The King's Speech (Original Motion Picture Soundtrack) | ||||
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Film score by | ||||
Released | 22 November 2010 | |||
Studio | Abbey Road Studios (London) | |||
Genre | Classical | |||
Length | 41:00 | |||
Label | Decca | |||
Producer | Alexandre Desplat | |||
Alexandre Desplat chronology | ||||
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The King's Speech (Original Motion Picture Soundtrack) is the soundtrack to the Academy Award-winning film The King's Speech , released by Decca Records on 22 November 2010. Alexandre Desplat composed the film's original music. The score consisted of minimalistic sounds created with piano and strings, and a limited orchestra with oboe and harp being used. It was recorded using old microphones from the EMI archives, used by the royal family, in order to create a vintage and dated sound. The minimalistic use of the music is used to describe Colin Firth's character, the future King George VI.
The score received critical acclaim for Desplat's composition and the use of old microphones for recording the sound of the score. The sound design also received praise from the critics. The score was nominated for several awards, including Best Original Score at the Academy Awards and Golden Globe Awards, losing both awards to Trent Reznor and Atticus Ross' score for The Social Network. However, it won the BAFTA Award for Best Original Music and the Grammy Award for Best Score Soundtrack for Visual Media.
The score was recorded at the Abbey Road Studios in London, with Terry Davies conducting the London Symphony Orchestra. [1] He initially used a limited chamber orchestra for the score, comparing what Wolfgang Amadeus Mozart or Ludwig van Beethoven had approached for. To create a dated sound, the score was recorded on old microphones extracted from the EMI archives which had been specially made for the royal family, suggested by the mastering engineer Peter Cobbin. [2] Desplat said that "Recording both the score and the classical pieces with the orchestra through these microphones made it a special blend, a special color, and I think all this together, the choice of the instrumentation and the choice of the recording through these microphones made it a unique sound and a unique piece like if it was one only composer all together." [3]
The music played during the broadcast of the 1939 radio speech at the climax of the film is from the 2nd movement (Allegretto) of Beethoven's 7th Symphony; it was added by Tariq Anwar, the editor. When Desplat later joined the team to write the music, he praised and defended Anwar's suggestion. Hooper further remarked that the stature of the piece helps elevate the status of the speech to a public event. [4] Desplat also praised Hooper's decision to use Beethoven music in the score, that was initially used as a temp track, but became an integral part in the score. He said "It worked marvellously, and it made sense since it has such a universal quality to it. I would never have been able to compete with that." [5]
The album's original release only featured 14 tracks. [6] Another score album, featuring 18 tracks, that are used from the production of the original score, released as a part of "For Your Consideration" for the awards season. [7] More cues were released as a "complete score", but was only limited for digital download. [8]
All tracks are written by Alexandre Desplat, except where noted.
No. | Title | Length |
---|---|---|
1. | "Lionel and Bertie" | 2:10 |
2. | "The King's Speech" | 3:54 |
3. | "My Kingdom, My Rules" | 2:51 |
4. | "The King Is Dead" | 2:06 |
5. | "Memories of Childhood" | 3:36 |
6. | "King George VI" | 3:05 |
7. | "The Royal Household" | 1:43 |
8. | "Queen Elizabeth" | 3:35 |
9. | "Fear and Suspicion" | 3:24 |
10. | "The Rehearsal" | 1:42 |
11. | "The Threat of War" | 3:56 |
12. | "Speaking Unto Nations (Beethoven Symphony No. 7 – II)" | 5:02 |
13. | "Epilogue (Beethoven Piano Concerto No. 5 "Emperor" – II)" | 3:56 |
14. | "The Logue Method (Mozart: Marriage of Figaro Overture Clarinet Concerto Mvt I)" | 3:45 |
No. | Title | Length |
---|---|---|
1. | "Opening Title (Part 1)" | |
2. | "Opening Title (Part 2)" | |
3. | "Opening Title (Part 3)" | |
4. | "Fog To Logue's" | |
5. | "Logue's House" | |
6. | "Listening To Record" | |
7. | "King George Dies" | |
8. | "Childhood" | |
9. | "Marshmallows" | |
10. | "Sessions Are Over" | |
11. | "George VI" | |
12. | "King No Speaks" | |
13. | "Bertie Cries" | |
14. | "Don't Be Afraid" | |
15. | "Bertie's Suspicion" | |
16. | "The Rehearsal" | |
17. | "Premises Of War" | |
18. | "Lionel & Bertie" |
No. | Title | Length |
---|---|---|
1. | "Bertie Cries" | |
2. | "Bertie's Suspicion" | |
3. | "Childhood" | |
4. | "Childhood (Alternate)" | |
5. | "Don't Be Afraid" | |
6. | "Don't Be Afraid (Alternate)" | |
7. | "Epilogue (Source)" | |
8. | "Fog To Logue's" | |
9. | "George VI" | |
10. | "King George Dies" | |
11. | "King George Dies (Alternate)" | |
12. | "King No Speaks" | |
13. | "Lionel & Bertie" | |
14. | "Listening To Record" | |
15. | "Logue's House" | |
16. | "Logue's House (Alternate)" | |
17. | "Marshmallows" | |
18. | "My Kingdom, My Rules" | |
19. | "Opening Title (Pt. 1)" | |
20. | "Opening Title (Pt. 2)" | |
21. | "Opening Title (Pt. 3)" | |
22. | "Premises Of War" | |
23. | "Queen Elizabeth" | |
24. | "Sessions Are Over" | |
25. | "Speaking Unto Nations (Long)" | |
26. | "Speaking Unto Nations (Source)" | |
27. | "The King's Speech" | |
28. | "The Rehearsal" |
Desplat's score received critical acclaim. Jonathan Broxton called it as Desplat's second best score of 2010, behind Harry Potter and the Deathly Hallows – Part 1 , but called it as "an enjoyable little work which compares favorably with earlier scores". [9] Mfiles.com wrote "The music is appropriately dignified when required, but it is far from aloof. Desplat uses a light touch which brings a warmth to the events and helps the audience identify with the characters." [10] The Joy of Movies wrote "this is a gentle and beautiful score to put on in the background. I think if you enjoy a classical sound, you will like this one." [11]
William Ruhrlmann of AllMusic wrote "Composer Alexandre Desplat provides discreet, restrained music to accompany The King's Speech, the drama about the struggle of Britain's King George VI to overcome his stuttering and speak to his people in times of war and peace. Desplat's piano figures tend to be at the fore, tinkling lightly, supported by the London Symphony Orchestra set to a low heat. By the end, Desplat gives way to Beethoven, whose Symphony No. 7 excerpt and "Emperor" piano concerto fit right in." [12] Sibylla Robertson of Limelight Magazine said "With a simple piano melody and just a whisp of strings, Desplat manages to convey the restrained angst and regal grandeur of the film’s hero. This ability to convey character musically is Desplat’s great strength." [13]
James Southall wrote "Few, if any, modern film composers are able to bring such a light touch to such a serious film and make it work so well; fewer still are able to write music of such genuine warmth without succumbing to even the tiniest whiff of schmaltz." [14] Filmtracks.com wrote "The King's Speech is an effortless listening experience that, due to the chamber-like ensemble size and/or the obscured recording, will not stir trouble for a moment during its half hour on album (which is rounded off by nine minutes of two Beethoven pieces used for pivotal scenes). Unfortunately, it only inspires in small, conservative doses as well, making it a safe but somewhat unremarkable recommendation." [15] It has been named as one of the composer's best scores, by Far Out Magazine , [16] and the best from the 2000s' by MovieWeb . [17] Writing for Far Out, Swapnil Dhruv Bose on revisiting the film after 10 years, still felt that "The wonderful score from Alexandre Desplat contributes immensely to this atmospheric tension". [18]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
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Academy Awards | 27 February 2011 | Best Original Score | Alexandre Desplat | Nominated | [19] |
Best Sound Mixing | Paul Hamblin , Martin Jensen, John Midgley | Nominated | |||
British Academy of Film and Television Arts | 13 February 2011 | Best Film Music | Alexandre Desplat | Won | [20] |
Best Sound | John Midgley , Lee Walpole, Paul Hamblin, Martin Jensen | Nominated | |||
Critics' Choice Movie Award | 14 January 2011 | Best Score | Alexandre Desplat | Nominated | [21] |
European Film Awards | 3 December 2011 | Best Composer | Alexandre Desplat | Nominated | [22] |
Grammy Awards | 12 February 2012 | Best Score Soundtrack for Visual Media | The King's Speech | Won | [23] |
Golden Globe Awards | 16 January 2011 | Best Original Score | Alexandre Desplat | Nominated | [24] |
International Film Music Critics Association | 24 February 2011 | Film Score of the Year | Alexandre Desplat | Nominated | [25] |
Best Score for a Drama Film | Alexandre Desplat | Won | |||
Italian Online Movie Awards | 8 May 2011 | Best Score | Alexandre Desplat | Nominated | [26] |
Chart (2010) | Peak position |
---|---|
UK Soundtrack Albums (OCC) [27] | 2 |
US Soundtrack Albums (Billboard) [28] | 5 |
Alexandre Michel Gérard Desplat is a French film composer and conductor. He has received numerous accolades throughout his career spanning over four decades, including, two Academy Awards, three British Academy Film Awards, three César Awards, two Golden Globe Awards, and two Grammy Awards. Desplat was made an Officer of the Ordre national du Mérite and a Commander of the Ordre des Arts et des Lettres both in 2016.
Girl with a Pearl Earring: Original Motion Picture Soundtrack is the soundtrack album to the 2003 film Girl with a Pearl Earring starring Scarlett Johansson, Colin Firth, Tom Wilkinson, Cillian Murphy and Judy Parfitt. It was composed by French film composer Alexandre Desplat.
Harry Potter and the Deathly Hallows - Part 1 is a motion picture soundtrack to the 2010 film of the same name, composed and conducted by Alexandre Desplat. The soundtrack was nominated for the 2010 IFMCA Award for Best Original Score for a Fantasy Film and the 2010 Satellite Award for Best Original Score.
Harry Potter and the Deathly Hallows - Part 2 is a motion picture soundtrack to the 2011 film of the same name composed and conducted by Alexandre Desplat. The soundtrack was nominated for a Grammy Award, Satellite Award, Houston Film Critics Society Award, Denver Film Critics Society Award, and an IFMCA Award for Best Original Score for a Fantasy Film. The soundtrack won the San Diego Film Critics Society Award for Best Score.
The Grand Budapest Hotel: Original Soundtrack is the soundtrack album composed by Alexandre Desplat for the 2014 film The Grand Budapest Hotel directed by Wes Anderson. The 32-track album was released on March 4, 2014 through ABKCO Records, produced by Anderson along with music supervisor Randall Poster. Unlike their previous ventures, the soundtrack to this film did not feature contemporary pop hits due to the classical roots of the film's music.
Godzilla: Original Motion Picture Soundtrack is the soundtrack to the 2014 American monster film Godzilla, which is a reboot of Toho's Godzilla franchise and also being the 30th film in that franchise. It is also the first film in Legendary's MonsterVerse and the second Godzilla film to be completely produced by a Hollywood studio. The musical score is composed and conducted by Alexandre Desplat, being the first film composer to work on the MonsterVerse franchise. The film score was released digitally by WaterTower Music on May 13, 2014, and a separate vinyl album was launched on June 17.
Little Women: Original Motion Picture Soundtrack is the score album composed by Alexandre Desplat for the 2019 American film Little Women. A seventh film adaptation of the 1868 novel of the same name by Louisa May Alcott, the film is directed by Greta Gerwig, and stars an ensemble cast consisting of Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, and Chris Cooper. The original score album was released by Sony Music on December 13, 2019.
Argo (Original Motion Picture Soundtrack) is a score album composed by Alexandre Desplat to the Academy Award-winning historical drama thriller film Argo. The film was directed by Ben Affleck, from a screenplay written by Chris Terrio, which was adapted from U.S. Central Intelligence Agency operative Antonio J. Mendez's eponymous novel released in 1999, his memoir The Master of Disguise, and the Wired article by Joshuah Bearman, "The Great Escape: How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran" (2007); Affleck also starred in the lead role as Mendez. The score album was released on October 9, 2012 by WaterTower Music, three days ahead of the film's release.
Moonrise Kingdom (Original Score) is the accompanying score album for the identically named 2012 coming-of-age comedy-drama film released on June 19, 2012 through ABKCO Records. The score album featured six tracks, including five themes from the soundtrack composed by Alexandre Desplat and one theme by Mark Mothersbaugh, who scored for Anderson's early films. Irrespective of being released along with the soundtrack on May 2012, the score album was separately released, in order to be shortlisted for nominations at award ceremonies, including Academy Awards, which was rejected due to the inspiration of classical music from Benjamin Britten's compositions.
Moonrise Kingdom (Original Soundtrack) is the accompanying soundtrack album for the identically named 2012 coming-of-age comedy-drama film released on May 15, 2012 through ABKCO Records. The soundtrack album featured original compositions from Alexandre Desplat and supplemented existing music by Benjamin Britten, as well as classical songs from Hank Williams, Leonard Bernstein, Frank Schubert and Françoise Hardy. Both Anderson and Randall Poster compiled the film's soundtrack.
The Shape of Water (Original Motion Picture Soundtrack) is the soundtrack album to the Academy Award-winning film of the same name. It featured 26 tracks — most of the tracks were from the original score composed by Alexandre Desplat and some tracks are incorporated songs, being originated from the 1940s and 1960s as the film is set during the Cold War period. The film, directed by Guillermo del Toro, who also co-wrote the script with Vanessa Taylor, stars Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, and Octavia Spencer.
The Secret Life of Pets (Original Motion Picture Soundtrack) is the soundtrack album to the 2016 film of the same name. The film's music is scored by Alexandre Desplat and released on July 1, 2016 by Back Lot Music. The music consisted of jazz, classical and orchestral pieces, which Desplat described the musical style as "George Gershwin meets Miles Davis". The score received positive critical response.
The Secret Life of Pets 2 (Original Motion Picture Soundtrack) is the soundtrack album to the 2019 film of the same name, which is the sequel to The Secret Life of Pets (2016). The film's music is composed by Alexandre Desplat and the score album, featuring 22 tracks of the score, alongside three incorporated songs were released by Back Lot Music on May 31, 2019, a week ahead of the film's release. Like the first film, the score for the sequel, uses jazz and orchestral music.
Nightmare Alley: Original Motion Picture Soundtrack is the soundtrack album to the 2021 film of the same name directed by Guillermo del Toro. The film's music was initially set to be composed by Alexandre Desplat, but was replaced by Nathan Johnson, after Desplat exited the film due to scheduling conflicts. Johnson completed the film's score within six weeks, where the score was recorded at the Newman Scoring Stage in 20th Century Studios and was released by Hollywood Records digitally on December 17, 2021 and a physical release on December 31, 2021.
Rise of the Guardians: Music From The Motion Picture is the score album to the 2012 of the same name, composed by Alexandre Desplat. The film marked Desplat's maiden score for a computer-animated film as well as his DreamWorks' film, not to be scored by either Hans Zimmer or his Remote Control Productions family of composers. The score was recorded at Abbey Road Studios and AIR Studios in London and features collaborations with London Symphony Orchestra and London Voices performing. In addition to Desplat's score, an original song "Still Dream" written by David Lindsay-Abaire and performed by soprano singer Renée Fleming, was featured in the film's end credits. Both Desplat's score and Fleming's original song was included in the film's score album, released by Varèse Sarabande on November 13, 2012 and received positive response praising Desplat's compositions.
The Curious Case Of Benjamin Button (Music from the Motion Picture) is the soundtrack album to the 2008 film of the same name, released by Concord Music Group on December 16, 2008. It was released in physical forms as a two-disc album, with one disc containing the film's original score composed by Alexandre Desplat, and the other consists few classical songs as well as dialogues featured in the film. The David Fincher-directed film, written by Eric Roth and Robin Swicord is loosely based on the 1922 short story of the same name by F. Scott Fitzgerald, and stars Brad Pitt as the titular character, alongside Cate Blanchett, Taraji P. Henson, Mahershala Ali, Julia Ormond, Jason Flemyng, Elias Koteas, and Tilda Swinton.
Philomena (Original Motion Picture Soundtrack) is the score album composed by Alexandre Desplat to the 2013 film of the same name directed by Stephen Frears, released on 25 October 2013 through Decca Records. The score received positive response from critics, and led him a nomination for Academy Award for Best Original Score and Satellite Award for Best Original Score.
The Imitation Game (Original Motion Picture Soundtrack) is the score album to the 2014 film of the same name. The film is scored by Alexandre Desplat who replaced the original composer Clint Mansell before the film's production commenced. The London Symphony Orchestra performed the original score that featured various instruments such as keyboards, clarinets, strings, arpeggio and bombe. The album was released on November 7, 2014 by Sony Music Entertainment. The album received critical acclaim and was nominated for several awards, including the Academy Award for Best Original Score but lost to The Grand Budapest Hotel, also composed by Desplat.
The Ides of March (Original Motion Picture Soundtrack) is the score album to the 2011 film The Ides of March directed by George Clooney. The film score is composed by Alexandre Desplat, who would later collaborate with Clooney on his other directorial ventures, The Monuments Men (2014), Suburbicon (2017) and The Midnight Sky (2020). The score was released by Varèse Sarabande on September 27, 2011.
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