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1961 in jazz | |
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Decade | 1960s in jazz |
Music | 1961 in music |
Standards | List of post-1950 jazz standards |
See also | 1960 in jazz – 1962 in jazz |
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This is a timeline documenting events of jazz in the year 1961.
John Gilmore was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s.
This is a timeline documenting events of Jazz in the year 1960.
This is a timeline documenting events of Jazz in the year 1962.
This is a timeline documenting events of Jazz in the year 1963.
This is a timeline documenting events of Jazz in the year 1964.
This is a timeline documenting events of Jazz in the year 1965.
This is a timeline documenting events of Jazz in the year 1959.
This is a timeline documenting events of Jazz in the year 1966.
This is a timeline documenting events of Jazz in the year 1967.
This is a timeline documenting events of Jazz in the year 1969.
This is a timeline documenting events of Jazz in the year 1970.
This is a timeline documenting events of Jazz in the year 1987.
This is a timeline documenting events of Jazz in the year 1954.
This is a timeline documenting events of Jazz in the year 1953.
This is a timeline documenting events of Jazz in the year 1956.
This is a timeline documenting events of Jazz in the year 1957.
This is a timeline documenting events of Jazz in the year 1958.
This is a timeline documenting events of Jazz in the year 1945.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.