took hours to do." [11]

"I did some of the best drum work on that album…" Bill Ward recalled. "On 'Disturbing the Priest', there were some polyrhythms and some counterpoint things that I was doing, and I was using at least twenty different pieces of percussion towards the end of that song… I was real proud of a lot of the work that I did. Some of it invariably got lost in the mix, but I know that it's printed on those tracks." [12]

The band got along well, but it became apparent to all involved that Gillan's style did not quite mesh with the Sabbath sound. In 1992, he told director Martin Baker, "I was the worst singer Black Sabbath ever had. It was totally, totally incompatible with any music they'd ever done. I didn't wear leathers, I wasn't of that image...I think the fans probably were in a total state of confusion." In 1992, Iommi admitted to Guitar World, "Ian is a great singer, but he's from a completely different background, and it was difficult for him to come in and sing Sabbath material."

"I saw Ian go into the studio one day," Ward recalled, "and I was fortunate and honoured, actually, to be part of a session. I watched him lay tracks on 'Keep It Warm'… I felt like Ian was Ian in that song… I watched this incredible transformation of this man that really, I felt, delicately put lyrics together. It made sense. I thought he did an excellent job. And I really dig that song too." [13]

When the band heard the final product, they were horrified at the muffled mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers by playing the backing tracks too loud and nobody noticed. "We just thought it was a bit of a funny sound, but it went very wrong somewhere between the mix and the mastering and the pressing of that album...the sound was really dull and muffly. I didn't know about it, because we were already out on tour in Europe. By the time we heard the album, it was out and in the charts, but the sound was awful."

For all his misgivings, Gillan remembers the period fondly, stating in the Black Sabbath: 1978–1992 documentary, "But by God, we had a good year...And the songs, I think, were quite good."


Following the tour supporting Born Again, this version of Black Sabbath fell apart, with Gillan and touring drummer Bev Bevan departing. The tour was also a breaking point for Butler, who admits in the Black Sabbath: 1978–1992 documentary, "I just got totally disillusioned with the whole thing and I left some time in 1984 after the Born Again tour. I just had enough of it." In 2015 Butler clarified to Dave Everley of Classic Rock: "I left because my second child was born and he was having problems, so I wanted to stay with him. I told Tony I couldn't concentrate on the band anymore. But I never fell out with anybody." Butler says the looming Deep Purple reunion played a large role in Gillan's decision to leave. [14] Disagreements with management also contributed to the band's dissolution. [14] Bevan would briefly return to the Sabbath fold in 1986-87 to record cymbal overdubs for the album The Eternal Idol .

Album cover

The cover – depicting what Martin Popoff described as a "garish red devil-baby" – is by Steve 'Krusher' Joule; a Kerrang! designer who also worked on Ozzy Osbourne's Speak of the Devil . [15] It is based on a black-and-white photocopy of a photograph published in a 1968 magazine. [16] The same photograph was used for twelve-inch versions of Depeche Mode's "New Life". [17]

"I didn't have any participation in the album cover," recalled Bill Ward. "When I saw it, I hated it." [18]

Ian Gillan told the press that he vomited when he first saw the picture. However, Tony Iommi approved the cover, [19] which has been considered one of the worst ever. [1] Ben Mitchell of Blender called the cover "awful". [20] The British magazine, Kerrang! , ranked the cover in second place, behind only the Scorpions' Lovedrive , on their list of "10 Worst Album Sleeves in Metal/Hard Rock". The list was based on votes from the magazine's readers. [21] NME included the sleeve on their list of the "29 sickest album covers ever". [22] Sabbath's manager Don Arden was quite hostile towards the band's ex-vocalist Ozzy Osbourne, who had recently married his daughter Sharon, [23] and was fond of telling Osbourne that his children resembled the Born Again cover. [23]

Release and reception

Professional ratings
Review scores
AllMusic Star full.svgStar half.svgStar empty.svgStar empty.svgStar empty.svg [1]
Blender Star full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [20]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [24]
Metal Forces (8/10) [25]
Martin Popoff Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svg [26]

Born Again was released in August 1983 [1] and was a commercial success. It was the highest charting Black Sabbath album in the United Kingdom since Sabbath Bloody Sabbath (1973) and became an American Top 40 hit. [27] Despite this, it became the first Black Sabbath album to not have any RIAA certification in the US. The album received mixed reviews upon its release. [28] AllMusic's Eduardo Rivadavia wrote that the album has "gone down as one of heavy metal's all-time greatest disappointments" and described "Zero the Hero", "Hot Line", and "Keep It Warm" as "embarrassing". [1] Blender contributor Ben Mitchell gave the album one out of five stars and claimed that the music on Born Again was worse than its cover. [20] Martin Charles Strong, the author of The Essential Rock Discography, wrote that it was "an exercise in heavy-metal cliché". [29] However, Popmatters contributor Adrien Begrand has noted the album as "overlooked". [28] The British magazine Metal Forces defined it "a very good album" even if "Gillan may not be the perfect frontman for the Sabs". [25]

Despite the overall negative reception with critics, the album remains a fan favorite. Author Martin Popoff has written that "if any album in the history of Black Sabbath is getting a new set of horns up from metalheads here deep into the new century, it's Born Again." [6] Death metal band Cannibal Corpse have covered "Zero the Hero" on the Hammer Smashed Face EP, and the group's former singer, Chris Barnes, has called Born Again his favourite Black Sabbath album. [30] "Zero the Hero" has also been cited as the inspiration for the Guns N' Roses hit "Paradise City", [31] and in his autobiography Iommi also suggests the Beastie Boys may have borrowed the riff from "Hot Line" for their hit "(You Gotta) Fight For Your Right (To Party!)". Metallica drummer Lars Ulrich has called Born Again "one of the best Black Sabbath albums". [32] Bill Stevenson, former drummer of Black Flag, stated the band was listening to the album around the time of My War , defining songs like "Trashed" and "Disturbing the Priest" as "ideal". [33]

In 1984, Ozzy Osbourne stated that the album was the "best thing I've heard from Sabbath since the original group broke up". [34] Butler has pointed to "Zero the Hero" and "Disturbing the Priest" as his favorites on the album. [14] In 1992 Iommi confessed to Guitar World, "To be honest, I didn't like some of the songs on that album, and the production was awful. We never had time to test the pressings after it was recorded, and something happened to it by the time it got released."

A re-mastered 'Deluxe Expanded Edition' of Born Again was released in May 2011, which included several live tracks from the 1983 Reading Festival originally featured on BBC Radio 1's Friday Rock Show . [35] Though the release was remastered, it was not remixed.

Born Again Tour and Stonehenge props

According to Iommi's autobiography, Ward began drinking again near the end of the Born Again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Move and ELO, [36] for the upcoming tour in support of the new album. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Baker in 1992, "I couldn't get into my brain any of these lyrics...I cannot soak in these words. There's no storyline. I can't relate to what they mean." Gillan attempted to overcome the problem by having a cue book with plastic pages on stage, which he would turn with his foot during the show. However, Gillan did not anticipate the "six buckets" of dry ice that engulfed the stage, making it impossible for the singer to see the lyric sheets. "Ian wasn't very sure-footed either," Iommi writes in his memoir. "He once fell over my pedal board. He was waving at the people, stepped back and, bang!, he went arse over head big time." Gillan also told Birch that it was Don Arden's idea to open the show with a crying baby blaring over the speakers and a dwarf made to look exactly like the demonic baby depicted on the Born Again album cover miming to the screaming. "We noticed a dwarf walking around the day before the opening show...And we're saying to Don, 'We think this is in the worst possible taste, this dwarf, you know?' And Don's going, 'Nah, the kids will love it, it'll be great.'"

The tour is most infamous, however, for the gigantic Stonehenge props the band used. Iommi recalls in his autobiography that it was Butler's idea but the designers took his measurements the wrong way and thought it was meant to be life-size. Months later, while rehearsing for the tour at the Birmingham NEC, the stage set arrived. "We were in shock," writes Iommi. "This stuff was coming in and in and in. It had all these huge columns in the back that were as wide as your average bedroom, the columns in front were about 13 feet high, and we had all the monitors and the side fills as well as all this rock. It was made of fiberglass and wood, and bloody heavy." The set would be lampooned in Rob Reiner's 1984 rock music mockumentary This Is Spinal Tap , with the band having the opposite problem of having to use miniature Stonehenge stage props. Butler has said that he told the associate scriptwriter of the film the story of the band's performances with their "Stonehenge" stage props. [37] In an interview for the documentary Black Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk across the top of the Stonehenge props at the start of the show and, as the tape of the screaming baby faded away, fall back "from about thirty-five feet in the air on this big pile of mattresses. And then, 'Dong!' The bells start and the monks come out, the whole thing. Pure Spinal Tap." The band toured Europe first, playing the Reading Festival (a performance that is included on the 2011 deluxe edition of Born Again) and also playing in a bullring in Barcelona in September. Sabbath performed Gillan's hit with Deep Purple, "Smoke on the Water", on the tour, with Iommi explaining in his memoir, "it seemed like a bum deal for him not to do any of his stuff while he was doing all of ours. I don't know if we played it properly but the audience loved it. The critics moaned; it was something out of the bag and they didn't want to know then." In October, the band took the Stonehenge set to America but could only use a portion of it at most gigs because the columns were too high. The set was eventually abandoned. A music video for "Zero the Hero" was also released, featuring performance footage of the band onstage interspersed with scenes involving several grotesque characters performing experiments on a witless young man in a haunted house filled with rats, roosters and a roaming horse.

Track listing

All songs credited to Tony Iommi, Geezer Butler, Bill Ward, and Ian Gillan, except where noted.

Side one
3."Disturbing the Priest"5:49
4."The Dark"0:45
5."Zero the Hero"7:35
Side two
6."Digital Bitch"3:39
7."Born Again"6:34
8."Hot Line" (Iommi/Butler/Gillan)4:52
9."Keep It Warm" (Iommi/Butler/Gillan)5:36

2011 Deluxe Edition Disc 2

Tracks 3-11 recorded live at the Reading Festival on Saturday, August 27, 1983 [38] and first aired on Friday Rock Show via BBC Radio 1.

1."The Fallen" (previously unreleased album session outtake)4:30
2."Stonehenge" (extended version)4:47
3."Hot Line"4:55
4."War Pigs" (Butler, Iommi, Ozzy Osbourne, Ward)7:25
5."Black Sabbath" (Butler, Iommi, Osbourne, Ward)7:11
6."The Dark"1:05
7."Zero the Hero"6:55
8."Digital Bitch"3:34
9."Iron Man" (Butler, Iommi, Ozzy Osbourne, Ward)7:41
10."Smoke on the Water" (Ritchie Blackmore, Gillan, Roger Glover, Jon Lord and Ian Paice)4:56
11."Paranoid" (Butler, Iommi, Ozzy Osbourne, Ward)4:18


Black Sabbath

Additional musicians

Credits [39]

Release history

United KingdomAugust 1983 Vertigo Records
United States4 October 1983 Warner Bros. Records
Canada1983Warner Bros. Records
United Kingdom1996 Castle Communications
United Kingdom2004 Sanctuary Records

Chart performance

1983United Kingdom4
United States39
New Zealand44

See also

Related Research Articles

<i>Paranoid</i> (album) 1970 studio album by Black Sabbath

Paranoid is the second studio album by the English rock band Black Sabbath. Released in September 1970, it was the band's only LP to top the UK Albums Chart until the release of 13 in 2013. Paranoid contains several of the band's signature songs, including "Iron Man", "War Pigs" and the title track, which was the band's only Top 20 hit, reaching number 4 in the UK charts. It is often cited as an influential album in the development of heavy metal music.

"War Pigs" is a song by English heavy metal band Black Sabbath. It is the opening track from their 1970 album Paranoid.

<i>Dehumanizer</i> 1992 studio album by Black Sabbath

Dehumanizer is the 16th studio album by English rock band Black Sabbath, released in June 1992.

Tony Iommi British guitarist

Anthony Frank Iommi is an English guitarist, songwriter and producer. He was lead guitarist and one of the four founding members of the heavy metal band Black Sabbath. He was the band's primary composer and sole continual member for nearly five decades.

<i>Sabotage</i> (Black Sabbath album) 1975 studio album by Black Sabbath

Sabotage is the sixth studio album by English rock band Black Sabbath, released in July 1975. It was recorded in the midst of litigation with their former manager Patrick Meehan and the stress that resulted from the band's ongoing legal woes infiltrated the recording process, inspiring the album's title. It was co-produced by guitarist Tony Iommi and Mike Butcher.

<i>Heaven and Hell</i> (Black Sabbath album) 1980 studio album by Black Sabbath

Heaven and Hell is the ninth studio album by English rock band Black Sabbath, released on 25 April 1980. It is the first Black Sabbath album to feature vocalist Ronnie James Dio, who replaced original vocalist Ozzy Osbourne in 1979.

<i>Technical Ecstasy</i> 1976 studio album by Black Sabbath

Technical Ecstasy is the seventh studio album by English rock band Black Sabbath, produced by guitarist Tony Iommi and released in September 1976. The album was certified Gold on 19 June 1997 and peaked at number 51 on the Billboard 200 Album chart.

<i>Reunion</i> (Black Sabbath album) 1998 live album by Black Sabbath

Reunion is a live album by heavy metal band Black Sabbath. It features the original line-up of Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward: the four musicians' first recording together since the firing of Osbourne in 1979.

"Fairies Wear Boots" is a song by the English heavy metal band Black Sabbath, from their 1970 album Paranoid. It was released in 1971 as the B-side to "After Forever".

<i>The Best of Black Sabbath</i> 2000 greatest hits album by Black Sabbath

The Best of Black Sabbath is a double CD compilation album by Black Sabbath released in 2000 on the Sanctuary Records label. Its 32 songs are presented chronologically from the band's first 11 albums, spanning the years 1970 to 1983. Black Sabbath's classic six-album run, from 1970s debut Black Sabbath through 1975's Sabotage is celebrated with three to six songs from each album. Original vocalist Ozzy Osbourne's subsequent final two albums with the band, 1976's Technical Ecstasy and 1978's Never Say Die!, are represented by one and two songs, respectively. Replacement Ronnie James Dio's early 80's stint fronting the band on two albums is acknowledged with the title track of 1980's Heaven and Hell and a track from 1981's The Mob Rules. The compilation closes with a song from 1983's attempted rebirth, Born Again, former Deep Purple vocalist Ian Gillan's sole album with the band. The Best of Black Sabbath does not include any later material with vocalists Glenn Hughes, Tony Martin (1986–96) or the returning Dio.

<i>The Sabbath Stones</i> 1996 compilation album by Black Sabbath

The Sabbath Stones (1996) is a compilation album of Black Sabbath songs taken from albums ranging from 1983's Born Again to 1995's Forbidden. It was never formally released in the US or Canada, and was the last album to be released by Black Sabbath with I.R.S. Records.

"Symptom of the Universe" is a song by the heavy metal band Black Sabbath, from their 1975 album Sabotage. The song was an early influence on the development of thrash metal.

"Children of the Sea" is a song by heavy metal band Black Sabbath, from their ninth studio album, Heaven and Hell (1980).

Born Again Tour 1983

The Born Again Tour 1983 was a global concert tour by in support of Black Sabbath's Born Again album. Both the album and the tour were the only ones of Black Sabbath's to feature former Deep Purple frontman Ian Gillan on lead vocals. Ex-Electric Light Orchestra drummer Bev Bevan was hired to replace Bill Ward, who had returned to the band for the recording of the album after a two-year hiatus, for the tour. This was the final tour to feature original Black Sabbath bassist Geezer Butler until 1992's Dehumanizer tour.

<i>The Collection</i> (Black Sabbath album) 1992 compilation album by Black Sabbath

The Collection is a compilation album released by English heavy metal band Black Sabbath in 1992. The album was released on the label Castle, who released two CD versions of this album in the UK, both with the same cover art and songs. The album includes greatest songs of Black Sabbath with Ozzy Osbourne prior to his dismissal in 1979, from the eponymous album to Never Say Die!. The album has 15 tracks, two from Black Sabbath, two from Paranoid, one from Master of Reality, two from Black Sabbath Vol. 4, two from Sabbath Bloody Sabbath, two from Sabotage, two from Technical Ecstasy and two from Never Say Die!.

<i>Iron Man: The Best of Black Sabbath</i> 2012 greatest hits album by Black Sabbath

Iron Man: The Best of Black Sabbath is a compilation album from Black Sabbath, released by Sanctuary Records to support the band's 2012 reunion tour.

<i>The End: Live in Birmingham</i> 2017 live album and film by Black Sabbath

The End: Live in Birmingham is a live album and film by English heavy metal band Black Sabbath. It features the final performance from their The End Tour, recorded in Birmingham, England on 4 February 2017. It was released on 17 November 2017 through Eagle Vision, as a CD, DVD, Blu-ray, Vinyl and a limited deluxe box set.


  1. 1 2 3 4 5 Rivadavia, Eduardo. "Born Again > Overview". Allmusic . Retrieved 1 November 2009.
  2. "Gillan the Hero". Archived from the original on 18 October 2009. Retrieved 1 November 2009.
  3. "Billboard Top 200" . Retrieved 1 November 2009.
  4. 1 2 3 4 5 6 7 8 Iommi, Tony (2011). Iron Man: My Journey Through Heaven and Hell with Black Sabbath. Da Capo Press. ISBN   978-0306819551.
  5. Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 201. ISBN   1-55022-731-9.
  6. 1 2 Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 198. ISBN   1-55022-731-9.
  7. Swedish TV interview, broadcast April 1994, transcribed by Ola Malmström in Sabbath fanzine Southern Cross #14, p19, October 1994
  8. Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 197. ISBN   1-55022-731-9.
  9. Wright, Michael. "Bill Ward Tells Sabbath Tales and Talks Reunion". Archived from the original on 29 June 2011. Retrieved 4 September 2010.
  10. Thompson, Dave (2004). Smoke on the Water: The Deep Purple Story. ECW Press. p. 234. ISBN   1-55022-618-5.
  11. Scott, Peter (May 1998). "Tony Iommi Interview". Southern Cross (Sabbath fanzine) #21. p. 46.Italic or bold markup not allowed in: |magazine= (help)
  12. Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Part III: Disturbing the Peace". Southern Cross (Sabbath fanzine) #18. p. 25.Italic or bold markup not allowed in: |magazine= (help)
  13. Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Part III: Disturbing the Peace". Southern Cross (Sabbath fanzine) #18. p. 24.Italic or bold markup not allowed in: |magazine= (help)
  14. 1 2 3 "Geezer Butler Discusses Veganism, Religion, Politics, Surveillance, and Life Lessons". 27 March 2014. Retrieved 1 September 2019.
  16. Siegler, Joe. "Black Sabbath Online: Born Again". Black Sabbath Online. Archived from the original on 14 January 2012. ...the first image of a baby that I found was from the front cover of a 1968 magazine called Mind Alive [...] we bashed the whole thing out in a night – Steve Joule interview
  18. Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Part III: Disturbing the Peace". Southern Cross (Sabbath fanzine) #18. p. 24.Italic or bold markup not allowed in: |magazine= (help)
  19. Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 206. ISBN   1-55022-731-9.
  20. 1 2 3 Mitchell, Ben. "Born Again – Blender". Blender . Archived from the original on 29 August 2010. Retrieved 3 September 2010.
  21. "BLABBERMOUTH.NET – 10 Worst Album Sleeves in Metal/Hard Rock". . Archived from the original on 27 August 2004. Retrieved 4 September 2010.
  22. "Pictures of NSFW - the 29 sickest album covers ever - Photos - NME.COM". NME . Retrieved 4 September 2010.
  23. 1 2 Osbourne, Ozzy (2011). I Am Ozzy. Grand Central Publishing. ISBN   978-0446569903.
  24. "Black Sabbath: Album Guide". Rolling Stone . Archived from the original on 27 April 2012. Retrieved 5 June 2012.
  25. 1 2 Barnell, Graham (1983). "Black Sabbath – Born Again". Metal Forces (2). Retrieved 1 July 2012.
  26. Popoff, Martin (1 November 2005). The Collector's Guide to Heavy Metal: Volume 2: The Eighties. Burlington, Ontario, Canada: Collector's Guide Publishing. ISBN   978-1-894959-31-5.
  27. Thompson, Dave (2004). Smoke on the Water: The Deep Purple Story. ECW Press. p. 237. ISBN   1-55022-618-5.
  28. 1 2 Begrand, Adrien. "Alice Cooper: Portrait of the Artist as a Burnt-Out Old Man < PopMatters". PopMatters . Retrieved 3 September 2010.
  29. Strong, Martin Charles (2006). The Essential Rock Discography. Canongate Books Ltd. p. 97. ISBN   978-1-84195-827-9.
  30. Mudrian, Albert, ed. (2009). Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces. Da Capo Press. p. 158. ISBN   978-0-306-81806-6.
  31. Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 210. ISBN   1-55022-731-9.
  32. "BLABBERMOUTH.NET – METALLICA's LARS ULRICH: 'Metal Is Like Herpes — It Never Goes Away'". . Archived from the original on 8 September 2012. Retrieved 4 September 2010.
  33. Blush, Steven; Petros, George (2001). American Hardcore: A Tribal History. Feral House. p. 73. ISBN   9780922915712.
  34. Hogan, Richard. ""Is Sabbath turning Purple?"" (PDF). Archived from the original (PDF) on 18 December 2005. Retrieved 2012-07-11.. Circus Magazine 02-29-84
  36. Bevan, who was still a member of ELO in 1983, had a long-time relationship with Don Arden, as all of ELO's albums from 1975's Face the Music forward were recorded for Arden's Jet Records label.
  37. Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. pp. 215–216. ISBN   1-55022-731-9.
  38. "BLACK SABBATH's 'Born Again' Deluxe-Expanded-Edition Reissue: More Details Revealed – Apr. 11, 2011". Archived from the original on 1 February 2013. Retrieved 12 April 2011.
  39. "Born Again > Credits". Allmusic . Retrieved 4 September 2010.