Beowulf is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature. The date of composition is a matter of contention among scholars; the only certain dating is for the manuscript, which was produced between 975 and 1025 AD. Scholars call the anonymous author the "Beowulf poet". The story is set in pagan Scandinavia in the 6th century. Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose mead hall Heorot has been under attack by the monster Grendel for twelve years. After Beowulf slays him, Grendel's mother takes revenge and is in turn defeated. Victorious, Beowulf goes home to Geatland and becomes king of the Geats. Fifty years later, Beowulf defeats a dragon, but is mortally wounded in the battle. After his death, his attendants cremate his body and erect a barrow on a headland in his memory.
The Ingaevones were a Germanic cultural group living in the Northern Germania along the North Sea coast in the areas of Jutland, Holstein, and Lower Saxony in classical antiquity. Tribes in this area included the Angles, Chauci, Saxons, and Jutes.
A rune is a letter in a set of related alphabets known as runic alphabets native to the Germanic peoples. Runes were used to write Germanic languages before they adopted the Latin alphabet, and for specialised purposes thereafter. In addition to representing a sound value, runes can be used to represent the concepts after which they are named (ideographs). Scholars refer to instances of the latter as Begriffsrunen. The Scandinavian variants are also known as fuþark, or futhark, these names derived from the first six letters of the script, ⟨ᚠ⟩, ⟨ᚢ⟩, ⟨ᚦ⟩, ⟨ᚨ⟩/⟨ᚬ⟩, ⟨ᚱ⟩, and ⟨ᚲ⟩/⟨ᚴ⟩, corresponding to the Latin letters ⟨f⟩, ⟨u⟩, ⟨þ⟩/⟨th⟩, ⟨a⟩, ⟨r⟩, and ⟨k⟩. The Anglo-Saxon variant is futhorc, or fuþorc, due to changes in Old English of the sounds represented by the fourth letter, ⟨ᚨ⟩/⟨ᚩ⟩.
Rune poems are poems that list the letters of runic alphabets while providing an explanatory poetic stanza for each letter. Four different poems from before the mid-20th century have been preserved: the Anglo-Saxon Rune Poem, the Norwegian Rune Poem, the Icelandic Rune Poem and the Swedish Rune Poem.
Algiz is the name conventionally given to the "z-rune" ᛉ of the Elder Futhark runic alphabet. Its transliteration is z, understood as a phoneme of the Proto-Germanic language, the terminal *z continuing Proto-Indo-European terminal *s via Verner's law.
Gyfu is the name for the g-rune ᚷ in the Anglo-Saxon rune poem, meaning 'gift' or 'generosity':
*Naudiz is the reconstructed Proto-Germanic name of the n-rune ᚾ, meaning "need, distress". In the Anglo-Saxon futhorc, it is continued as ᚾnyd, in the Younger Futhark as ᚾ, Icelandic naud and Old Norse nauðr. The corresponding Gothic letter is 𐌽 n, named nauþs. The valkyrie Sigrdrífa in Sigrdrífumál talks about the rune as a beer-rune and that "You should learn beer-runes if you don’t want another man’s wife to abuse your trust if you have a tryst. Carve them on the drinking-horn and on the back of your hand, and carve the rune ᚾ on your fingernail."
*Ehwaz is the reconstructed Proto-Germanic name of the Elder Futhark e rune ᛖ, meaning "horse". In the Anglo-Saxon futhorc, it is continued as ᛖeh.
*Haglaz or *Hagalaz is the reconstructed Proto-Germanic name of the h-rune ᚺ, meaning "hail".
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians as an alphabet in their native writing system, recording both Old English and Old Frisian. Today, the characters are known collectively as the futhorc from the sound values of the first six runes. The futhorc was a development from the older co-Germanic 24-character runic alphabet, known today as Elder Futhark, expanding to 28-characters in its older form and up to 34-characters in its younger form. In contemporary Scandinavia, the Older Futhark developed into a shorter 16-character alphabet, today simply called Younger Futhark.
The rune ᚦ is called Thurs in the Icelandic and Norwegian rune poems. In the Anglo-Saxon rune poem it is called thorn, whence the name of the letter þ derived. It is transliterated as þ, and has the sound value of a voiceless dental fricative.
The Abecedarium Nordmannicum is a presentation of the 16 runes of the Younger Futhark as a short poem, in the 9th-century Codex Sangallensis 878. The Younger Futhark are given after the Hebrew alphabet on the preceding page, and the Anglo-Saxon futhorc on the same page. The text of the rune poem was unfortunately destroyed in the 19th century by chemicals intended for its preservation. It survives in an 1828 drawing by Wilhelm Grimm.
The t-rune ᛏ is named after Týr, and was identified with this god. The reconstructed Proto-Germanic name is *Tîwaz or *Teiwaz. Tiwaz rune was an ideographic symbol for a spear.
Humfrey Wanley was an English librarian, palaeographer and scholar of Old English, employed by manuscript collectors such as Robert and Edward Harley. He was the first keeper of the Harleian Library, now the Harleian Collection.
The title "(The) Seasons for Fasting" refers to an incomplete Old English homiletic poem, that which deals primarily with the observance of fasts on the appropriate dates of the liturgical calendar, but which also attacks the misbehaviour of lax priests. The piece appears to have been composed by a clergyman and directed at a lay audience, addressed as folces manna in line 212, whom he perhaps believed to have been potentially misguided.
The Seax of Beagnoth is a 10th-century Anglo-Saxon seax. It was found in the inland estuary of the Thames in 1857, and is now at the British Museum in London. It is a prestige weapon, decorated with elaborate patterns of inlaid copper, brass and silver wire. On one side of the blade is the only known complete inscription of the twenty-eight letter Anglo-Saxon runic alphabet, as well as the name "Beagnoth" in runic letters. It is thought that the runic alphabet had a magical function, and that the name Beagnoth is that of either the owner of the weapon or the smith who forged it. Although many Anglo-Saxon and Viking swords and knives have inscriptions in the Latin alphabet on their blades, or have runic inscriptions on the hilt or scabbard, the Seax of Beagnoth is one of only a handful of finds with a runic inscription on its blade.
The "Finnesburg Fragment" is a portion of an Old English heroic poem about a fight in which Hnæf and his 60 retainers are besieged at "Finn's fort" and attempt to hold off their attackers. The surviving text is tantalisingly brief and allusive, but comparison with other references in Old English poetry, notably Beowulf, suggests that it deals with a conflict between Danes and Frisians in Migration-Age Frisia.
Runic alphabets have seen numerous uses since the 18th-century Viking revival, in Scandinavian Romantic nationalism (Gothicismus) and Germanic occultism in the 19th century, and in the context of the Fantasy genre and of Germanic Neopaganism in the 20th century.
"Thureth" is the editorial name given to an eleven-line Old English poem preserved only on folio 31v of British Library MS Cotton Claudius A. III, at the beginning of the text known as 'Claudius Pontifical I'. The poem speaks with the voice of this pontifical or benedictional, interceding on behalf of Thureth who the poem tells us had the book ornamented. As Ronalds and Clunies Ross comment:
As far as we are aware, this is the only specifically identifiable book, aside from the generic book - or possibly Bible - of Riddle 24, that 'speaks' to us from the Anglo-Saxon period, albeit on another's behalf.
Durham, also known as De situ Dunelmi, Carmen de situ Dunelmi or De situ Dunelmi et de sanctorum reliquiis quae ibidem continentur carmen compositum, is an anonymous late Old English short poem about the English city of Durham and its relics, which might commemorate the translation of Cuthbert's relics to Durham Cathedral in 1104. Known from the late 12th-century manuscript, Cambridge, University Library, Ff. 1. 27, Durham has been described both as "the last extant poem written in traditional alliterative Old English metrical verse" and as being placed "so conveniently on the customary divide between Old and Middle English that the line can be drawn right down the middle of the poem." Scholars have dated the poem either to the twelfth century or to some point in the second half of the eleventh century.
