Greek garden

Last updated

A distinction is made between Greek gardens, made in ancient Greece, and Hellenistic gardens, made under the influence of Greek culture in late classical times. Little is known about either.

Contents

Minoan gardens

Before the coming of Proto-Greeks into the Aegean, Minoan culture represented gardens, in the form of subtly tamed wild-seeming landscapes, shown in frescoes, notably in a stylised floral sacred landscape with some Egyptianising features represented in fragments of a Middle Minoan fresco at Amnisos, northeast of Knossos. [1] In the east wing of the palace at Phaistos, Maria Shaw believes, fissures and tool-trimmed holes may once have been planted. In the post-Minoan world, Mycenaean art concentrates on human interactions, where the natural world takes a lessened role, [2] and following the collapse of Mycenaean palace-culture and the loss of the literacy connected with it, pleasure gardens are unlikely to have been a feature of the Greek Dark Age.

Literature

In the eighth century BC, the works of Homer contain a reference to gardens, the Neverland of Alcinous, in the purely mythic Phaeacia, which stood as much apart from the known world of Homer's hearers as it did from the heroic world of Achaeans he was recreating, with much poetic license: [3] "We live far off", said Nausicaa, "surrounded by the stormy sea, the outermost of men, and no other mortals have dealing with us." [4]

Now, you'll find a splendid grove along the road—

poplars, sacred to Pallas—
a bubbling spring's inside and meadows run around it.
There lies my father's estate, his blossoming orchard too,
as far from town as a man's strong shout can carry.

Take a seat there. [5]

The gardens of the palace were possessed of an unearthly lushness, in the fenced orchard outside the courtyard, fronting the high gates:

Here luxuriant trees are always in their prime

pomegranates and pears, and apples glowing red,
succulent figs and olives swelling sleek and dark.
And the yield of all these trees will never flag or die,

neither in winter nor in summer, a harvest all year round. [6]

The description is beloved of writers on gardens, nevertheless. [7]

Poetic descriptions of the Greek landscape and flora are well known from early times: the tale of Narcissus, Daphne's transformation into a laurel, oaks inhabited by dryads and streams with nymphs, and Persephone eating pomegranate seeds, but it is not until the Hellenistic era that gardeners write treatises on their work, called kepourika. [8]

No such gardens were known to Homer's contemporaries, as far as archaeologists can discern, any more than palaces like Alcinous', whose very doors were of bronze. The gardens of Greek myth were untended gardens, [9] maintained in orderly fashion simply because order, themis , was in the nature of things, as in the garden of the Hesperides, which was an orchard.

Classical Greece

Archaeologists have not identified planted courtyards within the palaces of Mycenean culture nor in Greek houses of the Classical period. When the editors of a symposium on Roman gardens [10] included a contribution on the expected Greek precursors, Brunilde Sismondo Ridgway's article prompted a reviewer [11] to observe, "For all practical purposes there appear to have been no gardens of any sort in Greek city homes, beyond perhaps a few pots with plants." Aside from vegetable plots and orchards, Ridgway found some literary and a small amount of archaeological evidence for public, or semi-public gardens linked to sanctuaries. In fifth- and fourth-century Athens, some public places were planted with trees, [12] as Plato directed in his Laws, "The fountains of water, whether of rivers or springs, shall be ornamented with plantings and buildings for beauty", though he does not offer details.

Temple of Hephaestus, Athens, replanted with myrtle and pomegranates in the 3rd-century planting pits Temple of Hephaestus.jpg
Temple of Hephaestus, Athens, replanted with myrtle and pomegranates in the 3rd-century planting pits

In 1936, the surroundings of the Temple of Hephaestus at Athens were excavated to bare rock, in which rectangular planting pits were identified, which ran round three sides of the temple but not across its front and were lined up with the columns of the temple. In their bases were the shattered remains of flower pots in which layered stems had been rooted; however, associated coins show that the first of these plantings had been made not before the third century BC. [13] By that time, in mainland Greece and Ionia, the influence of Achaemenid Persia was paramount in humanly-tended gardens, but in the previous century, of Alexander the Great, Plutarch observed [14] that as a boy he would inquire of Persian visitors to his father's court in Macedon, about Persian roads and military organization, but never of the Hanging Gardens of Babylon; Herodotus, who probably visited Babylon in the mid-fifth century, does not mention the hanging gardens. [15] Xenophon, under Achaemenid Persian influence, [16] planted a grove upon his return to Athens. The myth, set in Macedon, of Silenus discovered drunken by Midas can be dated to the Hellenistic period simply from its setting, a rose garden.

In Athens, the first private pleasure gardens appear in literary sources in the fourth century. [17] The Academy had its site in an ancient grove of plane trees sacred to an obscure archaic hero, Akademos. Sacred groves were never actively planted, but simply existed from time immemorial and were "recognized" as sacred: [18] they have no place in the history of gardens, save as a resort for contemplation and, at Plato's Academy, for intellectual discourse. By contrast, the olive trees in the Academy, watered by the river Cephissus, were planted, grown, it was said, from slips taken of the sacred olive at the Erechtheum. The temenos , or sacred ground, of the Academy was walled round, for ritual reasons, as pleasure gardens would be, for practical ones; within its precincts were buildings: small temples, shrines and tombs, in addition to that of the presiding hero.

In 322 BC, Theophrastus, the father of botany, inherited Aristotle's garden, along with his scholars and his library; of the garden we know only that it had a walk, and that Theophrastus lectured there: it may have been in some respects a botanical garden with a scientific rather than recreational purpose. On his return to Athens in 306 BCE, the philosopher Epicurus founded The Garden, a school named for the garden he owned about halfway between the Stoa and the Academy that served as the school's meeting place; little is actually known of the ascetic philosopher's garden, though in cultural history it grew retrospectively in delight: of his garden at Geneva, Les Délices, Voltaire could exclaim, with more enthusiasm than history, "It is the palace of a philosopher with the gardens of Epicurus—it is a delicious retreat". [19] Gardens of Adonis, under Syrian influence, were simple plantings of herbal seedlings grown in saucers and pots, which, when they collapsed in the heat of summer, were the signal for mourning for Adonis among his female adherents: these were not gardens in any general sense.

Hellenistic gardens

Though Harpalus, Alexander's successor at Babylon, grew some Greek plants in the royal palace and walks, [20] mainland Greece, mother of democracy and Western cultural traditions, was not the mother of European gardens: the great Hellenistic garden was that of the Ptolemaic dynasty in Alexandria, a grand, walled paradise landscape that included the famous Library of Alexandria, part of the Musaeum. Water-powered automata and water organs featured in Hellenistic gardens, playthings devised by technicians such as Hero of Alexandria, who, not incidentally, also devised machinery for the stage. In late classical times the peristyle form became dominant in grand private houses. This was a paved courtyard, which came to be outfitted with potted plants, a Persian and Egyptian idea, surrounded by a roofed colonnade. It was used for palaces and gymnasia.

Roman decorative gardening first appeared after Roman encounters with gardening traditions of the Hellenized East.

Related Research Articles

<span class="mw-page-title-main">Eleusinian Mysteries</span> Secret religious rites in ancient Greece

The Eleusinian Mysteries were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece. They are considered the "most famous of the secret religious rites of ancient Greece". Their basis was a Bronze Age agrarian cult, and there is some evidence that they were derived from the religious practices of the Mycenean period. The Mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases: the descent (loss), the search, and the ascent, with the main theme being the ascent of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome. Similar religious rites appear in the agricultural societies of the Near East and in Minoan Crete.

<span class="mw-page-title-main">Hanging Gardens of Babylon</span> Hellenistic legend about gardens in Babylon

The Hanging Gardens of Babylon were one of the Seven Wonders of the Ancient World listed by Hellenic culture. They were described as a remarkable feat of engineering with an ascending series of tiered gardens containing a wide variety of trees, shrubs, and vines, resembling a large green mountain constructed of mud bricks. It was said to have been built in the ancient city of Babylon, near present-day Hillah, Babil province, in Iraq. The Hanging Gardens' name is derived from the Greek word κρεμαστός, which has a broader meaning than the modern English word "hanging" and refers to trees being planted on a raised structure such as a terrace.

<span class="mw-page-title-main">Minoan civilization</span> Bronze Age civilization on Crete and other Aegean Islands

The Minoan civilization was a Bronze Age culture which was centered on the island of Crete. Known for its monumental architecture and its energetic art, it is often regarded as the first civilization in Europe.

<span class="mw-page-title-main">Knossos</span> Bronze Age archaeological site on the island of Crete

Knossos is a Bronze Age archaeological site in Crete. The site was a major center of the Minoan civilization and is known for its association with the Greek myth of Theseus and the minotaur. It is located on the outskirts of Heraklion, and remains a popular tourist destination.

<span class="mw-page-title-main">Ancient Greek religion</span> Religion in ancient Greece

Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs."

The paradise garden is a form of garden of Old Iranian origin, specifically Achaemenid which is formal, symmetrical and most often, enclosed. The most traditional form is a rectangular garden split into four quarters with a pond in the center, a four-fold design called chahar bagh. One of the most important elements of paradise gardens is water, with ponds, canals, rills, and fountains all being common features. Scent is an essential element with fruit-bearing trees and flowers selected for their fragrance.

<span class="mw-page-title-main">History of gardening</span>

The early history of gardening is largely entangled with the history of agriculture, with gardens that were mainly ornamental generally the preserve of the elite until quite recent times. Smaller gardens generally had being a kitchen garden as their first priority, as is still often the case.

A temenos is a piece of land cut off and assigned as an official domain, especially to kings and chiefs, or a piece of land marked off from common uses and dedicated to a god, such as a sanctuary, holy grove, or holy precinct.

<span class="mw-page-title-main">Byzantine gardens</span>

The city of Byzantium in the Byzantine Empire occupies an important place in the history of garden design between eras and cultures. The city, later renamed Constantinople, was capital of the Eastern Roman Empire and survived for a thousand years after the fall of the Western Roman Empire. The gardens of Byzantium were, however, mostly destroyed after the 15th-century Turkish conquest of the city.

<span class="mw-page-title-main">Roman gardens</span>

Roman gardens and ornamental horticulture became highly developed under Roman civilization, and thrived from 150 BC to 350 AD. The Gardens of Lucullus, on the Pincian Hill in Rome, introduced the Persian garden to Europe around 60 BC. It was seen as a place of peace and tranquillity, a refuge from urban life, and a place filled with religious and symbolic meaning. As Roman culture developed and became increasingly influenced by foreign civilizations, the use of gardens expanded.

<span class="mw-page-title-main">Sacred garden</span> Religiously-influenced garden

A sacred garden is a religiously influenced garden, often found on temple grounds.

<span class="mw-page-title-main">Minoan religion</span> Prehistoric belief system

Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence of such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.

The following outline is provided as an overview of and topical guide to classical studies:

<span class="mw-page-title-main">Ancient Greece and wine</span> Wine in Ancient Greece

The influence of wine in ancient Greece helped ancient Greece trade with neighboring countries and regions. Many mannerisms and cultural aspects were associated with wine. It led to great change in Ancient Greece as well.

The peoples of the Mediterranean began to emerge from barbarism when they learned to cultivate the olive and the vine.

Velchanos is an ancient Minoan god associated with vegetation and worshipped in Crete. He was one of the main deities in the Minoan pantheon, alongside a Mother Goddess figure who appears to have been his mother and consort, with the two participating in an hieros gamos.

<span class="mw-page-title-main">Outline of ancient Greece</span> Overview of and topical guide to ancient Greece

The following outline is provided as an overview of and topical guide to ancient Greece:

<i>Olea oleaster</i> Species of flowering plant

Olea oleaster, the wild-olive, has been considered by various botanists a valid species and a subspecies of the cultivated olive tree, Olea europea, which is a tree of multiple origins that was domesticated, it now appears, at various places during the fourth and third millennia BCE, in selections drawn from varying local populations. The wild-olive, which ancient Greeks distinguished from the cultivated olive tree, was used to fashion the olive wreath awarded victors at the ancient Olympic games. The ancient and sacred wild-olive tree of Olympia stood near the Temple of Zeus, patron of the games.

The Griffin Warrior Tomb is a Bronze Age shaft tomb dating to around 1450 BC, near the ancient city of Pylos in Greece. The grave was discovered by a research team sponsored by the University of Cincinnati and led by husband-and-wife archaeologists Jack L. Davis and Sharon Stocker. The tomb site was excavated from May to October 2015.

The archaeology of Greece includes artificial remains, geographical landscapes, architectural remains, and biofacts. The history of Greece as a country and region is believed to have begun roughly 1–2 million years ago when Homo erectus first colonized Europe. From the first colonization, Greek history follows a sequential pattern of development alike to the rest of Europe. Neolithic, Bronze, Iron and Classical Greece are highlights of the Greek archaeological record, with an array of archaeological finds relevant to these periods.

<i>The Birth of Greece</i> 1990 book by Pierre Lévêque

The Birth of Greece is a 1990 illustrated monograph on the history of ancient Greece. Written by French historian Pierre Lévêque, and published by Éditions Gallimard as the 86th volume in the "Découvertes" collection.

References

  1. Maria C. Shaw, "The Aegean Garden" American Journal of Archaeology97.4 (October 1993:661-685); see also J. Schäfer, "The role of 'gardens' in Minoan civilisation", in V. Karageorghis, The Civilisations of the Aegean and their diffusion in Cyprus and the eastern Mediterranean 2000-600 B.C. (Larnaca, 1992:85-87).
  2. "Mycenaean art of the later Bronze Age (Late Helladic III) plays a lesser role in my considerations, largely because it copies from earlier art and because its themes are concerned more with people and their actions than with nature" (Shaw 1993:662).
  3. M.I. Finley, The World of Odysseus (1954, 1965) examines the created cultural world of the epic tradition, which Finley sees as neither authentically Mycenaean nor an accurate reflection of Homer's eighth century BCE.
  4. Odyssey VI. 205.
  5. Robert Fagles' translation; "town" is Fagles' license: no such settlement was known to Homer's hearers.
  6. Robert Fagles' translation, p. 183.
  7. It is quoted by Dorothy Burr Thompson and Ralph E. Griswold, Garden Lore of Ancient Athens (American School of Classical Studies at Athens, 1963), p. 5: "In it flourish tall trees: pears and pomegranates and apples full of fruit, also sweet figs and bounteous olives...Here too a fertile vineyard has been planted...Beyond the last row of trees, well laid garden plots have been arranged, blooming all the year with flowers. And there are two springs; one leads through the garden while the other dives beneath the threshold of the great court to gush out beside the stately palace; from it the citizens draw their water"
  8. Garden Lore of Ancient Athens. American School of Classical Studies. p. 5.
  9. Noted by Thacker, p. 9.
  10. Elizabeth B. Macdougall and h Wilhelmina Jashemski, eds. Ancient Roman Gardens (series Colloquia on the History of Landscape Architecture 7), Dumbarton Oaks, 1981).
  11. Norman Neuerburg, in Journal of the Society of Architectural Historians42.2 (May 1983:200); Neuerburg's summary: "To this reviewer even the Greek antecedents scarcely explain the subsequent Roman development of the art of the decorative garden."
  12. Trees that were landmarks mentioned in inscriptions are briefly noted by Thompson and Griswold 1963, p. 9.
  13. Thompson and Griswold 1963, p. 10 and illustrations. The planting was restored with myrtle and pomegranates.
  14. Plutarch, Moralia , 342b, noted by Julian Reade, "Alexander the Great and the Hanging Gardens of Babylon", Iraq62 (2000:195-217) p. 195
  15. Herodotus and Xenophon (in his romanticised Cyropaedia ) do give extensive accounts of Cyrus the Great's palatial city of Pasargadae and its gardens.
  16. In his Anabasis , Xenophon introduced into Greek the Old Persian term for an enclosed royal hunting park, paradeisos .
  17. Christopher Thacker, The History of Gardens p. 18, notes the Academy, the gardens of Theophrastus and of Epicurus.
  18. Much later, in the first century CE, Nero included pseudo-sacred groves in his artificial landscaping of Domus Aurea .
  19. Voltaire, letter of 23 January 1755, quoted by Thacker, p. 18.
  20. τά βαςίλεια καὶ τους περιπάτους (Plutarch, Life of Alexander 35). His unsuccessful attempt to grow ivy in the withering heat of Mesopotamia, was probably for its associations with Dionysos rather than as a garden ground-cover.


Further reading