Prophets of Rage | ||||
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Studio album by | ||||
Released | September 15, 2017 | |||
Recorded | 2016–2017 | |||
Studio | Henson Recording Studios, Los Angeles, California | |||
Genre | ||||
Length | 39:40 | |||
Label | Fantasy | |||
Producer | Brendan O'Brien | |||
Prophets of Rage chronology | ||||
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Prophets of Rage is the sole studio album by American rap rock supergroup Prophets of Rage, consisting of three members of Rage Against the Machine and Audioslave (bassist and backing vocalist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk), Public Enemy's DJ Lord and rapper Chuck D, and Cypress Hill rapper B-Real. The group formed in 2016 with a mission to "confront the injustices and be the soundtrack of resistance," and the primary message of Prophets of Rage is only the people themselves can solve the world's problems.
Released on September 15, 2017, by Fantasy Records, [4] [5] Prophets of Rage garnered very divided reviews, with favorable reviews praising the chemistry between the members of the supergroup and the harshness of the LP and critics that disliked the album panning the vague, one-dimensional lyrics. Commercially, however, the album debuted at number 16 on the American Billboard 200 chart, selling more than 21,000 copies in the United States in its first week of release, and also landed in the top 20 of charts of several European countries.
On April 12, 2016, CNN broadcast a story with the headline "Trump Rages Against the GOP Machine." [6] Tom Morello said in a Channel 4 interview, "We said, "you may not have that territory that belongs to us."" [7] This influenced him to form a supergroup with Rage Against the Machine members Brad Wilk and Tim Commerford, Public Enemy's Chuck D and DJ Lord, and Cypress Hill's B-Real to form the supergroup Prophets of Rage less than two months later. [8] They formed the band to "confront the injustices and be the soundtrack of resistance." [7]
In a June 2016 interview, Chuck D said that he was skeptical Prophets of Rage was going to make a full-length album: "I see us making no more than two or three songs at best that round us out because it has to come together organically and naturally." [9] However, the group then went into a rehearsal area to start conceiving songs, using the "momentum" from their live performances, and "as we were doing that the creative flow was great, because everyone had great ideas and everyone was open to each others’ ideas," B-Real explained. [10] The band was able to write ten songs in two weeks, [11] and most of the demos were finished in only around three months. [10]
The group then immediately got into the studio with producer and regular Rage Against the Machine collaborator Brendan O'Brien to record all of the songs. [10] As B-Real explained, "All of us have tremendous respect for Brendan O’Brien, we thought we definitely had something. He is a guy who is honest, brutally honest if you will, and he would have told us if we were standing on shit." [10] All of the songs were recorded in more than a month [12] and placed together on an album titled Prophets of Rage. [10]
"We’re not a supergroup. We’re an elite task force of revolutionary musicians determined to confront this mountain of election year bullshit, and confront it head-on with the Marshall stacks blazing."
As B-Real described Prophets of Rage:
What we tried to do was to make some rockin’ music, more than anything, and make our messages on it; things that are happening right now, relevant things that people are neglecting to talk about in their music – which is fine, everybody has their lane, and what they want to do, but we chose to be the voice of the people. [13]
Prophets of Rage is the most equivalent to the works of Rage Against The Machine for its use of harsh guitar riffs and sloganeering, [14] though it also contains the same funk rock rhythms as the works of Cypress Hill and Public Enemy. [2] Andy Cush, a critic for Spin , wrote that most of the album follows exactly the same structure: "a hulking riff to start; a lightly funky rapped verse; a shout-along chorus, maybe with the intro riff again, maybe a slightly different one." [15]
The main message of the group's music is that it's up to the people to fix the world's problems. [16] On the album, it's most shown in the song "Unfuck The World," a statement to many individuals that "if you want to see this change, you got to get up and orchestrate that happening." [11] As Chuck D sings on the track through a megaphone filter, "No hatred / Fuck racists / Blank faces / Time’s changin' / One nation / Unification / The vibration / Unfuck the world!" [2] "Hail to the Chief" is about how Donald Trump's silly antics are used as distractions to keep people's focus away from Mike Pence's "deathly" plans. [17] "Legalize Me" is about the legalization of marijuana, something B-Real usually advocated for. [16]
On May 8, 2017, Prophets of Rage premiered "Unfuck the World" while performing in Chile. [18] The track and its official music video were released on June 1, 2017. [12] The video was directed by Michael Moore, who also directed the video for the 2000 Rage Against the Machine single "Sleep Now in the Fire," [8] and is a collage of live performances of the group, Pepsi's "Live for Now" advertisement, and news footage of Donald Trump, police brutality, factory farming, nuclear bombs, poor neighborhoods, and celebrities. [12] "Living On The 110" was issued as the album's second single on July 12, 2017 [19] and was performed by the band on The Tonight Show Starring Jimmy Fallon on September 12, 2017. [20] The song's video, released on July 21, 2017, depicts Prophets of Rage playing the song while statistics about poverty and wealth inequality in the United States occasionally appear. [21] [22] Near the video's end, it includes a sample of Nelson Mandela saying, "Overcoming poverty is not a gesture of charity. It is an act of justice. It is the protection of a fundamental human right. The right to dignity and a decent life. While poverty exists, there is no true freedom." [21]
Prophets of Rage's third single, "Radical Eyes," was released on August 7, 2017, [23] its video, a collection of footage of protests of events such as the 1960s civil rights movement and the Unite the Right rally in Charlottesville. [24] On September 20, 2017, the music video for "Hail to the Chief" was released. [25] Directed and produced by David C. Snyder and Carl Ryder, [26] it depicts the White House as a Trump Tower with African-Americans hanging in the front lawn and Trump's head imposed onto a cowboy shooting Hillary Clinton [25] and members of the Nazi party doing the salute. [25] [27] Mike Pence is in the visuals praising Trump's action, putting him "as the actual person controlling the nation while constantly lurking in the background," wrote Eddie Fu. [25] "Strength in Numbers" was issued on September 5, 2017, [28] its music video on October 16. [29] The videos samples footage about and related to NFL players protesting by kneeling during the National Anthem. [29] Prophets of Rage livestreamed the track "Legalize Me" on September 7, 2017. [30] On November 2, 2017, the group wrote a post on Facebook asking fans to submit pictures and videos of themselves holding a sign saying "Legalize Me" while lip-syncing to the song's chorus for a music video of "Legalize Me." [31] However, a music video for the song was never released.
Released worldwide on September 15 by Fantasy Records, Prophets of Rage debuted at number 16 on the United States Billboard 200 chart, selling over 21,000 copies in the nation in its first week. [32] The album also peaked in the top-twenty of several European and Oceanic nations such as the United Kingdom (#6), France (#8), Germany (#14), New Zealand (#4), and Australia (#11). [32]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 5.3/10 [33] |
Metacritic | 54/100 [34] |
Review scores | |
Source | Rating |
The A.V. Club | D [14] |
Classic Rock | [35] |
Consequence of Sound | C− [36] |
Exclaim! | 6/10 [37] |
The Guardian | [1] |
Mojo | [34] |
NME | [38] |
Pitchfork | 4.6/10 [39] |
Q | [34] |
Rolling Stone | [40] |
Prophets of Rage was met with "mixed or average" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 54 based on 19 reviews. [34] Its detractors mainly criticized the record's non-specific, unmoving one-dimensional political messages and bland musical style. [14] [2] [1] [15] [39] [36] Some reviewers even criticized the unoriginal statements of the album's promotional material, including its music videos, cover art, and merchandise. [39] [41] [36] Some critics claimed the album had more of a focus on nostalgia for the groups the members derived from than its political themes. [36] [42] Clayton Purdom of The A.V. Club called Prophets of Rage "trainwreck bad—latter-day Limp Bizkit bad, "Magnets, how do they work" bad." [14] Cush wrote that most of the album follows exactly the same structure but got "even worse" in the few moments where it goes out of that formula. [15] Exclaim! found the lyrics to be all over the place from "walk[ing] a line between accessibility and on-the-nose-ness" to "ruinously bad." [37]
Chuck D's performance was another common criticism, [39] [14] [41] some opining he was more suited to 1990s hip-hop instrumentals than Rage Against the Machine's style of rock that's persistent on Prophets of Rage. [41] [14] Punknews.org's Ricky Frankel panned the use of auto-tune processing on B-Real's voice, [43] and Pitchfork 's Evan Rytlewski wrote that "he stick-and-moves with all the dexterity of the Kool-Aid Man." [39] However, Rytlewski found the album to be better than the group's EP The Party's Over (2016), "which introduced a band seemingly less interested in justice than a quick buck. [On Prophets of Rage], there’s no questioning that their hearts are in it." [39]
Some of Prophets of Rage's favorable reviews mainly enjoyed the album's furious tone, [38] [44] [45] Jordan Bassett of NME writing, "This is not a subtle record, but these are not subtle times. So grab a Marshall stack, put it through a fascist’s window and let’s start the revolution. Now." [38] Glenn Gamboa of Newsday highlighted how "each song has multiple layers that all make the song stronger, like fingers closing into a raised fist." [46] Some writers praised the chemistry between the members of the band, especially the mixture of Chuck D's harsh baritone rapping and B-Real's bright snarly voice. [35] [46] [47] However, Guy Oddy of The Arts Desk was disappointed with the lack of prominence of DJ Lord on the LP. [45]
Publication | Accolade | Rank |
---|---|---|
Classic Rock | The 50 Best Albums of 2017 | 19 [48] |
The Digital Fix | The Music Fix Albums of 2017 | — [49] |
Fopp | The Best in 2017 | 56 [50] |
Kerrang! | Albums Of 2017 | 24 [51] |
All tracks are written by Tom Morello, Tim Commerford, Brad Wilk, Carlton Ridenhour, Louis Freese
No. | Title | Length |
---|---|---|
1. | "Radical Eyes" | 3:22 |
2. | "Unfuck the World" | 4:10 |
3. | "Legalize Me" | 3:35 |
4. | "Living on the 110" | 3:48 |
5. | "The Counteroffensive" | 0:37 |
6. | "Hail to the Chief" | 4:08 |
7. | "Take Me Higher" | 3:47 |
8. | "Strength in Numbers" | 3:08 |
9. | "Fired a Shot" | 3:28 |
10. | "Who Owns Who" | 3:28 |
11. | "Hands Up" | 2:39 |
12. | "Smashit" | 3:25 |
Total length: | 42:12 |
Prophets of Rage
Additional personnel
Chart (2017) | Peak position |
---|---|
Australian Albums (ARIA) [52] | 11 |
Austrian Albums (Ö3 Austria) [53] | 12 |
Belgian Albums (Ultratop Flanders) [54] | 13 |
Belgian Albums (Ultratop Wallonia) [55] | 15 |
Canadian Albums (Billboard) [56] | 17 |
Czech Albums (ČNS IFPI) [57] | 58 |
Dutch Albums (Album Top 100) [58] | 36 |
French Albums (SNEP) [59] | 16 |
German Albums (Offizielle Top 100) [60] | 14 |
Irish Albums (IRMA) [61] | 16 |
Italian Albums (FIMI) [62] | 96 |
New Zealand Albums (RMNZ) [63] | 4 |
Polish Albums (ZPAV) [64] | 24 |
Scottish Albums (OCC) [65] | 5 |
Spanish Albums (PROMUSICAE) [66] | 30 |
Swiss Albums (Schweizer Hitparade) [67] | 3 |
UK Albums (OCC) [68] | 6 |
UK Rock & Metal Albums (OCC) [69] | 2 |
US Billboard 200 [70] | 16 |
US Top Alternative Albums (Billboard) [71] | 4 |
US Top Rock Albums (Billboard) [72] | 4 |
Rage Against the Machine was an American rock band formed in 1991 in Los Angeles, California. The band consisted of vocalist Zack de la Rocha, bassist and backing vocalist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk. They melded heavy metal and rap music, punk rock and funk with anti-authoritarian and revolutionary lyrics. As of 2010, they had sold over 16 million records worldwide. They were inducted into the Rock and Roll Hall of Fame in 2023.
Audioslave was an American rock supergroup formed in Glendale, California, in 2001. The four-piece band consisted of Soundgarden's lead singer and rhythm guitarist Chris Cornell with Rage Against the Machine members Tom Morello, Tim Commerford, and Brad Wilk (drums). Critics first described Audioslave as a combination of Soundgarden and Rage Against the Machine, but by the band's second album, Out of Exile, it was noted that they had established a separate identity. Their unique sound was created by blending 1970s hard rock and 1990s alternative rock, with musical influences that included 1960s funk, soul and R&B. As with Rage Against the Machine, the band prided themselves on the fact that all sounds on their albums were produced using only guitars, bass, drums, and vocals, with emphasis on Cornell's wide vocal range and Morello's unconventional guitar solos.
Rage Against the Machine is the debut studio album by American rock band Rage Against the Machine. It was released on November 3, 1992, by Epic Records, one day after the release of the album's first single, "Killing in the Name". The album was based largely on the band's first commercial demo tape of the same name, completed 11 months prior to the album's release. The tape contained earlier recordings of seven of the ten songs.
Audioslave is the debut studio album by American rock supergroup Audioslave, released on November 18, 2002, through Epic Records and Interscope Records. In the United States, it has been certified triple platinum by the Recording Industry Association of America. The album spawned the singles "Cochise", "Like a Stone", "Show Me How to Live", "I Am the Highway", and "What You Are"; "Like a Stone" was nominated for Best Hard Rock Performance at the 46th Grammy Awards.
Thomas Baptist Morello is an American guitarist, singer, songwriter, and political activist. He is known for his tenure with the rock bands Rage Against the Machine and Audioslave. Between 2016 and 2019, Morello was a member of the supergroup Prophets of Rage. Morello was also a touring musician with Bruce Springsteen and the E Street Band. Under the moniker the Nightwatchman, Morello released his solo work. Together with Boots Riley, he formed Street Sweeper Social Club. Morello co-founded Axis of Justice, which airs a monthly program on Pacifica Radio station KPFK in Los Angeles.
Timothy Commerford is an American musician, best known as the bassist and backing vocalist for rock band Rage Against the Machine and supergroups Audioslave and Prophets of Rage. Since 2013 and 2015, respectively, he has also been the lead singer and bassist of the bands Future User and Wakrat.
Bradley Joseph Wilk is an American drummer. He is best known as a member of the rock bands Rage Against the Machine, Audioslave, and Prophets of Rage (2016–2019).
Out of Exile is the second studio album by American rock supergroup Audioslave, released on May 23, 2005, internationally, and a day later in the United States, through Epic Records and Interscope Records. It is the band's only album to chart at number one on the Billboard 200 chart. The album spawned the singles "Be Yourself", "Your Time Has Come", "Doesn't Remind Me", and "Out of Exile"; "Doesn't Remind Me" was nominated for Best Hard Rock Performance at the 48th Grammy Awards.
"Killing in the Name" is a song by the American band Rage Against the Machine, and appears on their 1992 self-titled debut album. It features heavy drop-D guitar riffs. The lyrics protest police brutality, inspired by the beating of Rodney King and the 1992 Los Angeles riots.
"Cochise" is a song by American rock supergroup Audioslave. It was released as the lead single from their self-titled debut studio album on September 25, 2002, through Epic Records. The band produced the song alongside Rick Rubin. The song reached number 69 on the Billboard Hot 100 as well as the top ten of both the Mainstream Rock and Alternative Songs charts.
Revelations is the third and final studio album by American rock supergroup Audioslave, released on September 4, 2006 internationally and a day later in the United States through Epic Records and Interscope Records. Chris Cornell quit the band in February 2007 and the remaining members disbanded Audioslave rather than looking for a new vocalist since they were busy with a reunion of Rage Against the Machine.
"Show Me How to Live" is a song by the American rock supergroup Audioslave. It was released in June 2003 as the third single from their first album, Audioslave, released in 2003. It peaked at number 67 on the Billboard Hot 100 singles chart, number 2 on the Mainstream Rock Tracks and number 4 in the Modern Rock Tracks.
"Doesn't Remind Me" is a song by the American rock supergroup Audioslave, released in July 2005 as the third single from their second studio album Out of Exile. The song was nominated for a Grammy Award for Best Hard Rock Performance at the 48th Grammy Awards.
"Like a Stone" is a song by the American rock supergroup Audioslave, released as the second single from their eponymous debut studio album Audioslave on January 20, 2003. The song topped both the Billboard Hot Mainstream Rock Tracks and Hot Modern Rock Tracks charts, and reached number 31 on the Hot 100 chart, making it their biggest US hit. "Like a Stone" has been certified Gold by the Recording Industry Association of America (RIAA), Australian Recording Industry Association (ARIA), and Associação Fonográfica Portuguesa (AFP). It is also certified Silver by the British Phonographic Industry (BPI). It became the fifth best performing alternative song on the Alternative Songs chart of the decade and the eighth best performing rock song on the Mainstream Rock chart of the decade.
The discography of Audioslave, an American hard rock band, consists of three studio albums, two extended plays (EPs), fourteen singles, two video albums and ten music videos. Formed in Los Angeles, California in 2001, Audioslave was a supergroup featuring vocalist Chris Cornell alongside three former members of Rage Against the Machine: guitarist Tom Morello, bassist Tim Commerford and drummer Brad Wilk. Signed to Epic and Interscope Records, the band released its self-titled debut album in November 2002, which peaked at number 7 on the US Billboard 200. Supported by five singles, all of which reached the top ten of the Billboard Mainstream Rock Songs chart, Audioslave was certified triple platinum by the Recording Industry Association of America (RIAA). The band's first video album, also self-titled, was released in 2003 and reached number 5 on the Billboard Top Music Videos chart, receiving a gold certification from the RIAA.
This is the discography of Tom Morello, an American rock guitarist who is most known for his work with the bands Rage Against the Machine, Audioslave, Street Sweeper Social Club and as his folk alter-ego The Nightwatchman. Morello started playing guitar in the mid 80's in the band Electric Sheep together with future Tool guitarist Adam Jones on bass. After graduating cum laude from Harvard University in 1986 with a BA in political science, he moved to Los Angeles, where he briefly worked as an aide to Senator Alan Cranston. Later Adam Jones moved to L.A. as well; Morello introduced Jones and Maynard James Keenan to Danny Carey, who would come to form the band Tool. In the late 80's Morello was recruited to replace original guitar player Mike Livingston in the rock band Lock Up. In 1989 the band released its only album Something Bitchin' This Way Comes. In 1991, Morello left Lock Up to start a new band. After being impressed by Zack de la Rocha freestyle rapping, he invited him to join. He also recruited Brad Wilk, who had previously auditioned as a drummer for Lock Up. Zack convinced his childhood friend Tim Commerford to join as the band's bass player.
Monica Hampton is a New York-based narrative and documentary filmmaker. Her documentary film credits include Michael Moore's Fahrenheit 9/11, Heavy Metal in Baghdad, the 2008 documentary on Iraqi heavy metal band Acrassicauda and the 2008 documentary Slacker Uprising, a film about Michael Moore's 2004 tour across the United States. In 2005 she joined VICE (magazine) as Head of Production and Post Production of a new division of Vice Media created to make videos and documentaries, at the time the network would be called VBS.tv and would launch online in 2007. In 2000 she produced Kevin Smith's View Askew Productions' Vulgar, a narrative film directed by Bryan Johnson. She began her film career as an assistant director and production manager on low budget indie films in New York including Palookaville, Wishful Thinking and Chasing Amy. She appears in front of the camera uncredited in Chasing Amy, Dogma and Vulgar. She produced Barnaby Clay's documentary Shot! The Psycho-Spiritual Mantra of Rock (2016) about rock photographer Mick Rock and a documentary entitled Tickling Giants on Egypt's Bassem Youssef. Both films premiered at the 2016 Tribeca Film Festival and both films were released theatrically in 2017.
Future User are an American rock band from Los Angeles, California, formed in 2013, consisting of bass guitarist Tim Commerford, multi-instrumentalist Jordan Tarlow and drummer Jon Knox. They describe their music as "Progtronic", combining electronic music with progressive rock. They have released one album, SteroidsOrHeroin, in 2015.
Wakrat is an American trio composed of Tim Commerford, Mathias Wakrat and Laurent Grangeon. The heavily alt-punk-influenced group released their self-titled debut album in 2016.
Prophets of Rage was an American rap rock supergroup. Formed in 2016, the group consisted of three members of Rage Against the Machine and Audioslave, two members of Public Enemy, and rapper B-Real of Cypress Hill. The band disbanded in 2019, following the reuniting of Rage Against the Machine. During its three-year existence, Prophets of Rage released one EP and one full-length studio album.