"The Happening" | ||||
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Single by The Supremes | ||||
from the album Greatest Hits | ||||
B-side | "All I Know About You" | |||
Released | March 20, 1967 | |||
Recorded | March 2, 1967 | |||
Studio | Hitsville U.S.A. (Studio A) | |||
Genre | Pop [1] | |||
Length | 2:52 (album/single version) 3:44 (extended hit mix) | |||
Label | Motown M 1107 | |||
Songwriter(s) | Holland–Dozier–Holland–DeVol | |||
Producer(s) | Brian Holland Lamont Dozier | |||
The Supremes singles chronology | ||||
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Audio sample | ||||
"The Happening" |
"The Happening" is a 1967 song recorded by Motown artists The Supremes. It served as the theme song of the 1967 Columbia Pictures film The Happening , and was released as a single by Motown at the time of the film's release that spring. While the movie flopped, the song peaked at number 1 on the Billboard Hot 100 pop singles chart in May, [2] becoming The Supremes' tenth number 1 single in the United States, [3] peaking in the top 10 on the UK Singles Chart at number 6, and in the top 5 in the Australian Pop Chart and in the Dutch Pop Chart.
Produced by Brian Holland and Lamont Dozier, and written by Holland–Dozier–Holland and Frank De Vol (The Happening's musical director), "The Happening" was the final single issued by The Supremes under that name. Between the release of "The Happening" and the next Supremes single, "Reflections," the group's billing changed to Diana Ross & the Supremes, and Florence Ballard was replaced with Cindy Birdsong of Patti LaBelle & the Blue Belles.
It has been widely believed, and reported [4] [5] that the instrumental track was recorded in Los Angeles using members of the Wrecking Crew, particularly drummer Hal Blaine. The song was authored by Los Angeles–based writer Frank DeVol, and sessions for the single were cut in a Los Angeles studio. Two reports suggest all or part of the final released single was recorded in Detroit. Supremes biographer Mark Ribowsky wrote in 2008 that "early tracks [were laid down] in L.A." but "couldn't catch the groove . . .needing a stronger, funkier bottom and backbeat." Ribowsky maintains that "they started all over again in Studio A in March [1967]." [6] However, Chris Jisi, writing in 2009, notes the track was cut in Los Angeles but was sent back to re-record the bass line with Motown regular James Jamerson, and the final version contained at minimum his contribution. [6] [7]
Ballard's final of the 17 appearances The Supremes made on the hit CBS variety television program The Ed Sullivan Show [8] was on an episode where she performed this song live from Expo 67 in Montréal on Sunday, May 7, 1967, [9] going to number 1 the same week.
Billboard described the single as being "in the good-time rhythm music bag" as "the trio changes pace with this classy performance of the new film theme." [10] Cash Box called the single a "light, bouncy, up-tempo, romp" that is a "sure fire chart topper." [11] Record World described it as "a bright, bouncy, lively number about the fickle finger of fate and love." [12]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United States | — | 1,000,000 [41] |
"The Happening" was an instrumental hit for Herb Alpert & the Tijuana Brass in 1967 making number 32 on the Billboard chart. [42]
There is a Spanish version of the song recorded by the Spanish group Greta y los Garbo in 1990 entitled ¡Menuda fiesta! The song is included in an album of the same name and It was a huge commercial success in Spain.
"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label.
"Reflections" is a 1967 song recorded by American soul music group The Supremes for the Motown label. The single release was the first Supremes record credited to "Diana Ross and the Supremes", and the song was one of the last Motown hits to be written and produced by Holland–Dozier–Holland before they left the label.
"Baby Love" is a song by the American music group the Supremes from their second studio album, Where Did Our Love Go. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964.
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.
"Love Child" is a 1968 song released by the Motown label for Diana Ross & the Supremes. The second single and title track from their album Love Child, it became the Supremes' 11th number-one single in the United States, where it sold 500,000 copies in its first week and 2 million copies by year's end.
"I Hear a Symphony" is a 1965 song recorded by the Supremes for the Motown label.
"You Can't Hurry Love" is a song originally recorded by the Supremes on the Motown label. It was released on July 25, 1966 as the second single from their studio album The Supremes A' Go-Go.
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown group the Supremes, reaching number one on the Billboard Hot 100.
American girl group The Supremes has released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the UK Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In the Name of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all-time UK downloads and streams.
"I'm Gonna Make You Love Me" is a soul song most popularly released as a joint single performed by Diana Ross & the Supremes and the Temptations for the Motown label. This version peaked for two weeks at No. 2 on the Hot 100 in the United States, selling 900,000 copies in its first two weeks, and at No. 3 on the UK Singles Chart in January 1969.
"Up the Ladder to the Roof" is a 1970 hit single recorded first by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.
"I'm Livin' in Shame" is a 1969 song released for Diana Ross & the Supremes on the Motown label. The sequel to the Supremes' number-one hit, "Love Child," the song peaked in the top ten on the US Billboard Hot 100 pop chart at #10 and the top 20 in the UK at #14 in April and May 1969.
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.
"My World Is Empty Without You" is a 1965 song recorded and released as a single by the Supremes for the Motown label.
"Love Is Like an Itching in My Heart" is a 1966 song recorded by the Supremes for the Motown label.
"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Run, Run, Run" is a 1964 song written by Holland–Dozier–Holland and released as a single by Motown singing group The Supremes. After a couple of years of unsuccessful singles, the Supremes had finally broken through with a Top 40 single (23) in December 1963 with "When the Lovelight Starts Shining Through His Eyes". On the heels of its release, Motown rush-released a second HDH single titled "Run, Run, Run". Inspired by the sounds of Phil Spector and his Wall of Sound, it was an attempt to give the Supremes a poppier sound compared to their earlier heavy R&B recordings. Billboard described the song as a "strong follow up" to "When the Lovelight Starts Shining Through His Eyes," stating that it "has tough beat in a middle up groove that's great for dancing." Cash Box described it as "a pulsating, big sounding rocker with some torrid triplet keyboard work backing up."
"Nothing but Heartaches" is a 1965 song recorded by the Supremes for the Motown label.
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
"I'm Gonna Let My Heart Do the Walking" is a disco-styled soul single composed by the Holland brothers Eddie and Brian, members of the former Holland–Dozier–Holland team and was released as a single by Motown vocal group The Supremes in 1976 on the Motown label. It was the first single since "Your Heart Belongs to Me" in 1962 to feature four Supremes. It is also notable for being the last top forty single the group would score before they disbanded in 1977.