|Alice Doesn't Live Here Anymore|
Theatrical release poster
|Directed by||Martin Scorsese|
|Produced by||Audrey Maas|
|Written by||Robert Getchell|
|Starring|| Ellen Burstyn |
|Cinematography||Kent L. Wakeford|
|Edited by||Marcia Lucas|
|Distributed by||Warner Bros.|
|Box office||$21 million|
Alice Doesn't Live Here Anymore is a 1974 American romantic comedy-drama film directed by Martin Scorsese and written by Robert Getchell.It stars Ellen Burstyn as a widow who travels with her preteen son across the Southwestern United States in search of a better life. Kris Kristofferson, Billy "Green" Bush, Diane Ladd, Valerie Curtin, Lelia Goldoni, Vic Tayback, Jodie Foster, Alfred Lutter and Harvey Keitel are featured in supporting roles. It was one of Jodie Foster's earliest notable film appearances before her breakthrough with Scorsese's Taxi Driver (1976).
Romance films or romance movies are romantic love stories recorded in visual media for broadcast in theaters and on TV that focus on passion, emotion, and the affectionate romantic involvement of the main characters and the journey that their genuinely strong, true and pure romantic love takes them through dating, courtship or marriage. Romance films make the romantic love story or the search for strong and pure love and romance the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family that threaten to break their union of love. As in all quite strong, deep, and close romantic relationships, tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
Martin Charles Scorsese is an American and naturalized-Italian filmmaker and historian, whose career spans more than 50 years. Scorsese's body of work addresses such themes as Italian-American identity, Roman Catholic concepts of guilt and redemption, faith, machismo, modern crime, and gang conflict. Many of his films are also known for their depiction of violence and liberal use of profanity.
Robert Getchell was an American screenwriter. Getchell wrote the 1974 film Alice Doesn't Live Here Anymore and created the sitcom based on that film, Alice. Getchell was also the screenwriter for the 1981 Docudrama film Mommie dearest which is based on Christina Crawford's nightmarish childhood with her violent and manipulative alcoholic adoptive mother, the actress Joan Crawford. The film was meant to be taken seriously with a subject concerning child abuse/trafficking however, Getchell's unusual script became over-the-top and unintentionally amusing that it won the 2nd Golden Raspberry award for worst Screenplay which developed Mommie Dearest into a memorable cult film.
Alice Doesn't Live Here Anymore premiered at the 27th Cannes Film Festival where it competed for the Palme d'Or and was released theatrically on December 9, 1974, by Warner Bros. The film was a critical and commercial success, grossing $21 million on a $1.8 million budget. At the 47th Academy Awards, Burstyn won Best Actress, while Ladd and Getchell received nominations for Best Supporting Actress and Best Original Screenplay.
The 27th Cannes Film Festival was held from 9 to 24 May 1974. The Grand Prix du Festival International du Film went to The Conversation by Francis Ford Coppola.
The Palme d'Or is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the festival's organizing committee. Previously, from 1939 to 1954, the highest prize at the festival was the Grand Prix du Festival International du Film. In 1964, The Palme d'Or was replaced again by the Grand Prix, before being reintroduced in 1975.
Warner Bros. Entertainment Inc., commonly referred to as Warner Bros. and abbreviated as WB, is an American entertainment company headquartered in Burbank, California and a subsidiary of AT&T's WarnerMedia. Founded in 1923, it has operations in film, television and video games and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association of America (MPAA).
When Socorro, New Mexico housewife Alice Hyatt's uncaring husband Donald is killed in an auto accident, she decides to have a garage sale, pack what's left of her meager belongings, and take her precocious son Tommy to her childhood hometown of Monterey, California, where she hopes to pursue the singing career she abandoned when she married.
Socorro is a city in Socorro County in the U.S. state of New Mexico. It is in the Rio Grande Valley at an elevation of 4,579 feet (1,396 m). In 2012 the population was 8,906. It is the county seat of Socorro County. Socorro is located 74 miles (119 km) south of Albuquerque and 146 miles (235 km) north of Las Cruces.
Monterey is a city in California. Founded on June 3, 1770, it was the capital of Alta California under both Spain and Mexico until 1850. Monterey hosted California's first theater, public building, public library, publicly funded school, printing press, and newspaper. Monterey was the only port of entry for taxable goods in California. In 1846, the U.S. flag was raised over the Customs House, and California became part of the United States after the Mexican–American War.
Their financial situation forces them to take temporary lodgings in Phoenix, Arizona, where she finds work as a lounge singer in a seedy bar. There she meets Ben, who uses his charm to lure her into a sexual relationship that comes to a sudden end when his wife Rita confronts Alice. Ben breaks into Alice's apartment while Alice is there and physically assaults Rita for interfering with his extramarital affair. When Alice tells Ben to calm down, he threatens her also and further smashes up the apartment. Fearing for their safety, Alice and Tommy quickly leave town.
Phoenix is the capital and most populous city of Arizona, with 1,660,272 people. It is also the fifth most populous city in the United States, and the most populous American state capital, and the only state capital with a population of more than one million residents.
Having spent most of the little money she earned on a new wardrobe, Alice is forced to delay her journey to the West Coast and accept a job as a waitress in Tucson so she can accumulate more cash. At the local diner owned by Mel, she eventually bonds with her fellow servers - independent, no-nonsense, outspoken Flo and quiet, timid, incompetent Vera — and meets divorced local rancher David, who soon realizes the way to Alice's heart is through Tommy.
Tucson is a city and the county seat of Pima County, Arizona, United States, and home to the University of Arizona. The 2010 United States Census put the population at 520,116, while the 2015 estimated population of the entire Tucson metropolitan statistical area (MSA) was 980,263. The Tucson MSA forms part of the larger Tucson-Nogales combined statistical area (CSA), with a total population of 1,010,025 as of the 2010 Census. Tucson is the second-largest populated city in Arizona behind Phoenix, both of which anchor the Arizona Sun Corridor. The city is 108 miles (174 km) southeast of Phoenix and 60 mi (97 km) north of the U.S.–Mexico border. Tucson is the 33rd largest city and the 58th largest metropolitan area in the United States (2014).
Still emotionally wounded from the difficult relationship she had with her uncommunicative husband and the frightening encounter she had with Ben, Alice is hesitant to get involved with another man so quickly. However, she finds out that David is a good influence on Tommy, who has befriended wisecracking, shoplifting, Ripple-guzzling Audrey, a slightly older girl forced to fend for herself while her mother makes a living as a prostitute.
Alice and David warily fall in love, but their relationship is threatened when Alice objects to his discipline of the perpetually bratty Tommy. The two reconcile, and David offers to sell his ranch and move to Monterey so Alice can try to fulfill her childhood dream of becoming another Alice Faye. In the end, Alice decides to stay in Tucson, coming to the conclusion that she can become a singer anywhere.
Director Martin Scorsese cameoed as a customer while Diane Ladd's daughter, future actress Laura Dern, appears as the little girl eating ice cream from a cone in the diner.
The part of Alice was originally offered to Shirley MacLaine.However, MacLaine turned down the role. MacLaine admitted in a 2005 interview that she regretted this decision.
Ellen Burstyn was still in the midst of filming The Exorcist when Warner Bros. executives expressed interest in working with her on another project. Burstyn later recalled, "It was early in the woman's movement, and we were all just waking up and having a look at the pattern of our lives and wanting it to be different... I wanted to make a different kind of film. A film from a woman's point of view, but a woman that I recognized, that I knew. And not just myself, but my friends, what we were all going through at the time. So my agent found Alice Doesn't Live Here Anymore... When I read it I liked it a lot. I sent it to Warner Brothers and they agreed to do it. Then they asked who I wanted to direct it. I said that I didn't know, but I wanted somebody new and young and exciting. I called Francis Coppola and asked who was young and exciting and he said 'Go look at a movie called Mean Streets and see what you think.' It hadn't been released yet, so I booked a screening to look at it and I felt that it was exactly what...Alice needed, because [it] was a wonderful script and well written, but for my taste it was a little slick. You know – in a good way, in a kind of Doris Day–Rock Hudson kind of way. I wanted something a bit more gritty."
Burstyn described her collaboration with director Martin Scorsese, making his first Hollywood studio production,as "one of the best experiences I've ever had". The director agreed with his star that the film should have a message. "It's a picture about emotions and feelings and relationships and people in chaos," he said. "We felt like charting all that and showing the differences and showing people making terrible mistakes ruining their lives and then realizing it and trying to push back when everything is crumbling – without getting into soap opera. We opened ourselves up to a lot of experimentation."
Scorsese's casting director auditioned 300 boys for the role of Tommy before they discovered Alfred Lutter. "I met the kid in my hotel room and he was kind of quiet and shy," Scorsese said. But when he paired him with Burstyn and suggested she deviate from the script, he held his own. "Usually, when we were improvising with the kids, they would either freeze and look down or go right back to the script. But this kid, you couldn't shut him up."
The film was shot on location predominantly in and around Tucson, but some scenes were shot in Amado, and Phoenix. A Mel's Diner still exists in Phoenix.
The soundtrack includes "All the Way from Memphis" by Mott the Hoople; "Roll Away the Stone" by Leon Russell; "Daniel" by Elton John; "Jeepster" by T-Rex; and "I Will Always Love You" by Dolly Parton. During her lounge act, Alice sings "Where or When" by Richard Rodgers and Lorenz Hart; "When Your Lover Has Gone" by Einar Aaron Swan; "Gone with the Wind" by Allie Wrubel and Herb Magidson; and "I've Got a Crush on You" by George and Ira Gershwin. In a film clip from Coney Island , Betty Grable is heard singing "Cuddle Up a Little Closer, Lovey Mine" by Otto A. Harbach and Karl Hoschna; and in a film clip from Hello Frisco, Hello , Alice Faye performs "You'll Never Know" by Harry Warren and Mack Gordon.
Upon its release, the film received critical acclaim and grossed $21 million worldwide.On Rotten Tomatoes, the film has an 88% "Fresh" rating. Vincent Canby of The New York Times called it a "fine, moving, frequently hilarious tale" and observed it "is an American comedy of the sort of vitality that dazzles European film critics and we take for granted. It's full of attachments and associations to very particular times and places, even in the various regional accents of its characters. It's beautifully written...and acted, but it's not especially neatly tailored... At the center of the movie and giving it a visible sensibility is Miss Burstyn, one of the few actresses at work today...who is able to seem appealing, tough, intelligent, funny, and bereft, all at approximately the same moment. It's Miss Burstyn's movie and part of the enjoyment of the film is in the director's apparent awareness of this fact... Two other performances must be noted, those of Diane Ladd and Valerie Curtin... Their marvelous contributions in small roles are a measure of the film's quality and of Mr. Scorsese's fully realized talents as one of the best of the new American film-makers."
Roger Ebert of the Chicago Sun-Times called the film "one of the most perceptive, funny, occasionally painful portraits of an American woman I've seen" and commented, "The movie has been both attacked and defended on feminist grounds, but I think it belongs somewhere outside ideology, maybe in the area of contemporary myth and romance."Ebert put the film at #3 of his list of the best films of 1975 (even though the film came out in '74).
The film did not go without its detractors, however. Variety thought the film was "a distended bore," saying it "takes a group of well-cast film players and largely wastes them on a smaller-than-life film — one of those 'little people' dramas that makes one despise little people."
TV Guide rated the film three out of four stars, calling it an "effective but uneven work" with performances that "cannot conceal the storyline's shortcomings."
Ellen Burstyn won the Academy Award for Best Actress. Diane Ladd was nominated for the Academy Award for Best Supporting Actress but lost to Ingrid Bergman in Murder on the Orient Express , and Robert Getchell was nominated for the Academy Award for Best Original Screenplay but lost to Robert Towne for Chinatown .
The film won the BAFTA Award for Best Film, and BAFTA Awards went to Burstyn for Best Actress in a Leading Role, to Diane Ladd for Best Actress in a Supporting Role, and to Getchell for Best Screenplay. Martin Scorsese was nominated for Best Direction but lost to Stanley Kubrick for Barry Lyndon .
Getchell was nominated for the Writers Guild of America Award for Best Original Screenplay, Burstyn and Ladd were nominated for Golden Globe Awards for Best Actress in a Motion Picture Drama and Best Supporting Actress in a Motion Picture, respectively, and Scorsese was nominated for the Palme D'Or at the 1975 Cannes Film Festival.
The film inspired the sitcom Alice, which was broadcast by CBS from August 1976 through July 1985. The only member of the film cast to reprise his role was Vic Tayback as Mel (though his diner was moved to Phoenix). Alfred Lutter portrayed Tommy in the pilot episode but was replaced by Philip McKeon for the series. Diane Ladd joined the show later in its run, but in a role different from that she had played in the film.
Warner Home Video released the film on Region 1 DVD on August 17, 2004. It is in anamorphic widescreen format with audio tracks in English and French and subtitles in English, French, and Spanish. Bonus features include commentary by Martin Scorsese, Ellen Burstyn, and Kris Kristofferson and Second Chances, a background look at the making of the film.
The movie was parodied in The Simpsons by Troy McClure in "Alice Doesn't Live Anymore".
Ellen Burstyn is an American actress best known for her roles in films of the 1970s, such as The Last Picture Show, The Exorcist, and Alice Doesn't Live Here Anymore, for which she won an Academy Award.
Diane Ladd is an American actress, film director, producer and author. She has appeared in over 120 film and television roles. For the 1974 film Alice Doesn't Live Here Anymore, she won the BAFTA Award for Best Actress in a Supporting Role and was nominated for the Academy Award for Best Supporting Actress. She went on to win the Golden Globe Award for Best Supporting Actress on Television for Alice (1980–81), and to receive Academy Award nominations for Wild at Heart (1990) and Rambling Rose (1991). Her other film appearances include Chinatown (1974), Ghosts of Mississippi (1996), Primary Colors (1998), 28 Days (2000), and American Cowslip (2008). Ladd is the mother of actress Laura Dern, with her ex-husband, actor Bruce Dern.
Alice is an American sitcom that aired on CBS from August 31, 1976, to March 19, 1985. The series is based on the 1974 film Alice Doesn't Live Here Anymore. The show stars Linda Lavin in the title role, a widow who moves with her young son to start life over again, and finds a job working at a roadside diner in Phoenix, Arizona. Most of the episodes revolve around events at Mel's Diner, where Alice is employed.
Victor Tayback was an American actor. He is best known for his role as diner owner Mel Sharples in the comedy-drama film Alice Doesn't Live Here Anymore (1974) and the television sitcom Alice (1976–1985), for which he won two consecutive Golden Globes.
Valerie Curtin is an American actress and screenwriter.
All Night Long is a 1981 American romantic comedy film starring Barbra Streisand, Gene Hackman, Diane Ladd, Dennis Quaid, Kevin Dobson, and William Daniels, written by W. D. Richter and directed by Jean-Claude Tramont.
Laura Elizabeth Dern is an American actress. She is the recipient of numerous accolades, including four Golden Globe Awards and a Primetime Emmy Award, and has been nominated for two Academy Awards.
Melvin Emory Sharples is a fictional character in the film Alice Doesn't Live Here Anymore (1974) and the television sitcom Alice (1976–1985). The character was played by Vic Tayback, who reprised his film role for the television sitcom.
Florence Jean Castleberry, better known to all as "Flo", is a fictional character in the movie Alice Doesn't Live Here Anymore, the subsequent television series, Alice, and that show's spinoff, Flo. In the movie, Flo was played by actress Diane Ladd, and on the television series she was played by Polly Holliday.
Alice Hyatt is a fictional character in the movie Alice Doesn't Live Here Anymore and in the subsequent television series Alice. In the movie, she was played by Ellen Burstyn, who won an Academy Award for the role. In the television series, Alice was played by actress and singer Linda Lavin.
Harold Spina was an American composer of popular songs. His best-known work happened in the early 1930s, when he collaborated with lyricists Johnny Burke and Joe Young on songs such as "Annie Doesn't Live Here Anymore", "You're Not the Only Oyster in the Stew", "My Very Good Friend the Milkman", "Shadows on the Swanee", "The Beat of My Heart", "Now You've Got Me Doing It", and "I've Got a Warm Spot in My Heart for You". He also collaborated with lyricist John Elliot for several songs, including "It's So Nice To Have A Man Around The House".
Sandra Weintraub Roland is an American soap opera writer and producer. She is most notable for her writing on CBS's The Young and the Restless, which she has written in different positions since 1998. In the 1970s she was also notable for her close relationship with Martin Scorsese. They lived together for four years during which time she worked on Scorsese's Alice Doesn't Live Here Anymore as associate producer, and also served in other production capacities on Taxi Driver and Mean Streets. In addition, she appeared briefly, and uncredited, in the latter film. Raised in New York City, she is one of four children of former Warner Bros. production executive Fred Weintraub.
For the restaurant chain, see Mel's Drive-In
Alfred Lutter (III) is an American former child actor.
Lelia Goldoni is an American actress who appeared in a number of motion pictures and television shows starting in the late-1940s, including uncredited cameo roles in Joseph L. Mankiewicz's House of Strangers (1949), John Huston's We Were Strangers (1949) and The Italian Job (1969). She appeared as Denise James in the 1965 horror film Hysteria.
The 29th British Film Awards, given by the British Academy of Film and Television Arts in 1976, honoured the best films of 1975.
The Cemetery Club is a 1993 film directed by Bill Duke. The film stars Olympia Dukakis, Ellen Burstyn, Diane Ladd and Danny Aiello.
Kent Lon Wakeford is an American cinematographer, the co-founder of Wakeford / Orloff Productions and founder of Kent Wakeford and Associates, two commercial production companies.
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