The Teatro Colón is a historic opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world.
Alberto Evaristo Ginastera was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas.
Don Rodrigo is an opera in three acts by Alberto Ginastera, the composer's first opera, to an original Spanish libretto by Alejandro Casona. Ginastera composed the opera on commission from the Municipality of the City of Buenos Aires, Argentina. The first performance was at the Teatro Colón, Buenos Aires, Argentina on 24 July 1964 with Carlo Cossutta in the title role. The production was directed by Jorge Petraglia and conducted by Bruno Bartoletti.
Bomarzo is an opera in two acts by the Argentinian composer Alberto Ginastera, his Opus 34. He set a Spanish libretto by Manuel Mujica Laínez, based on his 1962 novel about the 16th-century Italian eccentric Pier Francesco Orsini.
The following is an alphabetical list of topics related to the Argentina.
Ettore Panizza was an Argentine conductor and composer, one of the leading conductors of the early 20th century. Panizza possessed technical mastery and was popular and influential during his time, widely admired by Richard Strauss and Giacomo Puccini, among others.
The history of opera in Latin America dates back to at least the early 18th century. Newspaper articles suggest that, around the time that Italian opera was introduced to Latin America, it was received with some disdain due to the language barrier. However, translations in the librettos of certain operas suggest that there was greater interest from Latin Americans than the news had credited. Opera arrived in Latin America as a consequence of European colonization. On October 19, 1701, La púrpura de la rosa premiered in Lima in the Viceroyalty of Peru, the first opera known to be composed and performed in the Americas. It is an opera in one act by Spanish composer Tomás de Torrejón y Velasco with a libretto by Pedro Calderón de la Barca, and is the only surviving opera by Torrejón y Velasco. It tells the myth of the love of Venus and Adonis, which provoked Mars's jealousy and his desire for vengeance. Although the libretto follows the Greek myth, the tragic love story is seen as a resemblance of the alliance that was formed from a political marriage between the Spanish and French monarchies. Opera performances were performed also in the country of Mexico. It is within that nation that the first indigenous opera composers of Latin America emerged, with Manuel de Zumaya being considered the first and most important early opera composer. Outside of Perú and Mexico, opera was slower to gain a foothold, and it wasn't until the early to mid-19th century that other nations in Latin America began producing their own opera composers. Many of these 19th-century operas focus on the historical conflict between Europeans and indigenous peoples and were influenced by zarzuela, a form of Spanish opera. Mexican zarzuelas, as well as revistas, soon arose from Spanish influence and gained popularity.
Aurora is an opera in three acts by the Argentine composer Héctor Panizza set to an Italian libretto by Luigi Illica and Hector Quesada. Composed in 1907, Aurora became the second national opera of Argentina, after Felipe Boero's more popular El Matrero. Although its plot is set in Argentina, Aurora is Italian in style. Panizza's score shows a strong influence of Giordano and Mascagni.
Felipe Boero was an Argentine composer and music educator.
Irma Urteaga was a composer and pianist from Argentina.
The Grupo renovación was an Argentine composers' association founded in 1929 to promote modern music.
Miguel Ángel Gilardi is an Argentine orchestra conductor. He has conducted throughout the world, recorded many concerts and received several awards, including the 2010 Premio Bicentenario.
Juan Carlos Zorzi was an Argentine musician, composer, and orchestra director.
This is a chronological list of Argentine classical composers.
Gerardo Gandini was a pianist, composer, and music director, who became one of the most relevant figures of contemporary Argentine music of the second half of the 20th century. He studied composition with Goffredo Petrassi and Alberto Ginastera, and piano with Roberto Caamaño, Pía Sebastiani, and Ivonne Loriod. He was Astor Piazzolla's pianist in the Sexteto Nuevo Tango formed in 1989.
Arturo Berutti was an Argentinian composer of classical music and librettos. He was best known for his notable theme Pampa (1897). The opera was based on the life of Juan Moreira. One of the influential Argentinian opera composers of the late 19th and early 20th century and his music was influenced by the Italian opera. In 1895, he composed the opera Taras Bulba inspired on the novel by Nikolai Gogol.
Delia Rigal is the stage name of Delia Dominga Mastrarrigo, an Argentine soprano who performed at the Teatro Colón in Buenos Aires in the period 1943 to 1955, La Scala in Milan and the Metropolitan Opera in New York, where she sang for seven consecutive seasons, beginning with Rudolf Bing's debut as director in 1950.
Daniel Doura is an Argentine composer of classical music. Considered one of the Argentine composers who currently have international exposure, Doura is a graduate of the Boston Conservatory, the Massachusetts Institute of Technology and the University of Columbia, and among his teachers were John Cage, Mario Davidovsky, Chou Wen-chung, Alberto Ginastera, Luciano Berio, Tōru Takemitsu, Milton Babbitt and John Adams, among others. He received the Best Composition award from the American Society of Composers, Authors and Publishers (ASCAP) in 1985 and was a finalist for the Best Composition award from the American Academy of Arts and Sciences (AAA&S).
