Live in Europe 1967: The Bootleg Series Vol. 1 | ||||
---|---|---|---|---|
![]() | ||||
Live album by | ||||
Released | September 20, 2011 | |||
Recorded | October 28 – November 7, 1967 | |||
Genre | [1] [2] | |||
Length | 198:32 | |||
Label | Columbia/Legacy | |||
Producer | André Francis, Steve Berkowitz | |||
Miles Davis chronology | ||||
| ||||
Miles Davis live chronology | ||||
|
Live in Europe 1967: The Bootleg Series Vol. 1 is a 3 CD + 1 DVD live album of Miles Davis and his "Second Great Quintet," with saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. The CDs contain recordings of three separate concerts in Europe (Antwerp, Copenhagen and Paris), and the DVD has two additional concerts from Karlsruhe and Stockholm. [3]
The first disc was recorded at the Koningin Elizabethzaal in Antwerp, Belgium, on 28 October 1967. The second disc contains the concert from 2 November 1967 at the Tivoli Gardens in Copenhagen, Denmark plus the beginning of 6 November 1967 at the Salle Pleyel in Paris, France. The third disc is the majority of the Paris set. The DVD contains concerts recorded in West Germany on 7 November 1967 and Sweden on 31 October 1967.
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 99/100 [4] |
Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Pitchfork Media | 9/10 [6] |
Popmatters | 10/10 [7] |
Live in Europe 1967: The Bootleg Series Vol. 1 received positive reviews on release. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has received a score of 99, based on 7 reviews which is categorised as universal acclaim. [4] Nate Chinen of The New York Times said the album "captures Davis’s finest working band at its apogee, straining at the limits of post-bop refinement." [2] Thom Jurek's review on Allmusic stated "Musically, the quintet—Davis, Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams—are firing on all cylinders throughout". [5] In his review for Pitchfork, Hank Shteamer observed "It isn't just the best band Miles ever led, but one of the choicest small groups in jazz history... At its heart, jazz thrives on bold, sensitive interaction in the moment, and Live in Europe 1967 represents the pinnacle of that practice." [6] PopMatters', Matthew Flander gave the album 10 out of 10 saying "no matter how many releases we get from the Davis archives, no matter how familiar you are with his mid-‘60s work, Live in Europe 1967 will surprise you and remind you that, even in lean times, even when the trends of the genre he championed were moving away from him, even when his country stopped caring, Miles Davis found a way to press forward, to reinvent, and to give us yet another classic sound, and perhaps the final thrilling word on Jazz as he knew it." [7]
Source [8]
No. | Title | Date, Venue | Length |
---|---|---|---|
1. | "Agitation" | 5:26 | |
2. | "Footprints" | 9:37 | |
3. | "'Round Midnight" | 7:37 | |
4. | "No Blues" | 11:15 | |
5. | "Riot" | 3:39 | |
6. | "On Green Dolphin Street" | 8:26 | |
7. | "Masqualero" | 8:53 | |
8. | "Gingerbread Boy" | 5:56 | |
9. | "The Theme" | 1:15 |
No. | Title | Date, Venue | Length |
---|---|---|---|
1. | "Agitation" | 6:14 | |
2. | "Footprints" | 9:01 | |
3. | "'Round Midnight" | 7:16 | |
4. | "No Blues" | 14:40 | |
5. | "Masqualero" | 10:00 | |
6. | "Agitation" | 6:36 | |
7. | "Footprints" | 10:35 |
No. | Title | Date recorded | Length |
---|---|---|---|
1. | "'Round Midnight" | 8:06 | |
2. | "No Blues" | 13:01 | |
3. | "Masqualero" | 10:08 | |
4. | "I Fall in Love Too Easily" | 10:34 | |
5. | "Riot" | 3:39 | |
6. | "Walkin'" | 9:01 | |
7. | "On Green Dolphin Street" | 9:04 | |
8. | "The Theme" | 8:22 |
No. | Title | Date, Venue | Length |
---|---|---|---|
1. | "Agitation" | 6:43 | |
2. | "Footprints" | 6:03 | |
3. | "I Fall in Love Too Easily" | 11:34 | |
4. | "Gingerbread Boy" | 5:34 | |
5. | "The Theme" | 0:28 | |
6. | "Agitation" | 6:57 | |
7. | "Footprints" | 9:06 | |
8. | "'Round Midnight" | 8:31 | |
9. | "Gingerbread Boy" | 7:35 | |
10. | "The Theme" | 1:34 |
Maiden Voyage is the fifth album led by jazz musician Herbie Hancock, and was recorded by Rudy Van Gelder on March 17, 1965, for Blue Note Records. It was issued as BLP 4195 and BST 84195. Featuring Hancock with tenor saxophonist George Coleman, trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams, it is a concept album aimed at creating an oceanic atmosphere. As such, many of the track titles refer to marine biology or the sea, and the musicians develop the concept through their use of space. The album was presented with the Grammy Hall of Fame Award in 1999.
Seven Steps to Heaven is the eighth studio album on Columbia Records by jazz musician Miles Davis, released in 1963, catalogue CL 2051 and CS 8851 in stereo. Recorded at Columbia's 30th Street Studios in Manhattan, and at Columbia Studios in Los Angeles, in sessions recorded in April of 1963, and May of 1963. It presents the Miles Davis Quintet in transition, with the New York session introducing the rhythm section of Herbie Hancock, Ron Carter and Tony Williams, who would become Davis' regular sidemen for the next five years. Upon release, the album was Davis' most successful on the Billboard pop LPs chart up to that point, peaking at number 62.
Miles Smiles is an album by jazz musician Miles Davis, released on February 16, 1967 on Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis' second great quintet, which featured tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Sorcerer is an album recorded in May 1967 by the Miles Davis quintet. It is the third of six albums that this quintet recorded. It also includes one track from a 1962 session with vocalist Bob Dorough, which was the first time Wayne Shorter recorded with Davis. Davis does not play on the second track, "Pee Wee". The album's cover is a profile photo of actress Cicely Tyson, who at the time was Davis's girlfriend.
The Complete Live at the Plugged Nickel 1965 is a live box set of the Miles Davis Quintet, recorded on December 22 and 23, 1965. First released in Japan in March 1992 by Sony Records as a 7 disc set, it was re-released on Legacy Records in July 1995 as an 8 disc set. In conjunction with Legacy, Mosaic Records released a 10 LP set. It was re-released as an SA-CD Box in October 2023 in a limited edition of 1500 by Sony Japan for Tower Records Japan. It comprises recordings of seven performance sets over the two nights by the second great Davis quintet at the now-defunct Plugged Nickel nightclub in Chicago. A single-disc sampler, Highlights from the Plugged Nickel was released by Legacy on November 14, 1995, and was reissued on February 1, 2008.
Speak No Evil is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz, and features Shorter on tenor saxophone, trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter and drummer Elvin Jones. The cover photo is of Shorter's first wife, Teruko (Irene) Nakagami, whom he met in 1961.
"'Round Midnight" is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician.
The Complete In a Silent Way Sessions is a three-disc box set by trumpeter Miles Davis released by Legacy Records, featuring recordings from the sessions that would produce his 1969 album In a Silent Way as well as transitional pieces from the era. Besides two tracks previously released on the 1968 album Filles de Kilimanjaro, the set also includes material for Columbia outtake compilations Water Babies, Circle in the Round, and Directions. The box set features previously unreleased music, mostly from the In a Silent Way sessions proper. As well as the CDs, it includes essays by Michael Cuscuna and Bob Belden and details of the recording sessions. It is number five in the Legacy series of Miles Davis' Complete Sessions box sets.
The Quintet is an album by V.S.O.P. It was compiled from two concert performances: one at the Greek Theatre, University of California, Berkeley, on July 16, 1977; the other at the San Diego Civic Theatre on July 18, 1977. The quintet were keyboardist Herbie Hancock, trumpeter Freddie Hubbard, drummer Tony Williams, bassist Ron Carter and saxophonist Wayne Shorter. The album was originally released in October 1977 as a 2-disc LP by Columbia Records.
The Complete Jack Johnson Sessions were recorded in April 1970 by Miles Davis, and released in September 2003. These sessions formed the basis for the 1971 album Jack Johnson, as well as some of the studio portions of Live-Evil.
My Funny Valentine: Miles Davis in Concert is a 1965 live album by Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, on February 12, 1964.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the V.S.O.P. group. According to concert attendees, on the night of the show a handwritten sign was posted on the lobby door announcing that Davis would not be playing, but that Hubbard would be appearing instead.
Seven Steps: The Complete Columbia Recordings of Miles Davis 1963–1964 is a box set of studio and concert recordings by Miles Davis for Columbia over a two-year period. Instead of focusing on a particular collaboration or session period, it focuses on the time period in between the solidified lineups of the first and second Great Quintets, starting with Ron Carter's introduction and finishing with the establishment of Wayne Shorter in the lineup.
Bitches Brew Live is a live album by Miles Davis. The album was released in February 2011 and contains material compiled from two concert performances. Most of the songs on the album originally appeared on Bitches Brew. The first three tracks were recorded at the Newport Jazz Festival in July 1969, nine months before the release of Bitches Brew, while the rest of the album was recorded at 1970 Isle of Wight Festival. The three cuts from Newport—"Miles Runs the Voodoo Down", "Sanctuary", and "It's About That Time/The Theme"—were previously unreleased at the time and have since been reissued on Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4. This recording marks the first known time that "Miles Runs the Voodoo Down" was professionally recorded. The final six cuts appeared on the "Miles Electric" DVD in video form and the audio portion was included in the box set Miles Davis: The Complete Columbia Album Collection. A seventeen-minute segment appeared under the title "Call It Anything" on the First Great Rock Festivals of the Seventies: Isle of Wight/Atlanta Pop Festival compilation album in 1971.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
Sunflower is an album by vibraphonist Milt Jackson recorded in 1972 and released on the CTI label. Assisting Jackson are trumpeter Freddie Hubbard, a star-studded rhythm section composed chiefly of Miles Davis alumni, and, on the first track, string and woodwind accompaniment, courtesy of Don Sebesky.
Live in Europe 1969: The Bootleg Series Vol. 2 is a 3 CD + 1 DVD live album of the Miles Davis Quintet featuring saxophonist Wayne Shorter, pianist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. This particular line-up became known as "The Miles Davis Lost Quintet" as it did not record in the studio in this configuration. The CDs contain recordings of two concerts in France and one in Sweden and the DVD has an additional concert recorded in Germany.
Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4 is a four-CD album compiling five of Miles Davis's performances at the Newport Jazz Festival in Newport, Rhode Island and two European concerts branded under the Festival moniker with one additional track recorded in New York City.
Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol. 5 is a 3-CD compilation that collects studio recordings by jazz trumpeter Miles Davis that were recorded between 1966 and 1968. The album contains remastered versions, alternate takes, and conversations among the musicians.
Miles Davis & John Coltrane The Final Tour is a four compact disc live album compiling five sets from three performances by the Miles Davis Quintet in Europe during late March 1960. The anthology was released by Legacy in 2018 and topped the Billboard Jazz Albums chart.