Soft Sounds from Another Planet | ||||
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Studio album by | ||||
Released | July 14, 2017 | |||
Recorded | 2016 | |||
Studio | Japanese Breakfast's studio (Philadelphia) | |||
Genre | ||||
Length | 37:10 | |||
Label | Dead Oceans | |||
Producer |
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Japanese Breakfast chronology | ||||
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Singles from Soft Sounds from Another Planet | ||||
Soft Sounds from Another Planet is the second studio album by American indie pop band Japanese Breakfast. The album was released by Dead Oceans on July 14, 2017.
Primarily described as an indie rock and shoegaze [4] [5] album, Soft Sounds from Another Planet also incorporates elements of electronic dance music, synth-pop, [6] space pop, electropop, [7] lo-fi, progressive rock, [8] experimental pop [9] and chamber pop. [10] It primarily deals with themes of loss, [11] science fiction [12] and perseverance. [13]
The album received critical acclaim from critics who commended it for its eclectic and experimental production and exploration of grief and love although some believed it to be uneven. The album became Japanese Breakfast's first to chart, reaching the top 20 of the Billboard Heatseekers and Independent charts in the US and the New Zealand Heatseekers Albums chart.
In 2014, Michelle Zauner left the Philadelphia-based emo band Little Big League to care for her terminally ill mother in her hometown of Eugene, Oregon. Songs she wrote to cope with her grief about her mother's death became part of Psychopomp (2016), Japanese Breakfast's debut studio album. Psychopomp received unexpected critical and commercial success, rejuvenating Zauner's efforts to make music a career and leading her to sign with Dead Oceans. [14] However, she found herself "reliving traumatic memories" when giving interviews about the album. Zauner said she began writing Soft Sounds from Another Planet to help leave her trauma behind. [15]
Zauner envisioned it as a concept album, a "sci fi musical" that would tackle different themes than its predecessor. The first song she wrote for the new album was "Machinist." She found that she disliked the songs she was creating at the time. [16] Zauner also hoped to create a "hi fi" album in contrast to Psychopomp's lo-fi palette that also maintained its predecessor's experimental and playful nature. She attributed the latter to having recently signed to Dead Oceans and consequently feeling pressured due to the budget and deadlines the label assigned her. To produce the album, Zauner contacted Craig Hendrix and the two recorded the album over a month long period in their Philadelphia studio. [17]
On May 4, 2017, Japanese Breakfast released the album's lead single, "Machinist" to positive critical reviews. [18] [19] It debuted alongside a music video depicting a woman who dismantles her spaceship when she tries to build a body for her robot lover. The video was directed by Zauner and Adam Kolodny. [20] A second single, "Boyish", was released on June 7, 2017, [21] followed by its own video on February 13, 2018, which Zauner later described as her "magnum opus". [22] [23] A third and final single, "Road Head", was released on July 6, 2017, alongside another music video directed by Zauner, who drew inspiration from Hong Kong film director Wong Kar-wai's film Fallen Angels and television series Twin Peaks. [24]
To promote the album, Japanese Breakfast released a video game, "Japanese BreakQuest". Players guide "J-Brekkie", a character named for the band's Twitter handle, [25] to gather a band and fight an alien invasion. It was developed by Zauner and video game developer Elaine Fath and features songs from the album as 8-bit MIDI tracks by Peter Bradley. [26]
Japanese Breakfast toured in support of the album from July 15, 2017, until November 24, 2019. Supporting acts during the tour included American singers Yohuna, Jay Som, and Half Waif; and American bands Mannequin Pussy, The Spirit of the Beehive, LVL UP, Radiator Hospital, Mothers, and Ought. [27] [28] [29]
Tour by Japanese Breakfast | |
Associated album | Soft Sounds from Another Planet |
---|---|
Start date | July 15, 2017 |
End date | November 24, 2019 |
Legs | 2 |
No. of shows | 156 |
Supporting acts | Yohuna, Mannequin Pussy, The Spirit of the Beehive, Half Waif, Mothers, Ought |
Japanese Breakfast concert chronology |
Date | City | Country | Venue | Opening Act(s) |
---|---|---|---|---|
North America | ||||
July 15, 2017 | New York City | United States | Union Pool | Yohuna |
September 7, 2017 | Washington, D.C. | Black Cat | Mannequin Pussy & The Spirit of the Beehive | |
September 8, 2017 | Richmond | Stranger Matter | ||
September 9, 2017 | Raleigh | Hopscotch Music Festival [i] | ||
September 10, 2017 | Atlanta | The Masquerade | ||
September 11, 2017 | Orlando | Will's Pub | ||
September 12, 2017 | Tampa | Crowbar | ||
September 13, 2017 | New Orleans | Hi Ho Lounge | ||
September 14, 2017 | Houston | Walter's | ||
September 15, 2017 | Austin | Barracuda | ||
September 16, 2017 | Dallas | RBC | ||
September 18, 2017 | Phoenix | Valley Bar | ||
September 20, 2017 | Los Angeles | The Echo | ||
September 21, 2017 | San Francisco | Swedish American Hall | ||
September 22, 2017 | Oakland | Starline Social Club | ||
September 23, 2017 | Eugene | HiFi | ||
September 25, 2017 | Portland | Holocene | ||
September 26, 2017 | Vancouver | Canada | Fox Cabaret | |
September 27, 2017 | Seattle | United States | The Crocodile | |
September 28, 2017 | Boise | Neurolux | ||
September 29, 2017 | Salt Lake City | Kilby Court | ||
September 30, 2017 | Denver | Larimer Lounge | ||
October 2, 2017 | Minneapolis | The Triple Rock | ||
October 4, 2017 | Chicago | Subterranean | ||
October 5, 2017 | Bloomington | The Bishop | ||
October 6, 2017 | Detroit | UFO Factory | ||
October 7, 2017 | Toronto | Canada | The Garisson | |
October 8, 2017 | Montreal | Bar Le Ritz | ||
October 11, 2017 | Cambridge | United States | The Sinclair | |
October 12, 2017 | New York City | Music Hall of Williamsburg | ||
Europe | ||||
October 21, 2017 | Bristol | England | Simple Things Festival | N/A |
October 23, 2017 | Cologne | Germany | Blue Shell | |
October 24, 2017 | Hamburg | Hakken | ||
October 25, 2017 | Berlin | Badenhouse | ||
October 26, 2017 | Paris | France | Pop Up Du Label | |
October 27, 2017 | Ghent | Belgium | NEST | |
October 28, 2017 | Amsterdam | Netherlands | Paradiso [ii] | |
November 2, 2017 | Brighton | England | The Joker | |
November 3, 2017 | Manchester | Soup Kitchen | ||
November 4, 2017 | Edinburgh | Scotland | The Mash House | |
November 5, 2017 | Glasgow | The Hug and Paint | ||
November 6, 2017 | Leeds | England | Headrow House | |
November 7, 2017 | London | The Dome Tufnell Park | ||
Asia [31] | ||||
November 28, 2017 | Hong Kong | Music Zone | N/A | |
November 30, 2017 | Taipei | Taiwan | The Wall | |
December 1, 2017 | Beijing | China | Modern Sky Festival | |
December 3, 2017 | Shanghai | Yuyintang | ||
December 4, 2017 | Bangkok | Thailand | Rockademy | |
Oceania | ||||
December 8, 2017 | Berry | Australia | Fairgrounds Festival | N/A |
December 9, 2017 | Melbourne | The John Curtin Hotel | ||
December 10, 2017 | Supernatural Amphitheatre [iii] | |||
Asia | ||||
December 11, 2017 | Tokyo | Japan | Daikanyama Unit | N/A |
December 12, 2017 | Osaka | Conpass | ||
December 14, 2017 | Seoul | South Korea | Hanatour V-Hall | |
North America [32] [33] | ||||
February 15, 2018 | Seattle | United States | Neumos | Jay Som & Hand Habits |
February 16, 2018 | Vancouver | Canada | Biltmore | |
February 17, 2018 | Portland | United States | Crystal Ballroom [iv] | |
February 19, 2018 | Reno | The Holland Project | ||
February 21, 2018 | San Jose | The Ritz | ||
February 22, 2018 | San Francisco | Gray Theater [v] | ||
February 23, 2018 | Fresno | Strummer's | ||
February 24, 2018 | Pomona | The Glass House | ||
April 2, 2018 | Baltimore | The Ottobar | N/A | |
April 3, 2018 | Durham | Motorco Music Hall | ||
April 4, 2018 | Athens | 40 Watt Club | Snail Mail | |
April 5, 2018 | Birmingham | Saturn | ||
April 6, 2018 | Orlando | Will's Pub | ||
April 7, 2018 | Tampa | Crowbar | ||
April 9, 2018 | Houston | Walter's | N/A | |
April 10, 2018 | Austin | The Scoot Inn | Snail Mail | |
April 11, 2018 | San Antonio | Paper Tiger | ||
April 13, 2018 | Tucson | 191 Toole | ||
April 15, 2018 | Indio | Empire Polo Club [vi] | N/A | |
April 18, 2018 | San Luis Obispo | SLO Brew | Snail Mail | |
April 22, 2018 | Indio | Empire Polo Club [vii] | N/A | |
April 23, 2018 | Flagstaff | The Green Room | Snail Mail | |
April 24, 2018 | Santa Fe | Meow Wolf | ||
April 26, 2018 | Norman | Norman Music Festival | N/A | |
April 27, 2018 | Little Rock | Stickyz | Snail Mail | |
April 28, 2018 | Nashville | Exit/In | ||
April 29, 2018 | Columbus | Ace of Cups | N/A | |
May 30, 2018 | Washington D.C. | 9:30 Club | LVL UP, Radiator Hospital | |
May 31, 2018 | New York City | Warsaw | Radiator Hospital | |
June 2, 2018 | Cambridge | The Sinclair | LVL UP, Radiator Hospital | |
June 3, 2018 | Philadelphia | Union Transfer | ||
June 6, 2018 | Richmond | The Broadberry | N/A | |
June 7, 2018 | Manchester | Great Stage Park [viii] | ||
June 8, 2018 | ||||
June 9, 2018 | ||||
Charlotte | Neighborhood Theatre | |||
June 10, 2018 | Manchester | Great Stage Park [ix] | ||
June 14, 2018 | Pittsburgh | Spirit | Half Waif | |
June 15, 2018 | Cincinnati | Taft Theatre | ||
June 16, 2018 | St. Louis | The Ready Room | ||
June 17, 2018 | Kansas City | The Record Bar | ||
June 21, 2018 | Las Vegas | The Bunkhouse | N/A | |
June 23, 2018 | Pomona | The Glass House | ||
June 26, 2018 | Oakland | Fox Oakland Theatre | ||
July 12, 2018 | Dennis | Cape Cinema | ||
July 13, 2018 | Burlington | ArtsRiot | ||
July 14, 2018 | Portsmouth | 3S ArtSpace | ||
July 15, 2018 | Kingston | BSP Kingston | ||
July 16, 2018 | Rochester | The Bug Jar | Mothers | |
July 18, 2018 | Toronto | Canada | The Phoenix | |
July 19, 2018 | Grand Rapids | United States | The Pyramid Scheme | |
July 20, 2018 | Milwaukee | Turner Hall | ||
July 22, 2018 | Chicago | Union Park [x] | N/A | |
July 24, 2018 | Cleveland | The Beachland Ballroom | Mothers | |
July 28, 2018 | New York City | Randalls Island [xi] | N/A | |
August 11, 2018 | Waynesville | Renaissance Park [xii] | ||
September 12, 2018 | Columbus | Skully's | Ought | |
September 13, 2018 | Bloomington | The Bishop | ||
September 14, 2018 | DeKalb | The House Cafe | ||
September 16, 2018 | Madison | Majestic Theatre | ||
September 18, 2018 | Minneapolis | Fine Line | ||
September 19, 2018 | Iowa City | The Mill | ||
September 20, 2018 | Lincoln | Lincoln Calling | N/A | |
September 21, 2018 | ||||
September 22, 2018 | ||||
September 23, 2018 | Boise | Neurolux | Ought | |
September 25, 2018 | Seattle | Neptune Theatre | ||
October 2, 2018 | Los Angeles | The Fonda Theatre | ||
October 3, 2018 | Mesa | The Nile | ||
October 5, 2018 | Austin | Zilker Park [xiii] | N/A | |
October 6, 2018 | ||||
October 7, 2018 | ||||
October 12, 2018 | ||||
October 13, 2018 | ||||
October 14, 2018 | ||||
March 14, 2019 | Austin Convention Center [xiv] | |||
May 4, 2019 | Atlanta | Central Park [xv] | ||
May 10, 2019 | Arcosanti | FORM | ||
May 11, 2019 | ||||
May 12, 2019 | ||||
Asia [35] | ||||
May 13, 2019 | Singapore | Esplanade Annexe Studio | Sobs | |
May 15, 2019 | Jakarta | Indonesia | Rossi Musik | N/A |
May 16, 2019 | Bangkok | Thailand | Rockademy | |
May 18, 2019 | Manila | Philippines | Circuit Makati [xvi] | |
May 22, 2019 | Tokyo | Japan | WWW X | |
May 24, 2019 | Taipei | Taiwan | The Wall | |
May 27, 2019 | Seoul | South Korea | MUV-Hall | |
North America [36] | ||||
June 19, 2019 | Calgary | Canada | Royal Canadian Legion [xvii] | N/A |
June 23, 2019 | San Francisco | United States | Bill Graham Civic Auditorium | |
June 24, 2019 | New York City | Rumsey Playfield [xviii] | Hatchie | |
July 26, 2019 | Camden | BB&T Pavilion [xix] | N/A | |
August 2, 2019 | Chicago | Grant Park [xx] | ||
Lincoln Hall | ||||
August 23, 2019 | Portland | Crystal Ballroom | ||
August 24, 2019 | Port Townsend | Fort Worden [xxi] | ||
August 25, 2019 | ||||
October 24, 2019 | Halifax | Canada | Marquee Ballroom [xxii] | |
October 25, 2019 | New Orleans | United States | City Park [xxiii] | |
October 26, 2019 | ||||
October 27, 2019 | ||||
November 22, 2019 | San Diego | Wonderfront Music & Arts Festival | ||
November 23, 2019 | ||||
November 24, 2019 |
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.8/10 [37] |
Metacritic | 83/100 [38] |
Review scores | |
Source | Rating |
AllMusic | [39] |
The A.V. Club | A− [6] |
Consequence of Sound | B+ [40] |
Drowned in Sound | 8/10 [41] |
Exclaim! | 7/10 [42] |
The Guardian | [43] |
Pitchfork | 8.0/10 [44] |
PopMatters | 8/10 [45] |
Q | [46] |
Uncut | 8/10 [47] |
Soft Sounds from Another Planet received widespread acclaim from music critics who praised its experimental production, eclectic range of genres and subject matter of grief and love. It received a weighted score of 83 out of 100 from review aggregate website Metacritic, indicating "universal acclaim", based on 20 reviews from music critics. [48]
Reviewers lauded Zauner's vocals and the album's expanded sonic palette in comparison to Psychopomp. Nathan Reese of Pitchfork deemed the album's lead single, "Machinist" the band's "biggest leap forward in terms of sound" and favorably compared Zauner's vocals to shoegaze band Slowdive. [4] No Ripcord's Juan Edgardo Rodriguez also complimented the eclectic range of genres on the album and opined Zauner to be "at her best when she builds upon her aching vocal delivery." [49] Tim Sendra of AllMusic considered the album an improvement over Psychopomp and praised the songs', "spacious, expansive sound that envelops the listener in warmth (even when the synths get a little chilly.)" [50]
Under the Radar's Stephen Mayne praised the album's nuanced perspective on romance and suggested that audiences "looking for something more beautiful need look no farther than what Zauner is already offering." [51] The Quietus' Veronica Irwin praised the album for retaining the "heartfelt intensity" of its predecessor and Japanese Breakfast's relatable lyrics while expressing surprise at the record's sonic experimentation. [52]
Some reviewers meanwhile criticized the album's perceived unevenness. Brian Shultz of The A.V. Club said, "And while everything on Japanese Breakfast's proper sophomore effort isn't entirely fresh, and its structure is somewhat loose, there's a confidence and crispness to Soft Sounds that shows just how fully realized Zauner's formerly homemade experiments have become." [53] Exclaim! 's Ian Gormely noted the album's lack of focus but wrote, "In trying to put a wall between herself and her audience, she's opened a new, far more revealing side to her music and herself." [8]
Publication | Accolade | Rank | Ref. |
---|---|---|---|
Under the Radar | The 100 Best Albums of 2017 | 10 | |
Uproxx | The 50 Best Albums of 2017 | 15 | |
Stereogum | The 50 Best Albums of 2017 | 17 | |
Paste | The 50 Best Albums of 2017 | 37 | |
Rolling Stone | The 50 Best Albums of 2017 | 39 |
All tracks are written by Michelle Zauner
No. | Title | Length |
---|---|---|
1. | "Diving Woman" | 6:32 |
2. | "Road Head" | 3:15 |
3. | "Machinist" | 3:37 |
4. | "Planetary Ambience" | 1:17 |
5. | "Soft Sounds from Another Planet" | 3:20 |
6. | "Boyish" | 3:33 |
7. | "12 Steps" | 2:36 |
8. | "Jimmy Fallon Big!" | 2:35 |
9. | "The Body Is a Blade" | 3:40 |
10. | "Till Death" | 2:57 |
11. | "This House" | 3:02 |
12. | "Here Come the Tubular Bells" | 0:40 |
Total length: | 37:10 |
Adapted from AllMusic. [59]
Chart (2017) | Peak position |
---|---|
New Zealand Heatseekers Albums (RMNZ) [60] | 9 |
US Heatseekers Albums (Billboard) [61] | 9 |
US Independent Albums (Billboard) [62] | 18 |
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