Old English literature refers to poetry and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work Cædmon's Hymn is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the Ecclesiastical History of the English People. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English corpus of literature.
TheDream of the Rood is one of the Christian poems in the corpus of Old English literature and an example of the genre of dream poetry. Like most Old English poetry, it is written in alliterative verse. Rood is from the Old English word rōd 'pole', or more specifically 'crucifix'. Preserved in the 10th-century Vercelli Book, the poem may be as old as the 8th-century Ruthwell Cross, and is considered one of the oldest works of Old English literature.
Cynewulf is one of twelve Old English poets known by name, and one of four whose work is known to survive today. He presumably flourished in the 9th century, with possible dates extending into the late 8th and early 10th centuries.
The Junius manuscript is one of the four major codices of Old English literature. Written in the 10th century, it contains poetry dealing with Biblical subjects in Old English, the vernacular language of Anglo-Saxon England. Modern editors have determined that the manuscript is made of four poems, to which they have given the titles Genesis, Exodus, Daniel, and Christ and Satan. The identity of their author is unknown. For a long time, scholars believed them to be the work of Cædmon, accordingly calling the book the Cædmon manuscript. This theory has been discarded due to the significant differences between the poems.
The Exeter Book, also known as the Codex Exoniensis or Exeter Cathedral Library MS 3501, is a large codex of Old English poetry, believed to have been produced in the late tenth century AD. It is one of the four major manuscripts of Old English poetry, along with the Vercelli Book in Vercelli, Italy, the Nowell Codex in the British Library, and the Junius manuscript in the Bodleian Library in Oxford. The book was donated to what is now the Exeter Cathedral library by Leofric, the first bishop of Exeter, in 1072. It is believed originally to have contained 130 or 131 leaves, of which the first 7 or 8 have been replaced with other leaves; the original first 8 leaves are lost. The Exeter Book is the largest and perhaps oldest known manuscript of Old English literature, containing about a sixth of the Old English poetry that has survived.
"Wulf and Eadwacer" is an Old English poem of famously difficult interpretation. It has been variously characterised, (modernly) as an elegy, (historically) as a riddle, and as a song or ballad with refrain. The poem is narrated in the first person, most likely by female speaker. Because the audience is given so little information about her situation, some scholars argue the story was well-known, and that the unnamed speaker corresponds, for example, to Signý or that the characters Wulf and Eadwacer correspond to Theoderic the Great and his rival Odoacer. The poem's only extant text is found at folios 100v-101r in the tenth-century Exeter Book, alongside certain other texts to which it possesses qualitative similarities.
The Seafarer is an Old English poem giving a first-person account of a man alone on the sea. The poem consists of 124 lines, followed by the single word "Amen". It is recorded only at folios 81 verso – 83 recto of the tenth-century Exeter Book, one of the four surviving manuscripts of Old English poetry. It has most often, though not always, been categorised as an elegy, a poetic genre commonly assigned to a particular group of Old English poems that reflect on spiritual and earthly melancholy.
"The Rhyming Poem", also written as "The Riming Poem", is a poem of 87 lines found in the Exeter Book, a tenth-century collection of Old English poetry. It is remarkable for being no later than the 10th century, in Old English, and written in rhyming couplets. Rhyme is otherwise virtually unknown among Anglo-Saxon literature, which used alliterative verse instead.
The Ruthwell Cross is a stone Anglo-Saxon cross probably dating from the 8th century, when the village of Ruthwell, now in Scotland, was part of the Anglo-Saxon Kingdom of Northumbria.
The Vercelli Book is one of the oldest of the four Old English Poetic Codices. It is an anthology of Old English prose and verse that dates back to the late 10th century. The manuscript is housed in the Capitulary Library of Vercelli, in northern Italy.
The Blickling homilies are a collection of anonymous homilies from Anglo-Saxon England. They are written in Old English, and were written down at some point before the end of the tenth century, making them one of the oldest collections of sermons to survive from medieval England, the other main witness being the Vercelli Book. Their name derives from Blickling Hall in Norfolk, which once housed them; the manuscript is now Princeton, Scheide Library, MS 71.
Christ and Satan is an anonymous Old English religious poem consisting of 729 lines of alliterative verse, contained in the Junius Manuscript.
"The Husband's Message" is an anonymous Old English poem, 53 lines long and found only on folio 123 of the Exeter Book. The poem is cast as the private address of an unknown first-person speaker to a wife, challenging the reader to discover the speaker's identity and the nature of the conversation, the mystery of which is enhanced by a burn-hole at the beginning of the poem.
Daniel is an anonymous Old English poem based loosely on the Biblical Book of Daniel, found in the Junius Manuscript. The author and the date of Daniel are unknown. Critics have argued that Cædmon is the author of the poem, but this theory has been since disproved. Daniel, as it is preserved, is 764 lines long. There have been numerous arguments that there was originally more to this poem than survives today. The majority of scholars, however, dismiss these arguments with the evidence that the text finishes at the bottom of a page, and that there is a simple point, which translators assume indicates the end of a complete sentence. Daniel contains a plethora of lines which Old English scholars refer to as “hypermetric” or long. Daniel is one of the four major Old Testament prophets, along with Isaiah, Jeremiah, and Ezekiel. The poet even changed the meaning of the story from remaining faithful while you are being persecuted to a story dealing with pride, which is a very common theme in Old English Literature. The Old English, Daniel is a warning against pride and there are three warnings in the story. The Israelites were conquered because they lost faith in God, who delivered them from Egypt, and started worshiping idols and this is the first prideful act. The second and third warnings are about internal pride, shown to Nebuchadnezzar through Daniel's dream interpretations.
The Vercelli homilies are a collection of twenty-three prose entries within the Vercelli book and exist as an important example of Old English prose structure, owing to the predominance of poetry within the pool of extant Old English literature. In keeping with the origins of the Vercelli manuscript in general, little is known about the exact authorship of the Vercelli homilies. It is widely believed that the individual homilies were gathered from several authors and copied by one scribe into the manuscript at random. The compilation of the Vercelli book is typically placed within the late tenth century AD.
Handbook for a Confessor is a compilation of Old English and Latin penitential texts associated with – and possibly authored or adapted by – Wulfstan (II), Archbishop of York. The handbook was intended for the use of parish priests in hearing confession and determining penances. Its transmission in the manuscripts seems to bear witness to Wulfstan's profound concern with these sacraments and their regulation, an impression which is similarly borne out by his Canons of Edgar, a guide of ecclesiastical law also targeted at priests. The handbook is a derivative work, based largely on earlier vernacular representatives of the penitential genre such as the Scrifboc and the Old English Penitential. Nevertheless, a unique quality seems to lie in the more or less systematic way it seeks to integrate various points of concern, including the proper formulae for confession and instructions on the administration of confession, the prescription of penances and their commutation.
Frithegod, was a poet and clergyman in the mid 10th-century who served Oda of Canterbury, an Archbishop of Canterbury. As a non-native of England, he came to Canterbury and entered Oda's service as a teacher and scholar. After Oda's death he likely returned to the continent. His most influential writing was a poem on the life of Wilfrid, an 8th-century bishop and saint, named Breviloquium Vitae Wilfridi. Several manuscripts of this poem survive, as well as a few other of Frithegod's poems. He was also known for the complexity of his writings, with one historian even calling them "damnably difficult".
The "Battle of Brunanburh" is an Old English poem. It is preserved in the Anglo-Saxon Chronicle, a historical record of events in Anglo-Saxon England which was kept from the late ninth to the mid-twelfth century. The poem records the Battle of Brunanburh, a battle fought in 937 between an English army and a combined army of Scots, Vikings, and Britons. The battle resulted in an English victory, celebrated by the poem in style and language like that of traditional Old English battle poetry. The poem is notable because of those traditional elements and has been praised for its authentic tone, but it is also remarkable for its fiercely nationalistic tone, which documents the development of a unified England ruled by the House of Wessex.
Anglo-Saxon riddles are a significant genre of Anglo-Saxon literature. The riddle was a major, prestigious literary form in early medieval England, and riddles were written both in Latin and Old English verse. The pre-eminent composer of Latin riddles in early medieval England was Aldhelm, while the Old English verse riddles found in the tenth-century Exeter Book include some of the most famous Old English poems.
Allen J. Frantzen is an American medievalist with a specialization in Old English literature. Since retiring from Loyola University Chicago, he has been an emeritus professor.
