Rum Sodomy & the Lash

Last updated

Rum Sodomy & the Lash
Rum sodomy and the lash.jpg
Studio album by
Released5 August 1985
StudioElephant Studios, Wapping, London
Genre
Length42:55
Label Stiff (UK & Europe)
MCA (US & Canada)
Producer Elvis Costello
The Pogues chronology
Red Roses for Me
(1984)
Rum Sodomy & the Lash
(1985)
Poguetry in Motion
(1986)
Singles from Rum Sodomy & the Lash
  1. "A Pair of Brown Eyes"
    Released: 18 March 1985
  2. "Sally MacLennane"
    Released: 10 June 1985
  3. "Dirty Old Town"
    Released: 19 August 1985

Rum Sodomy & the Lash is the second studio album by the London-based folk punk band The Pogues, released on 5 August 1985. [2] The album reached number 13 on the UK charts. The track "A Pair of Brown Eyes", based on an older Irish tune, reached number 72 on the UK singles chart. "The Old Main Drag" later appeared on the soundtrack to the film My Own Private Idaho .

Contents

Album title

The album's title is taken from a quotation attributed [3] to Winston Churchill: [4] "Don't talk to me about naval tradition. It's nothing but rum, sodomy, and the lash." The title was suggested by drummer Andrew Ranken, who said "it seemed to sum up life in our band". [4]

Album cover

The cover artwork is an altered version of The Raft of the Medusa , a Romantic-era painting by Theodore Géricault, with the band members' heads, painted by Peter Mennim, [5] replacing those of various figures on the raft. [6]

Recording

Elvis Costello, whose manager Jake Riviera approached the band, was originally employed to produce two songs for a single, "A Pair of Brown Eyes" and "Sally MacLennane", but after recording at Elephant Studios in Wapping was extended Costello agreed to record the entire album. [7] Chevron later said, "The Pogues needed, more than anything, not to be not so much as produced as facilitated. Recording the band as live as possible, but with a great deal of natural acoustic presence in the instruments - was quite a revolutionary thing to do 1985." Costello said, "I saw my task was to capture them in their dilapidated glory before some more professional producer fucked them up." [8]

Critical reception and accolades

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [9]
The Irish Times Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [10]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [11]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [12]
Record Mirror 4/5 [13]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [14]
Sounds Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [15]
Spin Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]
Uncut Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [17]
The Village Voice A [18]

Rum Sodomy & the Lash received very positive reviews from critics. Melody Maker 's Adam Sweeting said, "The brightest, most intense moments of Rum ... aren't about particularities of style or delivery. This is, apart from anything else, music to hang on to other people by to stave off brutal fact and the weight of history. While The Pogues make music for drunks as well, probably, as anyone has they're also dragging an oft-ignored folk tradition into the daylight with an altogether improbable potency ... Rum ... has soul, if not a great deal of innovation, and somewhere among the glasses and the ashtrays lie a few home truths." [19] Sounds ' Jane Simon called Rum Sodomy & the Lash "the finest slice of story-telling your heart could wish for". [15] David Quantick of NME described the record as "a collection of free-ranging stuff to be sure; from the funereal folk ballad to the near spaghetti-western instrumental, raucous celebration to brown study, cheerful melody to downright strangeness. It's never sentimental, it's rarely polite, and it's certainly not ordinary ... Rum Sodomy and the Lash is more than the best record The Pogues could be expected to make at this time. It's more than a brilliant example of a band using its resources in an imaginative manner. It's probably the best LP of 1985." [20] Robert Christgau of The Village Voice wrote that "none of it would mean much without the songs—some borrowed, some traditional, and some proof that MacGowan can roll out bitter blarney with the best of his role models." [18]

In a retrospective review, Mark Deming of AllMusic stated that Rum Sodomy & the Lash "falls just a bit short of being the Pogues' best album, but was the first one to prove that they were a great band, and not just a great idea for a band." [9] Daniel Bristow of the Irish music website CLUAS awarded the album an eight out of ten, calling it "a record that will never cease to delight, always a pleasure to hear and highly, highly recommended if you're not familiar with it already". [21] Mark Cooper of Q described the record as "a proud, defiant bruise of an album that manages to be both profoundly bleak and immoderately romantic and it remains MacGowan's and The Pogues' finest hour". [12] Uncut 's Jon Wilde wrote that "the most startling thing about their second album was the steep ascendancy of MacGowan's songwriting", [17] while Spin 's Jon Dolan said that the album contained "some of the purest toothless lyricism in punk-rock history." [16]

In 2000, Q placed Rum Sodomy & the Lash at number 93 in its list of the 100 Greatest British Albums Ever. In 2012, the album was ranked number 440 on Rolling Stone's The 500 Greatest Albums of All Time list. [22] Pitchfork named it the 67th best album of the 1980s. [23] The album was also included in the book 1001 Albums You Must Hear Before You Die . [24]

Reissues

A remastered and expanded version of Rum, Sodomy & the Lash was released for compact disc by WEA in the European market on 11 January 2005; this re-issue was released on September 19, 2006, by Rhino Records in the United States. The remastered disc added six bonus tracks, including the entirety of the Poguetry in Motion EP and the B-sides to "Dirty Old Town" – "A Pistol for Paddy Garcia" on seven-inch and "The Parting Glass" on twelve-inch singles. The reissue included liner notes by David Quantick and a poem about the Pogues by Tom Waits. [21]

Track listing

Standard edition – Side one
No.TitleWriter(s)Length
1."The Sick Bed of Cúchulainn" Shane MacGowan 2:59
2."The Old Main Drag"MacGowan3:19
3."The Wild Cats of Kilkenny"MacGowan, Jem Finer 2:48
4."I'm a Man You Don't Meet Every Day"Traditional; arranged by the Pogues2:55
5."A Pair of Brown Eyes"MacGowan4:54
6."Sally MacLennane"MacGowan2:43
Standard edition – Side two
No.TitleWriter(s)Length
1."Dirty Old Town" Ewan MacColl 3:45
2."Jesse James"Traditional; arranged by the Pogues2:58
3."Navigator" Phil Gaston 4:12
4."Billy's Bones"MacGowan2:02
5."The Gentleman Soldier"Traditional; arranged by the Pogues2:04
6."And the Band Played Waltzing Matilda" Eric Bogle 8:10
Bonus tracks (2005 reissue)
No.TitleWriter(s)Originally fromLength
13."A Pistol for Paddy Garcia"FinerB-side of "Dirty Old Town"2:31
14."London Girl"MacGowan Poguetry in Motion EP3:05
15."Rainy Night in Soho"MacGowanPoguetry in Motion EP5:36
16."Body of an American"MacGowanPoguetry in Motion EP4:49
17."Planxty Noel Hill"FinerPoguetry in Motion EP3:12
18."The Parting Glass"Traditional; arranged by the PoguesB-side of "Dirty Old Town" 12-inch single2:14

Personnel

Credits are adapted from the liner notes of Rum Sodomy & the Lash and Poguetry in Motion, except where noted. [5] [25]

Charts

Chart (1985–1986)Peak
position
Australia (Kent Music Report) [28] 89
New Zealand Albums (RMNZ) [29] 17
Swedish Albums (Sverigetopplistan) [30] 39
UK Albums (OCC) [31] 13

Certifications

RegionCertification Certified units/sales
France (SNEP) [32] Gold100,000*
United Kingdom (BPI) [33] Gold100,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

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