| Modern Guilt | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | July 7, 2008 [1] | |||
| Recorded | 2008 | |||
| Studio | Anonyme, Los Angeles | |||
| Genre | ||||
| Length | 33:33 | |||
| Label | ||||
| Producer | ||||
| Beck chronology | ||||
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| Singles from Modern Guilt | ||||
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Modern Guilt is the eleventh studio album by American musician Beck, released in 2008 by both DGC Records and XL Recordings. The album was produced by Beck and Danger Mouse [5] and features two contributions by Cat Power. [6]
Beck and Danger Mouse (Brian Burton) had been casual acquaintances prior to their collaboration on the album, as some of Beck's musicians had also performed with Danger Mouse's project Gnarls Barkley. [7] Beck said, "It did help that we share a lot of musical references. We spent the first week just talking about different records. His knowledge is pretty deep, especially with some of the obscure late-Sixties, early-Seventies rock." [7]
The original concept for the album was 10 short tracks, each around two minutes long, but Beck eventually chose to eliminate the shorter tracks. [7] Songs began with an acoustic guitar and drumbeat and selected songs would then be embellished upon, with Burton adding keyboard bass and Beck adding other instruments. [7] Beck described the album as the most intensive work he'd ever done: "It was like trying to fit two years of songwriting into two and a half months. ... I know I did at least 10 weeks with no days off, until four or five in the morning every night." [7]
At 33 minutes long, the album was Beck's shortest, with only two songs lasting longer than four minutes. [8]
In May 2008, it was announced that Beck would be releasing a then-untitled album in the summer. [9] Modern Guilt was released on July 7, 2008 in the UK and Europe and on the following day in the United States. [1] A vinyl record of the album, including download codes for the 320-kbit/s digital version of the album direct from the vinyl master, was released on July 22, 2008. [10]
In July 2009, launching his website's new Videotheque section, Beck uploaded a series of videos comprising acoustic band performances of every song on the album, recorded earlier in the year after returning home from his tour of Japan. [11]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 77/100 [12] |
| Review scores | |
| Source | Rating |
| AllMusic |   [13] |
| The A.V. Club | B [14] |
| Entertainment Weekly | B+ [15] |
| The Guardian | [16] |
| The Independent | [17] |
| Los Angeles Times | [18] |
| PopMatters |   [19] |
| Pitchfork | 7.0/10 [20] |
| Rolling Stone | [21] |
| Spin | 7/10 [22] |
The album received generally positive reviews upon release, earning a rating of 77 out of 100 on Metacritic. [12] Filter said of the album, "Beck is somehow more aware while puffing out his waves of broken poetry as opposed to the casual seed-spitting he has been known to turn to", [12] while AllMusic said that it was "an effective dosage of 21st century paranoia." [13] Some negative reviews, such as one from PopMatters , said that the album "lacks the unique resonating timbres one is accustomed to with Beck", [19] while The Guardian called it "a vanity project". [16]
In December 2008, Modern Guilt was nominated for Best Alternative Album at the 51st Annual Grammy Awards, but it lost to In Rainbows by Radiohead. [23]
The album entered both the Billboard 200 and the Canadian Albums Chart at number four, and gave Beck his first ever Top 10 placing on the UK Albums Chart, peaking at number nine. The album was also Beck's second-best charting album in Australia, reaching number 13, behind his twelfth studio album Morning Phase , which debuted and peaked at number 5 in 2014. In the US, the album sold 84,000 copies in its first week. [24] Although successful, it did not match the first week sales of Beck's previous album, The Information (2006), which were 99,000. [24] In Canada, the album sold over 6,000 copies in its first week. [25]
Modern Guilt was awarded a silver certification from the Independent Music Companies Association, which indicated sales of at least 30,000 copies throughout Europe. [26]
All songs written by Beck, except "Walls", written by Beck, Danger Mouse, Paul Guiot and Paul Piot.
| Publication | Country | Accolade | Year | Rank |
|---|---|---|---|---|
| Q | UK | 50 Best Albums of the Year | 2008 | 23 [28] |
| Rolling Stone | US | 50 Best Albums of the Year | 2008 | 8 [29] |
| WERS Boston | US | 50 Best Albums of the Year | 2008 | 6 [30] |
| Chart (2008) | Peak position |
|---|---|
| Australian Albums (ARIA) [31] | 13 |
| Austrian Albums (Ö3 Austria) [32] | 42 |
| Belgian Albums (Ultratop Flanders) [33] | 16 |
| Belgian Albums (Ultratop Wallonia) [34] | 46 |
| Canadian Albums (Billboard) [35] | 4 |
| Danish Albums (Hitlisten) [36] | 32 |
| Dutch Albums (Album Top 100) [37] | 33 |
| French Albums (SNEP) [38] | 45 |
| German Albums (Offizielle Top 100) [39] | 63 |
| New Zealand Albums (RMNZ) [40] | 21 |
| Norwegian Albums (VG-lista) [41] | 24 |
| Swiss Albums (Schweizer Hitparade) [42] | 14 |
| UK Albums (OCC) [43] | 9 |
| US Billboard 200 [44] | 4 |
| US Top Alternative Albums (Billboard) [45] | 2 |
| US Top Rock Albums (Billboard) [46] | 2 |
| US Top Tastemaker Albums (Billboard) [47] | 1 |
| Chart (2008) | Position |
|---|---|
| US Billboard 200 [48] | 178 |
| Region | Date | Label | Format | Catalog | Ref |
|---|---|---|---|---|---|
| World | July 8, 2008 | DGC | Digital download | — | [49] [ better source needed ] |
| Argentina | CD | 1775441 | |||
| Australia | 1775441 | ||||
| Canada | B001150702 | ||||
| United States | B0011507-02 | ||||
| LP | B0011630-01 | ||||
| United Kingdom | July 7, 2008 | CD | B001150702 | ||
| XL | XLCD369 | ||||
| LP | XLLP 369 | ||||
| Europe | |||||
| CD | XLCD369 |
Mellow Gold is the third studio album by American musician Beck, released on March 1, 1994, by DGC Records. Critics noted the album's hybrid of various styles including rock, hip hop, folk, blues, psychedelia, and country, as well as ironic, witty lyrics. Its decidedly anti-commercial attitude led to it becoming an unexpected commercial success, peaking at number thirteen in the United States and eventually being certified platinum. As of July 2008, Mellow Gold has sold over 1.2 million copies in the United States.
Odelay is the fifth studio album by American musician Beck, released on June 18, 1996, by DGC Records. The album featured several successful singles, including "Where It's At", "Devils Haircut", and "The New Pollution", and peaked at number sixteen on the Billboard 200. As of July 2008, the album had sold 2.3 million copies in the United States, making Odelay Beck's most successful album to date. Since its release, the album has appeared in numerous publications' lists of the greatest of the 1990s and of all time.
Midnite Vultures is the seventh studio album by American musician Beck, released on November 23, 1999, by DGC Records. While similar to most of Beck's previous albums in its exploration of widely varying styles, it did not achieve the same blockbuster success as his breakthrough album Odelay, but was still critically acclaimed and commercially successful. The album's sound marked a compositional departure from the psychedelic hip hop, alternative rock, and sample-based music in his previous albums towards a funk rock R&B style dance-pop, eurodance, eurodisco and Hi-NRG
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