Rough 'n' Tumble | ||||
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Studio album by | ||||
Released | October 1966 | |||
Recorded | July 1, 1966 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 37:09 | |||
Label | Blue Note | |||
Producer | Alfred Lion | |||
Stanley Turrentine chronology | ||||
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Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. [1] The album reached No. 20 on the Billboard Top Soul Albums chart. [2]
Rough and Tumble was produced by Alfred Lion and arranged by Duke Pearson. Artists such as Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Grant Green, Bob Cranshaw, and Mickey Roker performed upon the album. [1]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Jason Elias awarded the album 3 stars and states "the star of the show is Turrentine, and his warmth and playing make this a necessity, especially for fans '60s pre-funk Blue Note jazz". [3]
Chart (2022) | Peak position |
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German Albums (Offizielle Top 100) [5] | 53 |
Melbourne Robert Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
James Ralph Spaulding Jr. is an American jazz saxophonist and flutist.
Granville William "Mickey" Roker was an American jazz drummer.
Standards is an album by the jazz trumpeter Lee Morgan, released on the Blue Note label. It was recorded on January 13, 1967, but not released until 1998; it contains performances by Morgan, Wayne Shorter, Herbie Hancock, Ron Carter, Billy Higgins, James Spaulding, Pepper Adams and Mickey Roker, with arrangements by Duke Pearson.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Live at Newport is the fifth and first live album by jazz pianist McCoy Tyner. It features performances from bassist Bob Cranshaw and drummer Mickey Roker, with trumpeter Clark Terry and alto saxophonist Charlie Mariano appearing on three of the five tracks.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Hustlin' is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Kenny Burrell, Bob Cranshaw, and Otis Finch.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until the 1980s, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
Mr. Natural is the twelfth album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1980 as LT 1075, and performed by Turrentine with Lee Morgan, McCoy Tyner, Bob Cranshaw, Elvin Jones and Ray Barretto.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
The Return of the Prodigal Son is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson featuring McCoy Tyner.
Sweet Honey Bee is an album by American jazz pianist and composer Duke Pearson, released on the Blue Note label in 1967. The woman on the cover was Pearson's fiancee Betty.
Honeybuns is the seventh album by American pianist and arranger Duke Pearson featuring performances by Pearson's nonet recorded in 1965 and released on the Atlantic label in 1966.
Introducing Duke Pearson's Big Band is the eleventh album by American pianist and arranger Duke Pearson, featuring big band performances recorded in 1967 and released on the Blue Note label. The album was rereleased with six bonus tracks from Now Hear This, Pearson's 1968 big band recording, on a single CD in 1998.
Solid is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.
Boss Horn is an album by American trumpeter Blue Mitchell recorded in 1966 and released on the Blue Note label.