"Lover to Fall (Remix Version)" Released: 1985 (France only)
Cupid & Psyche 85 is the second studio album by the British pop band Scritti Politti, released in the UK on 10 June 1985 by Virgin Records.[10] The release continued frontman Green Gartside's embrace of commercial pop music stylings and state-of-the-art studio production, while its lyrics reflect his preoccupation with issues of language and politics.[11]
It remains the band's most successful studio album, peaking at number five on the UK Albums Chart, and was certified gold by the British Phonographic Industry (BPI) for 100,000 copies sold. The album contained five singles, three of which were top 20 hits in the UK. The single "Perfect Way" became a surprise hit in the US, peaking at number 11 on the Billboard Hot 100 in a 25-week run on the chart.
Background
Scritti Politti's debut studio album Songs to Remember had been released in September 1982, but even before the album's release frontman Gartside had expressed in interviews his frustration at the limitations of being signed to an independent label like Rough Trade Records. After Songs to Remember he began to talk to major record labels, a move reluctantly supported by Rough Trade who wanted to keep him but realised they could not support him financially with the budget for the type of record that Gartside wanted to make.[12] At the same time Gartside had been distancing himself from the Marxist collective that Scritti Politti had originated from, and by the time of the album's release Scritti Politti was effectively his solo vehicle, the other original members having left during the album's recording or shortly afterwards.
During the recording of Songs to Remember Rough Trade had introduced Gartside to New Yorker David Gamson. Gamson was a keyboardist, programmer and an assistant engineer for the label who had used some studio downtime to record a demo version of the Archies' 1969 hit song "Sugar, Sugar". Gartside and Gamson hit it off and decided that they would work together in future as they had similar ideas about the type of music they wanted to make.
Recording
In 1983 the duo of Gartside and Gamson travelled to Gamson's home city of New York and met up with another New Yorker, drummer Fred Maher, to put together a new version of Scritti Politti. Maher remembered, "I'll never forget the first time I saw Green. It was in the studio in New York and he came up to me and said 'hello, I'm Green, I'm terrible'. He'd been out the night before with Marc Almond and he looked a bit the worse for wear."[13] The trio continued work on "Small Talk" which had been started by Gamson and Gartside in the UK and was later remixed by Nile Rodgers. They hoped to release it as a new Scritti Politti single. However, due to the legal battle involving Green's release from his contract with Rough Trade, the single was never released. "Small Talk" would eventually appear as a track on Cupid & Psyche 85. Another song from this period written by Gartside and Gamson, "L Is for Lover", was recorded by the American R&B singer Al Jarreau and released as the title track of his 1986 studio album.
Green remained in New York with his new musical partners, and with the help of his new manager Bob Last he finally resolved his problems with Rough Trade and signed major label deals with Virgin Records in the UK and with Warner Bros. Records in North America. He also used the time to set up meetings with musicians and producers that he wanted to work with, later recalling, "I seemed to get put in touch with anybody I wanted to meet and they were all very enthusiastic".[14] Following the signing of the new recording contracts, the band remained in New York and recorded three songs with producer Arif Mardin: "Wood Beez (Pray Like Aretha Franklin)", "Absolute" and "Don't Work That Hard"; the first two would later become singles from the new album. Gartside told NME, "He was the producer I most wanted to work with. We sent him some demos and he liked them very much and wanted to do it. It was his work with people like Chaka Khan over the past few years that made me want to work with Arif. Her [1981] version of [ the Beatles'] 'We Can Work It Out' – incredible!"[14] Gamson brought the influence of black American radio acts such as Parliament-Funkadelic, while Gartside took inspiration from nascent hip hop music.[15] According to Uncle Dave Lewis of AllMusic, "no prior pop album had integrated the techniques of sampling and sequencing to such a great degree".[16]
Composition and release
The first single to be released from the album was "Wood Beez (Pray Like Aretha Franklin)" in February 1984, its subtitle alluding to the Aretha Franklin song "I Say a Little Prayer" which producer Arif Mardin had also worked on. Asked about the change in musical direction Gartside admitted, "if you'd played me 'Wood Beez' six years ago I think I'd have spat at it or something. But I like change."[17] He described the song as "very complicated, it's the whole question of what pop is; its relationship to language, power and politics. It's also a question of music's transgression and abuse of some of the rules of language. Aretha was singing what are arguably inane pop songs and had left her gospel roots. But she sang them with a fervour, a passion, though I hate to use that word because it's been hideously tarred in recent usage. To a committed materialist whose interest had come round to language again – perhaps because of a bankruptcy in Marxism to deal with ideology or any artistic community – hearing her was as near to a hymn or a prayer as I could get. Obviously I couldn't make that point in a three minute pop song."[18]
After releasing "Absolute" and "Hypnotize" as the follow-up singles, there was a gap of six months before "The Word Girl" was released as the fourth single, just ahead of the album. "The Word Girl" was the biggest hit single from the album in the UK and harked back to Scritti Politti's 1981 single "The 'Sweetest Girl'" in its reggae-based rhythm and its attempt to deconstruct the use of the word 'girl' in everyday language and in pop songs. Gartside told Sounds, "I was taking stock of all the lyrics of the songs for the new album and, lo and behold, in every song there was – this girl, or that girl. It seemed a good idea to show awareness of the device being used, to take it out of neutral and show it didn't connote or denote certain things. It was important to admit a consciousness of the materiality of referring to 'girls' in songs."[19]
The single's B-side "Flesh and Blood" (which also appeared as one of the four bonus tracks on the cassette and CD versions of Cupid & Psyche 85) was the same musical backing of "The Word Girl" but with a new lyric written and sung by militant south London reggaeMC Ranking Ann (real name Ann Swinton). Green explained that the idea was to present the alternative female view of the male construct of 'girl': "Having heard Ann's two albums, I thought she'd like the sentiments of the song rather than approve of the rhythmics. I knew she was stroppy, but it's positive. She saw she'd be giving her counsel to a completely different audience – teenagers. Which I think is great. It complements what we've done on the other side."[19] The single's sleeve reinforced the point being made in the lyrics: fragments of the label of Aretha Franklin's "Chain of Fools" single and a section of Écrits by French psychoanalyst and psychiatrist Jacques Lacan with the word "chain" prominent in both, superimposed on a picture of Shirley MacLaine from the film My Geisha (1962) dressed as a bride and wearing an expression of resignation on her face.
Although Scritti Politti had embraced the musical mainstream, Gartside's lyrics were often still preoccupied with the contradiction of becoming more distant from the reality of a person the more one became in love with the idealised version of that person, summed up on the album track "A Little Knowledge" by the line "Now I know to love you is not to know you".[20] This contradiction was reflected in the album's title, referring to the myth of the two ancient Greek gods who were destined to never be able to truly love each other. Gartside explained in interviews that "there is a fable, the myth of Cupid and Psyche, and the deal was that they would stay in love as long as they never tried too hard to find out too much about each other – they should just enjoy each other's company and not make demands. But that's what they made the mistake of doing, so Cupid fled, for some reason, and Psyche was sent around the world for eternity to find him. Although, at the very end of the legend, they do get reconciled... But in our society, Cupid has now come to stand for 'romance' and Psyche for 'hidden lurking depths', so of course it would've been preposterous to call the album Cupid and Psyche. But putting '85 after it makes it... perfectly cool. It makes it awfully sensible."[19]
Reviews for Cupid & Psyche 85 were generally positive. Melody Maker said, "It may not be the sweetest sound in all the world... but it's close. In pursuit of the silkier sensations to be cut from the sow's ear of pop, Scritti's Green has finally let the slide rule slip and succumbed to sensuality. His guerrilla days as the post-Marxist irritant of his peculiarly capitalist trade [...] aren't completely lost, of course. He's still aware of the irony of his role, and nagging snatches of guilt and cries of conscience continually pepper Cupid, subverting its aims." The review concluded that "as a free-standing product, this is pop as it should be: smart, sweet but not sickly, rich and seductive, exotic, teasing, tempting and, judging by its persistent insinuation onto my Walkman, a durable, desirable thrill".[1] Awarding the album "4¾ stars out of 5", Sounds wrote, "If you only indulge yourself in one smooth, non-alternative, chainstore pop album this year, make it this".[26] However, NME dismissed Green's wordplay as insincere: "In his pop music, he plays with the language of the medium, both verbal and musical, in a way which implicitly criticises the way the language was used originally... Unfortunately, when this kind of post-modernist dissection is applied to affairs of the heart it can't help but come across hollow and artificial, because it's getting further removed from the business of actually moving, of authentic emotional experience."[30]
In the US, Spin stated that "no disco was ever this sublime" and that Green's mixture of pop music and intellectualism "benefits us by teaching us the vocabulary of emotion. Green's gilded, fabricated palace of sentiment makes you want to know more about these matters even as his clever-dick wordplay, woozy vocals and slick manipulation of modern dance music's subtlest syncopations lead you onto some empty dance floor of the soul."[31] Writing for The Village Voice, critic Robert Christgau wrote that "the high-relief production and birdlike tunes and spry little keyb arrangements and hippety-hoppety beat and archly ethereal falsetto add up to a music of amazing lightness and wit that's saved from any hint of triviality by wordplay whose delight in its own turns is hard to resist."[29]Rolling Stone was cooler towards the record, acknowledging that Scritti Politti's new direction worked well on "Wood Beez" and "Absolute", but that "the rest of Cupid & Psyche 85 isn't deviant enough. Green has absorbed the lessons of dance masters like Arif Mardin so well that he often imitates the very formulas he seeks to undermine... Stylishly wrought, at times delightfully eccentric, Cupid & Psyche 85 is ultimately too true to its form to be genuinely subversive."[32] In a retrospective review, AllMusic called the album "a state-of-the-art, immaculately constructed set of catchy synth pop."[2]
Track listing
All songs written by Green Gartside, except where noted.
Scritti Politti are a British band, originally formed in 1977 in Leeds, England, by Welsh singer-songwriter Green Gartside. He is the only member of the band to have remained throughout the group's history.
Hypnotize may refer to:
B.E.F. was a band/production company formed by former Human League members Martyn Ware and Ian Craig Marsh which became largely eclipsed by its best-known project, Heaven 17.
Dicky Moore is an English, musician and composer, who plays guitar with Scritti Politti and leads the Bristol-based music collective Bearcraft.
White Bread Black Beer is the fifth studio album by British pop band Scritti Politti, released in the UK on 28 May 2006 by Rough Trade Records, and in the US on 25 July 2006 by Nonesuch Records. It is effectively a solo album by the group's only permanent member, Green Gartside, as it was written and recorded at his home in Dalston in east London and he sang and played all the instruments on the album. The album was Green's first for Rough Trade since leaving them in somewhat acrimonious circumstances in 1983, following the release of Scritti Politti's debut album Songs to Remember. Since then Scritti Politti had been signed to Virgin Records and the previous three albums were known for their highly-produced sound. White Bread Black Beer marked a return to a more minimalist style.
Perfect Way or The Perfect Way may refer to:
Green Gartside is a Welsh singer, songwriter and musician. He is the frontman of the band Scritti Politti.
"The 'Sweetest Girl' " is a song written by the Welsh singer Green Gartside. It was originally performed by Gartside's band Scritti Politti, and released in October 1981 as a single. The single peaked at No. 64 in the UK Singles Chart. The keyboards are played by Robert Wyatt.
"Wood Beez (Pray Like Aretha Franklin)" is the seventh single released by British pop band Scritti Politti, issued in the UK on 24 February 1984 by Virgin Records. It later appeared on the band's second studio album Cupid & Psyche 85 (released in June 1985) and was produced by Arif Mardin. The song's subtitle is a reference to "I Say a Little Prayer", Aretha Franklin's biggest UK hit; Mardin had also produced Franklin.
"The Word Girl" is a song by British pop band Scritti Politti. Included on their second studio album, Cupid & Psyche 85, the reggae style track was released as a single in the UK on 29 April 1985 and remains the band's highest charting hit in the UK, peaking at No. 6 on the UK Singles Chart. The music video was directed by John Scarlett-Davis and produced by Nick Verden at Aldabra Films for Virgin Records.
Songs to Remember is the debut studio album by the British pop band Scritti Politti. The album's recording had to be delayed for nine months due to frontman Green Gartside's collapse and illness, and then after completion its release was delayed for a further year at the band's request. It was eventually released on 3 September 1982 by Rough Trade Records, peaking at number 12 on the UK Albums Chart. The album was heavily influenced by disco, reggae, and soul music, and marked the beginning of Scritti Politti's move from their underground DIY post-punk sound towards commercial pop music.
Destiny is the sixth studio album by American R&B/funk singer Chaka Khan, released on Warner Bros. Records in 1986.
Provision is the third studio album by the British pop band Scritti Politti, released in the UK on 6 June 1988 by Virgin Records.
David Gamson is an American keyboardist/musician. Originally hailing from New York, he has worked with, among others, Kesha, Kelly Clarkson, Jessie J, Adam Lambert, Chaka Khan, Charli XCX, Meshell Ndegeocello, Green Gartside, Sheila E., George Benson, Luther Vandross, Donny Osmond, Miles Davis, Al Jarreau, Tony LeMans, Roger Troutman, Eden xo, Quinn XCII and Hannah Diamond.
"Perfect Way" is a song written by Green Gartside and David Gamson and performed by the British pop band Scritti Politti. It was featured on the band's second and most successful studio album, Cupid & Psyche 85, released in June 1985. The song features synthesizer in its instrumentation.
Anomie & Bonhomie is the fourth album by the British group Scritti Politti, released in 1999. The album marks a sharp departure from their previous synthpop era and features contributions from rappers Mos Def and Me'Shell Ndegeocello.
"Take Me in Your Arms and Love Me" is a song and single by American group, Gladys Knight & the Pips written by Barrett Strong, Cornelius Grant and Rodger Penzabene. It was produced by Norman Whitfield.
Early is a 2005 compilation by Scritti Politti which collects singles and EPs recorded in the first years of the band's existence, during its early incarnation as a DIY post-punk act characterised by an experimental musical approach and leftist political concerns. Following these recordings, leader Green Gartside would abandon the group's avant-garde leanings and attempt a more commercial musical direction.
Cupid and Psyche is a story in Greek and Roman myth.
"Absolute" is the eighth single released by British pop band Scritti Politti, released on 29 May 1984 by Virgin Records in the UK. It later appeared on the studio album Cupid & Psyche 85 and was produced by Arif Mardin.
References
1 2 Sutherland, Steve (15 June 1985). "Green's peace". Melody Maker. p.31.
↑ Pitchfork Staff (10 September 2018). "The 200 Best Albums of the 1980s". Pitchfork. Retrieved 21 April 2023. It's bubblegum music that's both consumerist and communist in its approach.
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