Modernist theatre was part of twentieth-century theatre relating to the art and philosophy of modernism.
The theatre of the absurd is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence.
Modernist literature originated in the late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of the time. The immense human costs of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. In Modernist Literature, Mary Ann Gillies notes that these literary themes share the "centrality of a conscious break with the past", one that "emerges as a complex response across continents and disciplines to a changing world".
Theatre Intime is an entirely student-run dramatic arts not-for-profit organization operating out of the Hamilton Murray Theater at Princeton University. Intime receives no direct support from the university, and is entirely acted, produced, directed, teched and managed by a board of students that is elected once a semester. "Students manage every aspect of Theatre Intime, from choosing the plays to setting the ticket prices."
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism.
This page describes the production history of the Stratford Festival.
Remy Bumppo Theatre Company is a theater in Chicago known for productions from playwrights such as George Bernard Shaw and Tom Stoppard. Marti Lyons serves as the company's Artistic Director.
Soulpepper is a Toronto, Ontario-based theatre company founded to present classic plays. The following is a chronological list of the productions that it has staged since its inception.
The Vancouver Playhouse Theatre Company was a regional Canadian theatre company, producing plays from 1962 to 2012. The following is a list of the productions that have been staged since its inception to its final season of 2011–2012.
Theatre Calgary is theatre company in Calgary, Alberta, Canada, established as a professional company in 1968. The following is a chronological list of the productions that have been staged since its inception as Musicians and Actors Club (MAC) from 1964 to 1968, and Theatre Calgary from 1968 onwards.
This production history of the Royal Manitoba Theatre Centre (RMTC) is a chronological list of the Mainstage, Warehouse, and Regional Tour productions that have been staged since RMTC's inception.
The Guthrie Theater is a center for theater performance, production, education, and professional training in Minneapolis, Minnesota. The following is a chronological list of the plays and performances that it has produced or presented. Production information from 1963 through the 2005–06 season is sourced primarily from The Guthrie Theater: Images, History, and Inside Stories and The Guthrie Theater.
David Hugh Jones was an English stage, television and film director.
David Findley Wheeler was an American theatrical director. He was the founder and artistic director of the Theater Company of Boston (TCB) from 1963 to 1975. He served as its artistic director until its closure in 1975. Actors including Al Pacino, Robert De Niro, Dustin Hoffman, Robert Duvall, Jon Voight, Stockard Channing, James Woods, Blythe Danner, Larry Bryggman, John Cazale, Hector Elizondo, Spalding Gray, Paul Guilfoyle, Ralph Waite and Paul Benedict were part of the company.
The Actor's Workshop was a theatre company founded in San Francisco in 1952. It was the first professional theatre on the west coast to premiere many of the modern American classics such as Arthur Miller's Death of a Salesman and The Crucible, and the world dramas of Samuel Beckett, Bertolt Brecht, Jean Genet and Harold Pinter. For the 1953–1954 season, the Workshop offered six plays: Lysistrata, by Aristophanes; Venus Observed, by Christopher Fry; Death of a Salesman, by Arthur Miller; a revival of Playboy; The Cherry Orchard, by Anton Chekhov; and Tonight at 8.30, by Noël Coward. On April 15, 1955, the Actor's Workshop signed the first Off-Broadway Equity contract to be awarded outside New York City.
Pacific Resident Theatre (PRT) is a 501(c)(3) non-profit theatre company located at 703 Venice Boulevard in Venice, California. It was founded as an actors cooperative in Venice's arts district in 1985 and is dedicated to producing both classic and little known plays, as well as works by new authors. As of June 2012, the company had received over 90 awards, including NAACP Image Awards, 73 (as of 2013) Los Angeles Drama Critics Circle Awards. and the since-retired LA Weekly Theater Awards (defunct 2014), Drama-Logue Awards (defunct 1998) and Back Stage West Garland Awards (defunct 2009).
Hamid Samandarian Persian: حمید سمندریان; May 6, 1931 – July 12, 2012) was an Iranian film and theater director and translator. He staged numerous dramas including No Exit by Jean-Paul Sartre, Ghosts by Henrik Ibsen, The Glass Menagerie by Tennessee Williams and Marriage of Mr. Mississippi by Friedrich Durrenmatt.
Manana Antadze is a Georgian writer and translator, and founder of the Tumanishvili Theatre Foundation.
Ülle Kaljuste is an Estonian stage, film, television and radio actress.
Adolf Yakovlevich Shapiro is a Soviet, Latvian and Russian theater director, acting teacher, playwright and author. People's Artist of the Latvian SSR (1986), Merited Master of the Arts of the Russian Federation (2019), Laureate of the State Prize of the Latvian SSR (1987).
The Firehouse Theater of Minneapolis and later of San Francisco was a significant producer of experimental, theater of the absurd, and avant guard theater in the 1960s and 1970s. Its productions included new plays and world premieres, often presented with radical or inventive directorial styles. The Firehouse introduced playwrights and new plays to Minneapolis and San Francisco. It premiered plays by Megan Terry, Sam Shepard, Jean-Claude van Itallie, María Irene Fornés and others; and it presented plays by Harold Pinter, John Arden, August Strindberg, John Osborne, Arthur Kopit, Eugène Ionesco, Berthold Brecht, Samuel Beckett and others. In a 1987 interview Martha Boesing, the artistic director of another Minneapolis theatre, described the Firehouse Theater as "the most extreme of all the groups creating experimental theater in the sixties, and the closest to Artaud’s vision." Writing in 1968, The New York Times said that the Firehouse Theater "has been doing avantgarde plays in Minneapolis nearly as long as the Tyrone Guthrie Theater has been doing the other kind, and with much less help from the Establishment." That same year, when a federal grant was provided to support the Firehouse, it was pointed out in the Congressional Record that the Firehouse Theatre "is the only major theatre dealing experimentally with the writing of plays and their production outside the metropolitan New York area."
