Common nightingale | |
---|---|
Song | |
Scientific classification | |
Domain: | Eukaryota |
Kingdom: | Animalia |
Phylum: | Chordata |
Class: | Aves |
Order: | Passeriformes |
Family: | Muscicapidae |
Genus: | Luscinia |
Species: | L. megarhynchos |
Binomial name | |
Luscinia megarhynchos Brehm, 1831 | |
Range of L. megarhynchos Breeding Non-breeding |
The common nightingale, rufous nightingale or simply nightingale (Luscinia megarhynchos), is a small passerine bird which is best known for its powerful and beautiful song. It was formerly classed as a member of the thrush family Turdidae, but is now more generally considered to be an Old World flycatcher, Muscicapidae. [2] It belongs to a group of more terrestrial species, often called chats.
"Nightingale" is derived from "night" and the Old English galan, "to sing". [3] [4] The genus name Luscinia is Latin for "nightingale" and megarhynchos is from Ancient Greek megas, "great" and rhunkhos "bill". [5]
The common nightingale is slightly larger than the European robin, at 15–16.5 cm (5.9–6.5 in) length. It is plain brown above except for the reddish tail. It is buff to white below. The sexes are similar. The eastern subspecies (L. m. golzi) and the Caucasian subspecies (L. m. africana) have paler upper parts and a stronger face-pattern, including a pale supercilium. The song of the male nightingale [6] has been described as one of the most beautiful sounds in nature, inspiring songs, fairy tales, opera, books, and a great deal of poetry. [7] However, historically most people were not aware that female nightingales do not sing.
It is a migratory insectivorous species breeding in forest and scrub in Europe and the Palearctic, and wintering in Sub-Saharan Africa. It is not found naturally in the Americas. The distribution is more southerly than the very closely related thrush nightingale Luscinia luscinia. It nests on or near the ground in dense vegetation. Research in Germany found that favoured breeding habitat of nightingales was defined by a number of geographical factors. [8]
In the U.K., the bird is at the northern limit of its range which has contracted in recent years, placing it on the red list for conservation. [9] Despite local efforts to safeguard its favoured coppice and scrub habitat, numbers fell by 53 percent between 1995 and 2008. [10] A survey conducted by the British Trust for Ornithology in 2012 and 2013 recorded some 3,300 territories, with most of these clustered in a few counties in the southeast of England, notably Kent, Essex, Suffolk, and East and West Sussex. [11]
By contrast, the European breeding population is estimated at between 3.2 and 7 million pairs, giving it green conservation status (least concern). [12]
Common nightingales are so named because they frequently sing at night as well as during the day. The name has been used for more than 1,000 years, being highly recognisable even in its Old English form nihtegale, which means "night songstress". Early writers assumed the female sang when it is in fact the male. The song is loud, with an impressive range of whistles, trills and gurgles. Its song is particularly noticeable at night because few other birds are singing. This is why its name includes "night" in several languages. Only unpaired males sing regularly at night, and nocturnal song probably serves to attract a mate. Singing at dawn, during the hour before sunrise, is assumed to be important in defending the bird's territory. Nightingales sing even more loudly in urban or near-urban environments, in order to overcome the background noise. The most characteristic feature of the song is a loud whistling crescendo that is absent from the song of its close relative, the thrush nightingale (Luscinia luscinia). It has a frog-like alarm call.
The bird is a host of the acanthocephalan intestinal parasite Apororhynchus silesiacus . [13]
The common nightingale is an important symbol for poets from a variety of ages, and has taken on a number of symbolic connotations. Homer evokes Aëdon the nightingale in Odyssey , suggesting the myth of Philomela and Procne (one of whom, depending on the myth's version, is turned into a nightingale [14] ). [15] This myth is the focus of Sophocles' tragedy, Tereus , of which only fragments remain. Ovid, too, in his Metamorphoses , includes the most popular version of this myth, imitated and altered by later poets, including Chrétien de Troyes, Geoffrey Chaucer, John Gower, and George Gascoigne. T.S. Eliot's "The Waste Land" also evokes the common nightingale's song (and the myth of Philomela and Procne). [16] Because of the violence associated with the myth, the nightingale's song was long interpreted as a lament.
The common nightingale has also been used as a symbol of poets or their poetry. [17] Poets chose the nightingale as a symbol because of its creative and seemingly spontaneous song. Aristophanes's The Birds and Callimachus both evoke the bird's song as a form of poetry. Virgil compares the mourning of Orpheus to the “lament of the nightingale”. [18]
In Sonnet 102 Shakespeare compares his love poetry to the song of the common nightingale (Philomel):
During the Romantic era the bird's symbolism changed once more: poets viewed the nightingale not only as a poet in his own right, but as “master of a superior art that could inspire the human poet”. [18] For some romantic poets, the nightingale even began to take on qualities of the muse. The nightingale has a long history with symbolic associations ranging from "creativity, the muse, nature's purity, and, in Western spiritual tradition, virtue and goodness." [19] Coleridge and Wordsworth saw the nightingale more as an instance of natural poetic creation: the nightingale became a voice of nature. John Keats' "Ode to a Nightingale" pictures the nightingale as an idealized poet who has achieved the poetry that Keats longs to write. Invoking a similar conception of the nightingale, Shelley wrote in his “A Defence of Poetry": [20]
The nightingale is the national bird of Ukraine. One legend tells how nightingales once only lived in India, when one nightingale visited Ukraine. Hearing sad songs from the people, the nightingale sang its song to cheer them up. The people responded with happy songs, and since then, nightingales have visited Ukraine every spring to hear Ukrainian songs. [21] National poet Taras Shevchenko observed that "even the memory of the nightingale's song makes man happy." [22] [23]
The nightingale is the official national bird of Iran. In medieval Persian literature, the nightingale's enjoyable song has made it a symbol of the lover who is eloquent, passionate, and doomed to love in vain. [24] In Persian poetry, the object of the nightingale's affections is the rose which embodies both the perfection of earthly beauty and the arrogance of that perfection.
The nightingale is used symbolically in the Baha'i Faith to represent the founder Baha'u'llah. [32] Baha'is utilise this metaphor to convey how Baha'u'llah's writings are of beautiful quality, much like how the nightingale's singing is revered for its beautiful quality in Persian music and literature. [33]
Nightingales are mentioned in much of Baha'u'llah's works, including the Tablet of Ahmad, The Seven Valleys, The Hidden Words, and the untranslated Tablet of the Nightingale and the Owl.
John Keats was an English poet of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the Encyclopædia Britannica of 1888 called one ode "one of the final masterpieces".
The thrush nightingale, also known as the sprosser, is a small passerine bird that was formerly classed as a member of the thrush family Turdidae, but is now more generally considered to be an Old World flycatcher, Muscicapidae. It, and similar small European species, are often called chats.
Philomela or Philomel is a minor figure in Greek mythology who is frequently invoked as a direct and figurative symbol in literary and artistic works in the Western canon.
"To Autumn" is a poem by English Romantic poet John Keats. The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year after the publication of "To Autumn", Keats died in Rome.
"Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house that he shared with Keats in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. The poem is one of the most frequently anthologized in the English language.
The genus Catharus is an evolutionary clade of forest-dwelling passerine birds in the family Turdidae (thrushes), commonly known as nightingale-thrushes. The extant species are widely distributed across the Americas and are descended from a common ancestor that lived 4–6 million years ago. Most of the species are shy of humans, seldom leaving the cover of dense forest vegetation, where their activities are hidden from view. Thus, many fundamental aspects of their biology and life histories are poorly known.
The common linnet is a small passerine bird of the finch family, Fringillidae. It derives its common name and the scientific name, Linaria, from its fondness for hemp seeds and flax seeds—flax being the English name of the plant from which linen is made.
Pervigilium Veneris is a Latin poem of uncertain date, variously assigned to the 2nd, 4th or 5th centuries.
"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819.
The "Ode on Indolence" is one of five odes composed by English poet John Keats in the spring of 1819. The others were "Ode on a Grecian Urn", "Ode on Melancholy", "Ode to a Nightingale" and "Ode to Psyche". The poem describes the state of indolence, a word which is synonymous with "avoidance" or "laziness". The work was written during a time when Keats was presumably more than usually occupied with his material prospects. After finishing the spring poems, Keats wrote in June 1819 that its composition brought him more pleasure than anything else he had written that year. Unlike the other odes he wrote that year, "Ode on Indolence" was not published until 1848, 27 years after his death.
"To a Skylark" is a poem completed by Percy Bysshe Shelley in late June 1820 and published accompanying his lyrical drama Prometheus Unbound by Charles and James Ollier in London.
In Islamic cultures of the Middle East, North Africa, Sicily and South Asia, a Diwan is a collection of poems by one author, usually excluding his or her long poems (mathnawī).
"Ode to Psyche" is a poem by John Keats written in spring 1819. The poem is the first of his 1819 odes, which include "Ode on a Grecian Urn" and "Ode to a Nightingale". "Ode to Psyche" is an experiment in the ode genre, and Keats's attempt at an expanded version of the sonnet format that describes a dramatic scene. The poem serves as an important departure from Keats's early poems, which frequently describe an escape into the pleasant realms of one's imagination. Keats uses the imagination to show the narrator's intent to resurrect Psyche and reincarnate himself into Eros (love). Keats attempts this by dedicating an "untrodden region" of his mind to the worship of the neglected goddess.
Luscinia is a genus of smallish passerine birds, containing the nightingales and relatives. Formerly classed as members of the thrush family Turdidae, they are now considered to be Old World flycatchers (Muscicapidae) of the chat subfamily (Saxicolinae). The chats are a lineage of Old World flycatchers that has evolved convergently to thrushes.
The name Philomela is derived from a figure in Greek mythology.
Sonnet 102 is one of the 154 sonnets written by English playwright and poet William Shakespeare. It is one of the Fair Youth sonnets, in which Shakespeare writes of an unnamed youth with whom the poet is enamored. Sonnet 102 is among a series of seemingly connected sonnets, from Sonnet 100 to Sonnet 103, in which the poet speaks of a silence between his Muse and himself. The exact date of writing is unknown, and there is contention among scholars about when they were written. Paul Hammond among other scholars believes that sonnets 61-103 were written primarily during the early 1590s, and then being edited or added to later, during the early 1600s (decade). Regardless of date of writing, it was published later along with the rest of the sonnets of the 1609 Quarto.
The southern nightingale-wren, also known as the scaly-breasted wren, is a species of bird in the family Troglodytidae. It is found in Bolivia, Brazil, Colombia, Costa Rica, Ecuador, Panama, Peru, and Venezuela.
In 1819, John Keats composed six odes, which are among his most famous and well-regarded poems. Keats wrote the first five poems, "Ode on a Grecian Urn", "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche" in quick succession during the spring, and he composed "To Autumn" in September. While the exact order in which Keats composed the poems is unknown, some critics contend that they form a thematic whole if arranged in sequence. As a whole, the odes represent Keats's attempt to create a new type of short lyrical poem, which influenced later generations.
The Nightingale: A Conversation Poem is a poem written by Samuel Taylor Coleridge in April 1798. Originally included in the first edition of Lyrical Ballads, which he published with William Wordsworth, the poem disputes the traditional idea that nightingales are connected to the idea of melancholy. Instead, the nightingale represents to Coleridge the experience of nature. Midway through the poem, the narrator stops discussing the nightingale in order to describe a mysterious female and a gothic scene. After the narrator is returned to his original train of thought by the nightingale's song, he recalls a moment when he took his crying son out to see the Moon, which immediately filled the child with joy. Critics have found the poem either decent with little complaint or as one of his better poems containing beautiful lines.
The Hawk and the Nightingale is one of the earliest fables recorded in Greek and there have been many variations on the story since Classical times. The original version is numbered 4 in the Perry Index and the later Aesop version, sometimes going under the title "The Hawk, the Nightingale and the Birdcatcher", is numbered 567. The stories began as a reflection on the arbitrary use of power and eventually shifted to being a lesson in the wise use of resources.