Little Dark Age | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 9, 2018 | |||
Recorded | September 2016 – May 2017 [1] | |||
Studio |
| |||
Genre | ||||
Length | 44:25 | |||
Label | Columbia | |||
Producer | ||||
MGMT chronology | ||||
| ||||
Singles from Little Dark Age | ||||
|
Little Dark Age (abbreviated as LDA [7] ) is the fourth studio album by the American rock band MGMT, released on February 9, 2018, through Columbia Records. [8] [9] It is the band's first album of new material in nearly four and a half years, after the release of their eponymous third studio album in September 2013.
After the band concluded touring at the end of 2014, members Andrew VanWyngarden and Benjamin Goldwasser took time off for most of 2015 before regrouping at the end of the year. The album was produced by the band with Patrick Wimberly and longtime collaborator Dave Fridmann. It features songwriting collaborations, a first for MGMT, with Wimberly, Ariel Pink and MGMT live band member James Richardson. It also features contributions from Sébastien Tellier and Connan Mockasin. Little Dark Age was preceded by the release of four singles: "Little Dark Age", "When You Die", "Hand It Over", and "Me and Michael".
The album received positive reviews from music critics, who saw it as a slight return to the pop style of the band's debut album, Oracular Spectacular . It peaked at #35 on the Billboard 200.
"The way we wrote [Little Dark Age] was a lot more like how we used to write in college. One of us would have an idea, or just send over chords, bass and drums, and then the other person would add another part or the next section. We built the songs like that."
When MGMT concluded touring at the end of 2014, Andrew VanWyngarden and Benjamin Goldwasser decided to take a short break from music and focus on their personal lives. VanWyngarden moved into a house in Rockaway Beach, Queens and Goldwasser moved to Los Angeles, California. Eventually, the duo regrouped at the end of 2015. VanWyngarden went out to Goldwasser's Los Angeles studio a few times and Goldwasser came back to New York to record at VanWyngarden's attic recording space. When they weren't visiting each other, the two would trade their ideas for songs by email. They initially decided to abandon the loose and improvisational writing style they employed on Congratulations (2010) and MGMT (2013) and revert to the creative method used with Oracular Spectacular (2007), where each member would come to their songwriting sessions with fully formed ideas. However, recording sessions weren't fruitful. [10] [11] [12] [13]
A turning point came when the band hired former Chairlift member Patrick Wimberly to help produce the album. The band has credited Wimberly with acting as an enabler for them, getting them excited when they had good ideas and encouraging them to go down the paths that he saw as promising. The song "James" came about after Wimberly and VanWyngarden took a large dose of LSD. Initially an unproductive session, a keyboard loop sent by Goldwasser inspired the two and the track was finished the same day. The song features VanWyngarden singing beneath his usual vocal range, which he prescribed to the fact that he had "spent hours screaming at the top of my lungs about Pakistan." Wimberly also encouraged the duo to invite musicians to collaborate on their songs. They opened their writing process up to others for the first time, with Goldwasser and VanWyngarden together having written the entirety of MGMT's original songs up to that point. MGMT hosted a two-week jam session, with various players stopping by and laying down tracks, and then edited and sorted through the recordings later. These sessions included drummer Josh Da Costa and James Richardson, a longtime member of the MGMT live band. The band also brought in Los Angeles native Ariel Pink and New Zealander Connan Mockasin. The band credited Ariel Pink with helping them relax and write on the spot. Pink had written lyrics on a piece of paper "in about four minutes", incorporating things they had just said in the hallway. Pink had VanWyngarden sing the lyrics, which he described as "liberating" to not spend days meticulously writing lyrics. Goldwasser agreed, saying, "Having someone like Ariel come over and show us that it was possible to do something spontaneous and off the cuff and still have it be meaningful was really inspiring for us, and necessary." The band had been writing through improvisation similar to how they wrote their previous album, MGMT (2013). Goldwasser described this breakthrough as a rediscovering of the "playfulness" and speed at which they wrote songs in the band's early days as students at Wesleyan University. [10] [11] [12] [13]
With Wimberly's help, the band eventually ended up with approximately 40 song ideas and a few complete compositions. In November 2016, they drove to and continued recording at Tarbox Road Studios in Cassadaga, New York with producer Dave Fridmann, who produced MGMT's debut album and 2013 self-titled album. They had hoped to record with Fridmann much earlier but delays pushed back their plans. They had begun recording with Fridmann and Wimberly at Tarbox in late September 2016. Instead of using distortion on an entire mix like before, Fridmann left a lot more room in the mix that helped the band achieve a less abrasive sound. The period of recording with Fridmann coincided with the 2016 United States presidential election, which heavily influenced the band. Goldwasser explained, "I think a lot of the things that we'd been hung up on, like questions of how do you be creative, what does it mean for us to express ourselves right now, what is an MGMT album in 2017 — all these dumb questions revealed themselves as dumb questions. We wanted to make songs that reflected how we were feeling in the moment, and we wanted to make something that was fun because we were in bad moods." [10] [12] [13] [1]
The album's cover artwork features an illustration by Jim Taber. It originally appeared in 1988 on the front cover of the first issue of Witness to the Bizarre, a literary horror and supernatural zine edited by Melinda Jaeb. [2] [14] [15] The figure featured on the cover has been described as a "a crude rendering of Edvard Munch's The Scream in clown makeup." [16]
The album's gatefold features one side of a double-sided drawing titled Nénuphars/Paix Christi (English: Water lilies/Peace Christ) by Swiss artist Aloïse Corbaz. Corbaz was institutionalized at Lausanne's Hospital of Cery for schizophrenia in 1918. There, in 1920, she began drawing and writing poetry. The gatefold artwork includes the Paix Christi side of the drawing. However, the album's liner notes incorrectly credit the Nénuphars side of the work. The drawings depict two couples romantically embracing each another. Flowers, leaves and other decorative motifs crowd the spaces in and around the couples. Nénuphars/Paix Christi is part of the American Folk Art Museum's collection in New York City. [2] [17] [18] [19]
The band has explained that Little Dark Age is both an expression of surprise and dismay to the current political and social climate—particularly the election of Donald Trump as President of the United States—with an occasional reference to their own personal lives. Of the election, VanWyngarden stated, "We were like, 'Wow, is it actually possible for the most impossible thing to happen?' [...] Apparently, we were more inspired to write pop music after evil took over the world." VanWyngarden also explained, "We called it Little Dark Age because that's hopeful. It's a little dark age. And we ended the album with 'Hand It Over' because it envisions an end to all of this." [20]
On December 26, 2015, the band tweeted announcing that they would return in 2016. [21] On May 8, 2017, the band released a teaser video on Instagram alongside the title of the forthcoming album as Little Dark Age, following a series of cryptic tweets the week prior. On June 20, the band revealed that their next album had been mastered. [22] On October 17, the band released "Little Dark Age", the title track from their new album and their first single in four years. [6] "When You Die" was released as the second single on December 12, 2017. The third single from the record, "Hand It Over", was released on January 5, 2018. "Me and Michael" was released as the fourth and final single on February 7, 2018.
MGMT began the Little Dark Age Tour on January 30, 2018, in Berlin, Germany. The tour features several performances at music festivals, including NOS Alive, Splendour in the Grass, and Fuji Rock Festival. [23] [24] [25] [26] [27] [28] [29] [30]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.2/10 [31] |
Metacritic | 77/100 [32] |
Review scores | |
Source | Rating |
AllMusic | [33] |
Chicago Tribune | [34] |
The Guardian | [35] |
Mojo | [36] |
NME | [37] |
The Observer | [38] |
Pitchfork | 7.0/10 [39] |
Q | [40] |
Rolling Stone | [41] |
Uncut | 7/10 [42] |
Little Dark Age received mostly positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 77 based on 24 reviews, indicating "generally favorable reviews". [32]
Writing for NME , Jordan Bassett considered the album to be a return to form for the band after their previous two albums, noting that "if there were a time for an about-return, it was that third record. They'd enjoyed their foray into experimentation, and a self-titled album often indicates a band that's come back into focus. Here, though, we're treated to an overdue loop back to pop hookiness." Bassett also went on to commend the band's return to pop as a "welcome surprise". [37] Terence Cawley of The Boston Globe expressed a similar view, asserting that the album was "both hooky and eccentric enough to please MGMT fans of all stripes." [43] Mark Kennedy of the Associated Press gave a positive review, stating that "MGMT have once more delivered an off-kilter, challenging and very addictive album." [44] Rolling Stone 's Jon Dolan said, "MGMT are back to their roots on Little Dark Age, with concise tunes built from cushy keyboard beats and cute, kiting melodies." [41]
Spin 's Austin Brown called the album "easygoing but frustrating", saying, "Little Dark Age is pleasant enough, but it's hard to look past a glaring dearth of ideas." [45] AllMusic's Tim Sendra said, "They sound like a band treading water, desperately looking for their place in the modern pop landscape and never deciding whether to go pop or stay totally weird. This indecision leaves them stuck in the middle of the road, which isn't a very interesting place to be." [33] Writing for Consequence of Sound , Sasha Geffen said, "There are some sweet moments on Little Dark Age and some stale ones. More often than not, Andrew VanWyngarden and Ben Goldwasser lapse back into a sardonic mode that sounded a whole lot better in 2007 than it does in 2018." [46]
Publication | Country | Rank | List |
---|---|---|---|
Gaffa | Denmark | 3 | Årets Album 2018 [47] |
Newsweek | United States | — | The Best Albums 2018 [48] |
Paste | 17 | The 50 Best Albums of 2018 [49] | |
Stereogum | 39 | The Best Albums of 2018 [50] | |
Under the Radar | 17 | Top 100 Albums of 2018 [51] |
All lyrics are written by Andrew VanWyngarden; all music is composed by VanWyngarden and Ben Goldwasser; except where noted
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "She Works Out Too Much" | 4:38 | ||
2. | "Little Dark Age" | 4:59 | ||
3. | "When You Die" |
|
| 4:23 |
4. | "Me and Michael" | 4:49 | ||
5. | "TSLAMP" |
| 4:29 | |
6. | "James" | 3:52 | ||
7. | "Days That Got Away" |
| 4:44 | |
8. | "One Thing Left to Try" | 4:20 | ||
9. | "When You're Small" |
|
| 3:30 |
10. | "Hand It Over" | 4:14 | ||
Total length: | 44:25 |
Credits adapted from liner notes [2] and Qobuz. [52]
MGMT
Production
| Additional musicians
|
Chart (2018) | Peak position |
---|---|
Australian Albums (ARIA) [53] | 31 |
Austrian Albums (Ö3 Austria) [54] | 23 |
Belgian Albums (Ultratop Flanders) [55] | 16 |
Belgian Albums (Ultratop Wallonia) [56] | 61 |
Canadian Albums (Billboard) [57] | 29 |
Czech Albums (ČNS IFPI) [58] | 54 |
Dutch Albums (Album Top 100) [59] | 48 |
French Albums (SNEP) [60] | 45 |
German Albums (Offizielle Top 100) [61] | 22 |
Greek Albums (IFPI) [62] | 22 |
Irish Albums (IRMA) [63] | 36 |
New Zealand Heatseeker Albums (RMNZ) [64] | 1 |
Portuguese Albums (AFP) [65] | 13 |
Scottish Albums (OCC) [66] | 18 |
Spanish Albums (PROMUSICAE) [67] | 40 |
Swiss Albums (Schweizer Hitparade) [68] | 12 |
UK Albums (OCC) [69] | 27 |
US Billboard 200 [70] | 35 |
US Top Alternative Albums (Billboard) [71] | 2 |
US Top Rock Albums (Billboard) [72] | 2 |
Region | Certification | Certified units/sales |
---|---|---|
Poland (ZPAV) [73] | Gold | 10,000‡ |
‡ Sales+streaming figures based on certification alone. |
MGMT is an American rock band formed in 2002 in Middletown, Connecticut. It was founded by singers and multi-instrumentalists Andrew VanWyngarden and Ben Goldwasser.
Oracular Spectacular is the debut studio album by the American band MGMT, released on October 2, 2007, by RED Ink and physically on January 22, 2008, by Columbia. It was produced by Dave Fridmann and is the band's first release of new content, being recorded from March to April 2007. Promotion for the album started as early as June 2007, when the song "Weekend Wars" was given away in summer issues of free monthly magazine Nöjesguiden in Stockholm, Sweden. Matching CDs could be picked up for free in all stores in three different shopping malls around Stockholm from June 26 to July 31. The album was also promoted with three singles: "Time to Pretend", "Electric Feel" and "Kids". Both "Time to Pretend" and "Kids" were re-recorded for the album; they were originally included on the band's previous release Time to Pretend (2005), with the opening track serving as a "mission statement" and the theme continuing through the album's subsequent tracks.
Chairlift was an American synth-pop band formed by Caroline Polachek and Aaron Pfenning. They formed the band in 2005 while living in Boulder, Colorado, and Patrick Wimberly joined them when they moved to Brooklyn, New York, in 2007. The three released their debut album Does You Inspire You in 2008. Pfenning left the band in 2010, and the new duo released two more albums—2012's Something and 2016's Moth—before announcing the end of Chairlift in December 2016.
Andrew Wells VanWyngarden is an American musician. He is the lead vocalist, guitar player and songwriter for the band MGMT, praised for "an uncanny knack for producing pop music that sounds as if it were filtered through a kaleidoscope." One of his songs, "Kids", received a nomination for the Grammy Award for Best Pop Performance by a Duo or Group with Vocals, while the duo was nominated in the Best New Artist category.
The discography of indie rock band MGMT consists of five studio albums, one compilation album, one demo album, four extended plays, eleven singles and fourteen music videos. Originally known under the name The Management, the group was founded in 2002 by Andrew VanWyngarden and Ben Goldwasser during their freshman year as art students at Wesleyan University in Middletown, Connecticut. After graduating and changing the band's name to MGMT, they released an EP titled Time to Pretend in 2005 through the independent record label Cantora Records; music videos were recorded for two of the EP's songs, "Boogie Down" and "Destrokk". The critical success of the EP and extensive touring brought the group to the attention of Columbia Records, which signed them in 2006.
Congratulations is the second studio album by American rock band MGMT. It was initially made available for free streaming through the band's website on March 20, 2010, prior to its official release on April 13 through Columbia Records. The album marks a departure from the synth-pop style that brought MGMT acclaim on their debut, Oracular Spectacular, released three years prior, and features a more psychedelic, progressive and guitar-driven sound.
"Flash Delirium" is a song released by the American psychedelic rock band MGMT on their second album Congratulations. It was the first single to be released from the album and was originally referred to as a "taster" before the band abandoned their original plan to not release any singles from Congratulations in order to solidify its existence as a singular body of work. A free digital download of the song was given away on the band's official website. "Flash Delirium" was made available as a digital download from iTunes on March 24, 2010.
"Siberian Breaks" is a song by the American rock band MGMT, released as the second single from their second studio album Congratulations (2010) as an exclusive release part of Record Store Day on April 17, 2010. It is the longest track on the album and MGMT's second longest song to date, clocking in a minute and a half behind "Metanoia." Andrew VanWyngarden has said that Siberian Breaks is his favorite song on the album.
"It's Working" is the third single released from the album Congratulations by MGMT. The album covers were made by So Me.
Hank Sullivant is an American rock musician and record producer, who is known for his work as a co-founder of the Athens-based pop rock band The Whigs, his stint as touring guitarist for MGMT, and as leader of the rock band Kuroma.
Benjamin Nicholas Hunter Goldwasser is an American songwriter and musician in the psychedelic rock band MGMT, for which he primarily plays keyboards and sings. In 2009, his song "Electric Feel", remixed by Justice, won a Grammy Award in the Grammy Award for Best Remixed Recording, Non-Classical category. In 2010, his band was nominated for a Grammy as Best New Artist and Grammy Award for Best Pop Performance by a Duo or Group with Vocals.
MGMT is the third studio album by American rock band MGMT. It was released on September 17, 2013 by Columbia Records; however, the band started streaming the album on September 9, 2013.
Jonathan Patrick Wimberly is an American record producer, songwriter, multi-instrumentalist, composer and mixing engineer best known as being one-half of the synth-pop duo Chairlift. The band parted ways in 2017 so Wimberly and former bandmate Caroline Polachek could focus on their careers as producers/songwriters.
"Little Dark Age" is a song by American rock band MGMT. It was released as the lead single from their fourth studio album, Little Dark Age, on October 17, 2017, through Columbia Records. In an interview with Newsweek, Andrew VanWyngarden, the lead vocalist, guitar player and songwriter for the band stated that 1980s Soviet synth-pop was influential to the song.
"When You Die" is a song by American pop and rock band MGMT, and the second single from the band's fourth studio album Little Dark Age. It was released worldwide on December 12, 2017, through Columbia Records.
"Me and Michael" is a song by American rock band MGMT. It is the fourth single taken from the band's fourth studio album Little Dark Age. It was released worldwide on February 7, 2018 through Columbia.
Marauder is the sixth studio album by American rock band Interpol. It was released on August 24, 2018, by Matador Records. The album was produced by Dave Fridmann and recorded at his studio, Tarbox Road, in Cassadaga, New York from December 6, 2017 through April 18, 2018.
Loss of Life is the fifth studio album by the American rock band MGMT. It was released on February 23, 2024, making it their label debut on Mom + Pop in the United States and internationally on BMG Rights Management, and their first studio album in six years since 2018's Little Dark Age. It features a guest appearance by French singer Christine and the Queens, making it the first feature on an MGMT album.
"Mother Nature" is a song by the American rock band MGMT. The track was first released on October 31, 2023 as the lead single in promotion of the bands fifth studio album Loss of Life, released on February 23, 2024. The track features additional production from Danger Mouse, Oneohtrix Point Never, and MGMT live member James Richardson.
"Bubblegum Dog" is a song by the American rock band MGMT. It was first released on November 29, 2023 as the second single for the bands fifth studio album Loss of Life as the fifth track. A music video, directed by Tom Scharpling and Julia Vickerman was released alongside the track, it was noted for featuring many homages to 90's pop culture & music.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)