Duchy of Urbino | |||||||||
---|---|---|---|---|---|---|---|---|---|
1443–1631 | |||||||||
Capital | Urbino (1443–1523) Pesaro (1523–1631) | ||||||||
Official languages | Italian | ||||||||
Religion | Roman Catholicism | ||||||||
Government | Duchy | ||||||||
Duke | |||||||||
• 1443–1444 | Oddantonio da Montefeltro (first) | ||||||||
• 1623–1631 | Francesco Maria II della Rovere (last) | ||||||||
Historical era | Renaissance, Early modern period | ||||||||
1443 | |||||||||
1631 | |||||||||
| |||||||||
Today part of | Italy |
The Duchy of Urbino (Italian : Ducato di Urbino) was an independent duchy in early modern central Italy, corresponding to the northern half of the modern region of Marche. It was directly annexed by the Papal States in 1631.
It was bordered by the Adriatic Sea in the east, the Republic of Florence in the west and the Papal States in the south. In 1523 the capital was moved from Urbino to Pesaro. After the short rule by Cesare Borgia in 1502–08, the dukedom went to the della Rovere papal family, who held it until 1625, when Pope Urban VIII annexed it to the Papal States as Legazione del Ducato di Urbino (later Legazione di Urbino).
The papal nomination transformed the county of Urbino, established in 1213, into a duchy governed by the House of Montefeltro. [1]
In fact, it was Pope Eugene IV, in 1443, who appointed Oddantonio da Montefeltro as the first Duke of Urbino. However, he reigned for less than a year, from 1443 to 1444, before being assassinated. His older half-brother Federico therefore took power, one of the greatest princes on the Italian scene of the time, famous both as a leader in battle and as a cultured patron of the arts. He alternated important military campaigns with a dazzling career as a statesman, also taking care of the erection of the Ducal Palace and protecting very famous artists at his court, such as Leon Battista Alberti, Piero della Francesca, Paolo Uccello, Pedro Berruguete, Luca della Robbia and Justus van Gent, in addition to the large group of architects and sculptors who embellished his palace. [2]
Confirmed duke in 1474, he promoted the construction of numerous fortresses designed by Francesco di Giorgio Martini and assembled one of the most important libraries of the Renaissance. He married Battista Sforza in 1459 and ruled his duchy with solid authority until his death in 1482. During the rule of Federico the State reached its maximum territorial expansion and notable economic prosperity. Such was the importance of the Duchy that Urbino attracted or hosted in those times, among others, Piero della Francesca, Melozzo da Forlì, Luca Signorelli, Perugino, Giovanni Santi, Pinturicchio and Francesco di Giorgio Martini, as well as a young Bramante. From around 1480 the city of Gubbio became the second residence of the ducal family. [3]
After a period of regency by Ottaviano Ubaldini della Carda, Guidobaldo da Montefeltro came to power, a promising but ill young man since his youth, who for this reason was unable to match his father's military career, despite taking part in some battles as a leader. He married Elisabetta Gonzaga and protected artists such as Raphael, Bramantino and Luca Signorelli. A famous literary monument at the court of him and his wife is Baldassare Castiglione's The Book of the Courtier. His reign was troubled by the struggles against the Papal States, in particular the conquests, which were never long-lasting, suffered by the nephews of the pontiffs, such as Cesare Borgia and Lorenzo de' Medici. [4]
Guidobaldo died without children, but not before having adopted his sister Giovanna's firstborn, Francesco Maria I della Rovere, who became the fourth Duke of Urbino. Francesco Maria managed to take back Urbino from the Pope Leo X and was also able to expand the state with Senigallia and, above all, Pesaro, which was chosen as the new capital of the duchy in 1523. The city of Urbino suffered as a result, both economically and demographically, but the state continued to enjoy relative prosperity until the early 17th century. With his wife Eleonora Gonzaga, he dedicated himself to the construction of new sumptuous residences, including the Palazzo Ducale and the Villa Imperiale of Pesaro, and was the protector of artists such as Titian, Girolamo Genga, Raffaellino del Colle and Dosso Dossi. [5]
In 1538 he was succeeded by his son Guidobaldo II della Rovere, fifth duke, who married twice, to Giulia da Varano and to Vittoria Farnese. Unlike his father, he loved to reside in the palace in Urbino, where he promoted the arrangement of the second floor. His ministers were Antonio Stati, count of Montebello and Pietro Bonarelli, count (later marquis) of Orciano, belonging to the noble Bonarelli family of Ancona. Among the artists he protected were Titian, Battista Franco Veneziano and Bartolommeo Genga. [6]
In 1563 the Ecclesiastical province of the Archdiocese of Urbino was created, made up of the dioceses present in the Duchy, a particular case at the time since Urbino was the first archdiocese and the first ecclesiastical province erected within the Papal States, of which Urbino was a fiefdom, from its foundation in the 8th century; the only other case, not considering the "external" cities of Benevento and Avignon, was the province of the archdiocese of Ravenna founded at the time of the Roman Empire. [7]
Upon the death of Guidobaldo II in 1574, he was succeeded by the sixth and last duke, his son Francesco Maria II della Rovere, a dark and grim personality, in the Spanish style, fascinating in his almost "friend" relationships with Torquato Tasso and Federico Barocci. Worried by the problem of the heir, he finally had Federico Ubaldo in 1606. The young man married Claudia de' Medici and had time to have a daughter, Vittoria, before dying under mysterious circumstances in 1623, before becoming duke. [8]
The old Francesco Maria II thus bowed to fate and worked, in his last years, to favor the devolution of his State to the Roman Curia, signing an act as early as 1625. Upon his death, in 1631, Pope Urban VIII decreed the devolution of the Duchy to the Papal States, asserting both the feudal rights that the Holy See boasted over the Duchy and the will of the last duke. However, all the movable things of the family remained the personal property of Francesco's daughter, Vittoria, who, upon marrying the Grand Duke of Tuscany Ferdinando II de' Medici, brought the extraordinary collections of paintings, jewels and various objects with her to Florence. [9]
Immediately after the incorporation of the Duchy, the Legation of Urbino was established which, in the eighteenth century, gave its name to the papal province of the same name. [10]
In 1610, a contemporary estimate printed by the Elzevirs gave the duchy's annual income as over 200,000 scudi, and the duke's fortune at St. Leo as 2,000,000 scudi. In 1624, Mercurius Gallicus estimated the revenue of the duchy at 300,000 scudi. In regards to population, Zane estimated 150,000 for the duchy at the start of the 17th century, and the military at 10,000 fighting men, half of whom were soldiers and the other half militia. Three-fourths of the duchy's military force was available for foreign service. In 1591, the military force of the duchy amounted to 13,313 fighting men, of whom 8,300 carried arquebuses and 3,783 wore marions. A contemporary census places the duchy's population in 1598 at 115,121. The last legation census before the dissolution of the duchy gave the population as 220,000 in an area of 5,556 square kilometers (giving nearly 40 people per square kilometer), with Urbino (the urban area) having 12,000 (7,500 in the city proper, 4,500 in the adjacent district). [11]
In 1574, few to none of the nobility had annual revenues of more than 3,000 scudi, but many burgesses made 300–400 scudi annually. The few merchants were chiefly from outside the duchy. A few years after the loss of the duchy's independence, the papacy drew 100,000 scudi annually from direct and fiscal taxation. The militia at the time number 8,000 infantry and 500 cavalry, plus the garrison of Sinigaglia. [12]
Lords until 1213, counts thereafter until 1443, thereafter dukes.
The House of Della Rovere was a powerful Italian noble family. It had humble origins in Savona, in Liguria, and acquired power and influence through nepotism and ambitious marriages arranged by two Della Rovere popes: Francesco Della Rovere, who ruled as Sixtus IV from 1471 to 1484 and his nephew Giuliano, who became Julius II in 1503. Sixtus IV built the Sistine Chapel, which was named after him. Julius II was patron to Michelangelo, Raphael and many other Renaissance artists and started the modern rebuilt of St. Peter's Basilica. Also the Basilica of San Pietro in Vincoli in Rome was the family church of the Della Rovere. Members of the family were influential in the Church of Rome, and as dukes of Urbino, dukes of Sora and lords of Senigallia; the title of Urbino was extinguished with the death of Francesco Maria II in 1631, and the family died out with the death of his granddaughter Vittoria, Grand Duchess of Tuscany.
Urbino is a comune (municipality) in the Italian region of Marche, southwest of Pesaro, a World Heritage Site notable for a remarkable historical legacy of independent Renaissance culture, especially under the patronage of Federico da Montefeltro, duke of Urbino from 1444 to 1482.
Federico da Montefeltro, also known as Federico III da Montefeltro KG, was one of the most successful mercenary captains (condottieri) of the Italian Renaissance, and lord of Urbino from 1444 until his death. A renowned intellectual humanist and civil leader in Urbino on top of his impeccable reputation for martial skill and honour, he commissioned the construction of a great library, perhaps the largest of Italy after the Vatican, with his own team of scribes in his scriptorium, and assembled around him a large humanistic court in the Ducal Palace, Urbino, designed by Luciano Laurana and Francesco di Giorgio Martini.
The House of Montefeltro is the name of a historical Italian family who ruled Urbino and Gubbio and became Dukes of Urbino in 1443. The family extinguished in the male line in 1508 and the duchy was inherited by the Della Rovere family.
The Fortress of San Leo is a castle on the border of the Romagna and Marche; the castle is best known as the site where Count Cagliostro died. It was one of the palaces owned by Federico da Montefeltro and his wife Battista Sforza and was a fortified, palatial retreat. It is now a museum.
Fossombrone is a town and comune in the province of Pesaro and Urbino, in the Marche region of central Italy.
The Duchy of Sora was a semi-independent state in Italy, created in 1443 by King Alfonso I of Naples and dissolved in 1796. It occupied the south-eastern part of what is today Lazio, bordering what is now Abruzzo. Its capital was first Sora, and later, under the Boncompagni family, Isola di Sora.
Francesco Maria I della Rovere was an Italian condottiero, who was Duke of Urbino from 1508 to 1516 and, after retaking the throne from Lorenzo II de' Medici, from 1521 to 1538.
Guidobaldoda Montefeltro, also known as Guidobaldo I, was an Italian condottiero and the Duke of Urbino from 1482 to 1508.
The War of Urbino was a secondary episode of the Italian Wars.
Guidobaldo II della Rovere was an Italian condottiero, who succeeded his father Francesco Maria I della Rovere as Duke of Urbino from 1538 until his death in 1574. He was a member of the House of La Rovere. Guidobaldo was an important patron of the arts in general, and of Titian in particular, commissioning his own portrait, and buying Titian's Venus of Urbino.
Francesco Maria II della Rovere was the last Duke of Urbino.
Giovanni della Rovere was an Italian condottiero. He was a nephew of Pope Sixtus IV, and the brother of Giuliano della Rovere (1443–1513), Pope Julius II from 1503.
Giulio della Rovere, also known as Giulio Feltrio della Rovere was an Italian Cardinal of the Catholic Church and a member of the della Rovere family.
Livia della Rovere was an Italian noblewoman of the House of della Rovere and the last Duchess of Urbino (1599–1631).
Federico Ubaldo della Rovere was Duke of Urbino from 1621 to 1623. He was father of Vittoria della Rovere, Grand Duchess of Tuscany.
The Portrait of Guidobaldo da Montefeltro is a picture by the Italian Renaissance artist Raphael, dating from around 1506 and housed in the Uffizi Gallery, Florence. It portrays Guidobaldo da Montefeltro, duke of Urbino.
Lucrezia d'Este was an Italian noblewoman. By birth she was a member of the House of Este, and by marriage to Francesco Maria II della Rovere, Duke of Urbino she was Duchess consort of Urbino and Sora, and Lady consort of Pesaro, Senigallia, Fossombrone and Gubbio.
Giulia da Varano, also known after her marriage as Giulia da Varano della Rovere, was an Italian noblewoman and member of the Da Varano family. She was the ruling Duchess of Camerino during 1527–1539 and by marriage Duchess of Urbino from 1534 until her death.
Vittoria Farnese, also known as Vittoria, Princess of Parma, and by her married name Vittoria Farnese della Rovere, was an Italian noblewoman, Duchess consort of Urbino from 1548 until 1574 by marriage to Guidobaldo II della Rovere, Duke of Urbino.