"Monster" | |
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Song by Lady Gaga | |
from the EP The Fame Monster | |
Written | March 2009 [1] |
Released | November 18, 2009 |
Recorded | 2009 |
Studio | Record Plant (Los Angeles) |
Genre | |
Length | 4:09 |
Label |
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Songwriter(s) | |
Producer(s) |
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Audio video | |
"Monster" on YouTube |
"Monster" is a song by American singer Lady Gaga from her third EP, The Fame Monster (2009). Inspired by her "Fear of Attachment Monster", [2] the record was produced by Nadir "RedOne" Khayat, and written by Gaga, RedOne and Space Cowboy. Gaga had explained that "Monster" describes her fear of sex and relationships, and described the lyrics as being in love with the bad boy all the time, but instead of running away, one keeps going back to the same person. She added that the fear in "Monster" erupted from her need to have a stable relationship. Incorporating the usage of heavy bass lines, descending keyboard lines and "massive" choruses, "Monster" contains zombie-like metaphors and a reference to Gaga's debut single "Just Dance".
"Monster" received generally positive reviews from critics who appreciated the song's musical arrangement and frequently rated it as a top track from The Fame Monster, while some disliked its lyrics. "Monster" enjoyed brief commercial success in 2010, charting on four singles charts, as well as the Billboard Hot Dance Club Songs and Latin Pop Airplay. "Monster" was performed on Gaga's concert tours The Monster Ball (2009–11) and The Chromatica Ball (2022), with other performances including an appearance on The Oprah Winfrey Show and her 2014 residency show at Roseland Ballroom.
"Monster" was written by Lady Gaga, RedOne and Space Cowboy, with RedOne producing the track. [3] The song was recorded at the Record Plant Studio in Los Angeles. [3] In an interview with MTV News, Gaga said that "Monster" describes her fear of sex and relationships and the literal meaning is about a "guy with a big dick". [2] [4] She elaborated, "It's the fear of attachment and the fear of loving something that's bad for you... If you listen to the lyrics, it's like being in love with the bad boy all the time, and you keep going back for more." Gaga added that the fear in "Monster" erupted from her need to have a stable relationship. She explained "I keep falling in love with the monster... But what I really need is the security and the safety and the womanhood, responsibility of my femininity. And so that's what that song is about." [4]
A Europop [5] and dance-pop [6] song, "Monster" begins with Gaga's voice uttering the line, "Don't call me Gaga". [7] It contains stuttering synths and 1980s drums that, according to PopMatters' Evan Sawdey, create a playful environment. [8] The track uses heavy bass lines, descending keyboard lines and "massive" choruses, while a male voice sounding like Timbaland sings about Gaga being "hot as hell". [7] [9] Gaga belts during the break down like segment in the middle, with incorporation of chiptune like music. [10]
According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "Monster" is set in the time signature of common time, and composed in the key of C major, [11] with a tempo of 120 beats per minute and Gaga's vocal range spanning from the low note of E3 to the high note of B4. [11] "Monster" has a basic sequence of F–G–Am–Em as its chord progression. [11] Lyrically, "Monster" contains zombie-like metaphors about having one's heart eaten. [8] [12] The song also features references to "Just Dance", Gaga's debut single, with the line "I wanna ‘Just Dance’/ But he took me home instead". [9] [13] Michael Hubbard from MusicOMH believed that the lines in the last verse "get a bit gruesome at the end" with the lines saying "He tore my clothes right off/ He ate my heart and then he ate my brain." [7]
The song received generally positive reviews from critics. Michael Hubbard from MusicOMH called "Monster" "a potential single", praising its musical composition, but criticizing the lyrics. [7] Evan Sawdey from PopMatters also criticized the metaphors contained in the lyrics of the song, but ultimately called it "one surprisingly effective pop cocktail". [8] Ben Patashnik from NME felt that it was "slightly too disposable". [14] Scott Plagenhoef of Pitchfork saw similarities between Gaga's voice on "Monster" and the work of Kylie Minogue. [15] Brian Linder from IGN felt that the track was lighter compared to the other songs on The Fame Monster, and complimented the line "We French kissed on a subway train / He tore my clothes right off / He ate my heart and then he ate my brain", calling it a lyrical gem. He also added that "Monster" was a "dance floor riot". [16] Jaime Gill from Yahoo! felt that "'Monster' is a squirmy little beast that wriggles into your brain slowly and is almost impossible to remove." [17] Monica Herrera from Billboard called the song "80s adoring". [18] A Vulture article considered "Monster" to be "among the best pop songs ever written about losing your innocence — how sex and intimacy can feel like you're being eaten alive." [19] In 2022, NME's Nick Levine wrote about "Monster" that "it says a lot about Gaga's rock-solid songwriting at the start of her career that a 12-year-old deep cut still sounds like it should have been a single." [20]
In the United Kingdom, "Monster" debuted on the UK Singles Chart at 68, on December 12, 2009, but slipped off the chart the next week. [21] On August 16, 2010, the song debuted at number 30 on the New Zealand Singles Chart due to digital downloads and radio airplay, and later peaked at number 29. The song was present on the chart for seven weeks. [22] In Hungary, it debuted on the Mahasz Single Top 10 lista chart at number six on November 23, 2009, but fell off the next week. [23] "Monster" debuted and peaked on the Australian ARIA Singles Chart at number 80 on the issue dated November 30, 2009. [24] The song debuted on the United States Billboard Hot Dance Club Songs at number 49 on September 18, 2010, [25] before moving to its highest position of number 29 on October 9, 2010, where it remained for another week. It fell off the chart after eight weeks. [26] On the Latin Pop Airplay chart, the song was initially seen at number 32, [27] and later peaked at number 22. "Monster" spent 14 weeks on the chart. [28] According to Nielsen SoundScan, the song has sold 207,000 digital downloads in the US. [29]
On January 15, 2010, Gaga performed "Monster" as part of a three-song medley on The Oprah Winfrey Show . [30] The performance began with Gaga appearing on the stage wearing a dress, that looked both like a pantsuit and dress. Her hair was in spikes and she held a spiked ball and chain in her hand. "Monster" was the first song of the medley that she performed, others being "Bad Romance" and "Speechless". [30] She also performed the song on all legs of The Monster Ball Tour. The performance was preceded by a video interlude featuring snarling dogs and brooding ravens. [31] "Monster" began with Gaga emerging in a black feathered jacket and performing dance moves reminiscent of Michael Jackson. The backdrop featured the close-up of a black bird's wings. [32] [33] [34]
During the 2010–2011 shows of the tour, the performance of "Monster" was revamped with new outfits and a new ending, which sees Gaga portrayed as getting killed by a murderer in blood, after which she lies "dying" in a pool of blood. [35] Her performance of that scene in Manchester, England, triggered protests from family groups and fans in the aftermath of the Cumbria shootings, in which 12 people were murdered by a taxi driver. [36] "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. [37] [38] Chris Rock later defended her flamboyant, provocative behavior. "Well, she's Lady Gaga," he said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?" [39]
"Monster" was part of the setlist of Gaga's 2014 residency show, Lady Gaga Live at Roseland Ballroom. She performed the song while playing on a keytar decorated with red roses, wearing a crimson leather body suit. [40] The intro of Gaga's Joanne World Tour (2017–2018) started with the line "Don't call me Gaga", taken from the song, before Gaga declaring that she instead wants to be called Joanne, and starting the show. [41] In 2022, Gaga performed "Monster" at The Chromatica Ball stadium tour, retaining the choreography from the Monster Ball Tour. [42] During the performance, Gaga put on an oversized red jacket which alluded to Michael Jackson's Thriller -era. [43]
Credits adapted from the liner notes of The Fame Monster. [3]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [49] | Gold | 35,000‡ |
United States (RIAA) [50] | Gold | 500,000‡ |
‡ Sales+streaming figures based on certification alone. |
Stefani Joanne Angelina Germanotta, known professionally as Lady Gaga, is an American singer-songwriter and actress. She is known for reinventing her image and showcasing versatility in entertainment. Gaga started performing as a teenager by singing at open mic nights and acting in school plays. She studied at Collaborative Arts Project 21 before leaving to pursue a music career. After a contract cancellation by Def Jam Recordings, Gaga worked as a songwriter for Sony/ATV Music Publishing. In 2007, she signed with Interscope Records and KonLive Distribution. Her breakthrough came the following year with her debut studio album, The Fame, and its number-one singles "Just Dance" and "Poker Face". The album was later reissued along with The Fame Monster (2009), which yielded the successful singles "Bad Romance", "Telephone" and "Alejandro".
"Just Dance" is the debut single by American singer Lady Gaga. She co-wrote the song with Akon and his producer RedOne. It also features vocals from Colby O'Donis and was released on April 8, 2008, as the lead single from Gaga's debut studio album, The Fame. The song was written by Gaga in 10 minutes as "a happy record". "Just Dance" lyrically speaks about being intoxicated at a club.
"Beautiful, Dirty, Rich" is a song by American singer–songwriter Lady Gaga from her debut studio album, The Fame (2008). It was released as a promotional single from the album on September 16, 2008. Written by the singer and its producer Rob Fusari in 2006, it is an uptempo dance-pop and disco-funk song that makes heavy use of synthesizers. The lyrics focus on Gaga's experiences as a struggling artist in the Lower East Side.
"Poker Face" is a song by American singer Lady Gaga from her debut studio album, The Fame (2008). It was released on September 23, 2008, as the album's second single. It is a synth-pop song in the key of G♯ minor, following in the footsteps of her previous single "Just Dance", but with a darker musical tone. The main idea behind the song is bisexuality and was a tribute by Gaga to her rock and roll boyfriends. The song's lyrics feature various sexual innuendos.
American singer Lady Gaga has released five solo studio albums, two collaborative studio albums, three film soundtracks, three remix albums, two compilation albums, four EPs, two live albums, 40 singles, and 14 promotional singles. Gaga made her debut in August 2008 with the studio album The Fame, which peaked at number two in the United States, where it was subsequently certified triple Platinum, while topping the charts in Austria, Canada, Germany, Switzerland, and the United Kingdom. Its first two singles, "Just Dance" and "Poker Face", reached number one in Australia, Canada, the United Kingdom, and the United States, and for the latter, becoming the world's biggest single of the 2009 calendar year. The album spawned three more singles: "Eh, Eh ", "LoveGame" and "Paparazzi". The latter reached the top ten in many countries worldwide, and number one in Germany.
The Fame is the debut studio album by American singer Lady Gaga. It was released on August 19, 2008, by Interscope Records. After joining KonLive Distribution and Cherrytree Records in 2008, Gaga began working on the album with different producers, primarily RedOne, Martin Kierszenbaum, and Rob Fusari. Musically, The Fame is an electropop, synth-pop, and dance-pop record that displays influences from 1980s music. Lyrically, it visualizes Gaga's love of fame in general, while also dealing with subjects such as love, sex, money, drugs, and sexual identity. The album was primarily promoted through The Fame Ball Tour and multiple television appearances, and was reissued as a deluxe edition with The Fame Monster on November 18, 2009.
"Eh, Eh " is a song by American singer Lady Gaga, from her debut album, The Fame (2008). It was released as the third single from the album in Australia, New Zealand and selected European countries, and the fourth single in France. The song is a calypso-styled, mid-tempo ballad, and is about breaking up with one's old partner and finding someone new. The song peaked at number fifteen on the Australian ARIA Charts and at number nine on the RIANZ charts of New Zealand. It proved to be even more successful in Sweden, where it managed to peak at number two on the Sverigetopplistan chart, as well as in the Czech Republic, France, and Hungary, where it reached the top-ten of their respective charts. "Eh, Eh " received Gold certifications for its sales in Australia, Denmark, New Zealand, and the United States.
"LoveGame" is a song released by American singer Lady Gaga from her debut studio album, The Fame (2008). Produced by RedOne, the track was released as the album's third single in North America and Europe and the fourth single in Australia, New Zealand, and Sweden after "Eh, Eh ". "LoveGame" was also released as the fourth single in the United Kingdom, after "Paparazzi".
"Paparazzi" is a song by American singer Lady Gaga from her debut studio album, The Fame (2008). It was released as the album's fifth and final single by Interscope Records. Gaga wrote and produced the song with Rob Fusari. The song portrays Gaga's struggles in her quest for fame, as well as balancing success and love. Musically, it is an uptempo techno-pop and dance-pop ballad whose lyrics describe a stalker following somebody to grab attention and fame.
The Fame Monster is a reissue of American singer Lady Gaga's debut studio album, The Fame (2008), and was released on November 18, 2009, through Interscope Records. Initially planned solely as a deluxe edition reissue of The Fame, Interscope later decided to release the eight new songs as a standalone EP in some territories. The decision was also because Gaga believed the re-release was too expensive and that the albums were conceptually different, describing them as yin and yang. The deluxe edition is a double album featuring the eight new songs on the first disc and The Fame on the second disc. A super deluxe edition was released on December 15, 2009, holding additional merchandise, including a lock from Gaga's wig.
The Monster Ball Tour was the second worldwide concert tour by American singer-songwriter Lady Gaga. Staged in support of her first EP, The Fame Monster (2009), the concert was comprised largely of songs from that recording as well as Gaga's debut album, The Fame (2008). The tour visited various arenas and stadiums, performing over 200 shows between November 2009 and May 2011. With the tour separated into three respective North American and European legs, as well as visiting Australia, New Zealand and Japan, The Monster Ball is the highest-grossing tour for a debut headlining artist in history.
"Bad Romance" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Gaga wrote and produced the song with RedOne. Following an unauthorized demo leak, Gaga premiered the song's final version during the finale of Alexander McQueen's 2010 Paris Fashion Week show in October 2009 and released it as the lead single from The Fame Monster later that month. Musically, it is an electropop and dance-pop song with a spoken bridge. Inspired by German house and techno, the song was developed as an experimental pop record. Lyrically, Gaga drew from the paranoia she experienced while on tour and wrote about her attraction to unhealthy romantic relationships.
"Telephone" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Featuring American singer Beyoncé, it was released as the EP's second single on January 26, 2010. Gaga and Rodney Jerkins wrote and produced "Telephone", with additional songwriting by LaShawn Daniels, Lazonate Franklin and Beyoncé. Gaga originally wrote the song for Britney Spears, who recorded a demo. "Telephone" conveys Gaga's fear of not finding time for fun given the increasing pressure for her to work harder as an artist. Musically, the song consists of an expanded bridge, verse-rap and a sampled voice of an operator announcing that the phone line is unreachable. Beyoncé appears in the middle of the song, singing the verses in a "rapid-fire" way, accompanied by double beats.
"Speechless" is a song by the American singer Lady Gaga from her extended play (EP), The Fame Monster (2009). The song was written by Gaga to convince her father to undergo open-heart surgery for his malfunctioning aortic valve and remind her younger fans to appreciate their parents. "Speechless" is about Gaga's fear of death. A rock power ballad, the song has elements of 1970s rock, blues rock, glam rock and country music.
"So Happy I Could Die" is a song from American singer Lady Gaga, taken from her second major release and her third EP, The Fame Monster (2009). It was written by herself, Nadir "RedOne" Khayat, and Nicolas "Space Cowboy" Dresti, with production helmed by RedOne. Inspired by Gaga's fear of what she described as the "Alcohol Monster", the song is about the influences of alcoholism, and also explores several sexual themes in its lyrics as well as liberalism.
"Dance in the Dark" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). It is about a woman who prefers to have sex in the dark as she is insecure in her body. Having met such women while working on the MAC AIDS Fund, Gaga said that the song is not about freedom, but rather the assurance that she understood their feelings. A Europop track, it contains retro and new wave music influences, and begins with a stuttering introduction. It includes a spoken interlude, where Gaga lists famous dead people.
"Alejandro" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Written and produced by Gaga and RedOne, it was released on April 20, 2010, as the third single from the EP. Interscope Records intended the track "Dance in the Dark" to be the EP's third single after "Alejandro" initially received limited airplay, but Gaga insisted on the latter. A synth-pop track with Europop and Latin pop beats, it opens with a sample from the main melody of Vittorio Monti's "Csárdás". The song was inspired by Gaga's fear of men and is about her bidding farewell to her Latino lovers named Alejandro, Roberto and Fernando.
"Teeth" is a song recorded by American singer Lady Gaga. The track appears on The Fame Monster (2009), her second major release and her third EP. The song was written by Gaga, Taja Riley, Pete Wyoming Bender, and Teddy Riley, and produced by Gaga and Teddy Riley. It has an oral theme and has been called a "perverse" march and an ode to sadomasochism. "Teeth" peaked at number 107 on the UK Singles Chart and received a mixed reception from critics. Gaga performed the song during The Monster Ball Tour (2009–2011) and her 2017 Coachella set. In 2013, Riley sued Gaga for US$500,000 and punitive damages over the songwriting credits, saying he was not given 25 percent of royalties as he had been promised.
Born This Way is the second studio album by American singer Lady Gaga, released by Interscope Records on May 23, 2011. It was co-written and co-produced by Gaga with other producers, including Fernando Garibay and RedOne, who had previously worked with her. She also worked with artists such as E Street Band saxophonist Clarence Clemons and Queen guitarist Brian May. Gaga and Garibay are the album's musical directors.
"Americano" is a song recorded by American singer Lady Gaga, taken from her second studio album, Born This Way (2011). The song was written and produced by Gaga with DJ White Shadow, Fernando Garibay, and Brian Lee. "Americano" was influenced by the events surrounding the repeal of the controversial California Proposition 8—a ballot proposition that defined marriage as a union between opposite-sex couples, thereby prohibiting and invalidating same-sex marriage throughout the state—as well as the growing struggles of Mexican immigrants. It combines mariachi, house, and techno genres with elements from Latin music. Lyrically, the song talks about Lady Gaga's infatuation with a woman.
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