Sabotage | ||||
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Studio album by | ||||
Released | 28 July 1975 | |||
Recorded | February–March 1975 | |||
Studio | Morgan, London | |||
Genre | ||||
Length | 43:44 | |||
Label | Vertigo | |||
Producer |
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Black Sabbath chronology | ||||
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Singles from Sabotage | ||||
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Sabotage is the sixth studio album by English rock band Black Sabbath, released on 28 July 1975. [2] [3] [4] [5] The album was recorded in the midst of a legal battle with the band's former manager, Patrick Meehan. [2] [3] [6] The stress that resulted from the band's ongoing legal woes infiltrated the recording process, inspiring the album's title. It was co-produced by guitarist Tony Iommi and Mike Butcher. [3] [6]
Black Sabbath began work on their sixth album in February 1975, again in England, at Morgan Studios in Willesden, London. The title Sabotage was chosen because the band was at the time being sued by their former management and felt they were being "sabotaged all the way along the line and getting punched from all sides", according to Iommi. [7] "It was probably the only album ever made with lawyers in the studio," said drummer Bill Ward. [8] Iommi credits those legal troubles for the album's angry, heavier sound. [7]
In 2001, bassist Geezer Butler explained to Dan Epstein, "Around the time of Sabbath Bloody Sabbath , we found out that we were being ripped off by our management and our record company. So, much of the time, when we weren't onstage or in the studio, we were in lawyer's offices trying to get out of all our contracts. We were literally in the studio, trying to record, and we'd be signing all these affidavits and everything. That's why it's called Sabotage – because we felt that the whole process was just being totally sabotaged by all these people ripping us off." In his autobiography I Am Ozzy , singer Ozzy Osbourne confirms that "writs were being delivered to us at the mixing desk" and that Ward "was manning the phones". In the liner notes to the 1998 live album Reunion, Butler claimed the band suffered through 10 months of legal cases and admitted, "Music became irrelevant to me. It was a relief just to write a song."
Iommi later reflected, "We could've continued and gone on and on, getting more technical, using orchestras and everything else, which we didn't particularly want to. We took a look at ourselves, and we wanted to do a rock album – Sabbath Bloody Sabbath wasn't a rock album, really." [9] According to the book How Black Was Our Sabbath, "The recording sessions would usually carry on into the middle of the night. Tony Iommi was working really hard on the production side of things with the band's co-producer Mike Butcher, and he was spending a lot of time working out his guitar sounds. Bill, too, was experimenting with the drums, especially favouring the 'backwards cymbal' effect." Osbourne, however, grew frustrated with how long Black Sabbath albums were taking to record, writing in his autobiography, "Sabotage took about four thousand years."
According to Iommi, the Sabotage sessions were the scene of a legendary jam session between Black Sabbath and Led Zeppelin. [10] Iommi's recollection may be inaccurate, however, as records show that Zeppelin were on tour in the US at the time Sabotage was being recorded. Ward's recollection of the exact timing of the Zeppelin jam session is also fuzzy. "I don't even know what album we were working on", the drummer explained. "But one of John (Bonham)'s favourite songs was 'Supernaut' – so, when they came down to the studio, he wanted to jam 'Supernaut'." [11] It is more likely that the jam session took place during the recording of the previous album, Sabbath Bloody Sabbath . [7]
Sabotage is a mix of heavy, powerful songs and experimental tunes such as "Supertzar" and "Am I Going Insane (Radio)". In 2013, Mojo observed, "Opener 'Hole in the Sky' and the crunching 'Symptom of the Universe' illustrate that, for all their problems, Sabbath's power remained undimmed on what was what many consider one of their finest offerings." In the article "Thrash Metal - An Introduction" in University Times Magazine, Vladimir Rakhmanin cites "Symptom of the Universe" as one of the earliest examples of thrash metal, a heavy metal subgenre which emerged in the early 1980s. Tony Iommi describes the song's dynamics in his autobiography Iron Man: "It starts with an acoustic bit. Then it goes into the up-tempo stuff to give it that dynamic, and it does have a lot of changes to it, including the jam at the end." The final part of "Symptom of the Universe" evolved from an in-studio improvisation, created very spontaneously in a single day, and the decision was made to use it in that song. [7] The English Chamber Choir was brought in to perform the song "Supertzar". When vocalist Ozzy Osbourne arrived at the studio and saw them, he thought he was in the wrong studio and left. [7] The title of the pop-leaning "Am I Going Insane (Radio)" caused some confusion due to the "(Radio)" part, which led people to believe the song was a radio cut or radio version. However, this is the only version of the song: the term "radio-rental" is rhyming slang for "mental". [12]
"The Writ" is one of only a handful of Black Sabbath songs to feature lyrics composed by vocalist Osbourne, [13] who typically relied on bassist Butler for lyrics. The song was inspired by the frustrations Osbourne felt at the time, as Black Sabbath's former manager Patrick Meehan was suing the band after having been fired. [13] The song viciously attacks the music business in general and is a savage diatribe directed towards Meehan specifically ("Are you Satan? Are you man?"), with Osbourne revealing in his memoir, "I wrote most of the lyrics myself, which felt a bit like seeing a shrink. All the anger I felt towards Meehan came pouring out." During this period, the band began to question if there was any point to recording albums and touring endlessly "just to pay the lawyers". [13] Thematically, "The Writ" and "Megalomania" are intertwined, according to drummer Ward, as they both deal with the same tensions arising from these ongoing legal troubles. [14]
The brief instrumental "Don't Start (Too Late)" is an acoustic guitar showpiece for Iommi, titled for tape operator David Harris, who often despaired at Sabbath being prone to start playing before he was ready. [15]
Sabotage's front cover art has garnered mixed reactions over the years and is regarded by some as one of the worst album covers in rock history. [16] The inverted mirror concept was conceived by Graham Wright, Bill Ward's drum tech, who was also a graphic artist. [17] The band attended what they believed was a test photo shoot for the album cover, thus explaining their choice of clothing. Said Ward, "The only thing we didn't discuss was what we'd all wear on the day of the shot. Since that shoot day, the band has survived through a tirade of clothing comments and jokes that continue to this day". Ward, in fact, was wearing his wife's red tights in the photo. [7] Wright recalls in the book How Black Was Our Sabbath that the plan was for each band member to appear on the cover dressed in black and had been instructed to bring some stage clothes for preliminary photos, but when they arrived, no black costumes had been laid out by the designers, and "the original concept had been overruled." The designers "carried on with the shoot, explaining they would superimpose the images at a later stage and that it would look great, to be honest. The session was unbelievably rushed, and the outcome was far from what had been originally envisaged. Ironically, the sleeve design that was intended to illustrate the idea of sabotage had instead become a victim of sabotage itself. By the time they saw it, it was too late to change."
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 92/100 (super deluxe) [18] |
Review scores | |
Source | Rating |
AllMusic | [19] |
Encyclopedia of Popular Music | [20] |
The Great Rock Discography | 7/10 [21] |
Rolling Stone | favourable [22] |
The Rolling Stone Album Guide | [23] |
Sputnikmusic | 4.7/5 [24] |
MusicHound Rock | 3/5 [25] |
Spin Alternative Record Guide | 9/10 [26] |
Sabotage was released in the United States in July 1975, peaking at the Billboard 200 at number 28 [27] and released in September 1975 in the United Kingdom, [28] where it peaked at number 7. [29] The album was certified Silver (60,000 units sold) in the UK by the BPI on 1 December 1975 [30] and Gold in the US on 16 June 1997, but was the band's first release not to achieve platinum status in the US. [31] For the second time, a Black Sabbath album initially saw favourable reviews, with Rolling Stone stating, "Sabotage is not only Black Sabbath's best record since Paranoid , it might be their best ever." [22] Later reviews were also favourable; Greg Prato of AllMusic said that "Sabotage is the final release of Black Sabbath's legendary First Six" but noted that "the magical chemistry that made such albums as Paranoid and Vol. 4 so special was beginning to disintegrate." [19] Guitarist Yngwie Malmsteen told Nick Bowcott of Guitar Player in 2008 that the riff to "Symptom of the Universe" was the first Tony Iommi riff he ever heard and that "Tony's use of the flat fifth would have got him burned at the stake a couple hundred years ago." In 2017, Rolling Stone ranked it 32nd on their "100 Greatest Metal Albums of All Time" list. [32]
In 1991, Chuck Eddy ranked Sabotage 20th in his 1991 book of the 500 best heavy metal albums, naming it the band's best and most eccentric album, consisting of "strange cut-up pastiches inside stranger cut-up pastiches" that hark back to the Firesign Theatre and William Burroughs and ahead to Queensrÿche's Operation: Mindcrime (1988). He added: "Everything—concise solos, voices chanting 'opcit, opsist, obsessed....', evil laughs, seven seconds from some ancient jugband 78, choruses grunting 'suck me!'—jumps out from nowhere. Like in a great hip-hop mix, every sound disorients you, surprises you, but somehow every sound fits so perfectly that you couldn't imagine it anywhere else". [33] Rob Michaels of the Spin Alternative Record Guide comments that the album's use of strings and "studio trickery" represented a maturation over Sabbath Bloody Sabbath, resulting in the group's most consistent recording. [26]
The band toured the US in support of Sabotage in 1975, which included a filmed appearance for the prestigious series Don Kirshner's Rock Concert at the Santa Monica Civic Auditorium. Sabbath played "Killing Yourself to Live", "Hole in the Sky", "Snowblind", "War Pigs" and "Paranoid". During Iommi's guitar solo during "Snowblind", plastic snowflakes were dropped from above on the audience and the band, a gimmick used during the band's live shows during this period. According to the book How Black Was Our Sabbath, "The audience was limited to just a couple thousand fans, and it seemed like the whole of LA got wind of it." Due to the band's expanding use of orchestras and other new sounds in the studio, the tour in support of Sabotage was the first in which Black Sabbath used a full-time keyboardist onstage, Gerald "Jezz" Woodroffe. [7] Black Sabbath toured with openers Kiss but were forced to cut the tour short in November 1975 after vocalist Osbourne was injured in a motorcycle accident.
All tracks written by Black Sabbath (Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward).
No. | Title | Length |
---|---|---|
1. | "Hole in the Sky" | 3:59 |
2. | "Don't Start (Too Late)" (instrumental) | 0:49 |
3. | "Symptom of the Universe" | 6:29 |
4. | "Megalomania" | 9:42 |
No. | Title | Length |
---|---|---|
5. | "Thrill of It All" | 5:55 |
6. | "Supertzar" (instrumental - with vocalizing choir) | 3:44 |
7. | "Am I Going Insane (Radio)" | 4:14 |
8. | "The Writ" (includes hidden track [note 1] ) | 8:45 |
Total length: | 43:44 |
No. | Title | Length |
---|---|---|
1. | "Supertzar / Killing Yourself to Live" | 6:45 |
2. | "Hole in the Sky" | 4:36 |
3. | "Snowblind" | 6:44 |
4. | "Symptom of the Universe" | 4:34 |
5. | "War Pigs" | 8:23 |
6. | "Megalomania" | 10:59 |
7. | "Sabbra Cadabra" | 5:20 |
8. | "Jam 1 / Guitar Solo" | 7:52 |
9. | "Jam 2 / Drum Solo" | 6:06 |
10. | "Supernaut" | 2:21 |
11. | "Iron Man" | 6:16 |
Total length: | 69:58 |
No. | Title | Length |
---|---|---|
1. | "Guitar Solo / Orchid / Rock 'n' Roll Doctor / Don't Start (Too Late)" | 8:46 |
2. | "Black Sabbath" | 6:46 |
3. | "Spiral Architect" | 5:15 |
4. | "Embryo / Children of the Grave" | 6:00 |
5. | "Paranoid" | 3:03 |
Total length: | 29:50 |
No. | Title | Length |
---|---|---|
1. | "Am I Going Insane (Radio) - Single Edit" | 3:27 |
2. | "Hole in the Sky" | 3:59 |
Total length: | 7:26 |
Chart (1975) | Peak position |
---|---|
Austrian Albums (Ö3 Austria) [36] | 6 |
Canada Top Albums/CDs ( RPM ) [37] | 33 |
German Albums (Offizielle Top 100) [38] | 17 |
New Zealand Albums (RMNZ) [39] | 33 |
Norwegian Albums (VG-lista) [40] | 6 |
UK Albums (OCC) [41] | 7 |
US Billboard 200 [42] | 28 |
Chart (2021) | Peak position |
---|---|
Belgian Albums (Ultratop Wallonia) [43] | 109 |
German Albums (Offizielle Top 100) [44] | 17 |
Scottish Albums (OCC) [45] | 51 |
Swiss Albums (Schweizer Hitparade) [46] | 25 |
UK Independent Albums (OCC) [47] | 32 |
UK Rock & Metal Albums (OCC) [48] | 7 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [49] | Silver | 60,000^ |
United States (RIAA) [50] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Black Sabbath were an English rock band formed in Birmingham in 1968 by guitarist Tony Iommi, drummer Bill Ward, bassist Geezer Butler, and vocalist Ozzy Osbourne. They are often cited as pioneers of heavy metal music. The band helped define the genre with their first three albums Black Sabbath, Paranoid, and Master of Reality (1971). Throughout the 1980s and 1990s, the band underwent multiple line-up changes, with Iommi being the only constant member throughout its history.
Paranoid is the second studio album by English heavy metal band Black Sabbath, released on 18 September 1970, by Vertigo Records in the United Kingdom and on 7 January 1971, by Warner Bros. Records in the United States. The album contains several of the band's signature songs, including "Iron Man", "War Pigs" and the title track, which was the band's only Top 20 hit, reaching number 4 on the UK charts.
Never Say Die! is the eighth studio album by English rock band Black Sabbath, released on 29 September 1978. It was the last studio album with the band's original line-up and the last studio album to feature original vocalist Ozzy Osbourne until the 2013 album 13. It was certified Gold in the U.S. on 7 November 1997 and as of November 2011 has sold 133,000 copies in the United States since the SoundScan era. The album received mixed reviews, with critics calling it "unbalanced" and insisting its energy was scattered in too many directions.
Master of Reality is the third studio album by English heavy metal band Black Sabbath, released in the United Kingdom on 6 August 1971 by Vertigo Records. It is regarded by some critics as the foundation of doom metal, stoner rock, and sludge metal. Produced by Rodger Bain, who also produced the band's prior two albums, Master of Reality was recorded at Island Studios in London from February to April 1971. Guitarist Tony Iommi and bassist Geezer Butler downtuned their instruments during the production, achieving what Iommi called a "bigger, heavier sound".
Black Sabbath is the debut studio album by English heavy metal band Black Sabbath, released on 13 February 1970 by Vertigo Records in the United Kingdom and on 1 June 1970 by Warner Bros. Records in the United States. The album is widely regarded as the first true heavy metal album, and the opening title track, "Black Sabbath", was named the greatest heavy metal song of all time by Rolling Stone, and has been referred to as the first doom metal song.
Vol. 4 is the fourth studio album by English rock band Black Sabbath, released in September 1972, by Vertigo Records. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal.
We Sold Our Soul for Rock 'n' Roll is a compilation album by British heavy metal band Black Sabbath, originally released in January 1976 in the UK and 3 February 1976 in the US.
Sabbath Bloody Sabbath is the fifth studio album by English rock band Black Sabbath, released in November 1973. It was produced by the band and recorded at Morgan Studios in London in September 1973. The writing process for the album, which began in Los Angeles, California, was initially hampered in part by the band's substance abuse and fatigue following their 1972–1973 world tour in support of their previous album, Vol. 4. The band then relocated to Clearwell Castle in the Forest of Dean, Gloucestershire, England, where guitarist Tony Iommi conceived the main riff of what became the album's title track and lead single.
Born Again is the eleventh studio album by English rock band Black Sabbath. Released on 9 September 1983, it is the only album the group recorded with lead vocalist Ian Gillan, then-formerly of Deep Purple. It was also the last Black Sabbath album for 9 years to feature original bassist Geezer Butler and the last to feature original drummer Bill Ward, though Ward did record one studio track with the band 15 years later on their 1998 live album Reunion. The album has received mixed reviews from critics, but was a commercial success upon its 1983 release, reaching No. 4 in the UK charts. The album also hit the top 40 in the United States. In July 2021, guitarist and founding member Tony Iommi confirmed that the long-lost original master tapes of the album had been finally located, and that he was considering remixing the album for a future re-release.
William Thomas Ward is an English musician. He was a co-founder and the original drummer for the heavy metal band Black Sabbath. Ward helped found Black Sabbath in 1968 alongside bandmates Ozzy Osbourne, Tony Iommi (guitarist), and Geezer Butler (bass).
Heaven and Hell is the ninth studio album by English rock band Black Sabbath, released on 18 April 1980. It is the first Black Sabbath album to feature vocalist Ronnie James Dio, who replaced original vocalist Ozzy Osbourne in 1979.
Technical Ecstasy is the seventh studio album by English rock band Black Sabbath, produced by guitarist Tony Iommi and released in October 1976 by Vertigo Records. The album received mixed reviews from critics but was a commercial success, peaking at number 13 on the UK Albums Chart and number 51 on the US Billboard 200 Album chart, later being certified Gold by the RIAA in 1997.
Reunion is a live album by English heavy metal band Black Sabbath, released on 19 October 1998. As implied by the title, the album features a reunion of the classic Black Sabbath lineup of vocalist Ozzy Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward. The album represents the first new release featuring that version of the group since 1978's Never Say Die! and Osbourne's subsequent firing the following year. Black Sabbath received their first ever Grammy Award in 2000 for the live recording of "Iron Man" taken from Reunion.
Live at Last is a 1980 live album by English heavy metal band Black Sabbath. Despite its wide distribution and success, the album was released without the permission or knowledge of the band, and is thus regarded in some quarters as an unofficial bootleg live album. The album was, however, released legally by the band's former manager Patrick Meehan who owned the rights to the recording. It was re-released officially, with the approval of the band, on September 2, 2002 as disc 1 of the two-disc Past Lives set.
The Best of Black Sabbath is a double CD compilation album by Black Sabbath released in 2000 on the Sanctuary Records label. Its 32 songs are presented chronologically from the band's first 11 albums, spanning the years 1970 to 1983. Black Sabbath's classic six-album run, from 1970s debut Black Sabbath through 1975's Sabotage is celebrated with three to six songs from each album. Original vocalist Ozzy Osbourne's subsequent final two albums with the band, 1976's Technical Ecstasy and 1978's Never Say Die!, are represented by one and two songs, respectively. Replacement Ronnie James Dio's early 80's stint fronting the band on two albums is acknowledged with the title track of 1980's Heaven and Hell and a track from 1981's The Mob Rules. The compilation closes with a song from 1983's attempted rebirth, Born Again, former Deep Purple vocalist Ian Gillan's sole album with the band. The Best of Black Sabbath does not include any later material with vocalists Glenn Hughes, Tony Martin (1986–96) or the returning Dio.
Greatest Hits 1970–1978 is a compilation album from Black Sabbath, released in 2006.
"Symptom of the Universe" is a song by English heavy metal band Black Sabbath from their 1975 album Sabotage.
"Children of the Sea" is a song by heavy metal band Black Sabbath, from their ninth studio album, Heaven and Hell (1980).
13 is the nineteenth and final studio album by English rock band Black Sabbath. It was released on 10 June 2013 through Vertigo Records, acting as their first studio album in 18 years following Forbidden (1995). It was the band's first studio recording with original singer Ozzy Osbourne and bassist Geezer Butler since the live album Reunion (1998), which contained two new studio tracks. It was also the first studio album with Osbourne since Never Say Die! (1978), and with Butler since Cross Purposes (1994).
The End: Live in Birmingham is a live album by English heavy metal band Black Sabbath. It features the final performance from their farewell concert tour, known as The End Tour, recorded at Genting Arena in Birmingham, England, on 4 February 2017. Performing at the show and on the album are founding Black Sabbath members Ozzy Osbourne, Tony Iommi, and Geezer Butler. They performed with session drummer Tommy Clufetos filling in for the band's original drummer, Bill Ward, as well as keyboardist and guitarist Adam Wakeman.
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