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Name | Proto-Germanic | Old English | Old Norse | |||
---|---|---|---|---|---|---|
*Ansuz | Ōs | Āc | Æsc | Óss | ||
"god" | "god" | "oak" | "ash" | "god" | ||
Shape | Elder Futhark | Futhorc | Younger Futhark | |||
![]() | ![]() | ![]() | ![]() | ![]() | ![]() | |
Unicode | ᚨ U+16A8 | ᚩ U+16A9 | ᚪ U+16AA | ᚫ U+16AB | ᚬ U+16AC | ᚭ U+16AD |
Transliteration | a | o | a | æ | ą | |
Transcription | a | o | a | æ | ą, o | |
IPA | [a(ː)] | [o(ː)] | [ɑ(ː)] | [æ(ː)] | [ɑ̃], [o(ː)] | |
Position in rune-row | 4 | 4 | 25 | 26 | 4 |
Ansuz is the conventional name given to the a-rune of the Elder Futhark, ᚨ. The name is based on Proto-Germanic *ansuz , denoting a deity belonging to the principal pantheon in Germanic paganism.
The shape of the rune is likely from Neo-Etruscan a ( ), like Latin A ultimately from Phoenician aleph.
In the Norwegian rune poem, óss is given a meaning of "estuary" while in the Anglo-Saxon one, ōsᚩ takes the Latin meaning of "mouth". The Younger Futhark rune is transliterated as ą to distinguish it from the new ár rune (ᛅ), which continues the jēran rune after loss of prevocalic *j- in Proto-Norse *jár (Old Saxon jār).
Since the name of a is attested in the Gothic alphabet as ahsa or aza, the common Germanic name of the rune may thus either have been *ansuz "god", or *ahsam "ear (of wheat)".
The Anglo-Saxon futhorc split the Elder Futhark a rune into three independent runes due to the development of the vowel system in Anglo-Frisian. These three runes are ōsᚩ (transliterated o), āc "oak" ᚪ (transliterated a), and æscᚫ "ash" (transliterated æ ).
The Younger Futhark corresponding to the Elder Futhark ansuz rune is ᚬ, called óss. It is transliterated as ą. This represented the phoneme /ɑ̃/, and sometimes /æ/ (also written ᛅ ) and /o/ (also written ᚢ ). The variant grapheme ᚯ became independent as representing the phoneme /ø/ during the 11th to 14th centuries.
It is mentioned in all three rune poems:
Rune Poem: [1] | English Translation: |
Old Norwegian |
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Old Icelandic |
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Old English |
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Notes:
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Æsir or ēse are gods in Germanic paganism. In Old Nordic religion and mythology, the precise meaning of the term "Æsir" is debated, as it can refer to both the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom they waged war, ultimately leading to a joining of the families. The term can further be used to describe local gods that were believed to live in specific features in the landscape such as fells. In the Old English Wið færstice, the Ēse are referred to, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear.
Othala, also known as ēðel and odal, is a rune that represents the o and œ phonemes in the Elder Futhark and the Anglo-Saxon Futhorc writing systems respectively. Its name is derived from the reconstructed Proto-Germanic *ōþala- "heritage; inheritance, inherited estate". As it does not occur in Younger Futhark, it disappears from the Scandinavian record around the 8th century, however its usage continued in England into the 11th century, where it was sometimes further used in manuscripts as a shorthand for the word ēðel ("homeland"), similar to how other runes were sometimes used at the time.
A rune is a letter in a set of related alphabets known as runic alphabets native to the Germanic peoples. Runes were used to write Germanic languages before they adopted the Latin alphabet, and for specialised purposes thereafter. In addition to representing a sound value, runes can be used to represent the concepts after which they are named (ideographs). Scholars refer to instances of the latter as Begriffsrunen. The Scandinavian variants are also known as fuþark, or futhark; this name is derived from the first six letters of the script, ⟨ᚠ⟩, ⟨ᚢ⟩, ⟨ᚦ⟩, ⟨ᚨ⟩/⟨ᚬ⟩, ⟨ᚱ⟩, and ⟨ᚲ⟩/⟨ᚴ⟩, corresponding to the Latin letters ⟨f⟩, ⟨u⟩, ⟨þ⟩/⟨th⟩, ⟨a⟩, ⟨r⟩, and ⟨k⟩. The Anglo-Saxon variant is known as futhorc, or fuþorc, due to changes in Old English of the sounds represented by the fourth letter, ⟨ᚨ⟩/⟨ᚩ⟩.
ᛈ is the rune denoting the sound p in the Elder Futhark runic alphabet. It does not appear in the Younger Futhark. It is named peorð in the Anglo-Saxon rune-poem and glossed enigmatically as follows:
Ur is the recorded name for the rune ᚢ in both Old English and Old Norse, found as the second rune in all runic alphabets (futharks), i.e. Germanic Elder Futhark, Anglo-Frisian Futhark and Norse Younger Futhark. It corresponds to the letter u in the Latin alphabet, but also carries other sound values, especially in Younger Futhark, were its sound values correspond to the vowels:, , and etc., and the consonants: and etc., in the Latin alphabet.
The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same.
The Elder Futhark, also known as the Older Futhark, Old Futhark, or Germanic Futhark, is the oldest form of the runic alphabets. It was a writing system used by Germanic peoples for Northwest Germanic dialects in the Migration Period. Inscriptions are found on artifacts including jewelry, amulets, plateware, tools, and weapons, as well as runestones, from the 1st to the 9th centuries.
The k-rune ᚲ is called Kaun in both the Norwegian and Icelandic rune poems, meaning "ulcer". The reconstructed Proto-Germanic name is *Kauną. It is also known as Kenaz ("torch"), based on its Anglo-Saxon name.
Algiz is the name conventionally given to the "z-rune" ᛉ of the Elder Futhark runic alphabet. Its transliteration is z, understood as a phoneme of the Proto-Germanic language, the terminal *z continuing Proto-Indo-European terminal *s via Verner's law.
Jera is the conventional name of the j-rune ᛃ of the Elder Futhark, from a reconstructed Common Germanic stem *jēra- meaning "harvest, (good) year".
*Ehwaz is the reconstructed Proto-Germanic name of the Elder Futhark e rune ᛖ, meaning "horse". In the Anglo-Saxon futhorc, it is continued as ᛖeh.
*Haglaz or *Hagalaz is the reconstructed Proto-Germanic name of the h-rune ᚺ, meaning "hail".
*Isaz is the reconstructed Proto-Germanic name of the i-rune ᛁ, meaning "ice". In the Younger Futhark, it is called íss in Old Norse. As a rune of the Anglo-Saxon futhorc, it is called is.
Berkanan is the reconstructed Proto-Germanic name of the b rune ᛒ, meaning "birch". In the Younger Futhark it is called Bjarkan in the Icelandic and Norwegian rune poems. In the Anglo-Saxon rune poem it is called beorc. The corresponding Gothic letter is 𐌱 b, named bairkan.
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians as an alphabet in their native writing system, recording both Old English and Old Frisian. Today, the characters are known collectively as the futhorc from the sound values of the first six runes. The futhorc was a development from the older co-Germanic 24-character runic alphabet, known today as Elder Futhark, expanding to 28 characters in its older form and up to 34 characters in its younger form. In contemporary Scandinavia, the Elder Futhark developed into a shorter 16-character alphabet, today simply called Younger Futhark.
The rune ᚦ is called Thurs in the Icelandic and Norwegian rune poems. In the Anglo-Saxon rune poem it is called thorn, whence the name of the letter þ derived. It is transliterated as þ, and has the sound value of a voiceless dental fricative.
Runic transliteration and transcription are part of analysing a runic inscription which involves transliteration of the runes into Latin letters, transcription into a normalized spelling in the language of the inscription, and translation of the inscription into a modern language. There is a long-standing practice of formatting transliterations in boldface and transcriptions in Italic type, as the two forms of rendering a runic text have to be kept distinct.
Sowilo (*sōwilō), meaning "sun", is the reconstructed Proto-Germanic language name of the s-rune.
The medieval runes, or the futhork, was a Scandinavian runic alphabet that evolved from the Younger Futhark after the introduction of stung runes at the end of the Viking Age. These stung runes were regular runes with the addition of either a dot diacritic or bar diacritic to indicate that the rune stood for one of its secondary sounds. The medieval futhork was fully formed in the early 13th century. Due to the expansion of its character inventory, it was essentially possible to have each character in an inscription correspond to only one phoneme, something which was virtually impossible in Younger Futhark with its small inventory of 16 runes.
Runic alphabets have seen numerous uses since the 18th-century Viking revival, in Scandinavian Romantic nationalism (Gothicismus) and Germanic occultism in the 19th century, and in the context of the Fantasy genre and of Germanic Neopaganism in the 20th century.