Peter Klein | |
---|---|
Born | [ citation needed ] | July 22, 1945
Nationality | Israeli |
Citizenship | United States |
Occupation | Impresario, president of Living Arts, Inc. [2] |
Years active | 1970 - present |
Notable work | Touring of George Gershwin's Porgy and Bess worldwide (since January 1993) [3] |
Website | www |
Peter Klein is an American impresario who brought several American theatrical productions to Europe and arranged the first US tour of La Scala Ballet in 1986. He is best known for touring George Gershwin's Porgy and Bess around the globe since 1993.
Peter Klein was born on July 22, 1945[ citation needed ] in Romania, his parents were Hungarian Jews, who survived the Holocaust. [1] Growing up in communist Romania he learned Hungarian, Romanian, Russian, German, French and English. In 1963 the family moved to Israel, [1] where Klein learned Hebrew. In 1967 Klein traveled to Europe and eventually to New York, where he met legendary impresario Sol Hurok and started working for him as North American tour manager in 1969. [4] [5] He was the tour manager for Andrés Segovia and Arthur Rubinstein. [1] Klein established his own production company, Living Arts, Inc., in 1972. [6]
In 1977 Klein brought American Ballet Theatre, including Mikhail Baryshnikov, Gelsey Kirkland, Martine van Hamel, Ivan Nagy and Natalia Makarova to open Nervi International Ballet Festival in Genoa with Twyla Tharp’s Push Comes to Shove and La Bayadère . [7] [8] [9] In 1977 he also produced the first U.S. and Canada tour of the Israel Ballet. [10] [11] In March 1979 Klein curated Andrés Segovia's concert at the White House as part of the initiatives promoted by PBS.[ citation needed ] In the same year, Klein toured the Boston Ballet in Europe for the first time, opening Nervi Festival. [12]
Klein managed Boston Ballet European tours in 1981 and 1983. [13] [14] [15] There was also a controversy around 1981 South African tour that had to be cancelled because of apartheid rules that could hurt principal dancer Augustus Van Heerden and other team members. [13] [14]
Throughout the 80s he brought several American musicals to Europe for the first time including Gladys Nederlander’s production of West Side Story with David Stahl as conductor (1981), [16] [1] [17] Hair (1984) [18] A Chorus Line (1986), [19] [20] [1] Liz Swados’ Esther, a Vaudeville Megillah (1988) [21] [22] and Mama, I Want to Sing! (1989). [23] In 1989 he produced a stage show Good Luck! based on popular TV series Fame with Gene Anthony Ray for Italy. [24]
Klein produced two American tours, one for La Scala Ballet and one for Les Ballets de Monte Carlo. The 1986 La Scala tour was the first ever tour of a major Italian dance company to the US, with Franco Zeffirelli’s staging of Swan Lake [25] and the 1987 tour of Les Ballets de Monte Carlo. It was their first US tour since 1917. [26] The company presented Les Sylphides , Le Corsaire , La fille mal gardée , The Prodigal Son and Prince Igor . [26]
In 1990 Klein brought John Krizanc’s Tamara play to Italy. [27] This immersive, interactive play about Tamara de Lempicka and eccentric Italian poet Gabriele d'Annunzio was first staged in Rome at Villa Brasini and then in Cernobbio (Como) at Villa Erba. [27] [28] In 1992, he arranged the tour of Pittsburgh Ballet Theatre to Taipei, Taiwan. [29]
During the 90s, Klein toured the world with his Opera Nazionale Italiana company [4] [9] featuring stars of Italian opera. He arranged tours to Spain and Mexico in 1991 [30] and to US and Canada several times between 1992 and 2000.
The American 1992 tour opened with Verdi’s Rigoletto [30] with the accompaniment of the Hungarian State Opera Orchestra. [31] Opera Nazionale Italiana toured the US again in 1998 with Mascagni's Cavalleria Rusticana and Leoncavallo's I Pagliacci [32] [33] and Verdi’s Otello in 1999. [34] Klein took Opera Nazionale Italiana to Portugal with Rigoletto in 1999. [35]
In 1992 Klein brought Joffrey Ballet to Torino and Palermo and in 1993 to Germany.[ citation needed ] In 1995, he brought Harlem Gospel to the Belem Opera House in Lisbon.[ citation needed ]
To commemorate the Verdi centennial in 2001, Klein produced and toured Viva Verdi! show with partner Particia Murray-Bett in the United Kingdom and Ireland featuring excerpts from Nabucco , Rigoletto, Il Trovatore and other Verdi operas. [36] [37] [38]
In 2002, Klein brought West Side Story to Italy again in 2002 performing in Ravenna, Palermo and Pistoia. [39] [40] [41] In 2002 he arranged the Arad Philharmonic of Romania to a US and Canada tour, Maestro Dorin Frandes conducting.[ citation needed ]
In 2003, Klein arranged the US tour for the Polish Philharmonic of Resovia with pianist Leopold Godowsky III, nephew of George Gershwin and grandson of the legendary pianist-composer Leopold Godowsky as the guest star at the Polish Cultural Institute in New York. [42] The following year he brought Broadway Tonite show to Warsaw, Poland. [43] In 2007, he presented Liza Minnelli at the Roman amphitheater in Taormina, Italy.[ citation needed ]
In June 2010, Klein staged an opera flash mob at the S. Ambrogio Market in Florence with professional opera singers performing arias from Verdi’s La traviata and Bizet’s Carmen. [44] [45] [46]
In 2011 he produced Ain't Misbehavin' musical directed by Richard Maltby and within 2 years toured Turkey, [47] France, [48] Germany, [49] Italy, [50] Greece, [51] Spain, [52] Israel, [53] and Hungary. [54]
In 2013, Klein started to work with the Spanish contemporary flamenco dance company Los Vivancos taking its Aeternum show with the Hungarian all-female band Maszka Band to London [55] and Budapest. [56] He also arranged Los Vivancos performance at the Beijing 2014 BTV Global Spring Festival TV show. [57] Also in August 2014 together with Patricia Murray-Bett he produced Los Vivancos concert at the Jersey Opera House. [58]
In 2017 Klein brought the winners of Hungarian Virtuosi show to New York's Weill Recital Hall at Carnegie Hall.[ citation needed ]
Peter Klein started to consider staging his own production of Porgy and Bess in 1991 when his Argentinian colleague asked him to bring the opera to Teatro Colón in Buenos Aires. [59] In 1992 he brought the existing production of the Virginia Opera company [4] [60] to an 18-performance tour of Latin America in April and May, with 9 performances at Teatro Colon. [61] Klein’s own production started touring US and Canada in January 1993. [3] In the 90s it was also known as the Charleston production as it debuted in Charleston and performed with the Charleston Symphony Orchestra (David Stahl, conductor). [60] [62]
The concept of the touring production was approved by George Gershwin’s heirs. [60] Leopold Godowsky III, the nephew of George Gershwin, helped Klein to develop the concept of the touring version [4] with shorter performance time [63] [64] and reduced number of musicians. [60] [63] The original cast had three pairs of lead actors: Brian Gibson and Elizabeth Graham, Andre Solomon-Glover and Vanessa Stewart, William Marshall and Claudette McCargo. [65]
Peter Klein’s Living Arts production of Porgy and Bess [66] [67] was presented in 23 countries [68] including the UK (1997, 1999), [69] [70] Australia and New Zealand (1997, 2006), [71] [66] [72] Egypt (2000), [66] China (2001), [66] Portugal (2003) [73] and Estonia (2008). [68] It has toured the US multiple times. [74] [75]
Porgy and Bess is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel of the same name.
Anne Brown was an American soprano for whom George Gershwin rewrote the part of "Bess" into a leading role in the original production of his opera Porgy and Bess in 1935.
Porgy and Bess, the opera by George Gershwin, has been recorded by a variety of artists since it was completed in 1935, including renditions by jazz instrumentalists and vocalists, in addition to operatic treatments.
Catfish Row, originally titled Suite from Porgy and Bess, is an orchestral work by George Gershwin based upon music from his famous opera Porgy and Bess. Gershwin completed the work in 1936 and it premiered at the Academy of Music in Philadelphia on January 21 of that year, with Alexander Smallens conducting the Philadelphia Orchestra. Gershwin played the piano part, including the piano solo in the opening moments. This piece preserves some of the darkest and most complex music Gershwin ever wrote.
Porgy and Bess: A Symphonic Picture is a 1942 orchestral medley arranged by George Gershwin's good friend and sometimes assistant, Robert Russell Bennett, which includes most of the best-known songs from the Gershwin opera Porgy and Bess, although not in the exact order of their appearance. Though the Symphonic Picture is sometimes dismissed as a sequence of the opera's "greatest hits," the first well-known melody, "Summertime," is not heard until nearly seven minutes into the work. While some of the more esoteric parts of the opera are absent, many of the catchier tunes that can be heard in this suite are absent in others, including Gershwin's own Catfish Row Suite, which tended to highlight the more cerebral elements of the work.
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Nicola Hughes is an English dancer, singer and actress of Antiguan descent.
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Porgy and Bess is a 1976 album by pianist Oscar Peterson and guitarist Joe Pass featuring music from George Gershwin's opera Porgy and Bess. This is the only album on which Peterson plays the clavichord.
Cape Town Opera (CTO) is a professional opera company in Cape Town, South Africa. CTO was founded in 1999 by the management and staff of the former South Africa Arts Council Opera and the Cape Performing Arts Board (CAPAB), itself a successor to the Cape Province Performing Arts Council and the previous Opera School at the South African College of Music at the University of Cape Town, which had been founded in the early 1920s under the Italian tenor Giuseppe Paganelli.
Donnie Ray Albert is an American operatic baritone who has had an active international career since 1976.
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Porgy and Bess is an album by Harry Belafonte and Lena Horne, released by RCA Victor in 1959. It features songs from George Gershwin's opera Porgy and Bess. Belafonte and Horne sing two songs together: "There's a Boat That's Leavin' Soon for New York" and "Bess, You Is My Woman Now". The album was re-issued on a 2-CD set in 2003 together with Jamaica by BMG Collectables in Stereo.
Robert Mosley was an American operatic bass-baritone. Part of the first generation of African-American opera singers to achieve wide success, he performed in numerous opera productions, recitals, and in concerts from the 1950s through the 1990s. In 1957 he won the Metropolitan Opera National Council Auditions. He drew particular acclaim for his portrayal of Porgy in George Gershwin's Porgy and Bess, a role which he portrayed in the landmark 1976 Houston Grand Opera production, on Broadway, and at the Metropolitan Opera among other opera companies both in the United States and in Europe.
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Isabelle Kabatu is a Belgian operatic soprano with a Congolese father and a Belgian mother. She has appeared internationally, with a focus on the Italian repertoire such as Verdi's La traviata and Aida, and Puccini's Manon Lescaut and Tosca. She appeared as Bess in Gershwin's Porgy and Bess beginning at the Houston Grand Opera and touring the world. In 2012, she appeared in the world premiere of Franck's youthful work Stradella.
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