Rune poems are poems that list the letters of runic alphabets while providing an explanatory poetic stanza for each letter. Four different poems from before the mid-20th century have been preserved: the Anglo-Saxon Rune Poem, the Norwegian Rune Poem, the Icelandic Rune Poem and the Swedish Rune Poem.
The Icelandic and Norwegian poems list 16 Younger Futhark runes, while the Anglo-Saxon Rune Poem lists 29 Anglo-Saxon runes.[ citation needed ] Each poem differs in poetic verse, but they contain numerous parallels between one another. Further, the poems provide references to figures from Norse and Anglo-Saxon paganism, the latter included alongside Christian references. A list of rune names is also recorded in the Abecedarium Nordmannicum , a 9th-century manuscript, but whether this can be called a poem or not is a matter of some debate.
The rune poems have been theorized as having been mnemonic devices that allowed the user to remember the order and names of each letter of the alphabet and may have been a catalog of important cultural information, memorably arranged; comparable with the Old English sayings, Gnomic poetry, and Old Norse poetry of wisdom and learning. [1]
The Old English Rune Poem as recorded was likely composed in the 7th century [2] and was preserved in the 10th-century manuscript Cotton Otho B.x, fol. 165a – 165b, housed at the Cotton library in London, England. In 1731, the manuscript was lost with numerous other manuscripts in a fire at the Cotton library. [3] However, the poem had been copied by George Hickes in 1705 and his copy has formed the basis of all later editions of the poems. [3]
George Hickes' record of the poem may deviate from the original manuscript. [3] Hickes recorded the poem in prose, divided the prose into 29 stanzas, and placed a copper plate engraved with runic characters on the left-hand margin so that each rune stands immediately in front of the stanza where it belongs. [3] For five of the runes (wen, hægl, nyd, eoh, and Ing ) Hickes gives variant forms and two more runes are given at the foot of the column; cweorð and an unnamed rune (calc) which are not handled in the poem itself. [3] A second copper plate appears across the foot of the page and contains two more runes: stan and gar. [3]
Van Kirk Dobbie states that this apparatus is not likely to have been present in the original text of the Cotton manuscript and states that it's possible that the original Anglo-Saxon rune poem manuscript would have appeared similar in arrangement of runes and texts to that of the Norwegian and Icelandic rune poems. [3]
The Norwegian Rune Poem was preserved in a 17th-century copy of a destroyed 13th-century manuscript. [4] The Norwegian Rune Poem is preserved in skaldic metre, featuring the first line exhibiting a "(rune name)(copula) X" pattern, followed by a second rhyming line providing information somehow relating to its subject. [5]
The Icelandic Rune Poem is recorded in four Arnamagnæan manuscripts, the oldest of the four dating from the late 15th century. [4] The Icelandic Rune Poem has been called the most systemized of the rune poems (including the Abecedarium Nordmannicum) and has been compared to the ljóðaháttr verse form. [5] [6]
The Icelandic rune poem is shown below with English translation side-by-side from Dickins: [7]
# | rune | name | Old Icelandic | English |
---|---|---|---|---|
1 | ᚠ | Fé | Fé er frænda róg | Wealth = source of discord among kinsmen |
2 | ᚢ | Úr | Úr er skýja grátr | Shower = lamentation of the clouds |
3 | ᚦ | Þurs | Þurs er kvenna kvöl | Giant = torture of women |
4 | ᚬ | Óss | Óss er aldingautr | |
5 | ᚱ | Reið | Reið er sitjandi sæla | Riding = joy of the horsemen |
6 | ᚴ | Kaun | Kaun er barna böl | Ulcer = disease fatal to children |
7 | ᚼ | Hagall | Hagall er kaldakorn | Hail = cold grain |
8 | ᚾ | Nauð | Nauð er Þýjar þrá | Constraint = grief of the bond-maid |
9 | ᛁ | Íss | Íss er árbörkr | Ice = bark of rivers |
10 | ᛅ | Ár | Ár er gumna góði | Plenty = boon to men |
11 | ᛋ | Sól | Sól er skýja skjöldr | Sun = shield of the clouds |
12 | ᛏ | Týr | Týr er einhendr áss | |
13 | ᛒ | Bjarkan | Bjarkan er laufgat lim | Birch = leafy twig |
14 | ᛘ | Maðr | Maðr er manns gaman | Man = delight of man |
15 | ᛚ | Lögr | Lögr er vellanda vatn | Water = eddying stream |
16 | ᛦ | Ýr | Ýr er bendr bogi | Yew = bent bow |
The Old Swedish rune poem is possibly the youngest of the four, first being recorded in a letter that was published in 1908. The text may be corrupt and it has received relatively little attention from runologists. [8] [9]
Recorded in the 9th century, the Abecedarium Nordmannicum is the earliest known catalog of Norse rune names, though it does not contain definitions, is partly in Continental Germanic and also contains an amount of distinctive Anglo-Saxon rune types. [10] The text is recorded in Codex Sangallensis 878, [5] kept in the St. Gallen abbey, and may originate from Fulda, Germany.[ citation needed ]
Æsir or ēse are gods in Germanic paganism. In Old Nordic religion and mythology, the precise meaning of the term "Æsir" is debated, as it can refer to both the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom they waged war, ultimately leading to a joining of the families. The term can further be used to describe local gods that were believed to live in specific features in the landscape such as fells. In the Old English Wið færstice, the Ēse are referred to, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear.
Othala, also known as ēðel and odal, is a rune that represents the o and œ phonemes in the Elder Futhark and the Anglo-Saxon Futhorc writing systems respectively. Its name is derived from the reconstructed Proto-Germanic *ōþala- "heritage; inheritance, inherited estate". As it does not occur in Younger Futhark, it disappears from the Scandinavian record around the 8th century, however its usage continued in England into the 11th century, where it was sometimes further used in manuscripts as a shorthand for the word ēðel ("homeland"), similar to how other runes were sometimes used at the time.
Wynn or wyn is a letter of the Old English alphabet, where it is used to represent the sound.
A rune is a letter in a set of related alphabets known as runic alphabets native to the Germanic peoples. Runes were used to write Germanic languages before they adopted the Latin alphabet, and for specialised purposes thereafter. In addition to representing a sound value, runes can be used to represent the concepts after which they are named (ideographs). Scholars refer to instances of the latter as Begriffsrunen. The Scandinavian variants are also known as fuþark, or futhark; this name is derived from the first six letters of the script, ⟨ᚠ⟩, ⟨ᚢ⟩, ⟨ᚦ⟩, ⟨ᚨ⟩/⟨ᚬ⟩, ⟨ᚱ⟩, and ⟨ᚲ⟩/⟨ᚴ⟩, corresponding to the Latin letters ⟨f⟩, ⟨u⟩, ⟨þ⟩/⟨th⟩, ⟨a⟩, ⟨r⟩, and ⟨k⟩. The Anglo-Saxon variant is known as futhorc, or fuþorc, due to changes in Old English of the sounds represented by the fourth letter, ⟨ᚨ⟩/⟨ᚩ⟩.
ᛈ is the rune denoting the sound p in the Elder Futhark runic alphabet. It does not appear in the Younger Futhark. It is named peorð in the Anglo-Saxon rune-poem and glossed enigmatically as follows:
Ur is the recorded name for the rune ᚢ in both Old English and Old Norse, found as the second rune in all runic alphabets (futharks), i.e. Germanic Elder Futhark, Anglo-Frisian Futhark and Norse Younger Futhark. It corresponds to the letter u in the Latin alphabet, but also carries other sound values, especially in Younger Futhark, were its sound values correspond to the vowels:, , and etc., and the consonants: and etc., in the Latin alphabet.
The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same.
The Elder Futhark, also known as the Older Futhark, Old Futhark, or Germanic Futhark, is the oldest form of the runic alphabets. It was a writing system used by Germanic peoples for Northwest Germanic dialects in the Migration Period. Inscriptions are found on artifacts including jewelry, amulets, plateware, tools, and weapons, as well as runestones, from the 1st to the 9th centuries.
The Fehu rune ⟨ᚠ⟩ represents the ⟨f⟩ sound in the Younger Futhark and Futhorc alphabets. Its name means '(mobile) wealth', cognate to English fee with the original meaning of 'sheep' or 'cattle'. The Proto-Germanic name *fehu has been reconstructed, with the meaning of "money, cattle, wealth".
Algiz is the name conventionally given to the "z-rune" ᛉ of the Elder Futhark runic alphabet. Its transliteration is z, understood as a phoneme of the Proto-Germanic language, the terminal *z continuing Proto-Indo-European terminal *s via Verner's law.
Gyfu is the name for the g-rune ᚷ in the Anglo-Saxon rune poem, meaning 'gift' or 'generosity':
Jera is the conventional name of the j-rune ᛃ of the Elder Futhark, from a reconstructed Common Germanic stem *jēra- meaning "harvest, (good) year".
*Naudiz is the reconstructed Proto-Germanic name of the n-rune ᚾ, meaning "need, distress". In the Anglo-Saxon futhorc, it is continued as ᚾnyd, in the Younger Futhark as ᚾ, Icelandic naud and Old Norse nauðr. The corresponding Gothic letter is 𐌽 n, named nauþs.
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians as an alphabet in their native writing system, recording both Old English and Old Frisian. Today, the characters are known collectively as the futhorc from the sound values of the first six runes. The futhorc was a development from the older co-Germanic 24-character runic alphabet, known today as Elder Futhark, expanding to 28 characters in its older form and up to 34 characters in its younger form. In contemporary Scandinavia, the Elder Futhark developed into a shorter 16-character alphabet, today simply called Younger Futhark.
The rune ᚦ is called Thurs in the Icelandic and Norwegian rune poems. In the Anglo-Saxon rune poem it is called thorn, whence the name of the letter þ derived. It is transliterated as þ, and has the sound value of a voiceless dental fricative.
Codex Sangallensis 878 is a manuscript kept in the library of the Abbey of St. Gall, in Switzerland. It dates to the 9th century and probably originates in Fulda monastery. It contains mainly excerpts of grammatical texts, including the Ars minor and Ars major of Aelius Donatus, the grammar of Priscian, the Etymologiae of Isidore of Sevilla and the grammar of Alcuin. Furthermore, it contains a presentation of the Greek alphabet, the Hebrew alphabet, the Anglo-Saxon runes and the Scandinavian Younger Futhark, the latter in the form of a short rune poem known as the Abecedarium Nordmannicum.
Ansuz is the conventional name given to the a-rune of the Elder Futhark, ᚨ. The name is based on Proto-Germanic *ansuz, denoting a deity belonging to the principal pantheon in Germanic paganism.
The Abecedarium Nordmannicum is a presentation of the 16 runes of the Younger Futhark as a short poem, in the 9th-century Codex Sangallensis 878. The Younger Futhark are given after the Hebrew alphabet on the preceding page, and the Anglo-Saxon futhorc on the same page. The text of the rune poem was unfortunately destroyed in the 19th century by chemicals intended for its preservation. It survives in an 1828 drawing by Wilhelm Grimm.
The t-rune ᛏ is named after Týr, and was identified with this god. The reconstructed Proto-Germanic name is *Tîwaz or *Teiwaz. Tiwaz rune was an ideographic symbol for a spear.
The Old English rune poem, dated to the 8th or 9th century, has stanzas on 29 Anglo-Saxon runes. It stands alongside younger rune poems from Scandinavia, which record the names of the 16 Younger Futhark runes.
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