Older | ||||
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Studio album by | ||||
Released | 13 May 1996 | |||
Recorded | 1994 – 5 January 1996 [1] | |||
Studio | Sarm West (London) [2] | |||
Genre | ||||
Length | 58:56 | |||
Label | ||||
Producer |
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George Michael chronology | ||||
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Singles from Older | ||||
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Older is the third studio album by English singer-songwriter George Michael, released on 13 May 1996 in Europe by Virgin Records and Aegean Records. The American release, which occurred one day later, was the first album released by DreamWorks Records. It was Michael's first studio album since 1990's Listen Without Prejudice Vol. 1 – the five-and-a-half-year gap was due to the legal battle that Michael experienced with his former record company Sony Music. Michael dedicated two years to the recording of Older, and the album found him exploring new musical territories in a more serious fashion compared to his previous work.
At the time of release, the album was a huge commercial hit, particularly in Europe. [3] In the UK, the album was particularly notable for producing a record six top three hit singles in a two-year span. [4] The high sales of the album prompted a re-issue of the album, titled Older & Upper, eighteen months after the original release. [5] [6]
Following the release of Listen Without Prejudice Vol. 1 (1990), George Michael accused record label owners Sony Music of failing to promote the album as well as lacklustre support for his charity recordings (particularly contributions to the Red Hot AIDS Benefit Series) and requested to be released from his contract. [7] A bitter legal battle ensued through the courts, ultimately resulting in a loss to Michael. During the court battle, Michael stated that he would refuse to release any new material through Sony under his name should he lose the lawsuit. [8] Whilst essentially holding true to his word, Michael was not completely absent from the recording world during the six years between Listen Without Prejudice and Older.
After a huge hit with a live duet with Elton John on "Don't Let the Sun Go Down on Me" (that reached number one in both the UK and the US), Michael contributed several tracks to the charity album Red Hot + Dance in 1992 (with one song, "Too Funky", being released as a single and reaching worldwide top 10 positions). The same year, he performed live at the Freddie Mercury Tribute Concert at Wembley Stadium; in 1993, an EP of Michael's performances with Queen and Lisa Stansfield, entitled Five Live was released, and reached No. 1 in the UK. [6]
Older found Michael experimenting with new musical styles and expanding his artistic horizons. Particularly notable was the jazz flavour of the album's sound. [9] The album marked a departure from the synthesised production of his previous projects, delivering a more organic sound with the inclusion of brass and strings. [10] Michael was particularly inspired by the music of Brazilian composer Antônio Carlos Jobim. [10] Another big influence was the album's producer, Jon Douglas, who has mixed several George Michael songs as B-sides. They first met when Douglas produced Lisa Moorish's version of "I'm Your Man" in 1995, to which Michael provided backing vocals. [10] Michael and Douglas began to work together soon after, and they co-wrote "Spinning the Wheel" together and also co-wrote and produced "Fastlove". Douglas also played keyboards on those tracks. The album is dedicated to Anselmo Feleppa, Michael´s lover who died from AIDS before the release of the album.
Overall, the style of the album was melancholy, dark and sad. Michael complemented this departure making a dramatic change of his clothes, hair style and overall appearance. The long blonde hair, beard and jeans that Michael was known for during the late eighties were replaced with a buzz cut black hair and mostly leather clothes. Michael commented, on The Oprah Winfrey Show , about his new appearance: [11]
"The way my image changed in Europe was that I looked very different, I had very short hair—I had really a kind of gay look in a way. I think I was trying to tell people I was okay with it [being gay], I just really didn't want to share it with journalists. The album I made in the middle nineties called Older was a tribute to Anselmo, really; there was a dedication to him on the album and fairly obvious male references. To my fans and the people that were really listening, I felt like I was trying to come out with them."
Michael grew back a longer hair style during 1998, as was first shown on the video he recorded for "Outside", premiered near the end of that year.
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Entertainment Weekly | C [13] |
The Guardian | [14] |
Los Angeles Times | [15] |
Music Week | [16] |
NME | 9/10 [17] |
Pitchfork | 8.0/10 [18] |
Rolling Stone | [19] |
Rolling Stone (Germany) | [20] |
Yahoo! Music UK | [9] |
Upon release, Older was met with widespread acclaim from music critics.
Stephen Thomas Erlewine from AllMusic website described Older as George Michael's serious bid for artistic credibility, contrasting it with his earlier, more upbeat work. [12] He notes a shift from catchy dance-pop to pretentious ballads, with even the dance track "Fastlove" lacking energy. [12] While acknowledging Michael's craftsmanship, Erlewine criticizes the album's earnestness and argues that its melodies often fail to make an impact, leading to a lack of engagement. [12]
David Browne from Entertainment Weekly observes that Older reflects George Michael's struggles and quest for artistic maturity. [13] He notes the album cover hints at a more introspective artist and describes the songs as melancholic, portraying Michael as a victim of his circumstances. [13] While not deeming the album disreputable, Browne criticizes it for being tentative and bland, suggesting that Michael's recent experiences have led to music that resists emotional connection, making the album uniquely honest but joyless. [13]
Elysa Gardner's review from Los Angeles Times critiques Michael's pursuit of artistic maturity, suggesting it has led to a decline in the album's quality. [15] She finds many tracks uninspired and lacking emotional depth compared to his earlier work. [15] While "Fast Love" and "Star People" maintain some charm, the ballads feel bland and weak. [15] Gardner expresses concern that Michael's introspection may stifle his creativity, leaving fans missing his former vibrancy. [15]
The Paul Moody's review, from NME highlights George Michael's introspective shift, following a six-year hiatus since Listen Without Prejudice Volume One. [17] According to him the somber album cover mirrors his mood, and the music combines sophisticated soul with reflective lyrics, and while tracks like "Fast Love" showcase a playful side, others, like "Jesus to a Child," convey deeper emotions. [17] Ultimately, the reviewer commends Michael's successful transformation, awarding the album a 9/10 rating. [17]
Older was a huge commercial success, especially in the European markets. In the UK the album debuted at No. 1 [5] with 281,000 copies sold in its first week, [6] becoming one of the biggest debuts ever in British history (it currently ranks as the 23rd fastest-selling album in the UK). At that point, it was Virgin's fastest-selling album of all time; it was later surpassed by the Spice Girls. [6] [21] It became Michael's biggest-selling album in his homeland, achieving over 1.8 million copies sold, and receiving a 6× Platinum certification by the BPI on 5 December 1997. In the UK, it spent a total of 147 weeks inside the top 200, 99 of them on the top 75, and 35 of them on the top 10 (including 23 consecutive weeks). [22] The steady sales of the album were the result of good promotion market and the release of six hit singles throughout a two-year period. All of these singles (except for the one for the title track) were released and promoted as EP's, in two available formats, most of them containing previously unreleased material (including live tracks, alternate versions and, in the case for the Spinning the Wheel EP, two new studio recordings of brand-new George Michael compositions). None of these singles were promoted with live performances at Top of the Pops only music videos were recorded for the four first singles and were played there. All of this helped to push the album sales from one week to another, with the album usually returning to the top 10 in the British charts. For example, when "Star People '97" was released in mid-1997, Older achieved a 21–14–10–7 progression on the charts. Very much the same happened when "You Have Been Loved/The Strangest Thing '97" was issued as the sixth single (sixteen months after the original release of the album), and Older showed a 24–14–7 move on the UK charts. As of April 2019, Older was the 97th best-selling album of all time in the UK. [23]
In the United States, however, the album somewhat stalled and was received with lukewarm success. There (and in Canada), the album release was particularly notable as it was the first album released by the now-defunct DreamWorks Records. Despite leading singles "Jesus to a Child" and "Fastlove" reaching the top 10 of the Billboard Hot 100, debut sales for the album were disappointing. The album debuted and peaked at No. 6 on the Billboard 200 the week of 1 June 1996 with 99,000 units sold, the next week it dropped to No. 9 and remained on the chart for 24 weeks, it was certified platinum by the RIAA on 21 August 1996 for shipments of one million units. [24] [25] [26] As of October 2006, it has sold 881,000 copies in the US, according to Nielsen SoundScan. [27] By February 1997, the album is said to have sold 5,000,000 copies worldwide, according to Billboard. [28]
Older was particularly notable for the release of its six singles. All of them reached the UK top 3, hitting a record for the most singles in the British top 3 released from a single album. At the time of release of the fifth of them, "Star People '97", chart specialist James Masterson noted George Michael's success on the UK Singles Chart, writing: "Ironically enough denied by the very man who some say he is trying to emulate (Gary Barlow), George Michael nonetheless makes an impressive top 3 entry with this single. The Older album has now proved itself to be far and away his most commercially successful recording ever. Five singles now lifted and every single one has been a top 3 hit. Compare this with the two top 3 hits produced by Faith and Listen Without Prejudice 's scant total of one top tenner and one single which missed the top 40 altogether. This sustained single success has, of course, been achieved with a little help from marketing tricks such as remixes – or in this case a new recording of the album track which gives it a much-needed transformation into a deserved commercial smash." [29]
In 1996, George was voted 'Best British Male', at the MTV Europe Awards and the BRITs; and at The Ivor Novello Awards, he was awarded the prestigious title of 'Songwriter of The Year' for the third time. [31]
At the beginning of October 1996, George performed his first live shows for five years with a gig for Radio 1 FM followed by an Unplugged Session for MTV. The Radio 1FM audience consisted of just 200 people and the MTV Unplugged session slightly larger at 500. Both audiences included competition winners, some of whom had flown to London from all over the world, as well as various specially invited guests. [32]
The album was re-released on 1 December 1997 in a CD box set titled Older & Upper including two discs, both in gold (instead of the original black from Older):
Alongside interactive elements, the Upper compact disc includes six tracks previously released on the singles from the album, notably featuring a version of "Fastlove (Part II)", only found on the second "Fastlove" promo single as "Fully Extended Mix – edit", differing both from the one included on the "Fastlove" single (running at 9:27) and from the edited version (4:39) included on the first "Fastlove" promo.[ citation needed ]
When released, Older & Upper was not listed in the UK charts as a different album than the original Older, and helped the album to jump from No. 65 to No. 36 during the competitive Christmas season.[ citation needed ]
The album received a remastered expanded edition reissue on 30 September 2022 from Sony Music and Michael's own label, Aegean Records, comprising the original Older album, the Upper disc and three bonus CDs, containing remixes and live recordings of Older-era tracks. [33] The album charted at number 2 on the UK Official Albums Chart Top 100 on 7 October 2022. [34]
All tracks written and produced by George Michael, except where noted.
No. | Title | Length |
---|---|---|
1. | "Jesus to a Child" | 6:51 |
2. | "Fastlove" (producers: Michael, Jon Douglas) | 5:25 |
3. | "Older" | 5:33 |
4. | "Spinning the Wheel" (writers and producers: Michael, Douglas) | 6:22 |
5. | "It Doesn't Really Matter" | 4:50 |
6. | "The Strangest Thing" | 6:02 |
7. | "To Be Forgiven" | 5:21 |
8. | "Move On" | 4:45 |
9. | "Star People" | 5:16 |
10. | "You Have Been Loved" (writers: Michael, David Austin) | 5:31 |
11. | "Free" | 3:01 |
Total length: | 58:57 |
No. | Title | Length |
---|---|---|
1. | "Fastlove" (Part II) | 4:56 |
2. | "Spinning the Wheel" (Forthright Edit) | 4:42 |
3. | "Star People '97" (Radio Version) | 5:41 |
4. | "The Strangest Thing '97" (Radio Version) | 4:41 |
5. | "You Know That I Want To" | 4:36 |
6. | "Safe" | 4:24 |
7. | "Interactive elements" (Music videos for "Jesus to a Child", "Fastlove", and "Spinning the Wheel", as well as various internet links.) | |
Total length: | 29:00 |
No. | Title | Length |
---|---|---|
1. | "Fastlove" (A/C Summer Mix) | 4:45 |
2. | "Star People '97" (Radio Edit) | 4:42 |
3. | "Freedom '94" (Live Version) | 6:07 |
4. | "One More Try" (Live Gospel Version) | 5:26 |
5. | "Star People" (Unplugged) | 6:07 |
6. | "Spinning the Wheel" (Radio Edit) | 5:01 |
7. | "Fastlove" (Promo Edit) | 4:45 |
8. | "Jesus to a Child" (Special Radio Edit) | 4:16 |
9. | "Spinning the Wheel" (Forthright Dub Mix) | 6:40 |
10. | "Star People" (Forthright Club Mix) | 9:19 |
11. | "Fastlove" (Forthright Extended 12" Mix) | 9:21 |
12. | "Star People" (Forthright Dub Mix) | 7:32 |
13. | "I'm Your Man" (The Jon Douglas Remix) | 4:06 |
14. | "Fastlove" (Part II – Fully Extended Mix) | 9:32 |
15. | "Spinning the Wheel" (Forthright Extended 12" Club Mix) | 8:15 |
16. | "Star People" (Galaxy Dub Mix) | 7:13 |
17. | "Fastlove" (Forthright Remix 7" Version) | 4:27 |
18. | "I Can't Make You Love Me" (Studio Version) | 5:19 |
19. | "Desafinado" (with Astrud Gilberto) | 3:22 |
20. | "The Strangest Thing" (Live) | 6:05 |
21. | "Star People" (Forthright Radio Edit) | 4:29 |
22. | "The Strangest Thing '97" (Loop Ratz Mix) | 8:49 |
23. | "Fastlove" (Forthright Dub Remix) | 8:25 |
24. | "Jesus to a Child" (Radio Edit) | 6:06 |
25. | "Spinning the Wheel" (The Jon Douglas Remix) | 6:41 |
26. | "Star People" (Galaxy Mix) | 8:11 |
27. | "Older" (Instrumental) | 5:21 |
Total length: | 170:17 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [80] | 2× Platinum | 140,000^ |
Austria (IFPI Austria) [81] | Gold | 25,000* |
Belgium (BEA) [82] | Platinum | 50,000* |
Brazil (Pro-Música Brasil) [83] | Gold | 100,000* |
Canada (Music Canada) [84] | 2× Platinum | 200,000^ |
Denmark (IFPI Danmark) [85] | 7× Platinum | 140,000‡ |
France (SNEP) [86] | Platinum | 300,000* |
Germany (BVMI) [87] | Platinum | 500,000^ |
Italy | — | 400,000 [88] |
Japan (RIAJ) [89] | Gold | 201,970 [66] |
Netherlands (NVPI) [90] | Platinum | 100,000^ |
New Zealand (RMNZ) [91] | Platinum | 15,000^ |
Norway (IFPI Norway) [92] | Platinum | 50,000* |
Poland (ZPAV) [93] | Platinum | 100,000* |
Spain (PROMUSICAE) [69] | 2× Platinum | 200,000^ |
Sweden (GLF) [94] | Gold | 50,000^ |
Switzerland (IFPI Switzerland) [95] | Platinum | 50,000^ |
United Kingdom (BPI) [96] | 6× Platinum | 1,800,000 [97] |
United States (RIAA) [98] | Platinum | 1,000,000^ |
Summaries | ||
Europe (IFPI) [99] | 5× Platinum | 5,000,000* |
* Sales figures based on certification alone. |
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{{cite web}}
: CS1 maint: unfit URL (link)Released over a period of 16 months, they helped Older to spend longer in the Top 10 (35 weeks) than any of his other albums, while also racking up sales in excess of 1.8m copies, to become his best-selling studio release in the UK.