John Sell Cotman was an English marine and landscape painter, etcher, illustrator, and a leading member of the Norwich School of painters.
The Laing Art Gallery in Newcastle upon Tyne, England, is located on New Bridge Street West. The gallery was designed in the Baroque style with Art Nouveau elements by architects Cackett & Burns Dick and is now a Grade II listed building. It was opened in 1904 and is now managed by Tyne & Wear Archives & Museums and sponsored by the Department for Culture, Media and Sport. In front of the gallery is the Blue Carpet. The building, which was financed by a gift from a local wine merchant, Alexander Laing, is Grade II listed.
Arthur James Murch was an Australian artist who won the Archibald Prize in 1949 with a portrait of Bonar Dunlop. Dunlop was a New Zealand artist sculptor and illustrator.
Antonio Salvatore Dattilo Rubbo was an Italian-born artist and art teacher active in Australia from 1897.
Norah Simpson was an Australian modernist painter. She grew up in Sydney and is described as "giving impetus to modernism" in Australia: when returning from France in 1913, she brought back a series of reproductions of then-current works which were influential to her fellow art students. Sydney-based modernists inspired by those works and Simpson's descriptions of techniques include Grace Cossington Smith, Roy de Maistre and Roland Wakelin.
Jean de Courtenay Isherwood OAM, FRAS, AWI, (1911–2006), was an Australian watercolour and oil painter, and teacher, renowned for her colourful depictions of the Australian countryside.
Francis Henry Critchley Hinder was an Australian painter, sculptor and art teacher who is also known for his camouflage designs in World War II.
Elisabeth Cummings is an Australian artist known for her large abstract paintings and printmaking. She has won numerous awards including Fleurieu Art Prize, The Portia Geach Portrait Prize, The Mosman Art Prize, and The Tattersalls Art Prize. Her work is owned in permanent collections across Australia including Artbank, The Queensland Art Gallery, The Gold Coast City Art Gallery and the Art Gallery of New South Wales. She is notable for receiving recognition later in her career, considered by the Australian Art Collector as one of the 50 most collectible Australian Artists.
Alison Baily Rehfisch was an Australian painter born in Sydney.
Bury Art Museum and Sculpture Centre, formerly known as Bury Museum and Art Gallery, is a public museum, archives, and art gallery in the town of Bury, Greater Manchester, northern England, owned by Bury Council. Built in 1901, the museum's buildings were restored and reopened in 2005.
James Ranalph Jackson (1882-1975) was an Australian painter, perhaps best known for painting views of Sydney harbour. Today, his work hangs in public galleries in both Australia and New Zealand. The Art Gallery of New South Wales has 16 of his paintings, however none are currently on display.
Margaret Coen was an Australian artist, known for her watercolours, paintings of flowers, landscapes and still life works. Her paintings and personal papers are held in national collections.
Kristin "Kiffy" Dattilo Rubbo (1944–1980) was an Australian gallery director and curator.
Portia Mary Bennett was an Australian artist. The daughter of William Albert Bennett, a harbour pilot from London, and Portia Bohannah Booth, born in Australia, she was born in Balmain, a suburb of Sydney. Her father drowned while she was still young. She was educated at Fort Street Girls' High School and then studied with Antonio Dattilo Rubbo at the school of the Art Society of New South Wales. She attended the Sydney Teachers' College, studying art there with May Marsden. She also attended the Julian Ashton Art School. She taught at Chatswood Intermediate School and Darlington Public School and then, from 1921 to 1925, was on the teaching staff of the Sydney Teachers' College. In 1933, she was a founding member of the Perth Society of Artists.
Australian modernism, similar to European and American modernism, was a social, political and cultural movement that was a reaction to rampant industrialisation, associated moral panic of modernity and the death and trauma of the World Wars.
The Royal Art Society of New South Wales, or Royal Art Society of NSW, was established in 1880 as the Art Society of New South Wales by a group of artists including Arthur and George Collingridge, with the aim of creating an Australian school of painting, and separate from the NSW Academy of Art. Their first exhibition was held in the Garden Palace. In 1902 the Society merged with the Society of Artists and received royal assent from King Edward VII to add "Royal" to their name.
Frances Dolina Ellis was an artist, printmaker and teacher who lived, worked and exhibited in both Australia and New Zealand. Ellis was well-known in the arts community in New Zealand and whilst living in Australia she had a significant professional relationship with artist and art teacher Antonio Dattilo-Rubbo.
Joyce Vera Mary Ewart (1916–1964) was an Australian painter, graphic artist, and teacher. She was a finalist for the Archibald Prize in 1943, 1944, 1945 and 1948; for the Wynne Prize in 1943, 1945 and 1946; and the recipient of the Mosman Art Prize in 1948. Her works are held by the Art Gallery of New South Wales and have been included in several retrospectives and exhibitions. She mounted solo exhibitions at the Macquarie Galleries in 1942, 1943, 1944, 1948 and 1953. She founded the Workshop Art Centre at Willoughby, NSW where the main gallery bears her name and which offers the Joy Ewart Scholarship for Year 10 students and the Ewart Art Prize for works by Centre members.
Cedric Raymond Emanuel (1906–1995) was a New Zealand born Australian representational painter, illustrator and printmaker. Speaking at the 1995 Retrospectives exhibition of Emanuel's works, New South Wales Governor Rear-Admiral Peter Sinclair pointed to the artist's speciality in drawing and painting "scenes of yesteryear, and of buildings and locations that are national heritage items". He was an important Australian visual historian, "for almost seventy years" sketching and painting the "rapidly changing scenes of Australia from the outback to the inner suburbs of Sydney".
Elaine E. Coghlan (1897–1989) was a Sydney-based painter, print-maker and art teacher, one of the later impressionist landscape artists active in the 1920s and 1930s.
