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Heat | |
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![]() Theatrical release poster | |
Directed by | Paul Morrissey |
Written by | Paul Morrissey John Hallowell [1] |
Produced by | Andy Warhol |
Starring | Joe Dallessandro Sylvia Miles Andrea Feldman |
Cinematography | Paul Morrissey |
Edited by | Jed Johnson [2] |
Music by | John Cale |
Distributed by | Levitt-Pickman |
Release dates |
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Running time | 102 minutes |
Country | United States |
Language | English |
Heat is a 1972 American comedy drama film written and directed by Paul Morrissey, produced by Andy Warhol, and starring Joe Dallesandro, Sylvia Miles and Andrea Feldman. The film was conceived by Warhol as a parody of the 1950 film Sunset Boulevard . It is the final installment of the "Paul Morrissey Trilogy" produced by Warhol, following Flesh (1968) and Trash (1970).
The film depicts the life of a former child actor, who has become a male prostitute. He has an affair with a former starlet who tries to revive his acting career. Since she is a former actress herself, her assistance is useless to him.
Joey Davis is an unemployed former child star who supports himself as a hustler in Los Angeles. Joey uses sex to get his landlady to reduce his rent, then seduces Sally Todd, a former Hollywood starlet.
Sally tries to help Joey revive his career but her status as a mediocre ex-actress proves to be quite useless. Sally's psychotic daughter, Jessica, further complicates the relationship between Sally and the cynical, emotionally numb Joey.
The film was shown at the 1972 Cannes Film Festival. [3] The film was also screened at the New York Film Festival on October 5, 1972, before opening the following day at New York's Festival Theatre and then expanding to the Waverly Theatre in Greenwich Village and the Rialto Theatre in Times Square on October 11. [4] [5]
The film was well received at Cannes and the New York Film Festival screening was standing-room only and was received by a generally enthusiastic crowd however three people walked out, with one lady claiming "It's the most disgusting thing I have ever seen" and referring to the films of the era "Make them, make them, just don't show them to anybody." [4] [3]
At a panel discussion following the New York Film Festival screening, Otto Preminger called it "depressingly entertaining". [3] After previously ignoring most Warhol films, the New York Daily News reviewed the film, with Kathleen Carroll awarding it three stars. [6] The advert for the film was censored in the Daily News with a t-shirt painted on Dallesandro and a bra strap on Miles. [6]
Andrea Feldman, who had a much larger role than in previous Warhol films, [7] died shortly before the film was released, jumping from the fourteenth floor of her parents' apartment. [8] Her performance garnered positive reviews, with Judith Crist, writing in New York magazine, "The most striking performance, in large part non-performance, comes from the late Andrea Feldman, as the flat-voiced, freaked-out daughter, a mass of psychotic confusion, infantile and heart-breaking." [8]
The film grossed $28,000 in its first week. [5]
Paul Morrissey is an American film director, known for his early association with Andy Warhol. His most famous films include Flesh, Trash (1970), Heat, Flesh For Frankenstein (1973) and Blood for Dracula (1974), all starring Joe Dallesandro, and the 1980's New York trilogy Forty Deuce (1982), Mixed Blood and Spike of Bensonhurst (1988).
I Shot Andy Warhol is a 1996 biographical drama film about the life of Valerie Solanas and her relationship with the artist Andy Warhol. The film marked the feature film directorial debut of Canadian director Mary Harron. The film stars Lili Taylor as Valerie, Jared Harris as Andy Warhol, and Martha Plimpton as Valerie's friend Stevie. Stephen Dorff plays Warhol superstar Candy Darling. John Cale of The Velvet Underground wrote the film's score despite protests from former band member Lou Reed. Yo La Tengo plays an anonymous band that is somewhat reminiscent of the group.
Warhol superstars were a clique of New York City personalities promoted by the pop artist Andy Warhol during the 1960s and early 1970s. These personalities appeared in Warhol's artworks and accompanied him in his social life, epitomizing his dictum, "In the future everyone will be famous for fifteen minutes". Warhol would simply film them, and declare them "superstars".
Andrea Feldman was an American actress and Warhol superstar. She committed suicide in 1972.
The Factory was Andy Warhol's studio in New York City, which had four locations between 1963 and 1987. The Factory became famed for its parties in the 1960s. It was the hip hangout spot for artists, musicians, celebrities and Warhol's superstars. The original Factory was often referred to as the Silver Factory. In the studio, Warhol's workers would make silkscreens and lithographs under his direction.
Joseph Angelo D'Allesandro III is an American actor and Warhol superstar. He was a sex symbol of gay subculture in the 1960s and 1970s, and of several American underground films before going mainstream.
Candy Darling was an American transgender actress, best known as a Warhol superstar. She starred in Andy Warhol's films Flesh (1968) and Women in Revolt (1971), and was a muse of the Velvet Underground.
Trash is a 1970 American drama film directed and written by Paul Morrissey and starring Joe Dallesandro, Holly Woodlawn and Jane Forth. Dallesandro had previously starred in several other Andy Warhol/Paul Morrissey films such as The Loves of Ondine, Lonesome Cowboys, San Diego Surf, and Flesh.
Sylvia Miles was an American actress. She was twice nominated for the Academy Award for Best Supporting Actress for her performances in Midnight Cowboy (1969) and Farewell, My Lovely (1975).
Flesh is a 1968 American film directed by Paul Morrissey and starring Joe Dallesandro as a hustler working on the streets of New York City. It highlights various Warhol superstars, in addition to being the film debuts of both Jackie Curtis and Candy Darling. Also appearing are Geraldine Smith as Joe's wife and Patti D'Arbanville as her lover.
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. It was initially released as Andy Warhol's Women. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.
Bad, also known as Andy Warhol's Bad, is a 1977 comedy film directed by Jed Johnson and starring Carroll Baker, Perry King, and Susan Tyrrell. It was written by Pat Hackett and George Abagnalo, and was the last film produced by Andy Warhol before his death in 1987.
Lonesome Cowboys is a 1968 American Western film directed by Andy Warhol and written and produced by Paul Morrissey. The film is a satire of Hollywood Westerns, and was initially screened in November 1968 at the San Francisco International Film Festival, where it won the Best Film Award. On May 5, 1969, it was shown for initial viewings at the New Andy Warhol Garrick Theatre in New York City.
Flesh for Frankenstein is a 1973 horror film written and directed by Paul Morrissey. It stars Udo Kier, Joe Dallesandro, Monique van Vooren and Arno Juerging. Interiors were filmed at Cinecittà in Rome by a crew of Italian filmmakers.
Blood for Dracula is a 1974 horror film written and directed by Paul Morrissey, and starring Udo Kier, Joe Dallesandro, Maxime McKendry, Stefania Casini, Arno Juerging and Vittorio de Sica. Upon its initial 1974 release in West Germany and the United States, Blood for Dracula was released as Andy Warhol's Dracula.
L'Amour, also known as Andy Warhol's L'Amour, is a 1972 underground film written by Paul Morrissey and Andy Warhol and directed by Morrissey and Warhol. The film stars Donna Jordan, Michael Sklar, Jane Forth, and Max Delys.
San Diego Surf is a 1968 feature film directed by Andy Warhol and Paul Morrissey, and filmed in La Jolla, California in May 1968. On June 3, 1968, Warhol was shot by Valerie Solanas, bringing work on the film to a halt. In 1996, the Andy Warhol Foundation commissioned Morrissey to "finish editing the film based on Warhol's notes".
Patricia Ann Ast was an American actress and model. She was best known for starring in Andy Warhol films and being a Halston model and muse in the 1970s.
My Hustler is a 1965 American drama film by Andy Warhol and Chuck Wein. Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy’s companionship via a “Dial-A-Hustler” service.
The Garrick Cinema was a 199-seat movie house at 152 Bleecker Street in the Greenwich Village neighborhood of Lower Manhattan in New York City. Andy Warhol debuted many of his notable films in this building in the late 1960s. Frank Zappa and the Mothers of Invention played here nightly for 6 months in 1967.