Sir Reginald Carey "Rex" Harrison was an English actor. Harrison began his career on the stage at the Liverpool Playhouse in 1924. He made his West End debut in 1936 appearing in the Terence Rattigan play French Without Tears, in what was his breakthrough role. He won his first Tony Award for Best Actor in a Play for his performance as Henry VIII in the Broadway play Anne of the Thousand Days in 1949. He returned to Broadway portraying Professor Henry Higgins in My Fair Lady (1956) where he won the Tony Award for Best Actor in a Musical.
Justine Kay Kendall McCarthy was an English actress and comedienne. She began her film career in the musical film London Town (1946), a financial failure. Kendall worked regularly until her appearance in the comedy film Genevieve (1953) brought her widespread recognition. Prolific in British films, Kendall also achieved some popularity with American audiences, and won a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy for her role in the musical-comedy film Les Girls (1957).
Sidney Gilliat was an English film director, producer and writer.
Frank Launder was a British writer, film director and producer, who made more than 40 films, many of them in collaboration with Sidney Gilliat.
Green for Danger is a 1946 British thriller film, based on the 1944 detective novel of the same name by Christianna Brand. It was directed by Sidney Gilliat and stars Sally Gray, Trevor Howard, Rosamund John, Leo Genn, and Alastair Sim. The film was shot at Pinewood Studios in England. The title is a reference to the colour-coding used on the gas cylinders used by anaesthetists.
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause.
Waterloo Road is a 1945 British film directed by Sidney Gilliat and starring John Mills, Stewart Granger, and Alastair Sim. It is based on the Waterloo area of South London. According to the British Film Institute database, it is the third in an "unofficial trilogy" by Gilliat, preceded by Millions Like Us (1943) and Two Thousand Women (1944).
A Kid For Two Farthings is a 1955 British comedy-drama film directed by Carol Reed. The screenplay was adapted by Wolf Mankowitz from his 1953 novel of the same name. The title is a reference to the traditional Passover song, "Chad Gadya", which begins "One little goat which my father bought for two zuzim". At the end of the film, Mr. Kandinsky softly sings fragments of an English translation of the song.
Sir Godfrey Seymour Tearle was a British actor who portrayed the quintessential British gentleman on stage and in both British and US films.
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Gordon Jackson, Anne Crawford, Basil Radford, Naunton Wayne, Moore Marriott and Eric Portman.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938).
Kipps is a 1941 British comedy-drama film adaptation of H. G. Wells's 1905 novel of the same name. The film was directed by Carol Reed and stars Michael Redgrave as a draper's assistant who inherits a large fortune. The film's costumes were designed by Cecil Beaton.
Ring of Spies is a 1964 British spy film directed by Robert Tronson and starring Bernard Lee, William Sylvester and Margaret Tyzack. It was written by Peter Barnes and Frank Launder based on the real-life case of the Portland spy ring, whose activities prompted "Reds under the bed" scare stories in the British popular press in the early 1960s.
The Constant Husband is a 1955 British comedy film, directed by Sidney Gilliat and starring Rex Harrison, Margaret Leighton, Kay Kendall, Cecil Parker, George Cole and Raymond Huntley. The story was written by Gilliat together with Val Valentine, and the film was produced by Individual Pictures, Gilliat's and Frank Launder's joint production company. Because the film got caught up in the 1954 bankruptcy of British Lion Film Corporation, it was not released until more than seven months after it had been finished and reviewed by the British Board of Film Censors.
Piccadilly Incident is a 1946 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Coral Browne, Edward Rigby and Leslie Dwyer. It was written by Nicholas Phipps based on a story by Florence Tranter.
Every Home Should Have One is a 1970 British comedy film directed by Jim Clark and starring Marty Feldman. The screenplay was by Marty Feldman, Barry Took and Denis Norden, based on a story by Herbert Kretzmer and Milton Shulman.
The Girl in the News is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood, Barry K. Barnes and Emlyn Williams. It was based on the eponymous novel by Roy Vickers, released the same year.
English Without Tears is a 1944 British romantic comedy film directed by Harold French and starring Michael Wilding, Penelope Dudley-Ward and Lilli Palmer. The screenplay was by Terrance Rattigan and Anatole de Grunwald. It was released in the U.S. under the title Her Man Gilbey, as a reference to the classic Screwball comedy, My Man Godfrey (1936).
Jack Edwards Livesey was a British film actor.
Carnival is a 1946 British drama film about a ballet dancer of the Edwardian era, directed by Stanley Haynes and starring Sally Gray, Michael Wilding, Stanley Holloway and Jean Kent. It is based on the 1912 novel of the same name by Compton Mackenzie, which had previous been made into a 1932 film version Dance Pretty Lady by Anthony Asquith. It was shot at Denham Studios with sets designed by the art director Carmen Dillon.
