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The song "Rebel Warrior" appeared on British musical group Asian Dub Foundation's 1995 debut album, Facts and Fictions , and also on the group's fourth album, Community Music , under a slightly different arrangement. The song was inspired by the poem Bidrohi , translated from Bengali as "The Rebel", and written by Kazi Nazrul during the 1920s.
Kazi Nazrul was a Bengali poet, patriot and composer during the end of the colonial era in India who supported Indian unity. [1] Nazrul wrote Bidrohi as a call to arms for those who were oppressed in India by the British and a call for unity between Muslims and Hindus. The poem politically and metaphorically called for Indians to oppose British colonialism, by physically taking the government back and by mentally removing the imitation of British ideals and ideas from the country and returning to more traditional ways. His poem was the first aggressive poem published against colonialism and it was immediately successful and popular with both Muslims and Hindus. In his quest to unify India, Nazrul attempted to make Hindus and Muslims overlook their internal issues with each other and instead fight against the British. Kazi Nazrul went on to write more poems, as well as the first Bengali protest music, though he was later arrested for his outspoken beliefs, becoming one of the most important men in the Indian independence movement. [2]
Asian Dub Foundation roughly translated the original text of Bidrohi on their track "Rebel Warrior" and used the song to support a modern take on Nazrul's original stance. The poem was chosen in part because of its significance to the Indian independence movement and because of its place in Indian traditional culture and its powerful and unifying lyrics. It speaks out against neo-colonialism, both in England and South Asia, while also expanding the message to oppose modern racism in post-colonial England and the Western world in general. [3]
The lyrics, mostly taken from the original poem, aggressively encourage anger and resistance against the hegemonic West and call for people to stand up against racism by actively fighting the oppressor, even to the point of ending the Western empire. This parallels Nazrul's original message, in which he challenged people to stand up and battle colonialism by fighting back. The song also says that part of ending racism is ending divisions between cultures, using the metaphor of the siren and flute and saying that these divisions exist only in the mind. Asian Dub Foundation's version brings the original's message to a wider Western audience through its lyrics and modern hip-hop and South Asian infused sound, and acts to strengthen South Asian identity through its reminder of shared past struggles. [4]
The music of Bangladesh spans a wide variety of styles. Bangladesh claims some of the most renowned singers, composers and producers in Asia. Music has served the purpose of documenting the lives of the people and was widely patronized by the rulers. It comprises a long tradition of religious and regular song-writing over a period of almost a millennium.
"Amar Sonar Bangla" is the national anthem of Bangladesh. An ode to Mother Bengal, the lyrics were written by Bengali polymath Rabindranath Tagore in 1905, while the melody of the hymn was adopted from the Baul singer Gagan Harkara's song "Ami Kothay Pabo Tare" set to Dadra Tala. The modern instrumental rendition was arranged by Bangladeshi musician Samar Das.
Bengali poetry is a rich tradition of poetry in the Bengali language and has many different forms. Originating in the Bengal region of South Asia, the history of Bengali poetry underwent three successive stages of development: poetry of the early age, the Medieval period and the age of modern poetry. All ages have seen different forms of poetry and poetical tradition. It reached the pinnacle during the Bengali Renaissance period although it has a rich tradition and has grown independent of the movement. Major Bengali Poets throughout the ages are Chandidas, Alaol, Ramprasad Sen, Michael Madhusudan Dutt, Nabinchandra Sen, Rabindranath Tagore, Dwijendralal Ray, Satyendranath Dutta, Kazi Nazrul Islam, Jibanananda Das, Jasimuddin, Sukanta Battacharya, Al Mahmud.
Kazi Nazrul Islam was a Bengali poet, writer, musician, and is the national poet of Bangladesh. Nazrul is regarded as one of the greatest poets in Bengali literature. Popularly known as Nazrul, he produced a large body of poetry, music, messages, novels, stories, etc. with themes that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi". His compositions form the avant-garde music genre of Nazrul Gīti.
Bengali music comprises a long tradition of religious and secular song-writing over a period of almost a millennium. Composed with lyrics in the Bengali language, Bengali music spans a wide variety of styles.
Nazrul Sangeet, also Nazrul Geeti, refers to the songs written and composed by Kazi Nazrul Islam, the national poet of Bangladesh. Nazrul Geeti incorporate revolutionary notions as well as more spiritual, philosophical and romantic themes. Nazrul wrote and composed nearly 4,000 songs, which are widely popular in Bangladesh and India. Some of the most notable Nazrul Sangeet include Notuner Gaan, the national marching song of Bangladesh and O Mon Romzaner Oi Rozar Sheshe, an Islamic song on the festival of Eid-ul-Fitr and Jago Jogmaya Jago Mrinmoyee, a Durga Vandana on the festival of Durga Puja.
Hustlers HC was an Asian hip hop group based in West London, England. The group formed in 1991, and consisted of three members: two rappers, The Hustler MC and Ski-Man, and DJ Mitts. Hustlers HC were the first Sikh rap crew to come out of the United Kingdom with a strong socio-political message. They did much to bridge religious divides in the Asian community as well as creating much respect for Sikhs in the Rap fraternity. Hustlers HC were also responsible, along with DJ Ritu, for organising and maintaining one of the first and most respected Asian club nights in London, Bombay Jungle at the Wag Club. The trio made their first television appearance on the series Rhythm & Raag in 1992.
The Bengal Renaissance, also known as the Bengali Renaissance, was a cultural, social, intellectual, and artistic movement that took place in the Bengal region of the British Raj, from the late 18th century to the early 20th century. Historians have traced the beginnings of the movement to the victory of the British East India Company at the 1757 Battle of Plassey, as well as the works of reformer Raja Rammohan Roy, considered the "Father of the Bengal Renaissance," born in 1772. Nitish Sengupta stated that the movement "can be said to have … ended with Rabindranath Tagore," Asia's first Nobel laureate.
Fun-Da-Mental is a British-based multi-ethnic hip-hop–ethno-techno–world fusion music group formed in 1991. The group is notable for its energetic fusion of Eastern and Western musical forms, for its outspoken political stance, and for its strong Islamic affiliation and advocacy. Fun-Da-Mental's political stance has led to the group earning the label "the Asian Public Enemy". The group's work has led to international attention and collaborations with artists from Pakistan, South Africa and Siberia.
Sukanta Bhattacharya was a Bengali poet and playwright.
The culture of Bengal defines the cultural heritage of the Bengali people native to eastern regions of the Indian subcontinent, mainly what is today Bangladesh and the Indian states of West Bengal and Tripura, where the Bengali language is the official and primary language. Bengal has a recorded history of 1,400 years. The Bengali people are its dominant ethnolinguistic group. The region has been a historical melting point, blending indigenous traditions with cosmopolitan influences from pan-Indian subcontinental empires. Bengal was considered to be the richest part of Islamic medieval India and during the era of the Bengal Sultanate it was described to be a major trading nation in the world, while during Mughal times, having triggered the proto-industrialization, its economy was worth 12% of global GDP. However, significant socio-economic inequalities existed during this period. As a part of the Bengal Presidency, it also hosted the region's most advanced political and cultural centers during British rule. Historically Feudalism has been widespread in the entire eastern Indian region. The feudal system flourished to a large extent under the British administration, which served as a means to exploit the Indian peasants by the British colonizers. This created a class of rich landlords in Bengal and a large population of poor peasants. It is noteworthy that a major portion of the Bengali intellectual community during the British era emerged from this wealthy class of landlords, as primarily they belonged to well educated families and got the economic opportunities to receive English education, often from abroad. The lower social classes remained in abject poverty and illiteracy. Thus, although the contribution of the Bengali intellectual community has been immense towards literature, science, politics and the Indian freedom movement, but still as it flourished under an exploitative imperial government, it mostly constituted of individuals belonging to the wealthy landlord families.
"Bidrohi" is a popular revolutionary Bengali poem and the most famous poem written by Kazi Nazrul Islam in December 1921. Originally published in several periodicals, the poem was first collected in October 1922 in a volume titled Agnibeena: the first anthology of Nazrul's poems. Many has seen, in this poem, elements of romanticism, heroism, and love. Syed Ali Ahsan wrote that the poem was inspired by Walt Whitman's "Song of Myself".
Notuner Gaan, more popularly known as Chol Chol Chol, is the national march of Bangladesh, whose lyrics and tune were written by national poet Kazi Nazrul Islam in 1928. It was first published in the newspaper Shikha with the title Notuner Gaan and was later included in Nazrul's book Shondha. The Bangladeshi government adopted this song as the national marching song of Bangladesh on 13 January 1972 in its first meeting after the country's independence. The first lines of the song are played at most military ceremonies or functions. The Daily Star has referred to it as the national military song.
The national symbols of Bangladesh consist of symbols to represent Bangladeshi traditions and ideals that reflect the different aspects of the cultural life and history. Bangladesh has several official national symbols including a historic document, a flag, an emblem, an anthem, memorial towers as well as several national heroes. There are also several other symbols including the national animal, bird, flower and tree.
Baṅgamātā, Bangla Maa, Mother Bengal or simply বাংলা/ Bangla, is a personification of Bengal created during the Bengali Renaissance and later adopted by the Bengali nationalists. In Bangladeshi poetry, literature and patriotic song, she has become a symbol of Bangladesh, considered as a personification of the Republic. The Mother Bengal represents not only biological motherness but its attributed characteristics as well – protection, never ending love, consolation, care, the beginning and the end of life.
Bengali Muslims are adherents of Islam who ethnically, linguistically and genealogically identify as Bengalis. Comprising about two-thirds of the global Bengali population, they are the second-largest ethnic group among Muslims after Arabs. Bengali Muslims make up the majority of Bangladesh's citizens, and are the largest minority in the Indian states of West Bengal, Tripura and Assam.
Nazrul Tirtha is a cultural and educational center dedicated to the rebel poet Kazi Nazrul Islam. The center is situated in Action Area - I of New Town, Kolkata. It is only 2.50 kilometers away from Rabindra Tirtha. West Bengal Chief Minister Mamata Banerjee inaugurated the center on 24 May 2014 to mark the occasion of the 115th birth anniversary of the poet.
Abbasuddin Ahmed was a Bengali folk song composer and singer born in the Bengal province of British India. He was known for Bhawaiya folk song which is a style commonly found in Rangpur, Undivided Goalpara district and Cooch Behar
Pralayollas, also known after its first line as Tora sab jayadbhani kar is a popular revolutionary Bengali song set to Dadra Tala, whose lyrics and tune were written by national poet Kazi Nazrul Islam in 1921. It was the first revolutionary Bengali poem collected in early 1922 in a volume titled Agnibeena: the first anthology of Nazrul's poems.
Hooghly Jail or the Hooghly District Correctional Home, is a prison and itself a heritage building situated at Hugli-Chuchura in the Indian state of West Bengal.