Virginia B. Fairbanks Art & Nature Park: 100 Acres

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Virginia B. Fairbanks Art & Nature Park: 100 Acres
100 Acres, Fairbanks Park
100 Acres entrance signage close-up.jpg
Park entrance signage in 2022
Virginia B. Fairbanks Art & Nature Park: 100 Acres
Type Nature park
Sculpture park
Location Indianapolis, Indiana, U.S.
Coordinates 39°49′38.3″N86°11′25.1″W / 39.827306°N 86.190306°W / 39.827306; -86.190306
Area100 acres (40 ha)
OpenedJune 20, 2010;13 years ago (2010-06-20) [1]
DesignerEdward L. Blake, Jr.
Owned by Indianapolis Museum of Art
OpenDaily, sunrise to sunset
StatusOpen all year
Parking40-space lot
Bicycle facilities Ic directions bike 48px.svg Indiana Pacers Bikeshare
FacilitiesRuth Lilly Visitors Pavilion
Website Official website

The Virginia B. Fairbanks Art & Nature Park: 100 Acres, also referred to as the 100 Acres or Fairbanks Park, is a public interactive art park located on the Newfields (Indianapolis Museum of Art) campus in Indianapolis, Indiana, United States.

Contents

Opened in 2010, the 100-acre (40 ha) park is among the largest of its kind in the U.S., including an inaugural collection of eight site-specific art installations by national and international artists. [2] Other features include walking paths, natural landscaping, and the Ruth Lilly Visitors Pavilion. Admission to the park is free and open from dusk to dawn.

The park is situated within a floodplain west of the Indianapolis Museum of Art and Oldfields, bordered on the east by the Indiana Central Canal and on the north and west by a meander in the White River. [3] The park was intentionally developed to emphasize surrounding natural features, including woods, meadows, wetlands, and a 30-to-40-acre (12 to 16 ha) quarry lake. [4] [3] [5] Virginia B. Fairbanks, the wife of benefactor Richard M. Fairbanks, is the park's namesake. [1]

History

The park's lake is a remnant of the site's past use as a quarry 100 Acres lake and vegetation 3.jpg
The park's lake is a remnant of the site's past use as a quarry

During the construction of nearby Interstate 65, gravel was excavated from the site by Huber, Hunt & Nichols, which later donated the land to the Indianapolis Museum of Art in 1972. [6] In the proceeding years, the former quarry site remained largely untouched. [3]

In acknowledgment of the site's popularity with trespassers, the museum partnered with Indianapolis Greenways and the Indianapolis Water Company to formally open the site for public use in 1999. At this time, museum officials began maintaining desire paths around the lake and clearing invasive plant species. [4] Further, the museum adopted a US$160 million master plan that proposed developing the site into a public art and nature park. A preliminary site plan was developed by landscape architecture firm Moore Iacofano Goltsman Inc. [3]

In 2004, the museum commissioned landscape architect Edward L. Blake, Jr. and architect Marlon Blackwell to design the park with an emphasis on its natural setting. [7] Gifts totaling US$15 million were granted to the museum from the Richard M. Fairbanks Foundation in 2001 and 2006 to offset initial operations expenses for the park. [5] [8] [1] In 2007, the museum announced the selection of the first ten artists whose work would be installed in the park. [9]

In 2008, the museum scaled back some elements of the park. A planned US$8 million, 1,500-foot (460 m) walkway designed by artist Mary Miss was canceled due to concerns of cost and the piece's impact on the surrounding natural environment. [10] Miss was invited to contribute a piece that would be "more environmentally sensitive" and less "engineering-intense". The Ruth Lilly Visitors Center was downsized due to building constraints in the floodplain. Due to scheduling conflicts, commissioned artists Haluk Akakçe and Peter Eisenman were forced to postpone their involvement, while Jeppe Hein was added to the roster of inaugural artists. [11]

At the park's groundbreaking on September 18, 2008, Maxwell L. Anderson, director and chief executive officer for the Indianapolis Museum of Art at the time, said:

(We are) taking a property which began in effect as an industrial site after it left the natural one, became a wasteland, and then nature reclaimed it. And today the IMA hopes to leave nature in charge to a very considerable extent. [10]

The park was anticipated to open in September 2009 but was delayed due to impacts from the Great Recession. The completed park opened to the public on June 20, 2010. [1] The park's primary visionary was Lisa Freiman, and it was co-developed by Sarah Urist Green. [12] [13]

Landscape architecture firm DAVID RUBIN Land Collective was commissioned by the Indianapolis Museum of Art to complete a 30-year land use master plan for the full 152-acre (62 ha) Newfields campus. Adopted in 2017, the master plan called for several developments to the park, including a new footbridge across the Indiana Central Canal and an allée to create a visual axis from Oldfields to the lake in 100 Acres. [6] [14]

In 2019, the Richard M. Fairbanks Foundation awarded Newfields a US$10 million grant to fund park upgrades, including improved pedestrian and bicyclist connectivity, additional restrooms and parking, and the creation of an endowment for continued maintenance and new art installations. [15]

In January 2023, Newfields announced the "Home Again" exhibition, including the addition of three works to the park: Oracle of Intimation by Heather Hart; The Pollinator Pavilion by Mark Dion and Dana Sherwood; and This is NOT a Refuge by Anila Quayyum Agha. The exhibition was curated by the park's first director, Lisa Freiman, who served in various roles at the Indianapolis Museum of Art until 2013. The exhibition was underwritten by a US$3 million gift from local entrepreneur and former trustee Kent Hawryluk. The three pieces are planned to be installed in June 2023 on the Hawryluk Sculpture Green. [16] [17]

Collection

Current

Former

Grounds

Virginia B. Fairbanks Art & Nature Park 100 Acres- June 2013 - 03.jpg
Waller Bridge over the Indiana Central Canal
Ruth Lilly Visitors Pavilion interior 1.jpg
Interior of the Ruth Lilly Visitors Pavilion
Oldfields (Lilly House) from 100 Acres 2.jpg
Oldfields visible from the Wild Birds Unlimited Native Pollinator Meadow

Waller Bridge, a bowstring pony truss footbridge spanning the Indiana Central Canal, allows pedestrians to travel between the park and the rest of the Newfields campus. The bridge was originally located in Montgomery County, Indiana, constructed by the King Bridge Company in 1873. The bridge was later moved to its current site and restored with some contemporary modifications. [3] [29]

The Central Canal Towpath, a shared-use path of crushed limestone, runs along the eastern perimeter of the park paralleling the canal. The trail serves as a regional connector for pedestrians and bicyclists, linking the park to the Monon Trail at its northern terminus in the Broad Ripple neighborhood and Fall Creek Greenway at its southern terminus. Bicycle parking racks and an Indiana Pacers Bikeshare docking station are available. [6]

The park's 40-space surface parking lot is accessible to motorists from W. 38th St. via the N. White River Pkwy. E. Dr. exit ramp. A pedestrian crosswalk leads visitors from the parking lot to the Edgar and Dorothy Fehnel Entrance.

Ruth Lilly Visitors Pavilion

Architect Marlon Blackwell was commissioned to design the Ruth Lilly Visitors Pavilion in 2004. [7] Inspired by a fallen leaf, [30] Blackwell's design blends wood, glass, and steel with environmental sustainability systems focused on water and energy efficiency. [31] The 1,290-square-foot (120 m2) LEED-certified building is situated within the park's northeastern woods, containing a multipurpose room and restrooms. [30] The pavilion has earned accolades from the American Institute of Architects (AIA), Architect Magazine , and Chicago Athenaeum, among others. [32] In 2021, a six-person panel of AIA Indianapolis members identified the pavilion among the ten most "architecturally significant" buildings completed in the city since World War II. [33]

Wild Birds Unlimited Native Pollinator Meadow

The pollinator meadow was announced as part of a US$10 million grant from the Richard M. Fairbanks Foundation in 2019. [15] Former Newfields trustee Edgar Fehnel gifted the institution US$100,000 to help fund the pollinator meadow in addition to US$100,000 from the Nina Mason Pulliam Charitable Trust to help fund environmental sustainability and nature conservancy efforts. [34]

The park and two of its resident installations— Free Basket and Funky Bones —are referenced in author John Green's 2012 novel The Fault in Our Stars . A replica of Funky Bones was created in Pittsburgh, Pennsylvania, for the 2014 film adaptation. [35] In 2016, the park was featured in the episode "Man Made Marvels" on the Smithsonian Channel television series Aerial America .

See also

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<i>Bench Around the Lake</i>

Bench Around the Lake is a public artwork by Danish artist Jeppe Hein, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, in Indianapolis, Indiana, United States. The artwork consists of fifteen individually designed yellow interactive bench installations strategically placed throughout the park location. Some of the benches consist of multiple components or sections within one site.

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Stratum Pier is an interactive overlook by American artist Kendall Buster. The functional sculpture is located at the Indianapolis Museum of Art's 100 Acres: Virginia B. Fairbanks Art & Nature Park.

<i>Eden II</i>

Eden II is a public artwork by the Finnish artist Tea Mäkipää, located on the grounds of the Indianapolis Museum of Art in Indianapolis, Indiana. It is a mixed-media installation, consisting of a derelict ship on the lake and a guardhouse and its equipment on the shore. It was commissioned in 2010 by the Indianapolis Museum of Art for its sculpture garden, known as the 100 Acres Park.

<i>Funky Bones</i>

Funky Bones is a public artwork by Atelier Van Lieshout, a Dutch artist collective led by Joep van Lieshout, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, which is on the grounds of Newfields in Indianapolis, Indiana, United States. The artwork, primarily made from fiberglass, consists of twenty white and black bone-shaped benches.

<i>Park of the Laments</i>

Park of the Laments is a public artwork by Chilean artist Alfredo Jaar, located in the Virginia B. Fairbanks Art & Nature Park: 100 Acres, in Indianapolis, Indiana, United States. The artwork consists of an enclosed park space in the form of a square placed within a square, the inner parameter being made from limestone-filled gabion baskets, and the outer from indigenous trees and shrubs. The park space is only accessible by a concrete enclosed tunnel. The installation has a landscape design that consists of over 3,000 individual plant species from 53 different genera.

<i>Indianapolis Island</i> Artwork by Andrea Zittel

Indianapolis Island is a public artwork by American artist Andrea Zittel, located in the Virginia B. Fairbanks Art & Nature Park: 100 Acres, in Indianapolis, Indiana. The artwork consists of an inhabitable, white fiberglass structure that is mounted onto a floating dock system and installed in the park's lake. Each summer season it is occupied by resident(s) who can choose to modify the island's structure and interior design according to their own individual needs.

<i>Free Basket</i>

Free Basket is a public artwork by the Cuban artist group Los Carpinteros, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, in Indianapolis, Indiana, United States. The artwork is in the form of an international basketball court with twenty-four red or blue steel arches that travel throughout the court, mimicking the trajectory of two bouncing basketballs. Two of the arches terminate with their own regulation size basketball hoop, netting, and backboard.

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References

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  3. 1 2 3 4 5 Mullen, Ruth (July 29, 2000). "Gallery without walls" . The Indianapolis Star. pp. E1 and E5. Retrieved September 7, 2022 via Newspapers.com. It is part of the IMA's ambitious $160 million master plan unveiled last year that museum officials believe will boost it into the top tier of American museums. (...) Bounded on three sides by a horseshoe bend in the White River, the 100-acre property is west of the museum, separated from the IMA's main campus by Indianapolis Greenways' Central Canal Towpath. (...) A historic 19th-century Bowstring Pony Truss Bridge from Montgomery County spans the canal, a symbolic link between the museum's main campus and its 21st-century Art and Nature Park. Bikers and joggers will be able to access the park from the Indianapolis Greenways' Central Canal Towpath Trail, which also links up to the Monon Trail in Broad Ripple. (...) The park property was donated to the IMA by the construction firm Huber, Hunt and Nichols in the early 1970s. The company had used the site to excavate gravel for the construction of I-65, which created the park's central water feature: a 40-acre lake. The land remained untouched for decades while museum officials quietly raised funds and mulled over development possibilities. Last year, the IMA hired Moore Iacofano Goltsman Inc., a landscape architecture firm based in Berkeley, Calif., to design a preliminary master plan.
  4. 1 2 Penner, Diana (March 1, 1999). "Art museum land to become part of recreation trail" . The Indianapolis Star. pp. B1 and B6. Retrieved September 7, 2022 via Newspapers.com. About 100 acres, including the 30-acre lake, will still belong to the museum but will become part of the Indy Parks Greenways system, partners in the effort announced Sunday. (...) When he took a walk into the area some time ago, he discovered people riding bikes, walking their dogs and even one man fishing from an inner tube in the middle of the lake. He said it struck him that 'this is already a public park. Why don't we acknowledge that and do something' with the land. So the museum, the city's parks department, and the Indianapolis Water Co., which owns the canal, negotiated an agreement to open the area to the public — legally. (...) Taking inventory of existing flora and fauna, removing some non-native and 'rogue' plants that might choke others out, replanting native plants and making minor improvements to a footpath created by nature-loving trespassers.
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  10. 1 2 Lloyd, Christopher (September 19, 2008). "IMA breaks ground for park" . The Indianapolis Star. p. B3. Retrieved September 10, 2022 via Newspapers.com. IMA staff held the groundbreaking Thursday for the Virginia B. Fairbanks Art & Nature Park, which they have nicknamed 100 Acres. (...) '(We are) taking a property which began in effect as an industrial site after it left the natural one, became a wasteland, and then nature reclaimed it. And today the IMA hopes to leave nature in charge to a very considerable extent,' said Maxwell Anderson, director and chief executive of the IMA. (...) A previously planned 1,500-foot bridge connecting the park to the main museum building by artist Mary Miss was scrapped earlier this summer after it proved too expensive and would have had too great an impact on the facility's natural environment.
  11. Marshall, Konrad (June 7, 2008). "IMA scales down plans for park" . The Indianapolis Star. p. B7. Retrieved September 10, 2022 via Newspapers.com. When the Indianapolis Museum of Art's Virginia B. Fairbanks Art & Nature Park opens in the fall of 2009, it will do so without the highly anticipated 1,500-foot walkway planned by New York-based environmental artist Mary Miss. Lisa Freiman, senior curator of contemporary art at the IMA, said Friday that the Miss project was going to cost upward of $8 million and that the 600-ton steel structure also was going to have an 'enormous impact on the natural environment.' (...) Maxwell Anderson, the museum's CEO, said Miss has been invited to contribute another project to the museum, 'making a work which is more environmentally sensitive and exploring possibilities that aren't as engineering-intense.' (...) In other changes announced Friday, the art park will no longer split the proposed visitors' center into two buildings (including an educational center). It will instead be a single, 3,000-square-foot complex. (...) 'We knew it was a floodway. But they found they could only build on less than an acre of the 100-acre site.' (...) Danish artist Jeppe Hein has been commissioned for one of the inaugural installations, replacing Haluk Akakce, whose project was halted because of scheduling conflicts. A project by Peter Eisenman also has been postponed until the second phase of the project...
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